Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

The Saturday Night Special: “Annabel Lee” by Edgar Allan Poe (1849)

It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.
I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.
And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.
The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;
For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.
Edgar Allan Poe, circa 1849
Edgar Allan Poe, circa 1849

Update: November 14, 2019, 1:24 a.m.

I got some good writing done over at El Toro’s tonight while I had a bowl of their excellent tortilla soup.  I changed the plot to make major revelations about the characters of the two protagonists at the novel’s (Shadows and Stars) end.  The final denouement should be very interesting. It’s not a plot twist. It’s more of a character twist, rather the twists of two characters.

After I came back home, I did some household chores, talked to the wife on the phone, and then I started re-thinking the covers for Alien Embrace and Click. I searched Pixabay (they have the best royalty-free images for my purposes), and found a couple of potential covers. The one for Click, required only adding title, subtitle, and byline. The one for Alien Embrace required some modification in Pixlr (a poor man’s Photoshop, but it does all I need and it does it well), but it turned out well. Here they are for your viewing pleasure.  Let me know what you think. Now almost all my books have a person’s photo on them, except for A Tale of Hell… I will give that one some consideration. It may be difficult to find a photo of a person that captures the spirit of that particular work. The books will be updated with the new covers within the next 72 hours.

By the way, four of my books will be free tomorrow, Friday the 15th. Check them out at my Amazon author’s page.

 

“Diabolical: Three Tales of Jack Thurston and Revenge” is Available on Kindle and in Print

Please go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

Jack Thurston is a retired professor of medieval literature and history. He is also a widower and father and a retired sorcerer who has returned to the black arts to exact revenge for the death of his wife, daughter, and brother. He has an intriguing position in the universe at a focal point of life, the afterlife, logic and reason, anger and hatred, the ancient and the modern worlds, grief and his attempts to escape grief through self-destruction. Though he wants to have the peace he once found with his wife, Agatha, he is pulled in many directions by circumstance and by his powerful negative emotions.

I am a fan of the old school horror practiced by such authors as H.P. Lovecraft, Poe, Edward Lucas White, and Arthur Machen.  I endeavor to make a story as terrifying and suspenseful for the reader as possible without resorting to gratuitous blood and gore for a simple shock or quick feeling of disgust.

This collection of three short tales is perfect for those who have only a few short breaks to escape into the hidden world of horror, black magic, sorcery, and anger-fueled revenge.

You can find this and other works at my Amazon author’s page:  www.amazon.com/author/philslattery.

Currently, Jack has a Twitter account (@jthurston666), where he has attracted a small following and where it has only recently been revealed that he is fictional. Jack has his own blog at jackthurstonblog.wordpress.com (a work in progress) and his own e-mail at jackthurston666@gmail.com.

Information on more social media accounts and other characters (as they are developed) can be found at: philslattery.wordpress.com. Please interact with him at any of his social media accounts as you would with a real person.

Show your appreciation for these stories by leaving a review on Amazon, Goodreads, or other social media.

If you enjoy horror, check out my collection of horror short stories A Tale of Hell and Other Works of Horror: Stories of wizards, werewolves, serial killers, alien worlds, and the damned, which includes these stories.

The Saturday Night Special: “The Phantom Coach” by Amelia B. Edwards (1864)

The circumstances I am about to relate to you have truth to recommend them. They happened to myself, and my recollection of them is as vivid as if they had taken place only yesterday. Twenty years, however, have gone by since that night. During those twenty years I have told the story to but one other person. I tell it now with a reluctance which I find it difficult to overcome. All I entreat, meanwhile, is that you will abstain from forcing your own conclusions upon me. I want nothing explained away. I desire no arguments. My mind on this subject is quite made up, and, having the testimony of my own senses to rely upon, I prefer to abide by it.

Amelia B. Edwards, 1890
Amelia B. Edwards, 1890

Well! It was just twenty years ago, and within a day or two of the end of the grouse season. I had been out all day with my gun, and had had no sport to speak of. The wind was due east; the month, December; the place, a bleak wide moor in the far north of England. And I had lost my way. It was not a pleasant place in which to lose one’s way, with the first feathery flakes of a coming snowstorm just fluttering down upon the heather, and the leaden evening closing in all around. I shaded my eyes with my hand, and staled anxiously into the gathering darkness, where the purple moorland melted into a range of low hills, some ten or twelve miles distant. Not the faintest smoke-wreath, not the tiniest cultivated patch, or fence, or sheep-track, met my eyes in any direction. There was nothing for it but to walk on, and take my chance of finding what shelter I could, by the way. So I shouldered my gun again, and pushed wearily forward; for I had been on foot since an hour after daybreak, and had eaten nothing since breakfast.

Meanwhile, the snow began to come down with ominous steadiness, and the wind fell. After this, the cold became more intense, and the night came rapidly up. As for me, my prospects darkened with the darkening sky, and my heart grew heavy as I thought how my young wife was already watching for me through the window of our little inn parlour, and thought of all the suffering in store for her throughout this weary night. We had been married four months, and, having spent our autumn in the Highlands, were now lodging in a remote little village situated just on the verge of the great English moorlands. We were very much in love, and, of course, very happy. This morning, when we parted, she had implored me to return before dusk, and I had promised her that I would. What would I not have given to have kept my word!

Even now, weary as I was, I felt that with a supper, an hour’s rest, and a guide, I might still get back to her before midnight, if only guide and shelter could be found.

And all this time, the snow fell and the night thickened. I stopped and shouted every now and then, but my shouts seemed only to make the silence deeper. Then a vague sense of uneasiness came upon me, and I began to remember stories of travellers who had walked on and on in the falling snow until, wearied out, they were fain to lie down and sleep their lives away. Would it be possible, I asked myself, to keep on thus through all the long dark night? Would there not come a time when my limbs must fail, and my resolution give way? When I, too, must sleep the sleep of death. Death! I shuddered. How hard to die just now, when life lay all so bright before me! How hard for my darling, whose whole loving heart but that thought was not to be borne! To banish it, I shouted again, louder and longer, and then listened eagerly. Was my shout answered, or did I only fancy that I heard a far-off cry? I halloed again, and again the echo followed. Then a wavering speck of light came suddenly out of the dark, shifting, disappearing, growing momentarily nearer and brighter. Running towards it at full speed, I found myself, to my great joy, face to face with an old man and a lantern.

“Thank God!” was the exclamation that burst involuntarily from my lips.

Blinking and frowning, he lifted his lantern and peered into my face.

“What for?” growled he, sulkily.

“Well — for you. I began to fear I should be lost in the snow.”

“Eh, then, folks do get cast away hereabouts fra’ time to time, an’ what’s to hinder you from bein’ cast away likewise, if the Lord’s so minded?”

“If the Lord is so minded that you and I shall be lost together, friend, we must submit,” I replied; “but I don’t mean to be lost without you. How far am I now from Dwolding?”

“A gude twenty mile, more or less.”

“And the nearest village?”

“The nearest village is Wyke, an’ that’s twelve mile t’other side.”

“Where do you live, then?”

“Out yonder,” said he, with a vague jerk of the lantern.

“You’re going home, I presume?”

“Maybe I am.”

“Then I’m going with you.”

The old man shook his head, and rubbed his nose reflectively with the handle of the lantern.

“It ain’t o’ no use,” growled he. “He ‘ont let you in — not he.”

“We’ll see about that,” I replied, briskly. “Who is He?”

“The master.”

“Who is the master?”

“That’s nowt to you,” was the unceremonious reply.

“Well, well; you lead the way, and I’ll engage that the master shall give me shelter and a supper to-night.”

“Eh, you can try him!” muttered my reluctant guide; and, still shaking his head, he hobbled, gnome-like, away through the falling snow. A large mass loomed up presently out of the darkness, and a huge dog rushed out, barking furiously.

“Is this the house?” I asked.

“Ay, it’s the house. Down, Bey!” And he fumbled in his pocket for the key.

 I drew up close behind him, prepared to lose no chance of entrance, and saw in the little circle of light shed by the lantern that the door was heavily studded with iron nails, like the door of a prison. In another minute he had turned the key and I had pushed past him into the house.

 Once inside, I looked round with curiosity, and found myself in a great raftered hall, which served, apparently, a variety of uses. One end was piled to the roof with corn, like a barn. The other was stored with flour-sacks, agricultural implements, casks, and all kinds of miscellaneous lumber; while from the beams overhead hung rows of hams, flitches, and bunches of dried herbs for winter use. In the centre of the floor stood some huge object gauntly dressed in a dingy wrapping-cloth, and reaching half way to the rafters. Lifting a corner of this cloth, I saw, to my surprise, a telescope of very considerable size, mounted on a rude movable platform, with four small wheels. The tube was made of painted wood, bound round with bands of metal rudely fashioned; the speculum, so far as I could estimate its size in the dim light, measured at least fifteen inches in diameter. While I was yet examining the instrument, and asking myself whether it was not the work of some self-taught optician, a bell rang sharply.

“That’s for you,” said my guide, with a malicious grin. “Yonder’s his room.”

He pointed to a low black door at the opposite side of the hall. I crossed over, rapped somewhat loudly, and went in, without waiting for an invitation. A huge, white-haired old man rose from a table covered with books and papers, and confronted me sternly.

“Who are you?” said he. “How came you here? What do you want?”

“James Murray, barrister-at-law. On foot across the moor. Meat, drink, and sleep.”

He bent his bushy brows into a portentous frown.

“Mine is not a house of entertainment,” he said, haughtily. “Jacob, how dared you admit this stranger?”
 “I didn’t admit him,” grumbled the old man. “He followed me over the muir, and shouldered his way in before me. I’m no match for six foot two.”

“And pray, sir, by what right have you forced an entrance into my house?”

“The same by which I should have clung to your boat, if I were drowning. The right of self-preservation.”

“Self-preservation?”

“There’s an inch of snow on the ground already,” I replied, briefly; “and it would be deep enough to cover my body before daybreak.”

He strode to the window, pulled aside a heavy black curtain, and looked out.

“It is true,” he said. “You can stay, if you choose, till morning. Jacob, serve the supper.”

With this he waved me to a seat, resumed his own, and became at once absorbed in the studies from which I had disturbed him.

I placed my gun in a corner, drew a chair to the hearth, and examined my quarters at leisure. Smaller and less incongruous in its arrangements than the hall, this room contained, nevertheless, much to awaken my curiosity. The floor was carpetless. The whitewashed walls were in parts scrawled over with strange diagrams, and in others covered with shelves crowded with philosophical instruments, the uses of many of which were unknown to me. On one side of the fireplace, stood a bookcase filled with dingy folios; on the other, a small organ, fantastically decorated with painted carvings of medieval saints and devils. Through the half-opened door of a cupboard at the further end of the room, I saw a long array of geological specimens, surgical preparations, crucibles, retorts, and jars of chemicals; while on the mantelshelf beside me, amid a number of small objects, stood a model of the solar system, a small galvanic battery, and a microscope. Every chair had its burden. Every corner was heaped high with books. The very floor was littered over with maps, casts, papers, tracings, and learned lumber of all conceivable kinds.

 I stared about me with an amazement increased by every fresh object upon which my eyes chanced to rest. So strange a room I had never seen; yet seemed it stranger still, to find such a room in a lone farmhouse amid those wild and solitary moors! Over and over again, I looked from my host to his surroundings, and from his surroundings back to my host, asking myself who and what he could be? His head was singularly fine; but it was more the head of a poet than of a philosopher. Broad in the temples, prominent over the eyes, and clothed with a rough profusion of perfectly white hair, it had all the ideality and much of the ruggedness that characterises the head of Louis von Beethoven. There were the same deep lines about the mouth, and the same stern furrows in the brow. There was the same concentration of expression. While I was yet observing him, the door opened, and Jacob brought in the supper. His master then closed his book, rose, and with more courtesy of manner than he had yet shown, invited me to the table.
A dish of ham and eggs, a loaf of brown bread, and a bottle of admirable sherry, were placed before me.

“I have but the homeliest farmhouse fare to offer you, sir,” said my entertainer. “Your appetite, I trust, will make up for the deficiencies of our larder.”

I had already fallen upon the viands, and now protested, with the enthusiasm of a starving sportsman, that I had never eaten anything so delicious.

He bowed stiffly, and sat down to his own supper, which consisted, primitively, of a jug of milk and a basin of porridge. We ate in silence, and, when we had done, Jacob removed the tray. I then drew my chair back to the fireside. My host, somewhat to my surprise, did the same, and turning abruptly towards me, said:

“Sir, I have lived here in strict retirement for three-and-twenty years. During that time, I have not seen as many strange faces, and I have not read a single newspaper. You are the first stranger who has crossed my threshold for more than four years. Will you favour me with a few words of information respecting that outer world from which I have parted company so long?”

 “Pray interrogate me,” I replied. “I am heartily at your service.”

He bent his head in acknowledgment; leaned forward, with his elbows resting on his knees and his chin supported in the palms of his hands; stared fixedly into the fire; and proceeded to question me.

His inquiries related chiefly to scientific matters, with the later progress of which, as applied to the practical purposes of life, he was almost wholly unacquainted. No student of science myself, I replied as well as my slight information permitted; but the task was far from easy, and I was much relieved when, passing from interrogation to discussion, he began pouring forth his own conclusions upon the facts which I had been attempting to place before him. He talked, and I listened spellbound. He talked till I believe he almost forgot my presence, and only thought aloud. I had never heard anything like it then; I have never heard anything like it since. Familiar with all systems of all philosophies, subtle in analysis, bold in generalisation, he poured forth his thoughts in an uninterrupted stream, and, still leaning forward in the same moody attitude with his eyes fixed upon the fire, wandered from topic to topic, from speculation to speculation, like an inspired dreamer. From practical science to mental philosophy; from electricity in the wire to electricity in the nerve; from Watts to Mesmer, from Mesmer to Reichenbach, from Reichenbach to Swedenborg, Spinoza, Condillac, Descartes, Berkeley, Aristotle, Plato, and the Magi and mystics of the East, were transitions which, however bewildering in their variety and scope, seemed easy and harmonious upon his lips as sequences in music. By-and-by — I forget now by what link of conjecture or illustration — he passed on to that field which lies beyond the boundary line of even conjectural philosophy, and reaches no man knows whither. He spoke of the soul and its aspirations; of the spirit and its powers; of second sight; of prophecy; of those phenomena which, under the names of ghosts, spectres, and supernatural appearances, have been denied by the sceptics and attested by the credulous, of all ages.

“The world,” he said, “grows hourly more and more sceptical of all that lies beyond its own narrow radius; and our men of science foster the fatal tendency. They condemn as fable all that resists experiment. They reject as false all that cannot be brought to the test of the laboratory or the dissecting-room. Against what superstition have they waged so long and obstinate a war, as against the belief in apparitions? And yet what superstition has maintained its hold upon the minds of men so long and so firmly? Show me any fact in physics, in history, in archæology, which is supported by testimony so wide and so various. Attested by all races of men, in all ages, and in all climates, by the soberest sages of antiquity, by the rudest savage of to-day, by the Christian, the Pagan, the Pantheist, the Materialist, this phenomenon is treated as a nursery tale by the philosophers of our century. Circumstantial evidence weighs with them as a feather in the balance. The comparison of causes with effects, however valuable in physical science, is put aside as worthless and unreliable. The evidence of competent witnesses, however conclusive in a court of justice, counts for nothing. He who pauses before he pronounces, is condemned as a trifler. He who believes, is a dreamer or a fool.”

He spoke with bitterness, and, having said thus, relapsed for some minutes into silence. Presently he raised his head from his hands, and added, with an altered voice and manner, “I, sir, paused, investigated, believed, and was not ashamed to state my convictions to the world. I, too, was branded as a visionary, held up to ridicule by my contemporaries, and hooted from that field of science in which I had laboured with honour during all the best years of my life. These things happened just three-and-twenty years ago. Since then, I have lived as you see me living now, and the world has forgotten me, as I have forgotten the world. You have my history.”

“It is a very sad one,” I murmured, scarcely knowing what to answer.

“It is a very common one,” he replied. “I have only suffered for the truth, as many a better and wiser man has suffered before me.”

He rose, as if desirous of ending the conversation, and went over to the window.

“It has ceased snowing,” he observed, as he dropped the curtain, and came back to the fireside.

“Ceased!” I exclaimed, starting eagerly to my feet. “Oh, if it were only possible — but no! it is hopeless. Even if I could find my way across the moor, I could not walk twenty miles to-night.”

“Walk twenty miles to-night!” repeated my host. “What are you thinking of?”

“Of my wife,” I replied, impatiently. “Of my young wife, who does not know that I have lost my way, and who is at this moment breaking her heart with suspense and terror.”

“Where is she?”

“At Dwolding, twenty miles away.”

“At Dwolding,” he echoed, thoughtfully. “Yes, the distance, it is true, is twenty miles; but — are you so very anxious to save the next six or eight hours?”

“So very, very anxious, that I would give ten guineas at this moment for a guide and a horse.”

 “Your wish can be gratified at a less costly rate,” said he, smiling. “The night mail from the north, which changes horses at Dwolding, passes within five miles of this spot, and will be due at a certain cross-road in about an hour and a quarter. If Jacob were to go with you across the moor, and put you into the old coach-road, you could find your way, I suppose, to where it joins the new one?”

“Easily — gladly.”

He smiled again, rang the bell, gave the old servant his directions, and, taking a bottle of whisky and a wineglass from the cupboard in which he kept his chemicals, said:

“The snow lies deep, and it will be difficult walking to-night on the moor. A glass of usquebaugh before you start?”

I would have declined the spirit, but he pressed it on me, and I drank it. It went down my throat like liquid flame, and almost took my breath away.

“It is strong,” he said; “but it will help to keep out the cold. And now you have no moments to spare. Good night!”

I thanked him for his hospitality, and would have shaken hands, but that he had turned away before I could finish my sentence. In another minute I had traversed the hall, Jacob had locked the outer door behind me, and we were out on the wide white moor.

Although the wind had fallen, it was still bitterly cold. Not a star glimmered in the black vault overhead. Not a sound, save the rapid crunching of the snow beneath our feet, disturbed the heavy stillness of the night. Jacob, not too well pleased with his mission, shambled on before in sullen silence, his lantern in his hand, and his shadow at his feet. I followed, with my gun over my shoulder, as little inclined for conversation as himself. My thoughts were full of my late host. His voice yet rang in my ears. His eloquence yet held my imagination captive. I remember to this day, with surprise, how my over-excited brain retained whole sentences and parts of sentences, troops of brilliant images, and fragments of splendid reasoning, in the very words in which he had uttered them. Musing thus over what I had heard, and striving to recall a lost link here and there, I strode on at the heels of my guide, absorbed and unobservant. Presently — at the end, as it seemed to me, of only a few minutes — he came to a sudden halt, and said:

“Yon’s your road. Keep the stone fence to your right hand, and you can’t fail of the way.”

 “This, then, is the old coach-road?”

“Ay, ’tis the old coach-road.”

“And how far do I go, before I reach the cross-roads?”

“Nigh upon three mile.”

I pulled out my purse, and he became more communicative.

“The road’s a fair road enough,” said he, “for foot passengers; but ’twas over steep and narrow for the northern traffic. You’ll mind where the parapet’s broken away, close again the sign-post. It’s never been mended since the accident.”

“What accident?”

“Eh, the night mail pitched right over into the valley below — a gude fifty feet an’ more — just at the worst bit o’ road in the whole county.”

“Horrible! Were many lives lost?”

“All. Four were found dead, and t’other two died next morning.”

“How long is it since this happened?”

“Just nine year.”

“Near the sign-post, you say? I will bear it in mind. Good night.”

“Gude night, sir, and thankee.” Jacob pocketed his half-crown, made a faint pretence of touching his hat, and trudged back by the way he had come.

I watched the light of his lantern till it quite disappeared, and then turned to pursue my way alone. This was no longer matter of the slightest difficulty, for, despite the dead darkness overhead, the line of stone fence showed distinctly enough against the pale gleam of the snow. How silent it seemed now, with only my footsteps to listen to; how silent and how solitary! A strange disagreeable sense of loneliness stole over me. I walked faster. I hummed a fragment of a tune. I cast up enormous sums in my head, and accumulated them at compound interest. I did my best, in short, to forget the startling speculations to which I had but just been listening, and, to some extent, I succeeded.

Meanwhile the night air seemed to become colder and colder, and though I walked fast I found it impossible to keep myself warm. My feet were like ice. I lost sensation in my hands, and grasped my gun mechanically. I even breathed with difficulty, as though, instead of traversing a quiet north country highway, I were scaling the uppermost heights of some gigantic Alp. This last symptom became presently so distressing, that I was forced to stop for a few minutes, and lean against the stone fence. As I did so, I chanced to look back up the road, and there, to my infinite relief, I saw a distant point of light, like the gleam of an approaching lantern. I at first concluded that Jacob had retraced his steps and followed me; but even as the conjecture presented itself, a second light flashed into sight — a light evidently parallel with the first, and approaching at the same rate of motion. It needed no second thought to show me that these must be the carriage-lamps of some private vehicle, though it seemed strange that any private vehicle should take a road professedly disused and dangerousThere could be no doubt, however, of the fact, for the lamps grew larger and brighter every moment, and I even fancied I could already see the dark outline of the carriage between them. It was coming up very fast, and quite noiselessly, the snow being nearly a foot deep under the wheels.

And now the body of the vehicle became distinctly visible behind the lamps. It looked strangely lofty. A sudden suspicion flashed upon me. Was it possible that I had passed the cross-roads in the dark without observing the sign-post, and could this be the very coach which I had come to meet?

No need to ask myself that question a second time, for here it came round the bend of the road, guard and driver, one outside passenger, and four steaming greys, all wrapped in a soft haze of light, through which the lamps blazed out, like a pair of fiery meteors.

I jumped forward, waved my hat, and shouted. The mail came down at full speed, and passed me. For a moment I feared that I had not been seen or heard, but it was only for a moment. The coachman pulled up; the guard, muffled to the eyes in capes and comforters, and apparently sound asleep in the rumble, neither answered my hail nor made the slightest effort to dismount; the outside passenger did not even turn his head. I opened the door for myself, and looked in. There were but three travellers inside, so I stepped in, shut the door, slipped into the vacant corner, and congratulated myself on my good fortune.

The atmosphere of the coach seemed, if possible, colder than that of the outer air, and was pervaded by a singularly damp and disagreeable smell. I looked round at my fellow-passengers. They were all three, men, and all silent. They did not seem to be asleep, but each leaned back in his corner of the vehicle, as if absorbed in his own reflections. I attempted to open a conversation.

“How intensely cold it is to-night,” I said, addressing my opposite neighbour.

He lifted his head, looked at me, but made no reply.

“The winter,” I added, “seems to have begun in earnest.”

Although the corner in which he sat was so dim that I could distinguish none of his features very clearly, I saw that his eyes were still turned full upon me. And yet he answered never a word.

At any other time I should have felt, and perhaps expressed, some annoyance, but at the moment I felt too ill to do either. The icy coldness of the night air had struck a chill to my very marrow, and the strange smell inside the coach was affecting me with an intolerable nausea. I shivered from head to foot, and, turning to my left-hand neighbour, asked if he had any objection to an open window?

He neither spoke nor stirred.

I repeated the question somewhat more loudly, but with the same result. Then I lost patience, and let the sash down. As I did so, the leather strap broke in my hand, and I observed that the glass was covered with a thick coat of mildew, the accumulation, apparently, of years. My attention being thus drawn to the condition of the coach, I examined it more narrowly, and saw by the uncertain light of the outer lamps that it was in the last stage of dilapidation. Every part of it was not only out of repair, but in a condition of decay. The sashes splintered at a touch. The leather fittings were crusted over with mould, and literally rotting from the woodwork. The floor was almost breaking away beneath my feet. The whole machine, in short, was foul with damp, and had evidently been dragged from some outhouse in which it had been mouldering away for years, to do another day or two of duty on the road.

I turned to the third passenger, whom I had not yet addressed, and hazarded one more remark.

“This coach,” I said, “is in a deplorable condition. The regular mail, I suppose, is under repair?”

He moved his head slowly, and looked me in the face, without speaking a word. I shall never forget that look while I live. I turned cold at heart under it. I turn cold at heart even now when I recall it. His eyes glowed with a fiery unnatural lustre. His face was livid as the face of a corpse. His bloodless lips were drawn back as if in the agony of death, and showed the gleaming teeth between.

The words that I was about to utter died upon my lips, and a strange horror — a dreadful horror — came upon me. My sight had by this time become used to the gloom of the coach, and I could see with tolerable distinctness. I turned to my opposite neighbour. He, too, was looking at me, with the same startling pallor in his face, and the same stony glitter in his eyes. I passed my hand across my brow. I turned to the passenger on the seat beside my own, and saw — oh Heaven! how shall I describe what I saw? I saw that he was no living man — that none of them were living men, like myself! A pale phosphorescent light — the light of putrefaction — played upon their awful faces; upon their hair, dank with the dews of the grave; upon their clothes, earth-stained and dropping to pieces; upon their hands, which were as the hands of corpses long buried. Only their eyes, their terrible eyes, were living; and those eyes were all turned menacingly upon me!

A shriek of terror, a wild unintelligible cry for help and mercy; burst from my lips as I flung myself against the door, and strove in vain to open it.

 In that single instant, brief and vivid as a landscape beheld in the flash of summer lightning, I saw the moon shining down through a rift of stormy cloud — the ghastly sign-post rearing its warning finger by the wayside — the broken parapet — the plunging horses — the black gulf below. Then, the coach reeled like a ship at sea. Then, came a mighty crash — a sense of crushing pain — and then, darkness.

It seemed as if years had gone by when I awoke one morning from a deep sleep, and found my wife watching by my bedside I will pass over the scene that ensued, and give you, in half a dozen words, the tale she told me with tears of thanksgiving. I had fallen over a precipice, close against the junction of the old coach-road and the new, and had only been saved from certain death by lighting upon a deep snowdrift that had accumulated at the foot of the rock beneath. In this snowdrift I was discovered at daybreak, by a couple of shepherds, who carried me to the nearest shelter, and brought a surgeon to my aid. The surgeon found me in a state of raving delirium, with a broken arm and a compound fracture of the skull. The letters in my pocket-book showed my name and address; my wife was summoned to nurse me; and, thanks to youth and a fine constitution, I came out of danger at last. The place of my fall, I need scarcely say, was precisely that at which a frightful accident had happened to the north mail nine years before.

I never told my wife the fearful events which I have just related to you. I told the surgeon who attended me; but he treated the whole adventure as a mere dream born of the fever in my brain. We discussed the question over and over again, until we found that we could discuss it with temper no longer, and then we dropped it. Others may form what conclusions they please — I know that twenty years ago I was the fourth inside passenger in that Phantom Coach.

“Diabolical: Three Tales of Jack Thurston and Revenge” is Available on Kindle and in Print

Please go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

Jack Thurston is a retired professor of medieval literature and history. He is also a widower and father and a retired sorcerer who has returned to the black arts to exact revenge for the death of his wife, daughter, and brother. He has an intriguing position in the universe at a focal point of life, the afterlife, logic and reason, anger and hatred, the ancient and the modern worlds, grief and his attempts to escape grief through self-destruction. Though he wants to have the peace he once found with his wife, Agatha, he is pulled in many directions by circumstance and by his powerful negative emotions.

I am a fan of the old school horror practiced by such authors as H.P. Lovecraft, Poe, Edward Lucas White, and Arthur Machen.  I endeavor to make a story as terrifying and suspenseful for the reader as possible without resorting to gratuitous blood and gore for a simple shock or quick feeling of disgust.

This collection of three short tales is perfect for those who have only a few short breaks to escape into the hidden world of horror, black magic, sorcery, and anger-fueled revenge.

You can find this and other works at my Amazon author’s page:  www.amazon.com/author/philslattery.

Currently, Jack has a Twitter account (@jthurston666), where he has attracted a small following and where it has only recently been revealed that he is fictional. Jack has his own blog at jackthurstonblog.wordpress.com (a work in progress) and his own e-mail at jackthurston666@gmail.com.

Information on more social media accounts and other characters (as they are developed) can be found at: philslattery.wordpress.com. Please interact with him at any of his social media accounts as you would with a real person.

Show your appreciation for these stories by leaving a review on Amazon, Goodreads, or other social media.

If you enjoy horror, check out my collection of horror short stories A Tale of Hell and Other Works of Horror: Stories of wizards, werewolves, serial killers, alien worlds, and the damned, which includes these stories.

Update: YouTube Playlist: Tales of Hell, November 3, 2019

July 29, 2019, in the Bisti Wilderness south of Farmington, NM

One playlist that I neglected to mention during my most recent post on my playlists is one entitled “Tales of Hell“. As you know, I am working on a supernatural horror novel called The Man Who Escaped from Hell. In my research for the novel I have read a few books on hell, read several articles, and so forth (mostly though I will rely on my own concepts and imagination).

However, as I watch a lot of YouTube and I fond of horror and supernatural tales, I am collecting any videos on people who say that they have actually been to hell into a playlist called “Tales of Hell.” No surprises there. This will allow me to gain a few different perspectives, but it will also allow me to see the similarities between the stories. I feel certain that most people’s concept of hell will be the same because of cultural biases; hearing the same tales, myths, and legends; and because of certain archetypes in human psychology. If you have read Joseph Campbell or have seen any of his interviews with Bill Moyers from a few decades back, you will know that Professor Campbell that commonalities in religions and mythologies worldwide are due to commonalities in the human psyche.

The Fallen Angels Entering Pandemonium, from ‘Paradise Lost’, Book 1.

I don’t believe that anyone has actually been to hell and returned to tell the story. I think these stories are hallucinations experienced during the changes in brain functioning and body chemistry while being influenced by a person’s guilty conscience while that person dies.  On those rare occasions that someone returns to life after being clinically dead for a few minutes, they report the experience of having gone to hell, but which is probably more closely related to the ultimate “bad trip”.

But my novel is a work of fiction, not a documentary. In it, I try to make a few points about life and death and the spirit and conscientiousness and several other things.  The best way to do that is by showing the protagonist actually going through hell.

It will be interesting to see how this playlist develops. It will probably make a great horror anthology in its own right.

By the way, I have written around 80,000 words for The Man Who Escaped from Hell. I hope to finish it soon after I have finished Shadows and Stars.  I put it on hiatus until I can finish Shadows and Stars because I have been getting more and more ideas for Shadows and Stars than I have for The Man Who Escaped from Hell.

The Saturday Night Special: “Volpurno – or The Student” by Wilkie Collins (1843)

” – Memory, like a drop that, night and day,

Falls cold and ceaseless, wore her heart away.” – Lalla Rookh

Perfectly overcome by the heat of an Italian evening at Venice, I quitted the bustling gaiety of St Mark’s Place for the quiet of a gondola, and directing the man to shape his course for the island of Lido, (a narrow strip of land dividing the “lagunes,” or shallows beyond the city, from the open sea,) I seated myself on the prow of the vessel, with a firm determination to make the most of the flimsy wafts of air that every now and then ruffled the surface of the still, dark waters.

Wilkie Collins circa 1871(?)
Wilkie Collins
circa 1871(?)

Nothing intercepted my view of the distant city, whose mighty buildings glowed beneath the long, red rays of the setting sun, save occasionally, when a market boat on its return floated lazily past us, or the hull of some tall merchantman shut out for an instant the dome of a magnificent church or the deep red brickwork of the Ducal Palace. Inexpressibly beautiful was the glimmering of the far off lights in the houses, as, one after another, they seemed to start out of the bosom of the deep; and at that quiet hour the repose – the peculiar repose of Venice – seemed mellowed into perfect harmony with the delicious languor of the atmosphere. The sounds of laughter, or snatches of rude songs that now and then came over the waves, instead of interupting [sic], invested with fresh charms the luxurious silence of the moment. We touched the narrow strip of sand that forms the beach of the little island, and stepping ashore, I enjoyed the only particle of green sward in all Venice.

I walked backward and forward for some time, thinking of England and English friends, (for at such hours the mind wanders to distant scenes and old customs,) without interruption, until a slight rustling among the bushes of the island reminded me that I was not the only tenant of the garden of the Lido, and looking through the fast gathering darkness, I discovered an aged female pacing the smooth walk near, apparently lost in contemplation.

My curiosity was rather excited by the presence of a lone old woman in such an unfrequented place; but the haze of the evening prevented my observing her with any degree of accuracy, and as I feared to disturb her by advancing too near, I could only guess at her features. At last the dwarf trees in the island “began to glitter with the climbing moon,” and I saw that she was weeping bitterly.  Her thick gray tresses were braided over a face that had evidently once been beautiful, and there was a dignity and propriety in her demeanour, and a native nobleness of expression in her countenance, which told me that I looked on no common person. She continued her solitary walk for some time, occasionally pausing to look up to the stars that now gemmed the clear glowing firmament, or to pluck a few dead leaves from a little rose bush that grew in an obscure corner of the garden, until a thought seemed suddenly to strike her, and hastening to the shore she stepped into a small gondola that was in waiting and rapidly disappeared.

On my return to Venice, I mentioned the circumstance to my cicerone, or guide, a remarkably intelligent fellow; and much to my astonishment, he solved the mystery of the lonely lady to me immediately. As her history is one of great devotion and misfortune, it may perhaps merit repetition.

It appeared, then, from the statement of the cicerone, that the elderly lady was an English woman who had once been the beauty of the gay circles of Venice. She had there met with a student in astronomy; and whether it was his lonely mystic life, the charm of his conversation and person, or his scientific attainments, that won her, I know not, but he gained her affections, and it is still remembered by those acquainted with her at the time, that her attachment to him so intensely passive in its devotion as to seem almost unearthly, and that very Lido, now the scene of her affliction, was once the favourite spot for their early love greetings.

He was a strange, wild creature, that student – his family were natives of a distant land, and he had travelled to Italy to devote himself, body and mind, to his favourite pursuit. From the after testimony of one of his friends, it appeared that in childhood he had been attacked with fits of temporary derangement, and his extraordinary application to the mysterious, exciting study of astronomy had increased this infirmity in a most extraordinary and terrible manner. At times he was haunted by a vision of a woman of disgusting ugliness who seemed to pursue and torment him wherever he went. In a few hours, delirium, and sometimes raging madness, would ensue from this hallucination, and though he regularly recovered free from the terrible creation of his mind, it was with a constitution more and more decayed by each successive ravage of his disorder. As he advanced, however, to manhood, these violent and destructive fits became less and less frequent and at the time that he met with the beautiful English lady, though his conscience seemed to tell him that he was no companion for a delicate woman, he tried to persuade himself that his constitution had at last mastered his imagination and that he was as fit for society as his less excitable fellow men. And he thought there was much excuse for him, for who could withstand the quiet yet intense affection of the English woman?  Who could resist the temptation of listening to her sweet musical voice, of watching her sad soft blue eyes, or of hearing her fascinating conversation? She was so devoted, so gentle, so enthusiastic on his favourite subject, so patient of his little fits of peevishness, and melancholy, so considerate of his enjoyments, so comforting in his afflictions, he must surely have been without heart or feeling to have been coldly calculating on possibilities at such a time. He schooled himself to think that it was his solitary life that had so affected his faculties, and that a companion – and such a companion as his betrothed – would drive out all remains of his disorder, even supposing it to be still existing. In short, the eloquent pleading of the heart prevailed over the still small whisper of conscience; the wedding day was fixed, and it was remarked with surprise that the nearer it approached, the more melancholy did Volpurno become. However, the ceremony was performed with great splendour, and the bridal party set out to spend the day on the mainland, where the friends of the bride were to say farewell before she proceeded with her husband on the wedding tour. They were chatting merrily in the little hotel at Mestri, on the mainland, when they were horrified by suddenly hearing sounds of frantic laughter, followed by wild shrieks of agony, and the student rushed into the room, his frame convulsed with horror, with a drawn sword in his hand, as if pursuing something a few yards before him, with an expression of mingled fury and despair. Before the horrified guests could interfere, he had jumped from the window, and with the same shrieks of laughter, sped across the country in pursuit of his phantom enemy.

Assistance was at hand; he was instantly followed; but with supernatural strength he held on his course for hours. He was occasionally seen, as he paused for an instant to strike furiously in the air, and his cries of anguish were sometimes borne by the wind to the ears of his pursuers; but they never gained on him, and unless he neared a village, and was stopped by the inhabitants, his capture seemed impracticable. At last, as night grew on, he sunk exhausted at a lone hovel by the way side, and the bride and her party came up with the maniac bridegroom. But the stern fit was past and gone, and he was lifted insensible upon a coarse pallet in the hut. The Englishwoman sat by his side and bathed his temples, and watched his deep, long slumber, from the rise of the moon to the bright advent of day. And thus passed the bridal night of the heiress and the beauty.

Towards the going down of the sun, Volpurno became conscious, and though the fit had left him, the agony of his situation allowed no repose to his jarred, disordered nerves. His remorse was terrible to behold: over and over again did he heap curses on his selfishness in drawing an innocent. Trusting woman into such a labyrinth of suffering. All her repeated assurances of her forgiveness, of her happiness at his recovery, of her hopes for the future, failed to quiet him; and so, between soothing his anguish and administering his remedies, three days passed, and on the third a material changed took place. The dim eye of the student brightened, and his wan cheek flushed with the hue of health. He commanded all to leave the room but his bride, and to her he made full confession of his terrible infirmity, and of its seizing him with tenfold violence at the inn at Mestri, and of the frightful forebodings he had felt as their wedding approached. And then he grew calmer, and the smile again came forth upon his lip, and the melody returned to his voice, and at his favourite hour of midnight, – in a peaceful quietude that had been unknown to him in his life,  – Volpurno died.

The corpse was carried to Venice and interred by the Englishwoman by her former trysting-place on the Lido. People wondered at her calmness under such an affliction, for she lived on, but little changed – save that she was paler and thinner – from the quiet creature that had won the fatal affection of Volpurno.

By degrees her more immediate friends died, or were called into other countries, and she was left alone in Venice: and then her solitary pilgrimages to the Lido became more and more frequent. As years grew on, and the finger of time imprinted the first furrows on the fair, delicate cheek, and planted the grey among the rich beauties of her hair, these visits increased. While, from day to day, the powers of her body became older, the faculties of her heart grew greener and younger. Years dulled not the pristine delicacy of her feelings, and age seemed in her to nourish instead of impairing the silent growth of memory.

*             *             *             *             *             *             *

A few months afterwards I again visited the Lido at the same hour, but the Englishwoman did not appear.  I walked towards the rose bush which I conjectured grew over the grave of Volpurno; its withered leaves were untrimmed, and the earth around it was newly heaped up. I asked no more questions; the freshness of the mould, and the neglect of the rose tree, were eloquent informers.

“A Tale of Hell and Other Works of Horror” is Free on Amazon Kindle Today (Reviews Wanted)

Cover of the Kindle edition

The last face Jack saw was the executioner’s as he slid the needle into Jack’s arm. 

“I didn’t mean to kill him,” said Jack. 

“The jury decided that you did,” replied the executioner. 

What seemed like several minutes passed while Jack, strapped to the gurney, sweated and waited, head throbbing with tension, watching the buzzing fluorescent lights overhead, until a black fog enveloped him. 

He awoke standing naked holding two buckets overflowing with concentrated sewage. Sweat mixed with grime and soot rolled down his arms. The atmosphere, a mixture of steam, tear gas, sulfur, and the smell of death, burned his throat and stung his eyes, filling them with tears. What little he could see glowed mottled orange and red. Thousands of naked men and women, covered in grime and sweat, cringed whimpering among jagged rocks or ran about in terror while lugging buckets of sewage, blood, or God knew what else.

From the short story “A Tale of Hell” by Phil Slattery

My e-book collection of horror shorts A Tale of Hell and Other Works of Horror” is free today on Amazon Kindle.   For your copy, go to my Amazon author’s page where you can find links to my other works as well.

In this collection of published and previously unpublished stories of horror, I offer a look into the minds of people who perpetrate horrors, from acts of stupidity with unintended results to cold-hearted revenge to pure enjoyment to complete indifference. Settings range from 17th-century France in the heart of the werewolf trials to the resurrection of the Aztec black arts to a medicine man’s revenge in the Old West to the depths of Hell to mob vengeance and modern day necromancy to sociopathic serial killers and on to alien worlds in the distant future.

Comments on previously published stories include:

Jay Manning, editor of Midnight Times commented in its Spring, 2006 issue: “Wolfsheim” is basically a traditional horror story that tells the tale of a small European village confronted by the threat of werewolves. If you like stories about lycans, you definitely need to check this one out. Great stuff.”

Publisher Charlie Fish of Fiction on the Web summarizes “A Tale of Hell” as a “… chilling vision of hell”. Other comments on “A Tale of Hell” from readers of Fiction on the Web:

“An intense and well paced story, cleverly leading the reader up a number of garden paths before Jack’s reality finally clarifies and appears in all its horror. The writing is focused and spare as Jack’s malevolent characteristics and idiosyncrasies manifest themselves…Overall a strong tale that lingers in the imagination…”

“brilliantly descriptive piece on man´s apparently unstoppable descent, literally into hell,…”

” Enjoyed this story. I thought it was nicely written. Started with a familiar vision of hell, but added several unique treatments; kept me interested in how it all would end. Thanks”

Publisher Charlie Fish of Fiction on the Web summarizes “Dream Warrior” as a “…powerful revenge epic about a man who visits his Mexican grandfather for spiritual guidance after a violent crime results in the death if his fiancée”. Fiction on the Web readers commented:

“quite literally a rite of passage, mystical and with an interesting payoff, one which Miguel may have to reckon with in time. some very good writing and characterisation. well done”

“…this is a rite of passage, complex and rich with significance. The cultural invocations are vivid and intense, the work of a writer in his/her full stride. The future for Miguel, who knows? The readers interest is fully engaged with what is to come…”

“Really enjoyed the story-kept me up past my bedtime reading it!”

“I loved the concept, was fascinated by the almost hallucinatory detail of legend with its fatal shadowlands.”

Reader comments on “Murder by Plastic” include:

“Chilling and brilliantly economical”

“Very well-paced and intriguing”

“Fabulous story! Five stars!”

Get your copy today and check for other free works of mine as well while you are on Amazon.

Go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

“A Tale of Hell and Other Works of Horror” is Free Today on Amazon Kindle (Reviews Wanted)

Cover of the Kindle edition

The last face Jack saw was the executioner’s as he slid the needle into Jack’s arm. 

“I didn’t mean to kill him,” said Jack. 

“The jury decided that you did,” replied the executioner. 

What seemed like several minutes passed while Jack, strapped to the gurney, sweated and waited, head throbbing with tension, watching the buzzing fluorescent lights overhead, until a black fog enveloped him. 

He awoke standing naked holding two buckets overflowing with concentrated sewage. Sweat mixed with grime and soot rolled down his arms. The atmosphere, a mixture of steam, tear gas, sulfur, and the smell of death, burned his throat and stung his eyes, filling them with tears. What little he could see glowed mottled orange and red. Thousands of naked men and women, covered in grime and sweat, cringed whimpering among jagged rocks or ran about in terror while lugging buckets of sewage, blood, or God knew what else.

From the short story “A Tale of Hell” by Phil Slattery

My e-book collection of horror shorts A Tale of Hell and Other Works of Horror” is free today on Amazon Kindle.   For your copy, go to my Amazon author’s page where you can find links to my other works as well.

In this collection of published and previously unpublished stories of horror, I offer a look into the minds of people who perpetrate horrors, from acts of stupidity with unintended results to cold-hearted revenge to pure enjoyment to complete indifference. Settings range from 17th-century France in the heart of the werewolf trials to the resurrection of the Aztec black arts to a medicine man’s revenge in the Old West to the depths of Hell to mob vengeance and modern day necromancy to sociopathic serial killers and on to alien worlds in the distant future.

Edward Z gave the collection five stars on Amazon and commented:

August 16, 2019

Format: Kindle Edition

There is a lot of sorcery and dark magic in this collection and the main characters are mostly evil or morally bad in some way. Plenty about Hell, demons, and psychopaths too. This led to some dark and violent stories. But there was a great variety of plots that kept it going along nicely and made it enjoyable to read.

Two werewolf stories are in here, and they are both done in clever and original ways, one being done partly from a wolf’s point of view. It had sort of a dark comedy thing going on and was rather amusing. Three of the stories feature a sorcerer named Jack Thurston, who is a really well done evil sort of character and the best of the bunch in my opinion. The author methodically goes through his rather complicated and gross preparations for the spells and it adds a bit more weight to them then usually found in these kinds of stories.

The short stories section ends with a great Sci-Fi story that is a complete change of pace compared to the rest. The insect alien was given a lot of personality and the entire backstory created for the spacefaring humans and the alien planet was well done and detailed considering it’s a short story.

The Flash fiction and Microfiction sections then take it back to the dark characters and/or wizardry and are quick, fun reads to end the collection.

P.S. Winn gave the collection four stars on Amazon and commented:

October 28, 2018

Format: Kindle EditionVerified Purchase

Comments on previously published stories in the collection include:

Jay Manning, editor of Midnight Times commented in its Spring, 2006 issue: “Wolfsheim” is basically a traditional horror story that tells the tale of a small European village confronted by the threat of werewolves. If you like stories about lycans, you definitely need to check this one out. Great stuff.”

Publisher Charlie Fish of Fiction on the Web summarizes “A Tale of Hell” as a “… chilling vision of hell”. Other comments on “A Tale of Hell” from readers of Fiction on the Web:

“An intense and well paced story, cleverly leading the reader up a number of garden paths before Jack’s reality finally clarifies and appears in all its horror. The writing is focused and spare as Jack’s malevolent characteristics and idiosyncrasies manifest themselves…Overall a strong tale that lingers in the imagination…”

“brilliantly descriptive piece on man´s apparently unstoppable descent, literally into hell,…”

” Enjoyed this story. I thought it was nicely written. Started with a familiar vision of hell, but added several unique treatments; kept me interested in how it all would end. Thanks”

Publisher Charlie Fish of Fiction on the Web summarizes “Dream Warrior” as a “…powerful revenge epic about a man who visits his Mexican grandfather for spiritual guidance after a violent crime results in the death if his fiancée”. Fiction on the Web readers commented:

“quite literally a rite of passage, mystical and with an interesting payoff, one which Miguel may have to reckon with in time. some very good writing and characterisation. well done”

“…this is a rite of passage, complex and rich with significance. The cultural invocations are vivid and intense, the work of a writer in his/her full stride. The future for Miguel, who knows? The readers interest is fully engaged with what is to come…”

“Really enjoyed the story-kept me up past my bedtime reading it!”

“I loved the concept, was fascinated by the almost hallucinatory detail of legend with its fatal shadowlands.”

Reader comments on “Murder by Plastic” include:

“Chilling and brilliantly economical”

“Very well-paced and intriguing”

“Fabulous story! Five stars!”

Get your copy today and check for other free works of mine as well while you are on Amazon.

Go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

“A Tale of Hell and Other Works of Horror” is Free on Amazon Kindle Today (Reviews Wanted)

Cover of the Kindle edition

The last face Jack saw was the executioner’s as he slid the needle into Jack’s arm. 

“I didn’t mean to kill him,” said Jack. 

“The jury decided that you did,” replied the executioner. 

What seemed like several minutes passed while Jack, strapped to the gurney, sweated and waited, head throbbing with tension, watching the buzzing fluorescent lights overhead, until a black fog enveloped him. 

He awoke standing naked holding two buckets overflowing with concentrated sewage. Sweat mixed with grime and soot rolled down his arms. The atmosphere, a mixture of steam, tear gas, sulfur, and the smell of death, burned his throat and stung his eyes, filling them with tears. What little he could see glowed mottled orange and red. Thousands of naked men and women, covered in grime and sweat, cringed whimpering among jagged rocks or ran about in terror while lugging buckets of sewage, blood, or God knew what else.

From the short story “A Tale of Hell” by Phil Slattery

My e-book collection of horror shorts A Tale of Hell and Other Works of Horror” is free today on Amazon Kindle.   For your copy, go to my Amazon author’s page where you can find links to my other works as well.

In this collection of published and previously unpublished stories of horror, I offer a look into the minds of people who perpetrate horrors, from acts of stupidity with unintended results to cold-hearted revenge to pure enjoyment to complete indifference. Settings range from 17th-century France in the heart of the werewolf trials to the resurrection of the Aztec black arts to a medicine man’s revenge in the Old West to the depths of Hell to mob vengeance and modern day necromancy to sociopathic serial killers and on to alien worlds in the distant future.

Edward Z gave the collection five stars on Amazon and commented:

August 16, 2019

Format: Kindle Edition

There is a lot of sorcery and dark magic in this collection and the main characters are mostly evil or morally bad in some way. Plenty about Hell, demons, and psychopaths too. This led to some dark and violent stories. But there was a great variety of plots that kept it going along nicely and made it enjoyable to read.

Two werewolf stories are in here, and they are both done in clever and original ways, one being done partly from a wolf’s point of view. It had sort of a dark comedy thing going on and was rather amusing. Three of the stories feature a sorcerer named Jack Thurston, who is a really well done evil sort of character and the best of the bunch in my opinion. The author methodically goes through his rather complicated and gross preparations for the spells and it adds a bit more weight to them then usually found in these kinds of stories.

The short stories section ends with a great Sci-Fi story that is a complete change of pace compared to the rest. The insect alien was given a lot of personality and the entire backstory created for the spacefaring humans and the alien planet was well done and detailed considering it’s a short story.

The Flash fiction and Microfiction sections then take it back to the dark characters and/or wizardry and are quick, fun reads to end the collection.

P.S. Winn gave the collection four stars on Amazon and commented:

October 28, 2018

Format: Kindle EditionVerified Purchase

Comments on previously published stories in the collection include:

Jay Manning, editor of Midnight Times commented in its Spring, 2006 issue: “Wolfsheim” is basically a traditional horror story that tells the tale of a small European village confronted by the threat of werewolves. If you like stories about lycans, you definitely need to check this one out. Great stuff.”

Publisher Charlie Fish of Fiction on the Web summarizes “A Tale of Hell” as a “… chilling vision of hell”. Other comments on “A Tale of Hell” from readers of Fiction on the Web:

“An intense and well paced story, cleverly leading the reader up a number of garden paths before Jack’s reality finally clarifies and appears in all its horror. The writing is focused and spare as Jack’s malevolent characteristics and idiosyncrasies manifest themselves…Overall a strong tale that lingers in the imagination…”

“brilliantly descriptive piece on man´s apparently unstoppable descent, literally into hell,…”

” Enjoyed this story. I thought it was nicely written. Started with a familiar vision of hell, but added several unique treatments; kept me interested in how it all would end. Thanks”

Publisher Charlie Fish of Fiction on the Web summarizes “Dream Warrior” as a “…powerful revenge epic about a man who visits his Mexican grandfather for spiritual guidance after a violent crime results in the death if his fiancée”. Fiction on the Web readers commented:

“quite literally a rite of passage, mystical and with an interesting payoff, one which Miguel may have to reckon with in time. some very good writing and characterisation. well done”

“…this is a rite of passage, complex and rich with significance. The cultural invocations are vivid and intense, the work of a writer in his/her full stride. The future for Miguel, who knows? The readers interest is fully engaged with what is to come…”

“Really enjoyed the story-kept me up past my bedtime reading it!”

“I loved the concept, was fascinated by the almost hallucinatory detail of legend with its fatal shadowlands.”

Reader comments on “Murder by Plastic” include:

“Chilling and brilliantly economical”

“Very well-paced and intriguing”

“Fabulous story! Five stars!”

Get your copy today and check for other free works of mine as well while you are on Amazon.

Go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

Update of October 29, 2019: William Peter Blatty Reads The Exorcist (audiobook)

Taken from the Audiobook cover on YouTube.

Last night, I started listening to The Exorcist, read by its author (William Peter Blatty) on Youtube.  This is great stuff. Blatty has a terrific voice for narrating horror.  I recommend listening to it, particularly as Halloween is rapidly approaching. I am not far into it now, The narrative is approaching the evening party where Regan first shows evidence of her possession to the world.

 

“A Tale of Hell and Other Works of Horror” is Free on Amazon Kindle Today (Reviews Wanted)

Cover of the Kindle edition

The last face Jack saw was the executioner’s as he slid the needle into Jack’s arm. 

“I didn’t mean to kill him,” said Jack. 

“The jury decided that you did,” replied the executioner. 

What seemed like several minutes passed while Jack, strapped to the gurney, sweated and waited, head throbbing with tension, watching the buzzing fluorescent lights overhead, until a black fog enveloped him. 

He awoke standing naked holding two buckets overflowing with concentrated sewage. Sweat mixed with grime and soot rolled down his arms. The atmosphere, a mixture of steam, tear gas, sulfur, and the smell of death, burned his throat and stung his eyes, filling them with tears. What little he could see glowed mottled orange and red. Thousands of naked men and women, covered in grime and sweat, cringed whimpering among jagged rocks or ran about in terror while lugging buckets of sewage, blood, or God knew what else.

From the short story “A Tale of Hell” by Phil Slattery

My e-book collection of horror shorts A Tale of Hell and Other Works of Horror” is free today on Amazon Kindle.   For your copy, go to my Amazon author’s page where you can find links to my other works as well.

In this collection of published and previously unpublished stories of horror, I offer a look into the minds of people who perpetrate horrors, from acts of stupidity with unintended results to cold-hearted revenge to pure enjoyment to complete indifference. Settings range from 17th-century France in the heart of the werewolf trials to the resurrection of the Aztec black arts to a medicine man’s revenge in the Old West to the depths of Hell to mob vengeance and modern day necromancy to sociopathic serial killers and on to alien worlds in the distant future.

Edward Z gave the collection five stars on Amazon and commented:

August 16, 2019

Format: Kindle Edition

There is a lot of sorcery and dark magic in this collection and the main characters are mostly evil or morally bad in some way. Plenty about Hell, demons, and psychopaths too. This led to some dark and violent stories. But there was a great variety of plots that kept it going along nicely and made it enjoyable to read.

Two werewolf stories are in here, and they are both done in clever and original ways, one being done partly from a wolf’s point of view. It had sort of a dark comedy thing going on and was rather amusing. Three of the stories feature a sorcerer named Jack Thurston, who is a really well done evil sort of character and the best of the bunch in my opinion. The author methodically goes through his rather complicated and gross preparations for the spells and it adds a bit more weight to them then usually found in these kinds of stories.

The short stories section ends with a great Sci-Fi story that is a complete change of pace compared to the rest. The insect alien was given a lot of personality and the entire backstory created for the spacefaring humans and the alien planet was well done and detailed considering it’s a short story.

The Flash fiction and Microfiction sections then take it back to the dark characters and/or wizardry and are quick, fun reads to end the collection.

P.S. Winn gave the collection four stars on Amazon and commented:

October 28, 2018

Format: Kindle EditionVerified Purchase

Comments on previously published stories in the collection include:

Jay Manning, editor of Midnight Times commented in its Spring, 2006 issue: “Wolfsheim” is basically a traditional horror story that tells the tale of a small European village confronted by the threat of werewolves. If you like stories about lycans, you definitely need to check this one out. Great stuff.”

Publisher Charlie Fish of Fiction on the Web summarizes “A Tale of Hell” as a “… chilling vision of hell”. Other comments on “A Tale of Hell” from readers of Fiction on the Web:

“An intense and well paced story, cleverly leading the reader up a number of garden paths before Jack’s reality finally clarifies and appears in all its horror. The writing is focused and spare as Jack’s malevolent characteristics and idiosyncrasies manifest themselves…Overall a strong tale that lingers in the imagination…”

“brilliantly descriptive piece on man´s apparently unstoppable descent, literally into hell,…”

” Enjoyed this story. I thought it was nicely written. Started with a familiar vision of hell, but added several unique treatments; kept me interested in how it all would end. Thanks”

Publisher Charlie Fish of Fiction on the Web summarizes “Dream Warrior” as a “…powerful revenge epic about a man who visits his Mexican grandfather for spiritual guidance after a violent crime results in the death if his fiancée”. Fiction on the Web readers commented:

“quite literally a rite of passage, mystical and with an interesting payoff, one which Miguel may have to reckon with in time. some very good writing and characterisation. well done”

“…this is a rite of passage, complex and rich with significance. The cultural invocations are vivid and intense, the work of a writer in his/her full stride. The future for Miguel, who knows? The readers interest is fully engaged with what is to come…”

“Really enjoyed the story-kept me up past my bedtime reading it!”

“I loved the concept, was fascinated by the almost hallucinatory detail of legend with its fatal shadowlands.”

Reader comments on “Murder by Plastic” include:

“Chilling and brilliantly economical”

“Very well-paced and intriguing”

“Fabulous story! Five stars!”

Get your copy today and check for other free works of mine as well while you are on Amazon.

Go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.