Publisher, Rural Fiction Magazine; publisher, The Chamber Magazine; founder, the Farmington Writers Circle. I have written short stories and poetry for many years. In my careers as a Naval officer and in the federal government, I have written thousands of documents of many types. I am currently working on a second edition for my poetry collection and a few novels.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
My e-book collection of horror shorts A Tale of Hell and Other Works of Horror” is available on Amazon Kindle. For your copy, go to my Amazon author’s page (amazon.com/author/philslattery) where you can find links to my other works as well.
In this collection of published and previously unpublished stories of horror, I offer a look into the minds of people who perpetrate horrors, from acts of stupidity with unintended results to cold-hearted revenge to pure enjoyment to complete indifference. Settings range from 17th-century France in the heart of the werewolf trials to the resurrection of the Aztec black arts to a medicine man’s revenge in the Old West to the depths of Hell to mob vengeance and modern day necromancy to sociopathic serial killers and on to alien worlds in the distant future.
Don’t forget to show your appreciation for these tales by leaving a review on Amazon, Goodreads, or other social media.
P.S. Winn gave the collection four stars on Amazon, calling it “Great variety”, and commented: “The author has given readers a fantastic collection of varied horror stories. Short stories, flash fiction and even shorter micro fiction tales are included in a collection that might have readers keeping their lights on. I have read other books by this author and love the writing style and the way his words draw one into the tales.”
Comments on previously published stories (which are only a part of those in this collection) include:
Jay Manning, editor of Midnight Times commented in its Spring, 2006 issue: “Wolfsheim” is basically a traditional horror story that tells the tale of a small European village confronted by the threat of werewolves. If you like stories about lycans, you definitely need to check this one out. Great stuff.”
Publisher Charlie Fish of Fiction on the Web summarizes A “Tale of Hell” as a “… chilling vision of hell”. Other comments on “A Tale of Hell” from readers of Fiction on the Web:
“An intense and well paced story, cleverly leading the reader up a number of garden paths before Jack’s reality finally clarifies and appears in all its horror. The writing is focused and spare as Jack’s malevolent characteristics and idiosyncrasies manifest themselves…Overall a strong tale that lingers in the imagination…”
“brilliantly descriptive piece on man´s apparently unstoppable descent, literally into hell,…”
” Enjoyed this story. I thought it was nicely written. Started with a familiar vision of hell, but added several unique treatments; kept me interested in how it all would end. Thanks”
Publisher Charlie Fish of Fiction on the Web summarizes “Dream Warrior” as a “…powerful revenge epic about a man who visits his Mexican grandfather for spiritual guidance after a violent crime results in the death if his fiancée”. Fiction on the Web readers commented:
“quite literally a rite of passage, mystical and with an interesting payoff, one which Miguel may have to reckon with in time. some very good writing and characterisation. well done”
“…this is a rite of passage, complex and rich with significance. The cultural invocations are vivid and intense, the work of a writer in his/her full stride. The future for Miguel, who knows? The readers interest is fully engaged with what is to come…”
“Really enjoyed the story-kept me up past my bedtime reading it!”
“I loved the concept, was fascinated by the almost hallucinatory detail of legend with its fatal shadowlands.”
Reader comments on “Murder by Plastic” include:
“Chilling and brilliantly economical”
“Very well-paced and intriguing”
“Fabulous story! Five stars!”
Follow me using the link on the homepage or check back frequently for updates.
Don’t forget to leave a review on Amazon, Goodreads, or on other social media.
Just now, I finished adding Amazon’s new service, X-Ray, to my short story collection Diabolical: Three Tales of Jack Thurston and Revenge. X-Ray inserts links into a Amazon Kindle text which lead either to a Wikipedia article or to comments by the author on a character or term in the text. It’s easy to use. I like it, because in a work like Diabolical, there are many obscure terms which may need clarification to some readers. I feel this will help the reader enjoy the work more, because he/she will not need to run to a dictionary, encyclopedia, or to a search engine to find out the background on a character or term, especially if they are historical. For example, in these tales I use the names of several demons which are cited in historical works. Probably very few people would recognize the names of these demons (such as Azazel or Belial) and would need to do at least a little research to find out their significance.
This also helps with marketing my other works in which some of these characters may be mentioned. In my own comments on a character or term, I can mention in what other works that character appear and how to find and purchase those works.
Yesterday, I added X-Ray to my short story collection The Scent and Other Stories. Go to amazon.com/author/philslattery to learn more about each book and to purchase one or both.
On Thursday the 5th, I made use of a new Kindle author’s feature called X-Ray. X-Ray links characters and terms in an author’s work to either links (written by the author) or to Wikipedia Articles about the character/term. It is very easy to use. An author goes to his/her KDP page for the work and selects a button to enable X-Ray. After a short time of a half-hour or longer, when the author comes back to that KDP book, a drop-down menu of characters and terms from the work are displayed. The author goes through each and decides whether to include that character/term among the links, choosing a radio button for his/her choice. He/she can then either write a short description of the character/term or select a Wikipedia article on it. After all characters and terms have been reviewed, the author can publish the ones chosen. Then, after about a half-hour or so, links will appear in the Kindle ebook, which a reader can click and which will take him/her to the author’s or the Wikipedia article.
I think this is a neat service to provide to readers. It is also something an author can advertise about his/her works, which may give an advantage over non-X-Ray-enabled works in the marketplace. Simply writing an article about it, as I have done here, will garner a little more publicity for the author.
I tested this on The Scent and Other Stories tonight. Get an e-copy when you can and check it out. You can purchase a copy from Amazon at anytime or you can wait until Christmas Eve, which, if I recall correctly, is the next time that The Scent and Other Stories is offered free.
If you are a Kindle author, be certain to check out this new feature.
I will be doing this for my other works as time permits.
The new cover for Nocturne as of November 15, 2019.
Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover is a collection of my poetry written from the mid-80’s to mid-90s, a turbulent, fluid time in my life in many ways, but especially romantically. I have taken many of the poems written during those years and compiled them into a dark narrative capturing the emotional turmoil of a narrator who descends from romantic love for a woman into a lonely world of alcohol and night clubs, where his only love is the night that envelopes him psychologically, emotionally, and physically. It is about 110 print pages in length and lavishly illustrated with photos I found in the public domain (no, those are not photos of me or of my former paramours).
I have tried to make this a wonderful experience for the reader, exploring the bliss of love to the depths of despair and then to resignation to one’s fate in an existential crisis.
Don’t forget to leave a review on Amazon or Goodreads or other social media!
While there, you might want to check out my other work on relationships: The Scent and Other Stories. In this collection of short stories, I explore the dark, sometimes violent, sometimes twisted, sometimes touching side of love, the side kept not only from public view, but sometimes from our mates. Set in the modern era, these stories range from regretting losing a lover to forbidden interracial love in the hills of 1970’s Kentucky to a mother’s deathbed confession in present-day New Mexico to debating pursuing a hateful man’s wife to the callous manipulation of a lover in Texas.
Two reviews have warm praise for Nocturne…:
J. Muckley calls it “Beautiful, Sad, Authentic and Vulnerable Look at Love and Loss” and gives it five stars, saying:
Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover by Phil Slattery is a deep and raw “picture” of experiencing love and lovers of varying type, capturing the moments of ecstasy and pain in a most beautiful way.
Slattery speaks with one voice as his words and pictures depict the full range of human love and loss that both tempts the soul to engage and urges the heart to resist. His opening quote by Augustine of Hippo captures this work perfectly: “I was not yet in love, yet I loved to love…I sought what I might love, in love with loving.” –Augustine of Hippo
The poems are mostly untitled and written in free verse form. The reader meanders through the past relationships as they ebb and flow through varying stages. The introduction poem tells of the types of poem you will soon encounter:
nights of love
full of life and laughter
as empty as an empty
bottle
The poem closes:
Bring me to that ultimate pleasure
in your all-consuming eyes.
Let us become one
and share the horrors of this
world
All in all, Nocturne, is a beautiful but sad read that speaks to the reality of love and holds nothing back. It engages the mind and the heart longing for lasting, meaningful love that always seems just outside of its reach.
P.S. Winn calls it “Great Poems with Pictures”, gives it four stars, and says:
I like this author’s poems which have a great feel to them. The book is about love but a lot more is included inside the pages. I like the photos the author included to enhance the poetry. A few of the poems held descriptive words about nature and I enjoyed the way the picture author paints in the readers mind is also displayed in the photographs that correspond with the words.
I am reposting this list for International Women’s day. I would also like to ask for help from anyone who would like to aid in creating individual posts for each of the names in this list and any that have been left out. Most of the evidence for these authors has been collected only in […]
The new cover for Nocturne as of November 15, 2019.
Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover is a collection of my poetry written from the mid-80’s to mid-90s, a turbulent, fluid time in my life in many ways, but especially romantically. I have taken many of the poems written during those years and compiled them into a dark narrative capturing the emotional turmoil of a narrator who descends from romantic love for a woman into a lonely world of alcohol and night clubs, where his only love is the night that envelopes him psychologically, emotionally, and physically. It is about 110 print pages in length and lavishly illustrated with photos I found in the public domain (no, those are not photos of me or of my former paramours).
I have tried to make this a wonderful experience for the reader, exploring the bliss of love to the depths of despair and then to resignation to one’s fate in an existential crisis.
Don’t forget to leave a review on Amazon or Goodreads or other social media!
While there, you might want to check out my other work on relationships: The Scent and Other Stories. In this collection of short stories, I explore the dark, sometimes violent, sometimes twisted, sometimes touching side of love, the side kept not only from public view, but sometimes from our mates. Set in the modern era, these stories range from regretting losing a lover to forbidden interracial love in the hills of 1970’s Kentucky to a mother’s deathbed confession in present-day New Mexico to debating pursuing a hateful man’s wife to the callous manipulation of a lover in Texas.
Two reviews have warm praise for Nocturne…:
J. Muckley calls it “Beautiful, Sad, Authentic and Vulnerable Look at Love and Loss” and gives it five stars, saying:
Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover by Phil Slattery is a deep and raw “picture” of experiencing love and lovers of varying type, capturing the moments of ecstasy and pain in a most beautiful way.
Slattery speaks with one voice as his words and pictures depict the full range of human love and loss that both tempts the soul to engage and urges the heart to resist. His opening quote by Augustine of Hippo captures this work perfectly: “I was not yet in love, yet I loved to love…I sought what I might love, in love with loving.” –Augustine of Hippo
The poems are mostly untitled and written in free verse form. The reader meanders through the past relationships as they ebb and flow through varying stages. The introduction poem tells of the types of poem you will soon encounter:
nights of love
full of life and laughter
as empty as an empty
bottle
The poem closes:
Bring me to that ultimate pleasure
in your all-consuming eyes.
Let us become one
and share the horrors of this
world
All in all, Nocturne, is a beautiful but sad read that speaks to the reality of love and holds nothing back. It engages the mind and the heart longing for lasting, meaningful love that always seems just outside of its reach.
P.S. Winn calls it “Great Poems with Pictures”, gives it four stars, and says:
I like this author’s poems which have a great feel to them. The book is about love but a lot more is included inside the pages. I like the photos the author included to enhance the poetry. A few of the poems held descriptive words about nature and I enjoyed the way the picture author paints in the readers mind is also displayed in the photographs that correspond with the words.
In this collection of short stories, I explore the dark, sometimes violent, sometimes twisted, sometimes touching side of love, the side kept not only from public view, but sometimes from our mates. Set in the modern era, these stories range from regretting losing a lover to forbidden interracial love in the hills of 1970’s Kentucky to a mother’s deathbed confession in present-day New Mexico to debating pursuing a hateful man’s wife to the callous manipulation of a lover in Texas.
Praise for Stories Contained in “The Scent and Other Stories”:
The Scent
“This story has a lovely dreamy quality whilst being unsettling too. It lingers on half processed emotional experiences and leaves the reader asking ‘what if’ and ‘if only’ – feelings that are familiar for so many people.”
“You wrote about something we can all relate to – how, out of the blue, the scent of something evokes a memory of something long past; and the emotions we felt at the time! A clever story …”
“This descriptive piece about remembrance, the thought of what might have been, is a common sad thread that will resonate with those have experienced the pain of that one love lost. Slattery’s use of scent was exquisite as we feel Quinn’s pain and hope that he finds his peace, at last.”
Decision
“Fantastic writing – I held my breath for most of the story. The descriptions of the countryside and the people were beautiful and the tension compelling. This could possibly be the start of a novel or a suite of stories. Thank you very much and good luck with your writing in the future”
“Suspenseful and engaging. The dialogue and descriptions kept pace with the action. Well done.”
A Good Man
“Lots of detail examining an old question of how do you judge a person’s life. It left me wondering.”
“Great job capturing the social climate of the sixties. Good choice for how to present the story – deathbed “confession” by the mother. I enjoyed it.”
The Slightest of Indiscretions
“Excellent writing brings this poignant story to life and makes the reader work to understand more of what might be. Very many thanks for a satisfying, emotionally intelligent read…”
If you enjoy poems about love, check out my poetry collection Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.
I received a link to the following in an email from my undergraduate poetry teacher the amazing poet and translator Olga Broumas. The post is on tumblr on a page by DiasporaChic, bit the original author who has already won my admiration is Terpsikeraunos. As usual, just when I thought I knew something, someone comes along […]
Pliny, Letters 3.16 “I believe I have already noted that the more famous deeds and words of men and women are sometimes not their greatest ones. My opinion was confirmed yesterday during a conversation with Fannia. She is a granddaughter of that Arria who was a source of strength and an example for her husband […]
“Tell me again why we have to kill this guy and take his island,” said T.J., looking across the saltwater to a flat island a little over a hundred yards long and less than a hundred wide. Bushes and a few palms sheltered a small cabin and pier from the wind in all directions, except on the north side, where the shore was barren sand.
T.J. licked his lips and tasted the salt from the spray the small powerboat had kicked up on its trip down the Laguna Madre. He wanted to head back to Corpus Christi soon. He liked the taste of the salt, because it reminded him of the taste of a margarita, but that was all he liked about this day. He had no love for the Texas heat or for the oppressive humidity or for the roll of the boat in the slight chop or for the bright sunlight filtering through the haze. He hated these more than he hated killing, but he did what he had to to make a living.
So begins my novelette Click, the story of Frank Martinez and the two drugrunners that want the island where he is staying.
Frank Martinez, a policeman with the Corpus Christi Police Department, has unintentionally shot and killed an unarmed man when called to intercede in a domestic violence case. To recover from the guilt while the incident is under investigation by the CCPD, Frank’s fiancée arranges for him to stay on a secluded island owned by her father’s former law partner. While dozing one night on a lounge chair in the yard, he awakes to find two hitmen slipping onto the island and breaking into the cabin. Are they after him? Are they after the cabin’s owner? Most importantly, how is he going to reach his pistol in his luggage in the bedroom?
My action-adventure/crime novelette, Click, is available on Kindle and in paperback. For either version and to read a sample, go to my Amazon author’s page: Amazon.com/author/philslattery.
My concept of Frank Martinez as portrayed by a photo from the public domain.
Reader Charles Stacey gave “Click” five stars, calls it “A great suspenseful read and then a twist”, and comments: “Author has a wonderful ability to develop the characters using few words. Great foreshadowing to build suspense. And then a really outstanding twist at the end that left me smiling.”
An anonymous Amazon customer gave it five stars, called it “strong storytelling”, and commented, “This novelette is a quick and very entertaining read. It opened with a grabber (“Tell me again whey we have to kill this guy…”) and kept pulling me in from there. Frank Martinez is a cop trying to recover from a shooting incident in solitude on an island off the Texas gulf coast. T.J. and Benny are the bad guys. Their hunt and chase on the small island kept me in suspense. It ends with a surprise twist. Slattery proves here he is a good storyteller.”
While on my author’s page, check out my other works.
Cover of the original Kindle edition
Don’t forget to leave a review on Amazon, Goodreads, or other social media.
Check back frequently for updates or follow me (on the homepage).
Jack Thurston is a retired professor of medieval literature and history. He is also a widower and father and a retired sorcerer who has returned to the black arts to exact revenge for the death of his wife, daughter, and brother. He has an intriguing position in the universe at a focal point of life, the afterlife, logic and reason, anger and hatred, the ancient and the modern worlds, grief and his attempts to escape grief through self-destruction. Though he wants to have the peace he once found with his wife, Agatha, he is pulled in many directions by circumstance and by his powerful negative emotions.
I am a fan of the old school horror practiced by such authors as H.P. Lovecraft, Poe, Edward Lucas White, and Arthur Machen. I endeavor to make a story as terrifying and suspenseful for the reader as possible without resorting to gratuitous blood and gore for a simple shock or quick feeling of disgust.
This collection of three short tales is perfect for those who have only a few short breaks to escape into the hidden world of horror, black magic, sorcery, and anger-fueled revenge.
Currently, Jack has a Twitter account (@jthurston666), where he has attracted a small following and where it has only recently been revealed that he is fictional. Jack has his own blog at jackthurstonblog.wordpress.com (a work in progress) and his own e-mail at jackthurston666@gmail.com.
Information on more social media accounts and other characters (as they are developed) can be found at: philslattery.wordpress.com. Please interact with him at any of his social media accounts as you would with a real person.
Show your appreciation for these stories by leaving a review on Amazon, Goodreads, or other social media.
If you enjoy horror, check out my collection of horror short stories A Tale of Hell and Other Works of Horror: Stories of wizards, werewolves, serial killers, alien worlds, and the damned, which includes these stories.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
My e-book collection of horror shorts A Tale of Hell and Other Works of Horror” is available on Amazon Kindle. For your copy, go to my Amazon author’s page (amazon.com/author/philslattery) where you can find links to my other works as well.
In this collection of published and previously unpublished stories of horror, I offer a look into the minds of people who perpetrate horrors, from acts of stupidity with unintended results to cold-hearted revenge to pure enjoyment to complete indifference. Settings range from 17th-century France in the heart of the werewolf trials to the resurrection of the Aztec black arts to a medicine man’s revenge in the Old West to the depths of Hell to mob vengeance and modern day necromancy to sociopathic serial killers and on to alien worlds in the distant future.
Don’t forget to show your appreciation for these tales by leaving a review on Amazon, Goodreads, or other social media.
P.S. Winn gave the collection four stars on Amazon, calling it “Great variety”, and commented: “The author has given readers a fantastic collection of varied horror stories. Short stories, flash fiction and even shorter micro fiction tales are included in a collection that might have readers keeping their lights on. I have read other books by this author and love the writing style and the way his words draw one into the tales.”
Comments on previously published stories (which are only a part of those in this collection) include:
Jay Manning, editor of Midnight Times commented in its Spring, 2006 issue: “Wolfsheim” is basically a traditional horror story that tells the tale of a small European village confronted by the threat of werewolves. If you like stories about lycans, you definitely need to check this one out. Great stuff.”
Publisher Charlie Fish of Fiction on the Web summarizes A “Tale of Hell” as a “… chilling vision of hell”. Other comments on “A Tale of Hell” from readers of Fiction on the Web:
“An intense and well paced story, cleverly leading the reader up a number of garden paths before Jack’s reality finally clarifies and appears in all its horror. The writing is focused and spare as Jack’s malevolent characteristics and idiosyncrasies manifest themselves…Overall a strong tale that lingers in the imagination…”
“brilliantly descriptive piece on man´s apparently unstoppable descent, literally into hell,…”
” Enjoyed this story. I thought it was nicely written. Started with a familiar vision of hell, but added several unique treatments; kept me interested in how it all would end. Thanks”
Publisher Charlie Fish of Fiction on the Web summarizes “Dream Warrior” as a “…powerful revenge epic about a man who visits his Mexican grandfather for spiritual guidance after a violent crime results in the death if his fiancée”. Fiction on the Web readers commented:
“quite literally a rite of passage, mystical and with an interesting payoff, one which Miguel may have to reckon with in time. some very good writing and characterisation. well done”
“…this is a rite of passage, complex and rich with significance. The cultural invocations are vivid and intense, the work of a writer in his/her full stride. The future for Miguel, who knows? The readers interest is fully engaged with what is to come…”
“Really enjoyed the story-kept me up past my bedtime reading it!”
“I loved the concept, was fascinated by the almost hallucinatory detail of legend with its fatal shadowlands.”
Reader comments on “Murder by Plastic” include:
“Chilling and brilliantly economical”
“Very well-paced and intriguing”
“Fabulous story! Five stars!”
Follow me using the link on the homepage or check back frequently for updates.
Don’t forget to leave a review on Amazon, Goodreads, or on other social media.
I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy. You can find my works on my Amazon author’s page. Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click). The other two works are contained in A Tale of Hell and Other Works of Horror.
From Southwater, where he left the train, the road led due west. That he knew; for the rest he trusted to luck, being one of those born walkers who dislike asking the way. He had that instinct, and as a rule it served him well. “A mile or so due west along the sandy road till you come to a stile on the right; then across the fields. You’ll see the red house straight before you.” He glanced at the post-card’s instructions once again, and once again he tried to decipher the scratched-out sentence—without success. It had been so elaborately inked over that no word was legible. Inked-out sentences in a letter were always enticing. He wondered what it was that had to be so very carefully obliterated.
The afternoon was boisterous, with a tearing, shouting wind that blew from the sea, across the Sussex weald. Massive clouds with
Algernon Blackwood 1869-1951
rounded, piled-up edges, cannoned across gaping spaces of blue sky. Far away the line of Downs swept the horizon, like an arriving wave. Chanctonbury Ring rode their crest—a scudding ship, hull down before the wind. He took his hat off and walked rapidly, breathing great draughts of air with delight and exhilaration. The road was deserted; no horsemen, bicycles, or motors; not even a tradesman’s cart; no single walker. But anyhow he would never have asked the way. Keeping a sharp eye for the stile, he pounded along, while the wind tossed the cloak against his face, and made waves across the blue puddles in the yellow road. The trees showed their under leaves of white. The bracken and the high new grass bent all one way. Great life was in the day, high spirits and dancing everywhere. And for a Croydon surveyor’s clerk just out of an office this was like a holiday at the sea.
It was a day for high adventure, and his heart rose up to meet the mood of Nature. His umbrella with the silver ring ought to have been a sword, and his brown shoes should have been top-boots with spurs upon the heels. Where hid the enchanted Castle and the princess with the hair of sunny gold? His horse…
The stile came suddenly into view and nipped adventure in the bud. Everyday clothes took him prisoner again. He was a surveyor’s clerk, middle-aged, earning three pounds a week, coming from Croydon to see about a client’s proposed alterations in a wood—something to ensure a better view from the dining-room window. Across the fields, perhaps a mile away, he saw the red house gleaming in the sunshine; and resting on the stile a moment to get his breath he noticed a copse of oak and hornbeam on the right. “Aha,” he told himself “so that must be the wood he wants to cut down to improve the view? I’ll ’ave a look at it.” There were boards up, of course, but there was an inviting little path as well. “I’m not a trespasser,” he said; “it’s part of my business, this is.” He scrambled awkwardly over the gate and entered the copse. A little round would bring him to the field again.
But the moment he passed among the trees the wind ceased shouting and a stillness dropped upon the world. So dense was the growth that the sunshine only came through in isolated patches. The air was close. He mopped his forehead and put his green felt hat on, but a low branch knocked it off again at once, and as he stooped an elastic twig swung back and stung his face. There were flowers along both edges of the little path; glades opened on either side; ferns curved about in damper corners, and the smell of earth and foliage was rich and sweet. It was cooler here. What an enchanting little wood, he thought, turning down a small green glade where the sunshine flickered like silver wings. How it danced and fluttered and moved about! He put a dark blue flower in his buttonhole. Again his hat, caught by an oak branch as he rose, was knocked from his head, falling across his eyes. And this time he did not put it on again. Swinging his umbrella, he walked on with uncovered head, whistling rather loudly as he went. But the thickness of the trees hardly encouraged whistling, and something of his gaiety and high spirits seemed to leave him. He suddenly found himself treading circumspectly and with caution. The stillness in the wood was so peculiar.
There was a rustle among the ferns and leaves and something shot across the path ten yards ahead, stopped abruptly an instant with head cocked sideways to stare, then dived again beneath the underbrush with the speed of a shadow. He started like a frightened child, laughing the next second that a mere pheasant could have made him jump. In the distance he heard wheels upon the road, and wondered why the sound was pleasant. “Good old butcher’s cart,” he said to himself—then realised that he was going in the wrong direction and had somehow got turned round. For the road should be behind him, not in front.
And he hurriedly took another narrow glade that lost itself in greenness to the right. “That’s my direction, of course,” he said; “the trees has mixed me up a bit, it seems”—then found himself abruptly by the gate he had first climbed over. He had merely made a circle. Surprise became almost discomfiture then. And a man, dressed like a gamekeeper in browny green, leaned against the gate, hitting his legs with a switch. “I’m making for Mr. Lumley’s farm,” explained the walker. “This is his wood, I believe—” then stopped dead, because it was no man at all, but merely an effect of light and shade and foliage. He stepped back to reconstruct the singular illusion, but the wind shook the branches roughly here on the edge of the wood and the foliage refused to reconstruct the figure. The leaves all rustled strangely. And just then the sun went behind a cloud, making the whole wood look otherwise. Yet how the mind could be thus doubly deceived was indeed remarkable, for it almost seemed to him the man had answered, spoken—or was this the shuffling noise the branches made ?—and had pointed with his switch to the notice-board upon the nearest tree. The words rang on in his head, but of course he had imagined them: “No, it’s not his wood. It’s ours.” And some village wit, moreover, had changed the lettering on the weather-beaten board, for it read quite plainly, “Trespassers will be persecuted.”
And while the astonished clerk read the words and chuckled, he said to himself, thinking what a tale he’d have to tell his wife and children later—“The blooming wood has tried to chuck me out. But I’ll go in again. Why, it’s only a matter of a square acre at most. I’m bound to reach the fields on the other side if I keep straight on.” He remembered his position in the office. He had a certain dignity to maintain.
The cloud passed from below the sun, and light splashed suddenly in all manner of unlikely places. The man went straight on. He felt a touch of puzzling confusion somewhere; this way the copse had of shifting from sunshine into shadow doubtless troubled sight a little. To his relief at last, a new glade opened through the trees and disclosed the fields with a glimpse of the red house in the distance at the far end. But a little wicket gate that stood across the path had first to be climbed, and as he scrambled heavily over—for it would not open—he got the astonishing feeling that it slid off sideways beneath his weight, and towards the wood. Like the moving staircases at Harrod’s and Earl’s Court, it began to glide off with him. It was quite horrible. He made a violent effort to get down before it carried him into the trees, but his feet became entangled with the bars and umbrella, so that he fell heavily upon the farther side, arms spread across the grass and nettles, boots clutched between the first and second bars. He lay there a moment like a man crucified upside down, and while he struggled to get disentangled—feet, bars, and umbrella formed a regular net—he saw the little man in browny green go past him with extreme rapidity through the wood. The man was laughing. He passed across the glade some fifty yards away, and he was not alone this time. A companion like himself went with him. The clerk, now upon his feet again, watched them disappear into the gloom of green beyond. “They’re tramps, not gamekeepers,” he said to himself, half mortified, half angry. But his heart was thumping dreadfully, and he dared not utter all his thought.
He examined the wicket gate, convinced it was a trick gate somehow—then went hurriedly on again, disturbed beyond belief to see that the glade no longer opened into fields, but curved away to the right. What in the world had happened to him? His sight was so utterly at fault. Again the sun flamed out abruptly and lit the floor of the wood with pools of silver, and at the same moment a violent gust of wind passed shouting overhead. Drops fell clattering everywhere upon the leaves, making a sharp pattering as of many footsteps. The whole copse shuddered and went moving.
“Rain, by George,” thought the clerk, and feeling for his umbrella, discovered he had lost it. He turned back to the gate and found it lying on the farther side. To his amazement he saw the fields at the far end of the glade, the red house, too, ashine in the sunset. He laughed then, for, of course, in his struggle with the gate, he had somehow got turned round—had fallen back instead of forwards. Climbing over, this time quite easily, he retraced his steps. The silver band, he saw, had been torn from the umbrella. No doubt his foot, a nail, or something had caught in it and ripped it off. The clerk began to run; he felt extraordinarily dismayed.
But, while he ran, the entire wood ran with him, round him, to and fro, trees shifting like living things, leaves folding and unfolding, trunks darting backwards and forwards, and branches disclosing enormous empty spaces, then closing up again before he could look into them. There were footsteps everywhere, and laughing, crying voices, and crowds of figures gathering just behind his back till the glade, he knew, was thick with moving life. The wind in his ears, of course, produced the voices and the laughter, while sun and clouds, plunging the copse alternately in shadow and bright dazzling light, created the figures. But he did not like it, and went as fast as ever his sturdy legs could take him. He was frightened now. This was no story for his wife and children. He ran like the wind. But his feet made no sound upon the soft mossy turf.
Then, to his horror, he saw that the glade grew narrow, nettles and weeds stood thick across it, it dwindled down into a tiny path, and twenty yards ahead it stopped finally and melted off among the trees. What the trick gate had failed to achieve, this twisting glade accomplished easily—carried him in bodily among the dense and crowding trees.
There was only one thing to do—turn sharply and dash back again, run headlong into the life that followed at his back, followed so closely too that now it almost touched him, pushing him in. And with reckless courage this was what he did. It seemed a fearful thing to do. He turned with a sort of violent spring, head down and shoulders forward, hands stretched before his face. He made the plunge; like a hunted creature he charged full tilt the other way, meeting the wind now in his face.
Good Lord! The glade behind him had closed up as well; there was no longer any path at all. Turning round and round, like an animal at bay, he searched for an opening, a way of escape, searched frantically, breathlessly, terrified now in his bones. But foliage surrounded him, branches blocked the way; the trees stood close and still, unshaken by a breath of wind; and the sun dipped that moment behind a great black cloud. The entire wood turned dark and silent. It watched him.
Perhaps it was this final touch of sudden blackness that made him act so foolishly, as though he had really lost his head. At any rate, without pausing to think, he dashed headlong in among the trees again. There was a sensation of being stiflingly surrounded and entangled, and that he must break out at all costs—out and away into the open of the blessed fields and air. He did this ill-considered thing, and apparently charged straight into an oak that deliberately moved into his path to stop him. He saw it shift across a good full yard, and being a measuring man, accustomed to theodolite and chain, he ought to know. He fell, saw stars, and felt a thousand tiny fingers tugging and pulling at his hands and neck and ankles. The stinging nettles, no doubt, were responsible for this. He thought of it later. At the moment it felt diabolically calculated.
But another remarkable illusion was not so easily explained. For all in a moment, it seemed, the entire wood went sliding past him with a thick deep rustling of leaves and laughter, myriad footsteps, and tiny little active, energetic shapes; two men in browny green gave him a mighty hoist—and he opened his eyes to find himself lying in the meadow beside the stile where first his incredible adventure had begun. The wood stood in its usual place and stared down upon him in the sunlight. There was the red house in the distance as before. Above him grinned the weather-beaten notice-board: “Trespassers will be prosecuted.”
Dishevelled in mind and body, and a good deal shaken in his official soul, the clerk walked slowly across the fields. But on the way he glanced once more at the postcard of instructions, and saw with dull amazement that the inked-out sentence was quite legible after all beneath the scratches made across it: “There is a short cut through the wood—the wood I want cut down—if you care to take it.” Only “care” was so badly written, it looked more like another word; the “c” was uncommonly like “d.”
“That’s the copse that spoils my view of the Downs, you see,” his client explained to him later, pointing across the fields, and referring to the ordnance map beside him. “I want it cut down and a path made so and so.” His finger indicated direction on the map. “The Fairy Wood—it’s still called, and it’s far older than this house. Come now, if you’re ready, Mr. Thomas, we might go out and have a look at it. . .”
I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy. You can find my works on my Amazon author’s page. Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click). The other two works are contained in A Tale of Hell and Other Works of Horror.