The Saturday Night Special: “The Vampyre” by John William Polidori

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Title: The Vampyre; A Tale

Author: John William Polidori

Posting Date: October 21, 2009 [EBook #6087]
Release Date: July, 2004
First Posted: November 3, 2002
[Last updated: May 25, 2012]

Language: English

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John William Polidori (1795-1821) Date of portrait unknown.

THE
VAMPYRE;

A Tale.

By John William Polidori

LONDON
PRINTED FOR SHERWOOD, NEELY, AND JONES
PATERNOSTER ROW

1819
[Entered at Stationers’ Hall, March 27, 1819]
Gillet, Printer, Crown Court, Fleet Street, London.

EXTRACT OF A LETTER

FROM GENEVA.


“I breathe freely in the neighbourhood of this lake; the ground upon which I tread has been subdued from the earliest ages; the principal objects which immediately strike my eye, bring to my recollection scenes, in which man acted the hero and was the chief object of interest. Not to look back to earlier times of battles and sieges, here is the bust of Rousseau—here is a house with an inscription denoting that the Genevan philosopher first drew breath under its roof. A little out of the town is Ferney, the residence of Voltaire; where that wonderful, though certainly in many respects contemptible, character, received, like the hermits of old, the visits of pilgrims, not only from his own nation, but from the farthest boundaries of Europe. Here too is Bonnet’s abode, and, a few steps beyond, the house of that astonishing woman Madame de Stael: perhaps the first of her sex, who has really proved its often claimed equality with, the nobler man. We have before had women who have written interesting novels and poems, in which their tact at observing drawing-room characters has availed them; but never since the days of Heloise have those faculties which are peculiar to man, been developed as the possible inheritance of woman. Though even here, as in the case of Heloise, our sex have not been backward in alledging the existence of an Abeilard in the person of M. Schlegel as the inspirer of her works. But to proceed: upon the same side of the lake, Gibbon, Bonnivard, Bradshaw, and others mark, as it were, the stages for our progress; whilst upon the other side there is one house, built by Diodati, the friend of Milton, which has contained within its walls, for several months, that poet whom we have so often read together, and who—if human passions remain the same, and human feelings, like chords, on being swept by nature’s impulses shall vibrate as before—will be placed by posterity in the first rank of our English Poets. You must have heard, or the Third Canto of Childe Harold will have informed you, that Lord Byron resided many months in this neighbourhood. I went with some friends a few days ago, after having seen Ferney, to view this mansion. I trod the floors with the same feelings of awe and respect as we did, together, those of Shakespeare’s dwelling at Stratford. I sat down in a chair of the saloon, and satisfied myself that I was resting on what he had made his constant seat. I found a servant there who had lived with him; she, however, gave me but little information. She pointed out his bed-chamber upon the same level as the saloon and dining-room, and informed me that he retired to rest at three, got up at two, and employed himself a long time over his toilette; that he never went to sleep without a pair of pistols and a dagger by his side, and that he never ate animal food. He apparently spent some part of every day upon the lake in an English boat. There is a balcony from the saloon which looks upon the lake and the mountain Jura; and I imagine, that it must have been hence, he contemplated the storm so magnificently described in the Third Canto; for you have from here a most extensive view of all the points he has therein depicted. I can fancy him like the scathed pine, whilst all around was sunk to repose, still waking to observe, what gave but a weak image of the storms which had desolated his own breast.

The sky is changed!—and such a change; Oh, night!
And storm and darkness, ye are wond’rous strong,
Yet lovely in your strength, as is the light
Of a dark eye in woman! Far along
From peak to peak, the rattling crags among,
Leaps the lire thunder! Not from one lone cloud,
But every mountain now hath found a tongue,
And Jura answers thro’ her misty shroud,
Back to the joyous Alps who call to her aloud!

And this is in the night:—Most glorious night!
Thou wer’t not sent for slumber! let me be
A sharer in thy far and fierce delight,—
A portion of the tempest and of me!
How the lit lake shines a phosphoric sea,
And the big rain comet dancing to the earth!
And now again ’tis black,—and now the glee
Of the loud hills shakes with its mountain mirth,
As if they did rejoice o’er a young; earthquake’s birth,

Now where the swift Rhine cleaves his way between
Heights which appear, as lovers who have parted
In haste, whose mining depths so intervene,
That they can meet no more, tho’ broken hearted;
Tho’ in their souls which thus each other thwarted,
Love was the very root of the fond rage
Which blighted their life’s bloom, and then departed—
Itself expired, but leaving; them an age
Of years all winter—war within themselves to wage.

I went down to the little port, if I may use the expression, wherein his vessel used to lay, and conversed with the cottager, who had the care of it. You may smile, but I have my pleasure in thus helping my personification of the individual I admire, by attaining to the knowledge of those circumstances which were daily around him. I have made numerous enquiries in the town concerning him, but can learn nothing. He only went into society there once, when M. Pictet took him to the house of a lady to spend the evening. They say he is a very singular man, and seem to think him very uncivil. Amongst other things they relate, that having invited M. Pictet and Bonstetten to dinner, he went on the lake to Chillon, leaving a gentleman who travelled with him to receive them and make his apologies. Another evening, being invited to the house of Lady D—— H——, he promised to attend, but upon approaching the windows of her ladyship’s villa, and perceiving the room to be full of company, he set down his friend, desiring him to plead his excuse, and immediately returned home. This will serve as a contradiction to the report which you tell me is current in England, of his having been avoided by his countrymen on the continent. The case happens to be directly the reverse, as he has been generally sought by them, though on most occasions, apparently without success. It is said, indeed, that upon paying his first visit at Coppet, following the servant who had announced his name, he was surprised to meet a lady carried out fainting; but before he had been seated many minutes, the same lady, who had been so affected at the sound of his name, returned and conversed with him a considerable time—such is female curiosity and affectation! He visited Coppet frequently, and of course associated there with several of his countrymen, who evinced no reluctance to meet him whom his enemies alone would represent as an outcast.

Though I have been so unsuccessful in this town, I have been more fortunate in my enquiries elsewhere. There is a society three or four miles from Geneva, the centre of which is the Countess of Breuss, a Russian lady, well acquainted with the agrémens de la Société, and who has collected them round herself at her mansion. It was chiefly here, I find, that the gentleman who travelled with Lord Byron, as physician, sought for society. He used almost every day to cross the lake by himself, in one of their flat-bottomed boats, and return after passing the evening with his friends, about eleven or twelve at night, often whilst the storms were raging in the circling summits of the mountains around. As he became intimate, from long acquaintance, with several of the families in this neighbourhood, I have gathered from their accounts some excellent traits of his lordship’s character, which I will relate to you at some future opportunity. I must, however, free him from one imputation attached to him—of having in his house two sisters as the partakers of his revels. This is, like many other charges which have been brought against his lordship, entirely destitute of truth. His only companion was the physician I have already mentioned. The report originated from the following circumstance: Mr. Percy Bysshe Shelly, a gentleman well known for extravagance of doctrine, and for his daring, in their profession, even to sign himself with the title of ATHeos in the Album at Chamouny, having taken a house below, in which he resided with Miss M. W. Godwin and Miss Clermont, (the daughters of the celebrated Mr. Godwin) they were frequently visitors at Diodati, and were often seen upon the lake with his Lordship, which gave rise to the report, the truth of which is here positively denied.

Among other things which the lady, from whom I procured these anecdotes, related to me, she mentioned the outline of a ghost story by Lord Byron. It appears that one evening Lord B., Mr. P. B. Shelly, the two ladies and the gentleman before alluded to, after having perused a German work, which was entitled Phantasmagoriana, began relating ghost stories; when his lordship having recited the beginning of Christabel, then unpublished, the whole took so strong a hold of Mr. Shelly’s mind, that he suddenly started up and ran out of the room. The physician and Lord Byron followed, and discovered him leaning against a mantle-piece, with cold drops of perspiration trickling down his face. After having given him something to refresh him, upon enquiring into the cause of his alarm, they found that his wild imagination having pictured to him the bosom of one of the ladies with eyes (which was reported of a lady in the neighbourhood where he lived) he was obliged to leave the room in order to destroy the impression. It was afterwards proposed, in the course of conversation, that each of the company present should write a tale depending upon some supernatural agency, which was undertaken by Lord B., the physician, and Miss M. W. Godwin.[1] My friend, the lady above referred to, had in her possession the outline of each of these stories; I obtained them as a great favour, and herewith forward them to you, as I was assured you would feel as much curiosity as myself, to peruse the ebauches of so great a genius, and those immediately under his influence.”

[1] Since published under the title of “Frankenstein; or, The Modern Prometheus.”

THE VAMPYRE.


INTRODUCTION.


THE superstition upon which this tale is founded is very general in the East. Among the Arabians it appears to be common: it did not, however, extend itself to the Greeks until after the establishment of Christianity; and it has only assumed its present form since the division of the Latin and Greek churches; at which time, the idea becoming prevalent, that a Latin body could not corrupt if buried in their territory, it gradually increased, and formed the subject of many wonderful stories, still extant, of the dead rising from their graves, and feeding upon the blood of the young and beautiful. In the West it spread, with some slight variation, all over Hungary, Poland, Austria, and Lorraine, where the belief existed, that vampyres nightly imbibed a certain portion of the blood of their victims, who became emaciated, lost their strength, and speedily died of consumptions; whilst these human blood-suckers fattened—and their veins became distended to such a state of repletion, as to cause the blood to flow from all the passages of their bodies, and even from the very pores of their skins.

In the London Journal, of March, 1732, is a curious, and, of course, credible account of a particular case of vampyrism, which is stated to have occurred at Madreyga, in Hungary. It appears, that upon an examination of the commander-in-chief and magistrates of the place, they positively and unanimously affirmed, that, about five years before, a certain Heyduke, named Arnold Paul, had been heard to say, that, at Cassovia, on the frontiers of the Turkish Servia, he had been tormented by a vampyre, but had found a way to rid himself of the evil, by eating some of the earth out of the vampyre’s grave, and rubbing himself with his blood. This precaution, however, did not prevent him from becoming a vampyre[2] himself; for, about twenty or thirty days after his death and burial, many persons complained of having been tormented by him, and a deposition was made, that four persons had been deprived of life by his attacks. To prevent further mischief, the inhabitants having consulted their Hadagni,[3] took up the body, and found it (as is supposed to be usual in cases of vampyrism) fresh, and entirely free from corruption, and emitting at the mouth, nose, and ears, pure and florid blood. Proof having been thus obtained, they resorted to the accustomed remedy. A stake was driven entirely through the heart and body of Arnold Paul, at which he is reported to have cried out as dreadfully as if he had been alive. This done, they cut off his head, burned his body, and threw the ashes into his grave. The same measures were adopted with the corses of those persons who had previously died from vampyrism, lest they should, in their turn, become agents upon others who survived them.

[2] The universal belief is, that a person sucked by a vampyre becomes a vampyre himself, and sucks in his turn.

[3] Chief bailiff.

This monstrous rodomontade is here related, because it seems better adapted to illustrate the subject of the present observations than any other instance which could be adduced. In many parts of Greece it is considered as a sort of punishment after death, for some heinous crime committed whilst in existence, that the deceased is not only doomed to vampyrise, but compelled to confine his infernal visitations solely to those beings he loved most while upon earth—those to whom he was bound by ties of kindred and affection.—A supposition alluded to in the “Giaour.”

But first on earth, as Vampyre sent,
Thy corse shall from its tomb be rent;
Then ghastly haunt the native place,
And suck the blood of all thy race;
There from thy daughter, sister, wife,
At midnight drain the stream of life;
Yet loathe the banquet which perforce
Must feed thy livid living corse,
Thy victims, ere they yet expire,
Shall know the demon for their sire;
As cursing thee, thou cursing them,
Thy flowers are withered on the stem.
But one that for thy crime must fall,
The youngest, best beloved of all,
Shall bless thee with a father’s name—
That word shall wrap thy heart in flame!
Yet thou must end thy task and mark
Her cheek’s last tinge—her eye’s last spark,
And the last glassy glance must view
Which freezes o’er its lifeless blue;
Then with unhallowed hand shall tear
The tresses of her yellow hair,
Of which, in life a lock when shorn
Affection’s fondest pledge was worn—
But now is borne away by thee
Memorial of thine agony!
Yet with thine own best blood shall drip;
Thy gnashing tooth, and haggard lip;
Then stalking to thy sullen grave,
Go—and with Gouls and Afrits rave,
Till these in horror shrink away
From spectre more accursed than they.

Mr. Southey has also introduced in his wild but beautiful poem of “Thalaba,” the vampyre corse of the Arabian maid Oneiza, who is represented as having returned from the grave for the purpose of tormenting him she best loved whilst in existence. But this cannot be supposed to have resulted from the sinfulness of her life, she being pourtrayed throughout the whole of the tale as a complete type of purity and innocence. The veracious Tournefort gives a long account in his travels of several astonishing cases of vampyrism, to which he pretends to have been an eyewitness; and Calmet, in his great work upon this subject, besides a variety of anecdotes, and traditionary narratives illustrative of its effects, has put forth some learned dissertations, tending to prove it to be a classical, as well as barbarian error.

Many curious and interesting notices on this singularly horrible superstition might be added; though the present may suffice for the limits of a note, necessarily devoted to explanation, and which may now be concluded by merely remarking, that though the term Vampyre is the one in most general acceptation, there are several others synonymous with it, made use of in various parts of the world: as Vroucolocha, Vardoulacha, Goul, Broucoloka, &c.


THE VAMPYRE.


IT happened that in the midst of the dissipations attendant upon a London winter, there appeared at the various parties of the leaders of the ton a nobleman, more remarkable for his singularities, than his rank. He gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it, and throw fear into those breasts where thoughtlessness reigned. Those who felt this sensation of awe, could not explain whence it arose: some attributed it to the dead grey eye, which, fixing upon the object’s face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart; but fell upon the cheek with a leaden ray that weighed upon the skin it could not pass. His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of ennui, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never gained a warmer tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection: Lady Mercer, who had been the mockery of every monster shewn in drawing-rooms since her marriage, threw herself in his way, and did all but put on the dress of a mountebank, to attract his notice:—though in vain:—when she stood before him, though his eyes were apparently fixed upon her’s, still it seemed as if they were unperceived;—even her unappalled impudence was baffled, and she left the field. But though the common adultress could not influence even the guidance of his eyes, it was not that the female sex was indifferent to him: yet such was the apparent caution with which he spoke to the virtuous wife and innocent daughter, that few knew he ever addressed himself to females. He had, however, the reputation of a winning tongue; and whether it was that it even overcame the dread of his singular character, or that they were moved by his apparent hatred of vice, he was as often among those females who form the boast of their sex from their domestic virtues, as among those who sully it by their vices.

About the same time, there came to London a young gentleman of the name of Aubrey: he was an orphan left with an only sister in the possession of great wealth, by parents who died while he was yet in childhood. Left also to himself by guardians, who thought it their duty merely to take care of his fortune, while they relinquished the more important charge of his mind to the care of mercenary subalterns, he cultivated more his imagination than his judgment. He had, hence, that high romantic feeling of honour and candour, which daily ruins so many milliners’ apprentices. He believed all to sympathise with virtue, and thought that vice was thrown in by Providence merely for the picturesque effect of the scene, as we see in romances: he thought that the misery of a cottage merely consisted in the vesting of clothes, which were as warm, but which were better adapted to the painter’s eye by their irregular folds and various coloured patches. He thought, in fine, that the dreams of poets were the realities of life. He was handsome, frank, and rich: for these reasons, upon his entering into the gay circles, many mothers surrounded him, striving which should describe with least truth their languishing or romping favourites: the daughters at the same time, by their brightening countenances when he approached, and by their sparkling eyes, when he opened his lips, soon led him into false notions of his talents and his merit. Attached as he was to the romance of his solitary hours, he was startled at finding, that, except in the tallow and wax candles that flickered, not from the presence of a ghost, but from want of snuffing, there was no foundation in real life for any of that congeries of pleasing pictures and descriptions contained in those volumes, from which he had formed his study. Finding, however, some compensation in his gratified vanity, he was about to relinquish his dreams, when the extraordinary being we have above described, crossed him in his career.

He watched him; and the very impossibility of forming an idea of the character of a man entirely absorbed in himself, who gave few other signs of his observation of external objects, than the tacit assent to their existence, implied by the avoidance of their contact: allowing his imagination to picture every thing that flattered its propensity to extravagant ideas, he soon formed this object into the hero of a romance, and determined to observe the offspring of his fancy, rather than the person before him. He became acquainted with him, paid him attentions, and so far advanced upon his notice, that his presence was always recognised. He gradually learnt that Lord Ruthven’s affairs were embarrassed, and soon found, from the notes of preparation in —— Street, that he was about to travel. Desirous of gaining some information respecting this singular character, who, till now, had only whetted his curiosity, he hinted to his guardians, that it was time for him to perform the tour, which for many generations has been thought necessary to enable the young to take some rapid steps in the career of vice towards putting themselves upon an equality with the aged, and not allowing them to appear as if fallen from the skies, whenever scandalous intrigues are mentioned as the subjects of pleasantry or of praise, according to the degree of skill shewn in carrying them on. They consented: and Aubrey immediately mentioning his intentions to Lord Ruthven, was surprised to receive from him a proposal to join him. Flattered by such a mark of esteem from him, who, apparently, had nothing in common with other men, he gladly accepted it, and in a few days they had passed the circling waters.

Hitherto, Aubrey had had no opportunity of studying Lord Ruthven’s character, and now he found, that, though many more of his actions were exposed to his view, the results offered different conclusions from the apparent motives to his conduct. His companion was profuse in his liberality;—the idle, the vagabond, and the beggar, received from his hand more than enough to relieve their immediate wants. But Aubrey could not avoid remarking, that it was not upon the virtuous, reduced to indigence by the misfortunes attendant even upon virtue, that he bestowed his alms;—these were sent from the door with hardly suppressed sneers; but when the profligate came to ask something, not to relieve his wants, but to allow him to wallow in his lust, or to sink him still deeper in his iniquity, he was sent away with rich charity. This was, however, attributed by him to the greater importunity of the vicious, which generally prevails over the retiring bashfulness of the virtuous indigent. There was one circumstance about the charity of his Lordship, which was still more impressed upon his mind: all those upon whom it was bestowed, inevitably found that there was a curse upon it, for they were all either led to the scaffold, or sunk to the lowest and the most abject misery. At Brussels and other towns through which they passed, Aubrey was surprized at the apparent eagerness with which his companion sought for the centres of all fashionable vice; there he entered into all the spirit of the faro table: he betted, and always gambled with success, except where the known sharper was his antagonist, and then he lost even more than he gained; but it was always with the same unchanging face, with which he generally watched the society around: it was not, however, so when he encountered the rash youthful novice, or the luckless father of a numerous family; then his very wish seemed fortune’s law—this apparent abstractedness of mind was laid aside, and his eyes sparkled with more fire than that of the cat whilst dallying with the half-dead mouse. In every town, he left the formerly affluent youth, torn from the circle he adorned, cursing, in the solitude of a dungeon, the fate that had drawn him within the reach of this fiend; whilst many a father sat frantic, amidst the speaking looks of mute hungry children, without a single farthing of his late immense wealth, wherewith to buy even sufficient to satisfy their present craving. Yet he took no money from the gambling table; but immediately lost, to the ruiner of many, the last gilder he had just snatched from the convulsive grasp of the innocent: this might but be the result of a certain degree of knowledge, which was not, however, capable of combating the cunning of the more experienced. Aubrey often wished to represent this to his friend, and beg him to resign that charity and pleasure which proved the ruin of all, and did not tend to his own profit;—but he delayed it—for each day he hoped his friend would give him some opportunity of speaking frankly and openly to him; however, this never occurred. Lord Ruthven in his carriage, and amidst the various wild and rich scenes of nature, was always the same: his eye spoke less than his lip; and though Aubrey was near the object of his curiosity, he obtained no greater gratification from it than the constant excitement of vainly wishing to break that mystery, which to his exalted imagination began to assume the appearance of something supernatural.

They soon arrived at Rome, and Aubrey for a time lost sight of his companion; he left him in daily attendance upon the morning circle of an Italian countess, whilst he went in search of the memorials of another almost deserted city. Whilst he was thus engaged, letters arrived from England, which he opened with eager impatience; the first was from his sister, breathing nothing but affection; the others were from his guardians, the latter astonished him; if it had before entered into his imagination that there was an evil power resident in his companion, these seemed to give him sufficient reason for the belief. His guardians insisted upon his immediately leaving his friend, and urged, that his character was dreadfully vicious, for that the possession of irresistible powers of seduction, rendered his licentious habits more dangerous to society. It had been discovered, that his contempt for the adultress had not originated in hatred of her character; but that he had required, to enhance his gratification, that his victim, the partner of his guilt, should be hurled from the pinnacle of unsullied virtue, down to the lowest abyss of infamy and degradation: in fine, that all those females whom he had sought, apparently on account of their virtue, had, since his departure, thrown even the mask aside, and had not scrupled to expose the whole deformity of their vices to the public gaze.

Aubrey determined upon leaving one, whose character had not yet shown a single bright point on which to rest the eye. He resolved to invent some plausible pretext for abandoning him altogether, purposing, in the mean while, to watch him more closely, and to let no slight circumstances pass by unnoticed. He entered into the same circle, and soon perceived, that his Lordship was endeavouring to work upon the inexperience of the daughter of the lady whose house he chiefly frequented. In Italy, it is seldom that an unmarried female is met with in society; he was therefore obliged to carry on his plans in secret; but Aubrey’s eye followed him in all his windings, and soon discovered that an assignation had been appointed, which would most likely end in the ruin of an innocent, though thoughtless girl. Losing no time, he entered the apartment of Lord Ruthven, and abruptly asked him his intentions with respect to the lady, informing him at the same time that he was aware of his being about to meet her that very night. Lord Ruthven answered, that his intentions were such as he supposed all would have upon such an occasion; and upon being pressed whether he intended to marry her, merely laughed. Aubrey retired; and, immediately writing a note, to say, that from that moment he must decline accompanying his Lordship in the remainder of their proposed tour, he ordered his servant to seek other apartments, and calling upon the mother of the lady, informed her of all he knew, not only with regard to her daughter, but also concerning the character of his Lordship. The assignation was prevented. Lord Ruthven next day merely sent his servant to notify his complete assent to a separation; but did not hint any suspicion of his plans having been foiled by Aubrey’s interposition.

Having left Rome, Aubrey directed his steps towards Greece, and crossing the Peninsula, soon found himself at Athens. He then fixed his residence in the house of a Greek; and soon occupied himself in tracing the faded records of ancient glory upon monuments that apparently, ashamed of chronicling the deeds of freemen only before slaves, had hidden themselves beneath the sheltering soil or many coloured lichen. Under the same roof as himself, existed a being, so beautiful and delicate, that she might have formed the model for a painter wishing to pourtray on canvass the promised hope of the faithful in Mahomet’s paradise, save that her eyes spoke too much mind for any one to think she could belong to those who had no souls. As she danced upon the plain, or tripped along the mountain’s side, one would have thought the gazelle a poor type of her beauties; for who would have exchanged her eye, apparently the eye of animated nature, for that sleepy luxurious look of the animal suited but to the taste of an epicure. The light step of Ianthe often accompanied Aubrey in his search after antiquities, and often would the unconscious girl, engaged in the pursuit of a Kashmere butterfly, show the whole beauty of her form, floating as it were upon the wind, to the eager gaze of him, who forgot the letters he had just decyphered upon an almost effaced tablet, in the contemplation of her sylph-like figure. Often would her tresses falling, as she flitted around, exhibit in the sun’s ray such delicately brilliant and swiftly fading hues, it might well excuse the forgetfulness of the antiquary, who let escape from his mind the very object he had before thought of vital importance to the proper interpretation of a passage in Pausanias. But why attempt to describe charms which all feel, but none can appreciate?—It was innocence, youth, and beauty, unaffected by crowded drawing-rooms and stifling balls. Whilst he drew those remains of which he wished to preserve a memorial for his future hours, she would stand by, and watch the magic effects of his pencil, in tracing the scenes of her native place; she would then describe to him the circling dance upon the open plain, would paint, to him in all the glowing colours of youthful memory, the marriage pomp she remembered viewing in her infancy; and then, turning to subjects that had evidently made a greater impression upon her mind, would tell him all the supernatural tales of her nurse. Her earnestness and apparent belief of what she narrated, excited the interest even of Aubrey; and often as she told him the tale of the living vampyre, who had passed years amidst his friends, and dearest ties, forced every year, by feeding upon the life of a lovely female to prolong his existence for the ensuing months, his blood would run cold, whilst he attempted to laugh her out of such idle and horrible fantasies; but Ianthe cited to him the names of old men, who had at last detected one living among themselves, after several of their near relatives and children had been found marked with the stamp of the fiend’s appetite; and when she found him so incredulous, she begged of him to believe her, for it had been, remarked, that those who had dared to question their existence, always had some proof given, which obliged them, with grief and heartbreaking, to confess it was true. She detailed to him the traditional appearance of these monsters, and his horror was increased, by hearing a pretty accurate description of Lord Ruthven; he, however, still persisted in persuading her, that there could be no truth in her fears, though at the same time he wondered at the many coincidences which had all tended to excite a belief in the supernatural power of Lord Ruthven.

Aubrey began to attach himself more and more to Ianthe; her innocence, so contrasted with all the affected virtues of the women among whom he had sought for his vision of romance, won his heart; and while he ridiculed the idea of a young man of English habits, marrying an uneducated Greek girl, still he found himself more and more attached to the almost fairy form before him. He would tear himself at times from her, and, forming a plan for some antiquarian research, he would depart, determined not to return until his object was attained; but he always found it impossible to fix his attention upon the ruins around him, whilst in his mind he retained an image that seemed alone the rightful possessor of his thoughts. Ianthe was unconscious of his love, and was ever the same frank infantile being he had first known. She always seemed to part from him with reluctance; but it was because she had no longer any one with whom she could visit her favourite haunts, whilst her guardian was occupied in sketching or uncovering some fragment which had yet escaped the destructive hand of time. She had appealed to her parents on the subject of Vampyres, and they both, with several present, affirmed their existence, pale with horror at the very name. Soon after, Aubrey determined to proceed upon one of his excursions, which was to detain him for a few hours; when they heard the name of the place, they all at once begged of him not to return at night, as he must necessarily pass through a wood, where no Greek would ever remain, after the day had closed, upon any consideration. They described it as the resort of the vampyres in their nocturnal orgies, and denounced the most heavy evils as impending upon him who dared to cross their path. Aubrey made light of their representations, and tried to laugh them out of the idea; but when he saw them shudder at his daring thus to mock a superior, infernal power, the very name of which apparently made their blood freeze, he was silent.

Next morning Aubrey set off upon his excursion unattended; he was surprised to observe the melancholy face of his host, and was concerned to find that his words, mocking the belief of those horrible fiends, had inspired them with such terror. When he was about to depart, Ianthe came to the side of his horse, and earnestly begged of him to return, ere night allowed the power of these beings to be put in action;—he promised. He was, however, so occupied in his research, that he did not perceive that day-light would soon end, and that in the horizon there was one of those specks which, in the warmer climates, so rapidly gather into a tremendous mass, and pour all their rage upon the devoted country.—He at last, however, mounted his horse, determined to make up by speed for his delay: but it was too late. Twilight, in these southern climates, is almost unknown; immediately the sun sets, night begins: and ere he had advanced far, the power of the storm was above—its echoing thunders had scarcely an interval of rest—its thick heavy rain forced its way through the canopying foliage, whilst the blue forked lightning seemed to fall and radiate at his very feet. Suddenly his horse took fright, and he was carried with dreadful rapidity through the entangled forest. The animal at last, through fatigue, stopped, and he found, by the glare of lightning, that he was in the neighbourhood of a hovel that hardly lifted itself up from the masses of dead leaves and brushwood which surrounded it. Dismounting, he approached, hoping to find some one to guide him to the town, or at least trusting to obtain shelter from the pelting of the storm. As he approached, the thunders, for a moment silent, allowed him to hear the dreadful shrieks of a woman mingling with the stifled, exultant mockery of a laugh, continued in one almost unbroken sound;—he was startled: but, roused by the thunder which again rolled over his head, he, with a sudden effort, forced open the door of the hut. He found himself in utter darkness: the sound, however, guided him. He was apparently unperceived; for, though he called, still the sounds continued, and no notice was taken of him. He found himself in contact with some one, whom he immediately seized; when a voice cried, “Again baffled!” to which a loud laugh succeeded; and he felt himself grappled by one whose strength seemed superhuman: determined to sell his life as dearly as he could, he struggled; but it was in vain: he was lifted from his feet and hurled with enormous force against the ground:—his enemy threw himself upon him, and kneeling upon his breast, had placed his hands upon his throat—when the glare of many torches penetrating through the hole that gave light in the day, disturbed him;—he instantly rose, and, leaving his prey, rushed through the door, and in a moment the crashing of the branches, as he broke through the wood, was no longer heard. The storm was now still; and Aubrey, incapable of moving, was soon heard by those without. They entered; the light of their torches fell upon the mud walls, and the thatch loaded on every individual straw with heavy flakes of soot. At the desire of Aubrey they searched for her who had attracted him by her cries; he was again left in darkness; but what was his horror, when the light of the torches once more burst upon him, to perceive the airy form of his fair conductress brought in a lifeless corse. He shut his eyes, hoping that it was but a vision arising from his disturbed imagination; but he again saw the same form, when he unclosed them, stretched by his side. There was no colour upon her cheek, not even upon her lip; yet there was a stillness about her face that seemed almost as attaching as the life that once dwelt there:—upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein:—to this the men pointed, crying, simultaneously struck with horror, “A Vampyre! a Vampyre!” A litter was quickly formed, and Aubrey was laid by the side of her who had lately been to him the object of so many bright and fairy visions, now fallen with the flower of life that had died within her. He knew not what his thoughts were—his mind was benumbed and seemed to shun reflection, and take refuge in vacancy—he held almost unconsciously in his hand a naked dagger of a particular construction, which had been found in the hut. They were soon met by different parties who had been engaged in the search of her whom a mother had missed. Their lamentable cries, as they approached the city, forewarned the parents of some dreadful catastrophe. —To describe their grief would be impossible; but when they ascertained the cause of their child’s death, they looked at Aubrey, and pointed to the corse. They were inconsolable; both died broken-hearted.

Aubrey being put to bed was seized with a most violent fever, and was often delirious; in these intervals he would call upon Lord Ruthven and upon Ianthe—by some unaccountable combination he seemed to beg of his former companion to spare the being he loved. At other times he would imprecate maledictions upon his head, and curse him as her destroyer. Lord Ruthven, chanced at this time to arrive at Athens, and, from whatever motive, upon hearing of the state of Aubrey, immediately placed himself in the same house, and became his constant attendant. When the latter recovered from his delirium, he was horrified and startled at the sight of him whose image he had now combined with that of a Vampyre; but Lord Ruthven, by his kind words, implying almost repentance for the fault that had caused their separation, and still more by the attention, anxiety, and care which he showed, soon reconciled him to his presence. His lordship seemed quite changed; he no longer appeared that apathetic being who had so astonished Aubrey; but as soon as his convalescence began to be rapid, he again gradually retired into the same state of mind, and Aubrey perceived no difference from the former man, except that at times he was surprised to meet his gaze fixed intently upon him, with a smile of malicious exultation playing upon his lips: he knew not why, but this smile haunted him. During the last stage of the invalid’s recovery, Lord Ruthven was apparently engaged in watching the tideless waves raised by the cooling breeze, or in marking the progress of those orbs, circling, like our world, the moveless sun;—indeed, he appeared to wish to avoid the eyes of all.

Aubrey’s mind, by this shock, was much weakened, and that elasticity of spirit which had once so distinguished him now seemed to have fled for ever. He was now as much a lover of solitude and silence as Lord Ruthven; but much as he wished for solitude, his mind could not find it in the neighbourhood of Athens; if he sought it amidst the ruins he had formerly frequented, Ianthe’s form stood by his side—if he sought it in the woods, her light step would appear wandering amidst the underwood, in quest of the modest violet; then suddenly turning round, would show, to his wild imagination, her pale face and wounded throat, with a meek smile upon her lips. He determined to fly scenes, every feature of which created such bitter associations in his mind. He proposed to Lord Ruthven, to whom he held himself bound by the tender care he had taken of him during his illness, that they should visit those parts of Greece neither had yet seen. They travelled in every direction, and sought every spot to which a recollection could be attached: but though they thus hastened from place to place, yet they seemed not to heed what they gazed upon. They heard much of robbers, but they gradually began to slight these reports, which they imagined were only the invention of individuals, whose interest it was to excite the generosity of those whom they defended from pretended dangers. In consequence of thus neglecting the advice of the inhabitants, on one occasion they travelled with only a few guards, more to serve as guides than as a defence. Upon entering, however, a narrow defile, at the bottom of which was the bed of a torrent, with large masses of rock brought down from the neighbouring precipices, they had reason to repent their negligence; for scarcely were the whole of the party engaged in the narrow pass, when they were startled by the whistling of bullets close to their heads, and by the echoed report of several guns. In an instant their guards had left them, and, placing themselves behind rocks, had begun to fire in the direction whence the report came. Lord Ruthven and Aubrey, imitating their example, retired for a moment behind the sheltering turn of the defile: but ashamed of being thus detained by a foe, who with insulting shouts bade them advance, and being exposed to unresisting slaughter, if any of the robbers should climb above and take them in the rear, they determined at once to rush forward in search of the enemy. Hardly had they lost the shelter of the rock, when Lord Ruthven received a shot in the shoulder, which brought him to the ground. Aubrey hastened to his assistance; and, no longer heeding the contest or his own peril, was soon surprised by seeing the robbers’ faces around him—his guards having, upon Lord Ruthven’s being wounded, immediately thrown up their arms and surrendered.

By promises of great reward, Aubrey soon induced them to convey his wounded friend to a neighbouring cabin; and having agreed upon a ransom, he was no more disturbed by their presence—they being content merely to guard the entrance till their comrade should return with the promised sum, for which he had an order. Lord Ruthven’s strength rapidly decreased; in two days mortification ensued, and death seemed advancing with hasty steps. His conduct and appearance had not changed; he seemed as unconscious of pain as he had been of the objects about him: but towards the close of the last evening, his mind became apparently uneasy, and his eye often fixed upon Aubrey, who was induced to offer his assistance with more than usual earnestness—”Assist me! you may save me—you may do more than that—I mean not my life, I heed the death of my existence as little as that of the passing day; but you may save my honour, your friend’s honour.”—”How? tell me how? I would do any thing,” replied Aubrey.—”I need but little—my life ebbs apace—I cannot explain the whole—but if you would conceal all you know of me, my honour were free from stain in the world’s mouth—and if my death were unknown for some time in England—I—I—but life.”—”It shall not be known.”—”Swear!” cried the dying man, raising himself with exultant violence, “Swear by all your soul reveres, by all your nature fears, swear that, for a year and a day you will not impart your knowledge of my crimes or death to any living being in any way, whatever may happen, or whatever you may see. “—His eyes seemed bursting from their sockets: “I swear!” said Aubrey; he sunk laughing upon his pillow, and breathed no more.

Aubrey retired to rest, but did not sleep; the many circumstances attending his acquaintance with this man rose upon his mind, and he knew not why; when he remembered his oath a cold shivering came over him, as if from the presentiment of something horrible awaiting him. Rising early in the morning, he was about to enter the hovel in which he had left the corpse, when a robber met him, and informed him that it was no longer there, having been conveyed by himself and comrades, upon his retiring, to the pinnacle of a neighbouring mount, according to a promise they had given his lordship, that it should be exposed to the first cold ray of the moon that rose after his death. Aubrey astonished, and taking several of the men, determined to go and bury it upon the spot where it lay. But, when he had mounted to the summit he found no trace of either the corpse or the clothes, though the robbers swore they pointed out the identical rock on which they had laid the body. For a time his mind was bewildered in conjectures, but he at last returned, convinced that they had buried the corpse for the sake of the clothes.

Weary of a country in which he had met with such terrible misfortunes, and in which all apparently conspired to heighten that superstitious melancholy that had seized upon his mind, he resolved to leave it, and soon arrived at Smyrna. While waiting for a vessel to convey him to Otranto, or to Naples, he occupied himself in arranging those effects he had with him belonging to Lord Ruthven. Amongst other things there was a case containing several weapons of offence, more or less adapted to ensure the death of the victim. There were several daggers and ataghans. Whilst turning them over, and examining their curious forms, what was his surprise at finding a sheath apparently ornamented in the same style as the dagger discovered in the fatal hut—he shuddered—hastening to gain further proof, he found the weapon, and his horror may be imagined when he discovered that it fitted, though peculiarly shaped, the sheath he held in his hand. His eyes seemed to need no further certainty—they seemed gazing to be bound to the dagger; yet still he wished to disbelieve; but the particular form, the same varying tints upon the haft and sheath were alike in splendour on both, and left no room for doubt; there were also drops of blood on each.

He left Smyrna, and on his way home, at Rome, his first inquiries were concerning the lady he had attempted to snatch from Lord Ruthven’s seductive arts. Her parents were in distress, their fortune ruined, and she had not been heard of since the departure of his lordship. Aubrey’s mind became almost broken under so many repeated horrors; he was afraid that this lady had fallen a victim to the destroyer of Ianthe. He became morose and silent; and his only occupation consisted in urging the speed of the postilions, as if he were going to save the life of some one he held dear. He arrived at Calais; a breeze, which seemed obedient to his will, soon wafted him to the English shores; and he hastened to the mansion of his fathers, and there, for a moment, appeared to lose, in the embraces and caresses of his sister, all memory of the past. If she before, by her infantine caresses, had gained his affection, now that the woman began to appear, she was still more attaching as a companion.

Miss Aubrey had not that winning grace which gains the gaze and applause of the drawing-room assemblies. There was none of that light brilliancy which only exists in the heated atmosphere of a crowded apartment. Her blue eye was never lit up by the levity of the mind beneath. There was a melancholy charm about it which did not seem to arise from misfortune, but from some feeling within, that appeared to indicate a soul conscious of a brighter realm. Her step was not that light footing, which strays where’er a butterfly or a colour may attract—it was sedate and pensive. When alone, her face was never brightened by the smile of joy; but when her brother breathed to her his affection, and would in her presence forget those griefs she knew destroyed his rest, who would have exchanged her smile for that of the voluptuary? It seemed as if those eyes,—that face were then playing in the light of their own native sphere. She was yet only eighteen, and had not been presented to the world, it having been thought by her guardians more fit that her presentation should be delayed until her brother’s return from the continent, when he might be her protector. It was now, therefore, resolved that the next drawing-room, which was fast approaching, should be the epoch of her entry into the “busy scene.” Aubrey would rather have remained in the mansion of his fathers, and fed upon the melancholy which overpowered him. He could not feel interest about the frivolities of fashionable strangers, when his mind had been so torn by the events he had witnessed; but he determined to sacrifice his own comfort to the protection of his sister. They soon arrived in town, and prepared for the next day, which had been announced as a drawing-room.

The crowd was excessive—a drawing-room had not been held for a long time, and all who were anxious to bask in the smile of royalty, hastened thither. Aubrey was there with his sister. While he was standing in a corner by himself, heedless of all around him, engaged in the remembrance that the first time he had seen Lord Ruthven was in that very place—he felt himself suddenly seized by the arm, and a voice he recognized too well, sounded in his ear—”Remember your oath.” He had hardly courage to turn, fearful of seeing a spectre that would blast him, when he perceived, at a little distance, the same figure which had attracted his notice on this spot upon his first entry into society. He gazed till his limbs almost refusing to bear their weight, he was obliged to take the arm of a friend, and forcing a passage through the crowd, he threw himself into his carriage, and was driven home. He paced the room with hurried steps, and fixed his hands upon his head, as if he were afraid his thoughts were bursting from his brain. Lord Ruthven again before him—circumstances started up in dreadful array—the dagger—his oath.—He roused himself, he could not believe it possible—the dead rise again!—He thought his imagination had conjured up the image his mind was resting upon. It was impossible that it could be real—he determined, therefore, to go again into society; for though he attempted to ask concerning Lord Ruthven, the name hung upon his lips, and he could not succeed in gaining information. He went a few nights after with his sister to the assembly of a near relation. Leaving her under the protection of a matron, he retired into a recess, and there gave himself up to his own devouring thoughts. Perceiving, at last, that many were leaving, he roused himself, and entering another room, found his sister surrounded by several, apparently in earnest conversation; he attempted to pass and get near her, when one, whom he requested to move, turned round, and revealed to him those features he most abhorred. He sprang forward, seized his sister’s arm, and, with hurried step, forced her towards the street: at the door he found himself impeded by the crowd of servants who were waiting for their lords; and while he was engaged in passing them, he again heard that voice whisper close to him—”Remember your oath!”—He did not dare to turn, but, hurrying his sister, soon reached home.

Aubrey became almost distracted. If before his mind had been absorbed by one subject, how much more completely was it engrossed, now that the certainty of the monster’s living again pressed upon his thoughts. His sister’s attentions were now unheeded, and it was in vain that she intreated him to explain to her what had caused his abrupt conduct. He only uttered a few words, and those terrified her. The more he thought, the more he was bewildered. His oath startled him;—was he then to allow this monster to roam, bearing ruin upon his breath, amidst all he held dear, and not avert its progress? His very sister might have been touched by him. But even if he were to break his oath, and disclose his suspicions, who would believe him? He thought of employing his own hand to free the world from such a wretch; but death, he remembered, had been already mocked. For days he remained in this state; shut up in his room, he saw no one, and ate only when his sister came, who, with eyes streaming with tears, besought him, for her sake, to support nature. At last, no longer capable of bearing stillness and solitude, he left his house, roamed from street to street, anxious to fly that image which haunted him. His dress became neglected, and he wandered, as often exposed to the noon-day sun as to the midnight damps. He was no longer to be recognized; at first he returned with the evening to the house; but at last he laid him down to rest wherever fatigue overtook him. His sister, anxious for his safety, employed people to follow him; but they were soon distanced by him who fled from a pursuer swifter than any—from thought. His conduct, however, suddenly changed. Struck with the idea that he left by his absence the whole of his friends, with a fiend amongst them, of whose presence they were unconscious, he determined to enter again into society, and watch him closely, anxious to forewarn, in spite of his oath, all whom Lord Ruthven approached with intimacy. But when he entered into a room, his haggard and suspicious looks were so striking, his inward shudderings so visible, that his sister was at last obliged to beg of him to abstain from seeking, for her sake, a society which affected him so strongly. When, however, remonstrance proved unavailing, the guardians thought proper to interpose, and, fearing that his mind was becoming alienated, they thought it high time to resume again that trust which had been before imposed upon them by Aubrey’s parents.

Desirous of saving him from the injuries and sufferings he had daily encountered in his wanderings, and of preventing him from exposing to the general eye those marks of what they considered folly, they engaged a physician to reside in the house, and take constant care of him. He hardly appeared to notice it, so completely was his mind absorbed by one terrible subject. His incoherence became at last so great, that he was confined to his chamber. There he would often lie for days, incapable of being roused. He had become emaciated, his eyes had attained a glassy lustre;—the only sign of affection and recollection remaining displayed itself upon the entry of his sister; then he would sometimes start, and, seizing her hands, with looks that severely afflicted her, he would desire her not to touch him. “Oh, do not touch him—if your love for me is aught, do not go near him!” When, however, she inquired to whom he referred, his only answer was, “True! true!” and again he sank into a state, whence not even she could rouse him. This lasted many months: gradually, however, as the year was passing, his incoherences became less frequent, and his mind threw off a portion of its gloom, whilst his guardians observed, that several times in the day he would count upon his fingers a definite number, and then smile.

The time had nearly elapsed, when, upon the last day of the year, one of his guardians entering his room, began to converse with his physician upon the melancholy circumstance of Aubrey’s being in so awful a situation, when his sister was going next day to be married. Instantly Aubrey’s attention was attracted; he asked anxiously to whom. Glad of this mark of returning intellect, of which they feared he had been deprived, they mentioned the name of the Earl of Marsden. Thinking this was a young Earl whom he had met with in society, Aubrey seemed pleased, and astonished them still more by his expressing his intention to be present at the nuptials, and desiring to see his sister. They answered not, but in a few minutes his sister was with him. He was apparently again capable of being affected by the influence of her lovely smile; for he pressed her to his breast, and kissed her cheek, wet with tears, flowing at the thought of her brother’s being once more alive to the feelings of affection. He began to speak with all his wonted warmth, and to congratulate her upon her marriage with a person so distinguished for rank and every accomplishment; when he suddenly perceived a locket upon her breast; opening it, what was his surprise at beholding the features of the monster who had so long influenced his life. He seized the portrait in a paroxysm of rage, and trampled it under foot. Upon her asking him why he thus destroyed the resemblance of her future husband, he looked as if he did not understand her—then seizing her hands, and gazing on her with a frantic expression of countenance, he bade her swear that she would never wed this monster, for he—— But he could not advance—it seemed as if that voice again bade him remember his oath—he turned suddenly round, thinking Lord Ruthven was near him but saw no one. In the meantime the guardians and physician, who had heard the whole, and thought this was but a return of his disorder, entered, and forcing him from Miss Aubrey, desired her to leave him. He fell upon his knees to them, he implored, he begged of them to delay but for one day. They, attributing this to the insanity they imagined had taken possession of his mind, endeavoured to pacify him, and retired.

Lord Ruthven had called the morning after the drawing-room, and had been refused with every one else. When he heard of Aubrey’s ill health, he readily understood himself to be the cause of it; but when he learned that he was deemed insane, his exultation and pleasure could hardly be concealed from those among whom he had gained this information. He hastened to the house of his former companion, and, by constant attendance, and the pretence of great affection for the brother and interest in his fate, he gradually won the ear of Miss Aubrey. Who could resist his power? His tongue had dangers and toils to recount—could speak of himself as of an individual having no sympathy with any being on the crowded earth, save with her to whom he addressed himself;—could tell how, since he knew her, his existence, had begun to seem worthy of preservation, if it were merely that he might listen to her soothing accents;—in fine, he knew so well how to use the serpent’s art, or such was the will of fate, that he gained her affections. The title of the elder branch falling at length to him, he obtained an important embassy, which served as an excuse for hastening the marriage, (in spite of her brother’s deranged state,) which was to take place the very day before his departure for the continent.

Aubrey, when he was left by the physician and his guardians, attempted to bribe the servants, but in vain. He asked for pen and paper; it was given him; he wrote a letter to his sister, conjuring her, as she valued her own happiness, her own honour, and the honour of those now in the grave, who once held her in their arms as their hope and the hope of their house, to delay but for a few hours that marriage, on which he denounced the most heavy curses. The servants promised they would deliver it; but giving it to the physician, he thought it better not to harass any more the mind of Miss Aubrey by, what he considered, the ravings of a maniac. Night passed on without rest to the busy inmates of the house; and Aubrey heard, with a horror that may more easily be conceived than described, the notes of busy preparation. Morning came, and the sound of carriages broke upon his ear. Aubrey grew almost frantic. The curiosity of the servants at last overcame their vigilance, they gradually stole away, leaving him in the custody of an helpless old woman. He seized the opportunity, with one bound was out of the room, and in a moment found himself in the apartment where all were nearly assembled. Lord Ruthven was the first to perceive him: he immediately approached, and, taking his arm by force, hurried him from the room, speechless with rage. When on the staircase, Lord Ruthven whispered in his ear—”Remember your oath, and know, if not my bride to day, your sister is dishonoured. Women are frail!” So saying, he pushed him towards his attendants, who, roused by the old woman, had come in search of him. Aubrey could no longer support himself; his rage not finding vent, had broken a blood-vessel, and he was conveyed to bed. This was not mentioned to his sister, who was not present when he entered, as the physician was afraid of agitating her. The marriage was solemnized, and the bride and bridegroom left London.

Aubrey’s weakness increased; the effusion of blood produced symptoms of the near approach of death. He desired his sister’s guardians might be called, and when the midnight hour had struck, he related composedly what the reader has perused—he died immediately after.

The guardians hastened to protect Miss Aubrey; but when they arrived, it was too late. Lord Ruthven had disappeared, and Aubrey’s sister had glutted the thirst of a VAMPYRE!


The Saturday Night Special: “The Masque of the Red Death” by Edgar Allan Poe

What can I say? Few people are not familiar with Poe’s tale of people trying to isolate themselves from a ravaging pandemic, a tale eerily appropriate for our time.

The Saturday Night Special: “The Hand” by Guy de Maupassant

Guy de Maupassant
Guy de Maupassant 1850-1893

All were crowding around M. Bermutier, the judge, who was giving his opinion about the Saint-Cloud mystery. For a month this in explicable crime had been the talk of Paris. Nobody could make head or tail of it.

M. Bermutier, standing with his back to the fireplace, was talking, citing the evidence, discussing the various theories, but arriving at no conclusion.

Some women had risen, in order to get nearer to him, and were standing with their eyes fastened on the clean-shaven face of the judge, who was saying such weighty things. They, were shaking and trembling, moved by fear and curiosity, and by the eager and insatiable desire for the horrible, which haunts the soul of every woman. One of them, paler than the others, said during a pause:

“It’s terrible. It verges on the supernatural. The truth will never be known.”

The judge turned to her:

“True, madame, it is likely that the actual facts will never be discovered. As for the word ‘supernatural’ which you have just used, it has nothing to do with the matter. We are in the presence of a very cleverly conceived and executed crime, so well enshrouded in mystery that we cannot disentangle it from the involved circumstances which surround it. But once I had to take charge of an affair in which the uncanny seemed to play a part. In fact, the case became so confused that it had to be given up.”

Several women exclaimed at once:

“Oh! Tell us about it!”

M. Bermutier smiled in a dignified manner, as a judge should, and went on:

“Do not think, however, that I, for one minute, ascribed anything in the case to supernatural influences. I believe only in normal causes. But if, instead of using the word ‘supernatural’ to express what we do not understand, we were simply to make use of the word ‘inexplicable,’ it would be much better. At any rate, in the affair of which I am about to tell you, it is especially the surrounding, preliminary circumstances which impressed me. Here are the facts:

“I was, at that time, a judge at Ajaccio, a little white city on the edge of a bay which is surrounded by high mountains.

“The majority of the cases which came up before me concerned vendettas. There are some that are superb, dramatic, ferocious, heroic. We find there the most beautiful causes for revenge of which one could dream, enmities hundreds of years old, quieted for a time but never extinguished; abominable stratagems, murders becoming massacres and almost deeds of glory. For two years I heard of nothing but the price of blood, of this terrible Corsican prejudice which compels revenge for insults meted out to the offending person and all his descendants and relatives. I had seen old men, children, cousins murdered; my head was full of these stories.

“One day I learned that an Englishman had just hired a little villa at the end of the bay for several years. He had brought with him a French servant, whom he had engaged on the way at Marseilles.

“Soon this peculiar person, living alone, only going out to hunt and fish, aroused a widespread interest. He never spoke to any one, never went to the town, and every morning he would practice for an hour or so with his revolver and rifle.

“Legends were built up around him. It was said that he was some high personage, fleeing from his fatherland for political reasons; then it was affirmed that he was in hiding after having committed some abominable crime. Some particularly horrible circumstances were even mentioned.

“In my judicial position I thought it necessary to get some information about this man, but it was impossible to learn anything. He called himself Sir John Rowell.

“I therefore had to be satisfied with watching him as closely as I could, but I could see nothing suspicious about his actions.

“However, as rumors about him were growing and becoming more widespread, I decided to try to see this stranger myself, and I began to hunt regularly in the neighborhood of his grounds.

“For a long time I watched without finding an opportunity. At last it came to me in the shape of a partridge which I shot and killed right in front of the Englishman. My dog fetched it for me, but, taking the bird, I went at once to Sir John Rowell and, begging his pardon, asked him to accept it.

“He was a big man, with red hair and beard, very tall, very broad, a kind of calm and polite Hercules. He had nothing of the so-called British stiffness, and in a broad English accent he thanked me warmly for my attention. At the end of a month we had had five or six conversations.

“One night, at last, as I was passing before his door, I saw him in the garden, seated astride a chair, smoking his pipe. I bowed and he invited me to come in and have a glass of beer. I needed no urging.

“He received me with the most punctilious English courtesy, sang the praises of France and of Corsica, and declared that he was quite in love with this country.

“Then, with great caution and under the guise of a vivid interest, I asked him a few questions about his life and his plans. He answered without embarrassment, telling me that he had travelled a great deal in Africa, in the Indies, in America. He added, laughing:

“‘I have had many adventures.’

“Then I turned the conversation on hunting, and he gave me the most curious details on hunting the hippopotamus, the tiger, the elephant and even the gorilla.

“I said:

“‘Are all these animals dangerous?’

“He smiled:

“‘Oh, no! Man is the worst.’

“And he laughed a good broad laugh, the wholesome laugh of a contented Englishman.

“‘I have also frequently been man-hunting.’

“Then he began to talk about weapons, and he invited me to come in and see different makes of guns.

“His parlor was draped in black, black silk embroidered in gold. Big yellow flowers, as brilliant as fire, were worked on the dark material.

“He said:

“‘It is a Japanese material.’

“But in the middle of the widest panel a strange thing attracted my attention. A black object stood out against a square of red velvet. I went up to it; it was a hand, a human hand. Not the clean white hand of a skeleton, but a dried black hand, with yellow nails, the muscles exposed and traces of old blood on the bones, which were cut off as clean as though it had been chopped off with an axe, near the middle of the forearm.

“Around the wrist, an enormous iron chain, riveted and soldered to this unclean member, fastened it to the wall by a ring, strong enough to hold an elephant in leash.

“I asked:

“‘What is that?’

“The Englishman answered quietly:

“‘That is my best enemy. It comes from America, too. The bones were severed by a sword and the skin cut off with a sharp stone and dried in the sun for a week.’

“I touched these human remains, which must have belonged to a giant. The uncommonly long fingers were attached by enormous tendons which still had pieces of skin hanging to them in places. This hand was terrible to see; it made one think of some savage vengeance.

“I said:

“‘This man must have been very strong.’

“The Englishman answered quietly:

“‘Yes, but I was stronger than he. I put on this chain to hold him.’

“I thought that he was joking. I said:

“‘This chain is useless now, the hand won’t run away.’

“Sir John Rowell answered seriously:

“‘It always wants to go away. This chain is needed.’

“I glanced at him quickly, questioning his face, and I asked myself:

“‘Is he an insane man or a practical joker?’

“But his face remained inscrutable, calm and friendly. I turned to other subjects, and admired his rifles.

“However, I noticed that he kept three loaded revolvers in the room, as though constantly in fear of some attack.

“I paid him several calls. Then I did not go any more. People had become used to his presence; everybody had lost interest in him.

“A whole year rolled by. One morning, toward the end of November, my servant awoke me and announced that Sir John Rowell had been murdered during the night.

“Half an hour later I entered the Englishman’s house, together with the police commissioner and the captain of the gendarmes. The servant, bewildered and in despair, was crying before the door. At first I suspected this man, but he was innocent.

“The guilty party could never be found.

“On entering Sir John’s parlor, I noticed the body, stretched out on its back, in the middle of the room.

“His vest was torn, the sleeve of his jacket had been pulled off, everything pointed to, a violent struggle.

“The Englishman had been strangled! His face was black, swollen and frightful, and seemed to express a terrible fear. He held something between his teeth, and his neck, pierced by five or six holes which looked as though they had been made by some iron instrument, was covered with blood.

“A physician joined us. He examined the finger marks on the neck for a long time and then made this strange announcement:

“‘It looks as though he had been strangled by a skeleton.’

“A cold chill seemed to run down my back, and I looked over to where I had formerly seen the terrible hand. It was no longer there. The chain was hanging down, broken.

“I bent over the dead man and, in his contracted mouth, I found one of the fingers of this vanished hand, cut–or rather sawed off by the teeth down to the second knuckle.

“Then the investigation began. Nothing could be discovered. No door, window or piece of furniture had been forced. The two watch dogs had not been aroused from their sleep.

“Here, in a few words, is the testimony of the servant:

“For a month his master had seemed excited. He had received many letters, which he would immediately burn.

“Often, in a fit of passion which approached madness, he had taken a switch and struck wildly at this dried hand riveted to the wall, and which had disappeared, no one knows how, at the very hour of the crime.

“He would go to bed very late and carefully lock himself in. He always kept weapons within reach. Often at night he would talk loudly, as though he were quarrelling with some one.

“That night, somehow, he had made no noise, and it was only on going to open the windows that the servant had found Sir John murdered. He suspected no one.

“I communicated what I knew of the dead man to the judges and public officials. Throughout the whole island a minute investigation was carried on. Nothing could be found out.

“One night, about three months after the crime, I had a terrible nightmare. I seemed to see the horrible hand running over my curtains and walls like an immense scorpion or spider. Three times I awoke, three times I went to sleep again; three times I saw the hideous object galloping round my room and moving its fingers like legs.

“The following day the hand was brought me, found in the cemetery, on the grave of Sir John Rowell, who had been buried there because we had been unable to find his family. The first finger was missing.

“Ladies, there is my story. I know nothing more.”

The women, deeply stirred, were pale and trembling. One of them exclaimed:

“But that is neither a climax nor an explanation! We will be unable to sleep unless you give us your opinion of what had occurred.”

The judge smiled severely:

“Oh! Ladies, I shall certainly spoil your terrible dreams. I simply believe that the legitimate owner of the hand was not dead, that he came to get it with his remaining one. But I don’t know how. It was a kind of vendetta.”

One of the women murmured:

“No, it can’t be that.”

And the judge, still smiling, said:

“Didn’t I tell you that my explanation would not satisfy you?”

On se protege
(Protect yourself.)

“Ancient Lights” by Algernon Blackwood (1912)

From Southwater, where he left the train, the road led due west. That he knew; for the rest he trusted to luck, being one of those born walkers who dislike asking the way. He had that instinct, and as a rule it served him well. “A mile or so due west along the sandy road till you come to a stile on the right; then across the fields. You’ll see the red house straight before you.” He glanced at the post-card’s instructions once again, and once again he tried to decipher the scratched-out sentence—without success. It had been so elaborately inked over that no word was legible. Inked-out sentences in a letter were always enticing. He wondered what it was that had to be so very carefully obliterated.

The afternoon was boisterous, with a tearing, shouting wind that blew from the sea, across the Sussex weald. Massive clouds with

Algernon Blackwood 1869-1951
Algernon Blackwood
1869-1951

rounded, piled-up edges, cannoned across gaping spaces of blue sky. Far away the line of Downs swept the horizon, like an arriving wave. Chanc­tonbury Ring rode their crest—a scudding ship, hull down before the wind. He took his hat off and walked rapidly, breathing great draughts of air with delight and exhilaration. The road was deserted; no horsemen, bicycles, or motors; not even a tradesman’s cart; no single walker. But anyhow he would never have asked the way. Keeping a sharp eye for the stile, he pounded along, while the wind tossed the cloak against his face, and made waves across the blue puddles in the yellow road. The trees showed their under leaves of white. The bracken and the high new grass bent all one way. Great life was in the day, high spirits and dancing every­where. And for a Croydon surveyor’s clerk just out of an office this was like a holiday at the sea.

It was a day for high adventure, and his heart rose up to meet the mood of Nature. His umbrella with the silver ring ought to have been a sword, and his brown shoes should have been top-boots with spurs upon the heels. Where hid the enchanted Castle and the princess with the hair of sunny gold? His horse…

The stile came suddenly into view and nipped adventure in the bud. Everyday clothes took him prisoner again. He was a surveyor’s clerk, middle-aged, earning three pounds a week, coming from Croydon to see about a client’s proposed alterations in a wood—something to ensure a better view from the dining-room window. Across the fields, perhaps a mile away, he saw the red house gleaming in the sunshine; and resting on the stile a moment to get his breath he noticed a copse of oak and hornbeam on the right. “Aha,” he told himself “so that must be the wood he wants to cut down to improve the view? I’ll ’ave a look at it.” There were boards up, of course, but there was an inviting little path as well. “I’m not a trespasser,” he said; “it’s part of my business, this is.” He scrambled awkwardly over the gate and entered the copse. A little round would bring him to the field again.

But the moment he passed among the trees the wind ceased shouting and a stillness dropped upon the world. So dense was the growth that the sunshine only came through in isolated patches. The air was close. He mopped his forehead and put his green felt hat on, but a low branch knocked it off again at once, and as he stooped an elastic twig swung back and stung his face. There were flowers along both edges of the little path; glades opened on either side; ferns curved about in damper corners, and the smell of earth and foliage was rich and sweet. It was cooler here. What an enchanting little wood, he thought, turning down a small green glade where the sunshine flickered like silver wings. How it danced and fluttered and moved about! He put a dark blue flower in his buttonhole. Again his hat, caught by an oak branch as he rose, was knocked from his head, falling across his eyes. And this time he did not put it on again. Swinging his umbrella, he walked on with uncovered head, whistling rather loudly as he went. But the thickness of the trees hardly encouraged whistling, and something of his gaiety and high spirits seemed to leave him. He suddenly found himself treading circumspectly and with caution. The stillness in the wood was so peculiar.

There was a rustle among the ferns and leaves and something shot across the path ten yards ahead, stopped abruptly an instant with head cocked sideways to stare, then dived again beneath the underbrush with the speed of a shadow. He started like a frightened child, laughing the next second that a mere pheasant could have made him jump. In the distance he heard wheels upon the road, and wondered why the sound was pleasant. “Good old butcher’s cart,” he said to himself—then realised that he was going in the wrong direction and had somehow got turned round. For the road should be behind him, not in front.

And he hurriedly took another narrow glade that lost itself in greenness to the right. “That’s my direction, of course,” he said; “the trees has mixed me up a bit, it seems”—then found himself abruptly by the gate he had first climbed over. He had merely made a circle. Surprise became almost discomfiture then. And a man, dressed like a gamekeeper in browny green, leaned against the gate, hitting his legs with a switch. “I’m making for Mr. Lumley’s farm,” explained the walker. “This is his wood, I believe—” then stopped dead, because it was no man at all, but merely an effect of light and shade and foliage. He stepped back to reconstruct the singular illusion, but the wind shook the branches roughly here on the edge of the wood and the foliage refused to recon­struct the figure. The leaves all rustled strangely. And just then the sun went behind a cloud, making the whole wood look otherwise. Yet how the mind could be thus doubly deceived was indeed remarkable, for it almost seemed to him the man had answered, spoken—or was this the shuffling noise the branches made ?—and had pointed with his switch to the notice-board upon the nearest tree. The words rang on in his head, but of course he had imagined them: “No, it’s not his wood. It’s ours.” And some village wit, moreover, had changed the lettering on the weather-beaten board, for it read quite plainly, “Trespassers will be persecuted.”

And while the astonished clerk read the words and chuckled, he said to himself, thinking what a tale he’d have to tell his wife and children later—“The blooming wood has tried to chuck me out. But I’ll go in again. Why, it’s only a matter of a square acre at most. I’m bound to reach the fields on the other side if I keep straight on.” He remembered his position in the office. He had a certain dignity to maintain.

The cloud passed from below the sun, and light splashed suddenly in all manner of unlikely places. The man went straight on. He felt a touch of puzzling con­fusion somewhere; this way the copse had of shifting from sunshine into shadow doubtless troubled sight a little. To his relief at last, a new glade opened through the trees and disclosed the fields with a glimpse of the red house in the distance at the far end. But a little wicket gate that stood across the path had first to be climbed, and as he scrambled heavily over—for it would not open—he got the astonishing feeling that it slid off sideways beneath his weight, and towards the wood. Like the moving staircases at Harrod’s and Earl’s Court, it began to glide off with him. It was quite horrible. He made a violent effort to get down before it carried him into the trees, but his feet became entangled with the bars and umbrella, so that he fell heavily upon the farther side, arms spread across the grass and nettles, boots clutched between the first and second bars. He lay there a moment like a man crucified upside down, and while he struggled to get disentangled—feet, bars, and umbrella formed a regular net—he saw the little man in browny green go past him with extreme rapidity through the wood. The man was laughing. He passed across the glade some fifty yards away, and he was not alone this time. A companion like himself went with him. The clerk, now upon his feet again, watched them disappear into the gloom of green beyond. “They’re tramps, not gamekeepers,” he said to himself, half mortified, half angry. But his heart was thumping dreadfully, and he dared not utter all his thought.

He examined the wicket gate, convinced it was a trick gate somehow—then went hurriedly on again, disturbed beyond belief to see that the glade no longer opened into fields, but curved away to the right. What in the world had happened to him? His sight was so utterly at fault. Again the sun flamed out abruptly and lit the floor of the wood with pools of silver, and at the same moment a violent gust of wind passed shouting overhead. Drops fell clattering everywhere upon the leaves, making a sharp pattering as of many footsteps. The whole copse shuddered and went moving.

“Rain, by George,” thought the clerk, and feeling for his umbrella, discovered he had lost it. He turned back to the gate and found it lying on the farther side. To his amazement he saw the fields at the far end of the glade, the red house, too, ashine in the sunset. He laughed then, for, of course, in his struggle with the gate, he had somehow got turned round—had fallen back instead of forwards. Climbing over, this time quite easily, he retraced his steps. The silver band, he saw, had been torn from the umbrella. No doubt his foot, a nail, or something had caught in it and ripped it off. The clerk began to run; he felt extraordinarily dismayed.

But, while he ran, the entire wood ran with him, round him, to and fro, trees shifting like living things, leaves folding and unfolding, trunks darting backwards and forwards, and branches disclosing enormous empty spaces, then closing up again before he could look into them. There were footsteps everywhere, and laughing, crying voices, and crowds of figures gathering just behind his back till the glade, he knew, was thick with moving life. The wind in his ears, of course, produced the voices and the laughter, while sun and clouds, plunging the copse alternately in shadow and bright dazzling light, created the figures. But he did not like it, and went as fast as ever his sturdy legs could take him. He was frightened now. This was no story for his wife and children. He ran like the wind. But his feet made no sound upon the soft mossy turf.

Then, to his horror, he saw that the glade grew narrow, nettles and weeds stood thick across it, it dwindled down into a tiny path, and twenty yards ahead it stopped finally and melted off among the trees. What the trick gate had failed to achieve, this twisting glade accomplished easily—carried him in bodily among the dense and crowding trees.

There was only one thing to do—turn sharply and dash back again, run headlong into the life that followed at his back, followed so closely too that now it almost touched him, pushing him in. And with reckless courage this was what he did. It seemed a fearful thing to do. He turned with a sort of violent spring, head down and shoulders forward, hands stretched before his face. He made the plunge; like a hunted creature he charged full tilt the other way, meeting the wind now in his face.

Good Lord! The glade behind him had closed up as well; there was no longer any path at all. Turning round and round, like an animal at bay, he searched for an opening, a way of escape, searched frantically, breath­lessly, terrified now in his bones. But foliage surrounded him, branches blocked the way; the trees stood close and still, unshaken by a breath of wind; and the sun dipped that moment behind a great black cloud. The entire wood turned dark and silent. It watched him.

Perhaps it was this final touch of sudden blackness that made him act so foolishly, as though he had really lost his head. At any rate, without pausing to think, he dashed headlong in among the trees again. There was a sensation of being stiflingly surrounded and entangled, and that he must break out at all costs—out and away into the open of the blessed fields and air. He did this ill-considered thing, and apparently charged straight into an oak that deliber­ately moved into his path to stop him. He saw it shift across a good full yard, and being a measuring man, accustomed to theodolite and chain, he ought to know. He fell, saw stars, and felt a thousand tiny fingers tugging and pulling at his hands and neck and ankles. The stinging nettles, no doubt, were responsible for this. He thought of it later. At the moment it felt diabolically calculated.

But another remarkable illusion was not so easily explained. For all in a moment, it seemed, the entire wood went sliding past him with a thick deep rustling of leaves and laughter, myriad footsteps, and tiny little active, energetic shapes; two men in browny green gave him a mighty hoist—and he opened his eyes to find himself lying in the meadow beside the stile where first his incredible adventure had begun. The wood stood in its usual place and stared down upon him in the sunlight. There was the red house in the distance as before. Above him grinned the weather-beaten notice-board: “Tres­passers will be prosecuted.”

Dishevelled in mind and body, and a good deal shaken in his official soul, the clerk walked slowly across the fields. But on the way he glanced once more at the post­card of instructions, and saw with dull amazement that the inked-out sentence was quite legible after all beneath the scratches made across it: “There is a short cut through the wood—the wood I want cut down—if you care to take it.” Only “care” was so badly written, it looked more like another word; the “c” was uncommonly like “d.”

“That’s the copse that spoils my view of the Downs, you see,” his client explained to him later, pointing across the fields, and referring to the ordnance map beside him. “I want it cut down and a path made so and so.” His finger indicated direction on the map. “The Fairy Wood—it’s still called, and it’s far older than this house. Come now, if you’re ready, Mr. Thomas, we might go out and have a look at it. . .”

Photoshopped painting of the Mona Lisa by Leonardo Da Vinci wearing a medical face mask to prevent spreading COVID-19/Coronavirus
Prevent the spread of the Coronavirus/COVID-19.

The Saturday Night Special: “The Drunkard’s Dream” by Joseph Sheridan Le Fanu (1838)

Being a Fourth Extract from the Legacy of the Late F. Purcell, P. P. of Drumcoolagh

“All this he told with some confusion and
Dismay, the usual consequence of dreams
Of the unpleasant kind, with none at hand
To expound their vain and visionary gleams.
I’ve known some odd ones which seemed really planned
Prophetically, as that which one deems
‘A strange coincidence,’ to use a phrase
By which such things are settled now-a-days.”

BYRON.

 

Dreams–What age, or what country of the world has not felt and acknowledged the mystery of their origin and end? I have thought not a little upon the subject, seeing it is one which has been often forced upon my attention, and sometimes strangely enough; and yet I have never arrived at any thing which at all appeared a satisfactory conclusion. It does appear that a mental phenomenon so extraordinary cannot be wholly without its use. We know, indeed, that in the olden times it has been made the organ of communication between the Deity and his creatures; and when, as I have seen, a dream produces upon a mind, to all appearance hopelessly reprobate and depraved, an effect so powerful and so lasting as to break down the

Joseph Thomas Sheridan Le Fanu 1814-1873
Joseph Thomas Sheridan Le Fanu
1814-1873

inveterate habits, and to reform the life of an abandoned sinner. We see in the result, in the reformation of morals, which appeared incorrigible in the reclamation of a human soul which seemed to be irretrievably lost, something more than could be produced by a mere chimaera of the slumbering fancy, something more than could arise from the capricious images of a terrified imagination; but once prevented, we behold in all these things, in the tremendous and mysterious results, the operation of the hand of God. And while Reason rejects as absurd the superstition which will read a prophecy in every dream, she may, without violence to herself, recognize, even in the wildest and most incongruous of the wanderings of a slumbering intellect, the evidences and the fragments of a language which may be spoken, which has been spoken to terrify, to warn, and to command. We have reason to believe too, by the promptness of action, which in the age of the prophets, followed all intimations of this kind, and by the strength of conviction and strange permanence of the effects resulting from certain dreams in latter times, which effects ourselves may have witnessed, that when this medium of communication has been employed by the Deity, the evidences of his presence have been unequivocal. My thoughts were directed to this subject, in a manner to leave a lasting impression upon my mind, by the events which I shall now relate, the statement of which, however extraordinary, is nevertheless accurately correct.

About the year l7– having been appointed to the living of C—-h, I rented a small house in the town, which bears the same name: one morning, in the month of November, I was awakened before my usual time, by my servant, who bustled into my bedroom for the purpose of announcing a sick call. As the Catholic Church holds her last rites to be totally indispensable to the safety of the departing sinner, no conscientious clergyman can afford a moment’s unnecessary delay, and in little more than five minutes I stood ready cloaked and booted for the road in the small front parlour, in which the messenger, who was to act as my guide, awaited my coming. I found a poor little girl crying piteously near the door, and after some slight difficulty I ascertained that her father was either dead, or just dying.

“And what may be your father’s name, my poor child?” said I. She held down her head, as if ashamed. I repeated the question, and the wretched little creature burst into floods of tears, still more bitter than she had shed before. At length, almost provoked by conduct which appeared to me so unreasonable, I began to lose patience, spite of the pity which I could not help feeling towards her, and I said rather harshly, “If you will not tell me the name of the person to whom you would lead me, your silence can arise from no good motive, and I might be justified in refusing to go with you at all.”

“Oh! don’t say that, don’t say that,” cried she. “Oh! sir, it was that I was afeard of when I would not tell you–I was afeard when you heard his name you would not come with me; but it is no use hidin’ it now–it’s Pat Connell, the carpenter, your honour.”

She looked in my face with the most earnest anxiety, as if her very existence depended upon what she should read there; but I relieved her at once. The name, indeed, was most unpleasantly familiar to me; but, however fruitless my visits and advice might have been at another time, the present was too fearful an occasion to suffer my doubts of their utility as my reluctance to re-attempting what appeared a hopeless task to weigh even against the lightest chance, that a consciousness of his imminent danger might produce in him a more docile and tractable disposition. Accordingly I told the child to lead the way, and followed her in silence. She hurried rapidly through the long narrow street which forms the great thoroughfare of the town. The darkness of the hour, rendered still deeper by the close approach of the old fashioned houses, which lowered in tall obscurity on either side of the way; the damp dreary chill which renders the advance of morning peculiarly cheerless, combined with the object of my walk, to visit the death-bed of a presumptuous sinner, to endeavour, almost against my own conviction, to infuse a hope into the heart of a dying reprobate–a drunkard, but too probably perishing under the consequences of some mad fit of intoxication; all these circumstances united served to enhance the gloom and solemnity of my feelings, as I silently followed my little guide, who with quick steps traversed the uneven pavement of the main street. After a walk of about five minutes she turned off into a narrow lane, of that obscure and comfortless class which are to be found in almost all small old fashioned towns, chill without ventilation, reeking with all manner of offensive effluviae, dingy, smoky, sickly and pent-up buildings, frequently not only in a wretched but in a dangerous condition.

“Your father has changed his abode since I last visited him, and, I am afraid, much for the worse,” said I.

“Indeed he has, sir, but we must not complain,” replied she; “we have to thank God that we have lodging and food, though it’s poor enough, it is, your honour.”

Poor child! thought I, how many an older head might learn wisdom from thee–how many a luxurious philosopher, who is skilled to preach but not to suffer, might not thy patient words put to the blush! The manner and language of this child were alike above her years and station; and, indeed, in all cases in which the cares and sorrows of life have anticipated their usual date, and have fallen, as they sometimes do, with melancholy prematurity to the lot of childhood, I have observed the result to have proved uniformly the same. A young mind, to which joy and indulgence have been strangers, and to which suffering and self-denial have been familiarised from the first, acquires a solidity and an elevation which no other discipline could have bestowed, and which, in the present case, communicated a striking but mournful peculiarity to the manners, even to the voice of the child. We paused before a narrow, crazy door, which she opened by means of a latch, and we forthwith began to ascend the steep and broken stairs, which led upwards to the sick man’s room. As we mounted flight after flight towards the garret floor, I heard more and more distinctly the hurried talking of many voices. I could also distinguish the low sobbing of a female. On arriving upon the uppermost lobby, these sounds became fully audible.

“This way, your honor,” said my little conductress, at the same time pushing open a door of patched and half rotten plank, she admitted me into the squalid chamber of death and misery. But one candle, held in the fingers of a scared and haggard-looking child, was burning in the room, and that so dim that all was twilight or darkness except within its immediate influence. The general obscurity, however, served to throw into prominent and startling relief the death-bed and its occupant. The light was nearly approximated to, and fell with horrible clearness upon, the blue and swollen features of the drunkard. I did not think it possible that a human countenance could look so terrific. The lips were black and drawn apart–the teeth were firmly set–the eyes a little unclosed, and nothing but the whites appearing–every feature was fixed and livid, and the whole face wore a ghastly and rigid expression of despairing terror such as I never saw equalled; his hands were crossed upon his breast, and firmly clenched, while, as if to add to the corpse-like effect of the whole, some white cloths, dipped in water, were wound about the forehead and temples. As soon as I could remove my eyes from this horrible spectacle, I observed my friend Dr. D—-, one of the most humane of a humane profession, standing by the bedside. He had been attempting, but unsuccessfully, to bleed the patient, and had now applied his finger to the pulse.

“Is there any hope?” I inquired in a whisper.

A shake of the head was the reply. There was a pause while he continued to hold the wrist; but he waited in vain for the throb of life, it was not there, and when he let go the hand it fell stiffly back into its former position upon the other.

“The man is dead,” said the physician, as he turned from the bed where the terrible figure lay.

Dead! thought I, scarcely venturing to look upon the tremendous and revolting spectacle–dead! without an hour for repentance, even a moment for reflection–dead! without the rites which even the best should have. Is there a hope for him? The glaring eyeball, the grinning mouth, the distorted brow–that unutterable look in which a painter would have sought to embody the fixed despair of the nethermost hell–these were my answer.

The poor wife sat at a little distance, crying as if her heart would break–the younger children clustered round the bed, looking, with wondering curiosity, upon the form of death, never seen before. When the first tumult of uncontrollable sorrow had passed away, availing myself of the solemnity and impressiveness of the scene, I desired the heart-stricken family to accompany me in prayer, and all knelt down, while I solemnly and fervently repeated some of those prayers which appeared most applicable to the occasion. I employed myself thus in a manner which, I trusted, was not unprofitable, at least to the living, for about ten minutes, and having accomplished my task, I was the first to arise. I looked upon the poor, sobbing, helpless creatures who knelt so humbly around me, and my heart bled for them. With a natural transition, I turned my eyes from them to the bed in which the body lay, and, great God! what was the revulsion, the horror which I experienced on seeing the corpse-like, terrific thing seated half upright before me–the white cloths, which had been wound about the head, had now partly slipped from their position, and were hanging in grotesque festoons about the face and shoulders, while the distorted eyes leered from amid them–

“A sight to dream of, not to tell.”

I stood actually rivetted to the spot. The figure nodded its head and lifted its arm, I thought with a menacing gesture. A thousand confused and horrible thoughts at once rushed upon my mind. I had often read that the body of a presumptuous sinner, who, during life, had been the willing creature of every satanic impulse, after the human tenant had deserted it, had been known to become the horrible sport of demoniac possession. I was roused from the stupefaction of terror in which I stood, by the piercing scream of the mother, who now, for the first time, perceived the change which had taken place. She rushed towards the bed, but, stunned by the shock and overcome by the conflict of violent emotions, before she reached it, she fell prostrate upon the floor. I am perfectly convinced that had I not been startled from the torpidity of horror in which I was bound, by some powerful and arousing stimulant, I should have gazed upon this unearthly apparition until I had fairly lost my senses. As it was, however, the spell was broken, superstition gave way to reason: the man whom all believed to have been actually dead, was living! Dr. D—- was instantly standing by the bedside, and, upon examination, he found that a sudden and copious flow of blood had taken place from the wound which the lancet had left, and this, no doubt, had effected his sudden and almost preternatural restoration to an existence from which all thought he had been for ever removed. The man was still speechless, but he seemed to understand the physician when he forbid his repeating the painful and fruitless attempts which he made to articulate, and he at once resigned himself quietly into his hands.

I left the patient with leeches upon his temples, and bleeding freely–apparently with little of the drowsiness which accompanies apoplexy; indeed, Dr. D—- told me that he had never before witnessed a seizure which seemed to combine the symptoms of so many kinds, and yet which belonged to none of the recognized classes; it certainly was not apoplexy, catalepsy, nor delirium tremens, and yet it seemed, in some degree, to partake of the properties of all–it was strange, but stranger things are coming.

During two or three days Dr. D—- would not allow his patient to converse in a manner which could excite or exhaust him, with any one; he suffered him merely, as briefly as possible, to express his immediate wants, and it was not until the fourth day after my early visit, the particulars of which I have just detailed, that it was thought expedient that I should see him, and then only because it appeared that his extreme importunity and impatience were likely to retard his recovery more than the mere exhaustion attendant upon a short conversation could possibly do; perhaps, too, my friend entertained some hope that if by holy confession his patient’s bosom were eased of the perilous stuff, which no doubt, oppressed it, his recovery would be more assured and rapid. It was, then, as I have said, upon the fourth day after my first professional call, that I found myself once more in the dreary chamber of want and sickness. The man was in bed, and appeared low and restless. On my entering the room he raised himself in the bed, and muttered twice or thrice–“Thank God! thank God.” I signed to those of his family who stood by, to leave the room, and took a chair beside the bed. So soon as we were alone, he said, rather doggedly–“There’s no use now in telling me of the sinfulness of bad ways–I know it all–I know where they lead to–I seen everything about it with my own eyesight, as plain as I see you.” He rolled himself in the bed, as if to hide his face in the clothes, and then suddenly raising himself, he exclaimed with startling vehemence–“Look, sir, there is no use in mincing the matter; I’m blasted with the fires of hell; I have been in hell; what do you think of that?–in hell–I’m lost for ever–I have not a chance–I am damned already–damned–damned–.” The end of this sentence he actually shouted; his vehemence was perfectly terrific; he threw himself back, and laughed, and sobbed hysterically. I poured some water into a tea-cup, and gave it to him. After he had swallowed it, I told him if he had anything to communicate, to do so as briefly as he could, and in a manner as little agitating to himself as possible; threatening at the same time, though I had no intention of doing so, to leave him at once, in case he again gave way to such passionate excitement. “It’s only foolishness,” he continued, “for me to try to thank you for coming to such a villain as myself at all; it’s no use for me to wish good to you, or to bless you; for such as me has no blessings to give.” I told him that I had but done my duty, and urged him to proceed to the matter which weighed upon his mind; he then spoke nearly as follows:–“I came in drunk on Friday night last, and got to my bed here, I don’t remember how; sometime in the night, it seemed to me, I wakened, and feeling unasy in myself, I got up out of the bed. I wanted the fresh air, but I would not make a noise to open the window, for fear I’d waken the crathurs. It was very dark, and throublesome to find the door; but at last I did get it, and I groped my way out, and went down as asy as I could. I felt quite sober, and I counted the steps one after another, as I was going down, that I might not stumble at the bottom. When I came to the first landing-place, God be about us always! the floor of it sunk under me, and I went down, down, down, till the senses almost left me. I do not know how long I was falling, but it seemed to me a great while. When I came rightly to myself at last, I was sitting at a great table, near the top of it; and I could not see the end of it, if it had any, it was so far off; and there was men beyond reckoning, sitting down, all along by it, at each side, as far as I could see at all. I did not know at first was it in the open air; but there was a close smothering feel in it, that was not natural, and there was a kind of light that my eyesight never saw before, red and unsteady, and I did not see for a long time where it was coming from, until I looked straight up, and then I seen that it came from great balls of blood-coloured fire, that were rolling high over head with a sort of rushing, trembling sound, and I perceived that they shone on the ribs of a great roof of rock that was arched overhead instead of the sky. When I seen this, scarce knowing what I did, I got up, and I said, ‘I have no right to be here; I must go,’ and the man that was sitting at my left hand, only smiled, and said, ‘sit down again, you can never leave this place,’ and his voice was weaker than any child’s voice I ever heerd, and when he was done speaking he smiled again. Then I spoke out very loud and bold, and I said–‘in the name of God, let me out of this bad place.’ And there was a great man, that I did not see before, sitting at the end of the table that I was near, and he was taller than twelve men, and his face was very proud and terrible to look at, and he stood up and stretched out his hand before him, and when he stood up, all that was there, great and small, bowed down with a sighing sound, and a dread came on my heart, and he looked at me, and I could not speak. I felt I was his own, to do what he liked with, for I knew at once who he was, and he said, ‘if you promise to return, you may depart for a season’; and the voice he spoke with was terrible and mournful, and the echoes of it went rolling and swelling down the endless cave, and mixing with the trembling of the fire overhead; so that, when he sate down, there was a sound after him, all through the place like the roaring of a furnace, and I said, with all the strength I had, ‘I promise to come back; in God’s name let me go,’ and with that I lost the sight and the hearing of all that was there, and when my senses came to me again, I was sitting in the bed with the blood all over me, and you and the rest praying around the room.” Here he paused and wiped away the chill drops of horror which hung upon his forehead.

I remained silent for some moments. The vision which he had just described struck my imagination not a little, for this was long before Vathek and the “Hall of Iblis” had delighted the world; and the description which he gave had, as I received it, all the attractions of novelty beside the impressiveness which always belongs to the narration of an eye-witness, whether in the body or in the spirit, of the scenes which he describes. There was something, too, in the stern horror with which the man related these things, and in the incongruity of his description, with the vulgarly received notions of the great place of punishment, and of its presiding spirit, which struck my mind with awe, almost with fear. At length he said, with an expression of horrible, imploring earnestness, which I shall never forget–“Well, sir, is there any hope; is there any chance at all? or, is my soul pledged and promised away for ever? is it gone out of my power? must I go back to the place?”

In answering him I had no easy task to perform; for however clear might be my internal conviction of the groundlessness of his fears, and however strong my scepticism respecting the reality of what he had described, I nevertheless felt that his impression to the contrary, and his humility and terror resulting from it, might be made available as no mean engines in the work of his conversion from profligacy, and of his restoration to decent habits, and to religious feeling. I therefore told him that he was to regard his dream rather in the light of a warning than in that of a prophecy; that our salvation depended not upon the word or deed of a moment, but upon the habits of a life; that, in fine, if he at once discarded his idle companions and evil habits, and firmly adhered to a sober, industrious, and religious course of life, the powers of darkness might claim his soul in vain, for that there were higher and firmer pledges than human tongue could utter, which promised salvation to him who should repent and lead a new life.

I left him much comforted, and with a promise to return upon the next day. I did so, and found him much more cheerful, and without any remains of the dogged sullenness which I suppose had arisen from his despair. His promises of amendment were given in that tone of deliberate earnestness, which belongs to deep and solemn determination; and it was with no small delight that I observed, after repeated visits, that his good resolutions, so far from failing, did but gather strength by time; and when I saw that man shake off the idle and debauched companions, whose society had for years formed alike his amusement and his ruin, and revive his long discarded habits of industry and sobriety, I said within myself, there is something more in all this than the operation of an idle dream. One day, sometime after his perfect restoration to health, I was surprised on ascending the stairs, for the purpose of visiting this man, to find him busily employed in nailing down some planks upon the landing place, through which, at the commencement of his mysterious vision, it seemed to him that he had sunk. I perceived at once that he was strengthening the floor with a view to securing himself against such a catastrophe, and could scarcely forbear a smile as I bid “God bless his work.”

He perceived my thoughts, I suppose, for he immediately said,

“I can never pass over that floor without trembling. I’d leave this house if I could, but I can’t find another lodging in the town so cheap, and I’ll not take a better till I’ve paid off all my debts, please God; but I could not be asy in my mind till I made it as safe as I could. You’ll hardly believe me, your honor, that while I’m working, maybe a mile away, my heart is in a flutter the whole way back, with the bare thoughts of the two little steps I have to walk upon this bit of a floor. So it’s no wonder, sir, I’d thry to make it sound and firm with any idle timber I have.”

I applauded his resolution to pay off his debts, and the steadiness with which he pursued his plans of conscientious economy, and passed on.

Many months elapsed, and still there appeared no alteration in his resolutions of amendment. He was a good workman, and with his better habits he recovered his former extensive and profitable employment. Every thing seemed to promise comfort and respectability. I have little more to add, and that shall be told quickly. I had one evening met Pat Connell, as he returned from his work, and as usual, after a mutual, and on his side respectful salutation, I spoke a few words of encouragement and approval. I left him industrious, active, healthy–when next I saw him, not three days after, he was a corpse. The circumstances which marked the event of his death were somewhat strange–I might say fearful. The unfortunate man had accidentally met an early friend, just returned, after a long absence, and in a moment of excitement, forgetting everything in the warmth of his joy, he yielded to his urgent invitation to accompany him into a public house, which lay close by the spot where the encounter had taken place. Connell, however, previously to entering the room, had announced his determination to take nothing more than the strictest temperance would warrant. But oh! who can describe the inveterate tenacity with which a drunkard’s habits cling to him through life. He may repent–he may reform–he may look with actual abhorrence upon his past profligacy; but amid all this reformation and compunction, who can tell the moment in which the base and ruinous propensity may not recur, triumphing over resolution, remorse, shame, everything, and prostrating its victim once more in all that is destructive and revolting in that fatal vice.

The wretched man left the place in a state of utter intoxication. He was brought home nearly insensible, and placed in his bed, where he lay in the deep calm lethargy of drunkenness. The younger part of the family retired to rest much after their usual hour; but the poor wife remained up sitting by the fire, too much grieved and shocked at the recurrence of what she had so little expected, to settle to rest; fatigue, however, at length overcame her, and she sunk gradually into an uneasy slumber. She could not tell how long she had remained in this state, when she awakened, and immediately on opening her eyes, she perceived by the faint red light of the smouldering turf embers, two persons, one of whom she recognized as her husband noiselessly gliding out of the room.

“Pat, darling, where are you going?” said she. There was no answer–the door closed after them; but in a moment she was startled and terrified by a loud and heavy crash, as if some ponderous body had been hurled down the stair. Much alarmed, she started up, and going to the head of the staircase, she called repeatedly upon her husband, but in vain. She returned to the room, and with the assistance of her daughter, whom I had occasion to mention before, she succeeded in finding and lighting a candle, with which she hurried again to the head of the staircase. At the bottom lay what seemed to be a bundle of clothes, heaped together, motionless, lifeless–it was her husband. In going down the stairs, for what purpose can never now be known, he had fallen helplessly and violently to the bottom, and coming head foremost, the spine at the neck had been dislocated by the shock, and instant death must have ensued. The body lay upon that landing-place to which his dream had referred. It is scarcely worth endeavouring to clear up a single point in a narrative where all is mystery; yet I could not help suspecting that the second figure which had been seen in the room by Connell’s wife on the night of his death, might have been no other than his own shadow. I suggested this solution of the difficulty; but she told me that the unknown person had been considerably in advance of the other, and on reaching the door, had turned back as if to communicate something to his companion–it was then a mystery. Was the dream verified?–whither had the disembodied spirit sped?–who can say? We know not. But I left the house of death that day in a state of horror which I could not describe. It seemed to me that I was scarce awake. I heard and saw everything as if under the spell of a nightmare. The coincidence was terrible.

The Saturday Night Special: La Noria

“From seasoned animator Carlos Baena (ILM, Pixar) and a crowd-sourced community of over 100 people, “La Noria” tells the tale of a grieving young boy who one day encounters dark creatures that turn his life upside down.” from Short of the Week

This film is from the YouTube channel Short of the Week. I will probably be watching them a long more often. Short of the week says about what you are about to see:

“From seasoned animator Carlos Baena (ILM, Pixar) and a crowd-sourced community of over 100 people, “La Noria” tells the tale of a grieving young boy who one day encounters dark creatures that turn his life upside down.”

“LA NORIA Directed by Carlos Baena A NightWheel Pictures Film https://www.lanoriafilm.com/ “The minute you press play and the initial images of La Noria wash over your eyeballs, one’s immediate reaction is a simple “wow”. Maybe you’re more jaded than me, and the sheer insanity of modern CG animation fails to move you, but speaking for myself, despite 10,000 hours of short film watching under my belt, a life-long love of animation, and the existence of recent photo-real short films like Garden Party, the level of design polish in great, commercially-minded 3D animations can still take my breath away. Fortunately La Noria has a couple of minutes of setup in the beginning, because shortly thereafter my breath taken away again for altogether different reasons.

“The annals of CG horror shorts in this sort of mainstream style is rather limited—”9”, by Shane Acker, certainly played in this space, and “Alma” is a creepy holiday classic. Both films are over a decade old though, and neither can really match “La Noria” for sheer terror. From the monster design which feels ripped out of some the most twisted corners of the Resident Evil game franchise, to the tense horror-chase mechanics, this film is, in spite of its seemingly kid-friendly design, truly adrenaline-producing.

“The story itself is a touch less impressive, but ultimately satisfying. It has elements of heart-string pulling, as it focuses on a ferris wheel-loving child who is torn up over the loss of his father. Gathering photos and other mementos together into a sort of shrine, the child’s heart-ache seems to birth the darkness that soon threatens him. Details from the photos hint at a back-story—the military uniform his father wears for example—and naturally create associations in one’s mind to the work of Guillermo Del Toro and his masterpiece “Pan’s Labyrinth”. While this setup is nicely pulled together into a cathartic and feel-good ending, it is mainly table-setting for the action, which is intense, and in comprising the bulk of the 11min runtime, quite long by short animation standards.

“One can’t question the exquisiteness of this action—a spooky old mansion, replete with string lights and stained glass windows, provides a splendid backdrop for scrambling chases and doors frantically being shut in the face of grasping monsters. More so than even the design quality, it is in these sequences that the experience and skill of director Carlos Baena seems to show.

“Baena has over 20 years of experience in animation with tenures at Industrial Light & Magic, and Pixar on his resume, with credits that include work on massive franchises such Star Wars, Toy Story, and Jurassic Park. Produced under the banner of his own production company, NightWheel Pictures, Baena took advantage of his status as co-founder of Artella, an animation platform that allows for virtual collaboration, in the creation of the film. Baena used the platform to source a diverse crew of independent artists to work on La Noria, with over 100 contributors ultimately joining the project, hailing from all over the world.

“The result paid off—not only is “La Noria” a stunning showpiece for Baena and Artella, it has received widespread acclaim, winning dozens of awards, including Best Short at Tokyo’s prestigious Short Shorts Asia. Dropping online this week with an exclusive post on Variety, the celebration from worldwide audiences is sure to spread. As for Baena’s next steps, he is currently set up at Paramount Pictures. Details on his projects there are under wraps for now, but with luck, we’ll be seeing a feature film from Baena on the big screen in the near future.” – S/W Curator, Jason Sondhi

CREDITS

Written & Directed by Carlos Baena Produced by Sasha Korellis & Carlos Baena

VFX Supervisor: Yasin Hasanian

Music by Johan Söderqvist

Sound Design by Oriol Tarragó

For more information:

lanoriafilm.com/

facebook.com/LaNoriaFilm/

twitter.com/LaNoriaFilm

instagram.com/lanoriafilm/

Let me know your thoughts on this film.

The Saturday Night Special: Christopher Lee Reads Edgar Allan Poe

I ran across this on YouTube some time back, but only today decided that it would make an excellent Saturday Night Special for Halloween night.

Christopher Lee is one of the most recognized horror icons of the 20th century. His reading of the works of Poe is spine-chilling. I hope you enjoy them.

The Saturday Night Special: “The Last Kiss” by Maurice Level

The Last Kiss

by Maurice Level

(1912)

The Project Gutenberg E-Text

This eBook is made available at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg of Australia License which may be viewed online at
http://gutenberg.net.au/licence.html

 

“Forgive me…Forgive me.”

His voice was less assured as he replied:

“Get up, dry your eyes. I, too, have a good deal to reproach myself with.”

“No, no,” she sobbed.

He shook his head.

“I ought never to have left you; you loved me. Just at first after it all happened…when I could still feel the fire of the vitriol burning my face, when I began to realize that I should never see again, that all my life I should be a thing of horror, of Death, certainly I wasn’t able to think of it like that. It isn’t possible to resign oneself all at once to such a fate…But living in this eternal darkness, a man’s thoughts pierce far below the surface and grow quiet like those of a person falling asleep, and gradually calm comes. To-day, no longer able to use my eyes, I see with my imagination. I see again our little house, our peaceful days, and your smile. I see your poor little face the night I said that last good-bye.”

“The judge couldn’t imagine any of that, could he? And it was only fair to try to explain, for they thought only of your action, the action that made me into…what I am. They were going to send you to prison where you would slowly have faded . . No years of such punishment for you could have given me back my eyes…When you saw me go into the witness-box you were

Maurice Level 1875-1926
Maurice Level
1875-1926

afraid, weren’t you? You believed that I would charge you, have you condemned? No, I could never have done that never…”

She was still crying. Her face buried in her hands.

“How good you are!…”

“I am just…”

In a voice that came in jerks she repeated:

“I repent, I repent; I have done the most awful thing to you that a woman could do, and you—you begged for my acquittal! And now you can even fid words of pity for me! What can I do to prove my sorrow? Oh, you are wonderful…wonderful…”

He let her go on talking and weeping; his head thrown back, his hands on the arms of his chair, he listened apparently without emotion. When she was calm again, he asked:

“What are you going to do now?”

“I don’t know…I shall rest for a few days…I am so tired hen I shall go back to work. I shall try to find a place in a shop or as a mannequin.”

His voice was a little stifled as he asked:

“You are still as pretty as ever?”

She did not reply.

“I want to know if you are as pretty as you used to be?”

She remained silent. With a slight shiver, he murmured: “It is dark now, isn’t it? Turn on the light. Though I can no longer see, I like to feel that there is light around me…Where are you?…Near the mantelpiece?…Stretch out your hand. You will find the switch there.”

No sense even of light could penetrate his eyelids, but from the sudden sound of horror she stifled, he knew that the lamp was on. For the first time she was able to see the result of her work, the terrifying face streaked with white swellings, seamed with red furrows, a narrow black band around the eyes. While he had pleaded for her in court, she had crouched on her seat weeping, not daring to look at him; now, before this abominable thing, she grew sick with a kind of disgust. But it was without any anger that he murmured:

“I am very different from the man you knew in the old days–I horrify you now, don’t I? You shrink from me?…”

She tried to keep her voice steady.

“Certainly not. I am here, in the same place…”

“Yes, now…and I want you to come still nearer. If you knew how the thought of your hands tempt me in my darkness. How I should love to feel their softness once again. But I dare not…And yet that is what I wanted to ask you: to let me feel your hand for a minute in mine. We, the blind, can get such marvelous memories from just a touch.”

Turning her head away, she held out her arm. Caressing her fingers, he murmured:

“Ah, how good. Don’t tremble. Let me try to imagine we are lovers again just as we used to be…but you are not wearing my ring. Why? I have not taken yours oft. Do you remember? You said, ‘It is our wedding-ring. Why have you taken it off?”

“I dare not wear it…”

“You must put it on again. You will wear it? Promise me.”

She stammered:

“I promise you.”

He was silent for a little while; then in a calmer voice:

“It must be quite dark now. How cold I am! If you only knew how cold it feels when one is blind. Your hands are warm; mine are frozen. I have not yet developed the fuller sense of touch.”

“It takes time, they say…At present I am like a little child learning.”

She let her fingers remain in his, sighing:

“Oh, Mon Dieu…Mon Dieu…”

Speaking like a man in a dream, he went on:

“How glad I am that you came. I wondered whether you would, and I felt I wanted to keep you with me for a long, long time: always…But that wouldn’t be possible. Life with me would be too sad. You see, little one, when people have memories like ours, they must be careful not to spoil them, and it must be horrible to look at me now, isn’t it?”

She tried to protest; what might have been a smile passed over his face.

“Why lie? I remember I once saw a man whose mistress had thrown vitriol over him. His face was not human. Women turned their heads away as they passed, while he, not being able to see and so not knowing, went on talking to the people who were shrinking away from him. I must be, I am like that poet wretch, am I not? Even you who knew me as I used to be, you tremble with disgust; I can feel it. For a long time you will be haunted by the remembrance of my face…it will come in between you and everything else…How the thought hurts…but don’t let us go on talking about me…You said just now that you were going back to work. Tell me your plans; come nearer, I don’t hear as well as I used to…Well?”

Their two armchairs were almost touching. She was silent. He sighed:

“Ah, I can smell your scent! How I have longed for it. I bought a bottle of the perfume you always used, but on me it didn’t smell the same. From you it comes mixed with the scent of your skin and hair. Come nearer, let me drink it in…You are going away, you will never come back again; let me draw in for the last time as much of you as I can…You shiver…am I then so horrible?”

She stammered:.”No…it is cold…”

“Why are you so lightly dressed? I don’t believe you brought a cloak. In November, too. It must be damp and dreary in the streets. How you tremble! How warm and comfortable it was in our little home…do you remember? You used to lay your face on my shoulder, and I used to hold you close to me. Who would want to sleep in my arms now? Come nearer. Give me your hand…There…What did you think when your lawyer told you I had asked to see you?”

“I thought I ought to come.”

“Do you still love me?”

Her voice was only a breath:

“Yes…”

Very slowly, his voice full of supplication, he said:

“I want to kiss you for the last time. I know it will be almost torture for you…Afterwards I Won’t ask anything more. You can go…May I?…Will you let me?…”

Involuntarily she shrank back; then, moved by shame and pity, not daring to refuse a joy to the poor wretch, she laid her head on his shoulder, held up her mouth and shut her eyes. He pressed her gently to him, silent, prolonging the happy moment. She opened her eyes, and seeing the terrible face so near, almost touching her own, for the second time she shivered with disgust and would have drawn sharply away. But he pressed her closer to him, passionately.

“You would go away so soon?…Stay a little longer…You haven’t seen enough of me…Look at me…and give me your mouth again…more of it than that…It is horrible, isn’t it?”

She moaned:

“You hurt me…”

“Oh, no,” he sneered, “I frighten you.”

She struggled.

“You hurt me! You hurt me!”

In a low voice he said:

“Sh-h. No noise; be quiet. I’ve got you now and I’ll keep you. For how many days have I waited for this moment…Keep still, I say, keep still! No nonsense! You know I am much stronger than you.”

He seized both her hands in one of his, took a little bottle from the pocket of his coat, drew out the stopper with his teeth, and went on in the same quiet voice:

“Yes, it is vitriol; bend your head…there…You will see; we are going to be incomparable lovers, made for each other…Ah, you tremble? Do you understand now why I had you acquitted, and why I made you come here to-day? Your pretty face will be exactly like mine. You will be a monstrous thing, and like me, blind!…Ah, yes, it hurts, hurts terribly.”

She opened her mouth to implore. He ordered:

“No! Not that! Shut your mouth! I don’t want to kill you, that would make it too easy for you.”

Gripping her in the bend of his arm, he pressed his hand on her mouth and poured the acid slowly over her forehead, her eyes, her cheeks. She struggled desperately, but he held her too firmly and kept on pouring as he talked:

“There…a little more…you bite, but that’s nothing…It hurts, doesn’t it? It is Hell. . .”

Suddenly he flung her away, crying:

“I am burning myself.”

She fell writhing on the floor. Already her face was nothing but a red rag.

Then he straightened himself, stumbled over her, felt about the wall to find the switch, and put out the light. And round them, as in them, was a great Darkness…

 

[Go to https://vimeo.com/65903388 to see a stage production of this work, one of the most popular of the Grand Guignol.  Follow these links to articles on Slattery’s Art of Horror to find out more about Maurice Level, the Grand Guignol, and the Conte Cruel.]

The Saturday Night Special: “The Masque of the Red Death” by E.A. Poe (1850)

THE “Red Death” had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avator and its seal — the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.

But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he

Edgar Allan Poe, 1848
Edgar Allan Poe, 1848

summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince’s own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither of ingress or egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the “Red Death.”

It was toward the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence.

It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held. There were seven — an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different; as might have been expected from the duke’s love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue — and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange — the fifth with white — the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet — a deep blood color. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brazier of fire, that projected its rays through the tinted glass and so glaringly illumined the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or black chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the western wall, a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to harken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused revery or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes, (which embrace three thousand and six hundred seconds of the Time that flies,) there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before.

But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke were peculiar. He had a fine eye for colors and effects. He disregarded the decora of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be sure that he was not.

He had directed, in great part, the moveable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm — much of what has been since seen in “Hernani.” There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these — the dreams — writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away — they have endured but an instant — and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven, there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments.

But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise — then, finally, of terror, of horror, and of disgust.

In an assembly of phantasms such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince’s indefinite decorum. There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in blood — and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

When the eyes of Prince Prospero fell upon this spectral image (which with a slow and solemn movement, as if more fully to sustain its role, stalked to and fro among the waltzers) he was seen to be convulsed, in the first moment with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.

“Who dares?” he demanded hoarsely of the courtiers who stood near him — “who dares insult us with this blasphemous mockery? Seize him and unmask him — that we may know whom we have to hang at sunrise, from the battlements!”

It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly — for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who, at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince’s person; and, while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple — through the purple to the green — through the green to the orange — through this again to the white — and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry — and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

T

The Saturday Night Special: “At the Mountains of Madness”, a Short Lovecraft Animation Film

I ran across this on YouTube and thought it would make a good Saturday Night Special. It’s the classic Lovecraft tale and comes via Michele Boticelli. I love watching any of the Lovecraft animation shorts I can find on YouTube. Of course, some are better than others, but to me almost all are very enjoyable. It’s nice to have read a Lovecraft story and then see if someone else envisioned it in the same way.

The Saturday Night Special: “The Deep End” a Lovecraftian Short Film

I ran across this on YouTube and thought it would make a good Saturday Night Special. It says it’s a “Lovecraft Short Film”, but to be precise, this is a short film, albeit a good one, based on the works of H.P. Lovecraft. Ergo, you will note a great difference in the narration, plot, and themes, but it is entertaining.

This comes from the Daniel Johansson channel, which has several short films but only a few related to Lovecraft. I haven’t watched any of the others yet, but they look interesting. However, most of the titles seem to be in either Norwegian or Swedish. I am not certain of which, but I recognize the alphabet as being Scandinavian of some sort. The cast, from what I can see of them, also appear Scandinavian.

The Saturday Night Special: “The Masque of the Red Death” by Edgar Allan Poe

What can I say? Few people are not familiar with Poe’s tale of people trying to isolate themselves from a ravaging pandemic, a tale eerily appropriate for our time.