The Real Dracula’s Castle — Stop 2 of the World’s Greatest Horror Locales

Bela Lugosi as Count Dracula 1931
Bela Lugosi
as Count Dracula
1931

The first thing you learn about the historical Castle Dracula is that it is a fictional location from Bram Stoker’s imagination.  The Wikipedia article does a nice job of summarizing the history of the fictional abode and of analyzing the novel for clues to its supposed locale.   The most precise it comes to identifying the spot of Dracula’s Castle is:

“The site of the Vampire’s home has always been one of the greatest mysteries of the novel. The route descriptions hardly mention any recognisable landmarks, but focus on evocations of a wild and snow-covered landscape, haunted by howling wolves and lit by supernatural blue flames at night. Because of this conspicuous vagueness, the annotated Dracula editions by Leonard Wolf,[6] Clive Leatherdale[7] and Leslie Klinger[8] simply assume Bram Stoker had no specific location in mind and place the Castle in or immediately next to the Borgo Pass. As a consequence, these editions take for granted that the Count’s men, pursued by Harker, Holmwood, Morris and Seward, follow the Bistrița River all the way up to Vatra Dornei and then travel the route through the Borgo Pass already taken by Van Helsing and Mina. The same view is adopted by Andrew Connell in his Google Map mark-ups.[9] These theories ignore or misinterpret Stoker’s hint that around the 47th Parallel, the Count’s men are supposed to leave the river and cross-over to Transylvanian territory:

We took it, that somewhere about the 47th degree, north latitude, would be the place chosen for crossing the country between the river and the Carpathians. (Chapter 26, Jonathan Harker’s Journal, Entry for 30 October)[10]

“Only recently, the Dutch author Hans Corneel de Roos discovered the site the Irish novelist really had in mind while shaping his narrative: an empty mountain top in the Transylvanian Kelemen Alps near the former border with Moldavia, ca. 20 miles south-east of the Borgo Pass.[11] De Roos also explains why Stoker chose to obscure this location in his novel and compares the vampire’s fortress to the Grail Castle as its anti-Christian antipole: It cannot be found on purpose, only by guidance. Harker is brought there by the Count himself, while Van Helsing and Mina – equally nodding off – rely on the instinct of their horses and the mounted men arrive there by following the Gypsies.”

If you have read the book and have seen at least the original film version of Dracula with Bela Lugosi, you know at least one place they have in common is Borgo Pass.   This is where Jonathan Harker disembarks from a coach to wait in an inn for the Count’s own carriage to come and fetch him and the village people try unsuccessfully to warn him away.

Aerial view of the Hotel Castel Dracula in the Borgo Pass from Google Earth
Aerial view of the Hotel Castel Dracula in the Borgo Pass from Google Earth

What you will learn from a few places on the Internet is that a hotel has been built on the spot in the Borgo Pass where Harker is supposed to have changed rides.  Romanian Tourism describes it so:

 

 

 

 

Borgo Pass

(Pasul Tihuta) 
Where: 277 miles northwest of Bucharest / 12 miles northeast of Bistrita

Note: Access by car only

 Borgo Pass (Bargau in Romanian), made famous in the opening chapter of Bram Stoker’s Dracula, is an oft-trod passageway through the Carpathian Mountains in northern Transylvania. Located near the small township of Tihuta, the pass peaks at 3,840 feet.

The Bargau Valley encompasses some of the most beautiful unspoiled mountain scenery in the Carpathians with picturesque traditional villages located in valleys and on hillsides, ideal bases for hiking, riding or discovering their vivid tapestry of old customs, handicrafts and folklore.

Here, you will step into a realm that the fictional Mina Harker described in her diary as “a lovely county; full of beauties of all imaginable kinds, and the people are brave, and strong, and simple, and seem full of nice qualities.”

If you travel via Google Earth, if you search for “Borgo Pass”, you will find the location, but the name for it on Google Earth is “Pasul Tihuta”, the Romanian name, not the Hungarian “Borgo Pass” that Bram Stoker used.  Once in Pasul Tihuta, search for Hotel Castel Dracula.  That’s the spot where Harker is supposed to have changed carriages.   Don’t be surprised that the modern hotel looks nothing like the quaint hamlet of the movie.  The Wikipedia article on Tihuta Pass states:

Tihuţa Pass (Romanian: Pasul Tihuţa; Hungarian: Borgo or Burgo) is a high mountain pass in the Romanian Bârgău Mountains (Eastern Carpathian Mountains) connecting Bistriţa (Transylvania) with Vatra Dornei (Bukovina, Moldavia).

The pass was made famous by Bram Stoker‘s novel Dracula, where, termed as “the Borgo Pass”, it was the gateway to the realm of Count Dracula. Stoker most likely found the name on a contemporary map. He never actually visited the area.

Today the pass is home to Hotel “Castel Dracula”. The hotel was built in 1974 and is located at an altitude of

Hotel Castel Dracula Borgo Pass, Romania
Hotel Castel Dracula
Borgo Pass, Romania

1,116 m (3,661 ft). The hotel has become quite an attraction due to its architectural style of a medieval villa, as well as the sheer beauty of the location.

 

That being said, the next question that arises is if there is no Castle Dracula, but there was a historical figure on which was based, where did the historical figure, Vlad the Impaler, actually live?

 

A woodcut of the historical Vlad Tepes from about the sixteenth century
A woodcut of the historical Vlad Tepes from about the sixteenth century

If you read any summary of his life, you will find that Vlad the Impaler was constantly on the move, either attacking his enemies or running from them.  Pinning down his abode to a single spot is difficult.  A good, brief summary of the most famous can be found at Romania Tourism.  You will note that most of the popular tourist sites have at best a tenuous connection to Vlad Tepes.   This is probably similar to the number of places along the US east coast that claim to be where George Washington slept during his campaigns in the American Revolution.

From what I have found during my Internet searches one of the best and probably most reliable articles on the places associated with Vlad Tepes is this one entitled “Dracula’s Homepage” written by a man who has apparently conducted extensive research into Vlad Tepes and the places associated with him.   The author describes for us which spots were locations where Vlad Tepes actually lived as opposed to ones that the tourism industry identifies with him, but which in fact may have little, if anything at all, to do with the bloodthirsty ruler.     The two locations described in this article as where Vlad Tepes spent a significant amount of time are Tirgoviste Palace and Cetatea Poenari.  

The Tirgoviste palace is actually called “Curtea Palace”, where Vlad Tepes built the Chindia Tower.  If you search for “Chindia Tower” on Google Earth, you can hover just over Vlad Tepes’s Tirgoviste Palace and even go to street level to view the tower as if you were walking past it.

Tirgoviste Palace today  (from Google Earth)
Tirgoviste Palace today
(from Google Earth)

 

 

 

 

 

 

 

 

Chindia Tower from the street  (from Google Earth)
Chindia Tower from the street
(from Google Earth)

 

 

 

 

 

 

 

 

 

Search Google Earth for “Cetatea Poenari” and you will be taken to a secluded mountaintop over a narrow pass.   This place probably captures the eerie spirit of the novel more than any other place you will find.  If you have the Google Earth 3D buildings feature on (as I do in the photo below), you will see a 3D virtual representation of the castle, though the best views of it are from the dozens of photos tourists have attached to the location via Panaramio.

Cetatea Poenari (from Google Earth)
Cetatea Poenari
(from Google Earth)

 

 

 

 

 

 

 

 

 

The website “Dracula’s Homepage” mentioned previously has a beautiful description of what it must be like to travel to the castle along with some of its historically horrific background: 

“If there is an edifice that can be labelled Vlad Dracula’s castle, it is the ruins of Poenari. Actually, this is a fortress (“cetate” in Romanian) rather than a castle, located at the entrance to the gorge of the Arges River, north of the town of Curtea de Arges. As you leave Curtea de Arges (itself an interesting town with fortifications dating back to the 13th century and Basarab 1), you drive over a secondary road through several little villages, proceeding up the Arges valley towards the base of the Carpathian range.The road reaches the base of a group of high, heavily wooded mountains and there on the rocky top of one of them is Cetatea Poenari – Dracula’s Castle. Even from the road below it is a forbidding sight. What strikes one is its inaccessibility, high on a mountain top and the entrance to the gorges of the river (the river, by the way, has been diverted by a hydro-electric project). Poenari was the castle fortification that Vlad Tepes forced the nobles of Tirgoviste to build. The nobles were forced to walk the distance from Tirgoviste to the Arges (quite considerable by road – probably about 60 km overland) and then drag the material up that mountain to build the castle.

Foot BridgeTo get to the top, one has to walk up almost 1500 steps. But the effort is certainly worth it. As you approach the magnificent ruin (last 50 steps or so) the scene is totally Gothic. There is the outline of the castle perched on the top of this rock, seeming to grow out of the very mountain itself. It covers the full space at the top, has a sheer drop on three sides, and is barely accessible by a small bridge near the top of the steps.

“I have returned to this site three times, as it is one of my favorite places in Romania: not only because of the sense of history but the magnificent scenery. One particular view (looking northwest) is spectacular – just the way you might picture the landscape around Dracula’s Castle in Stoker’s novel (though Stoker knew nothing about this place).

“This is the route that, according to local legend, Vlad took in order to escape into Transylvania from the Turks in 1462. He was assisted in his efforts by the villagers of nearby Arefu, where many narratives about Vlad still live in their oral culture.
Pass

“Then there is the southern wall of the castle – a sheer drop!

Southern Wall

“This is where, according to another local legend, Vlad Tepes’ first wife flung herself, committing suicide rather than being taken captive by the advancing Turks. This castle is where Vlad would go for refuge in the face of advancing enemies. And from its towers he had a commanding view of anyone approaching from any direction. It was practically impenetrable.”

If you like horror, I highly recommend reading up on the historical Vlad Tepes and his reign.  You will find actual terrors that would make any of the ficitional Draculas look like TV’s Mr. Rogers in comparison. 

If, during your virtual journeys through the worlds of the fictional Count Dracula and his historical counterpart, Vlad Tepes, encounter any fascinating places or adventures, please feel free to share them via the comments section below.

Thoughts?  Comments?

‘Tis the Season to be Scared!

From Ottawahorror.com
From Ottawahorror.com

Just a little Christmas fun from Ottawahorror.com.  Follow this link to their site and you can post this on Facebook, Twitter, Stumbleupon, and others.Check out the following note to be found on their About Us Page:

Started in 2008, we are a blog and portal dedicated to all things horror in our nation’s [Canada] capital. If you are a filmmaker, musician, artist, or fan, this is the place for you. Also, recruit minions! When we travel out of town, we bump into more people and artists from home than we do when we hang around the batcave. It’s kinda cool, but kinda creepy. While we appreciate finding you wherever you are, finding you here is easier… because then we can send reporters and photographers after you easier.

Want to contribute? Check out the ‘submit’ page above. It’s new~
You can follow us on blogger, twitter, facebook or link to us with a groovy badge!
They accept submissions for their blog!  Maybe you have something you would like to contribute.  The site looks pretty cool.
Thoughts?  Comments?

The Good, The Bad and The Terrible ; Zombies | The Horror Online

130218_0002Still more from The Horror Online:  The Good, The Bad and The Terrible ; Zombies | The Horror Online.

Hopefully, I will find the time to sit down and write another extensive post, but unfortunately, these days I seem inundated with personal and professional tasks.  I try to read when I have the opportunity.  When I do have some time free, I have been watching horror films and I have several which I recommend and on which I hope to be writing posts before long.  I also hope to establish a webpage for a nascent lexicon of horror.

Thoughts?  Comments?

NaNoWriMo: Classic Novels Written in a Month | Interesting Literature

Robert Louis Stevenson Portrait by Girolamo Nerli  (1860-1926)
Robert Louis Stevenson
Portrait by Girolamo Nerli
(1860-1926)

If you are having problems meeting a deadline or dealing with the demon of writer’s block the following article may help you feel not so alone.  Some, if not all, of the world’s most famous had to deal with one or both and often did so in novel ways:   NaNoWriMo: Classic Novels Written in a Month | Interesting Literature.

Note, horror fans, that of the authors mentioned here only one was an author of horror.  Of course, I mean the gentleman to the left, the author of Dr. Jekyll and Mr. Hyde, which he apparently drafted at the Nineteenth century equivalent of warp speed.

Thoughts?  Comments?

Neil Gaiman: ‘Face facts: we need fiction’ | Books | The Guardian

Neil Gaiman at the 2007 Scream Awards Photo by pinguino k
Neil Gaiman
at the 2007 Scream Awards
Photo by pinguino k

Here is a fascinating perspective on fiction by Neil Gaiman: ‘Face facts: we need fiction’ | Books | The Guardian.

MovieNews | Opinion: How to define a horror film – entertainment.ie

Poster from Johannascheezburger.com via Halloween Mike's Horror Everyday on Facebook.
Poster from Johannascheezburger.com via Halloween Mike’s Horror Everyday on Facebook.

Here is an interesting viewpoint on just what makes a horror film:  MovieNews | Opinion: How to define a horror film – entertainment.ie.

Visit “The Works of Edgar Allan Poe, Volume 1” but not for the obvious reason.

Edgar Allan Poe, 1848
Edgar Allan Poe, 1848

The Works of Edgar Allan Poe, Volume 1.  Yes, this link takes you to a collection of Poe’s works, but the reason I am mentioning it here is because the preface to this particular volume includes fascinating biographical notes and insight into the character of this master of horror that may help you understand the roots of his creative genius and how art sometimes came close to imitating life for Mr. Poe.

When you open the page, you may find yourself a little distance from the top of the article at the beginning of a section entitled “The Death of Edgar Allan Poe”.  While this section is fascinating in its own right, scroll to the top for the entire preface.  The works of Poe, beginning with the story of Hans Pfall, begin a bit down from “The Death…”

28 Totally Relatable Quotes About Books

Detail of Madonna des Kanonikus Georg van der Paele by Jan van Eyck, 1436
Detail of Madonna des Kanonikus Georg van der Paele
by Jan van Eyck, 1436

Purely for your entertainment, here are 28 Totally Relatable Quotes About Books.  I know I can relate to a lot of them.  I’m sure you will find a few for yourself.  One reason I find these interesting is because many of them show me how intensely involved readers will become with a book.  As I have mentioned in previous posts, I believe that people live a vicarious existence through a story.  When we write, we are not just writing a book or a story, we are creating a universe in which people will hopefully want to, not just visit, but dwell.  All of the writer’s art should therefore focus on creating a virtual reality for one’s readers.  To do that, we need a good  grounding in, or at least a good feel for, human psychology, because we have to shape our creations to fit the human psyche.  How do thoughts come into being?  How do they lead from one to another?  How do images form in the mind?  No, I am not saying that we need Ph.D.’s in psychology to be good writers, but I think we need some sort of archetypal insight into human nature if we are to be the great writers we hope to be.  Darn.  I’m rambling again.  🙂

Dictionary.com – Seven Spooky Words

A mock-up of Lovecraft's fictional Necronomicon
A mock-up of Lovecraft’s fictional Necronomicon

Here are a few more words for your horror vocabulary:  “Seven Spooky Words for Halloween”  at Dictionary.com – Free Online English Dictionary.

I apologize for the glitch, but apparently you cannot get to the Seven Spooky Words without having to flip through the Monsters of Literature and Folklore slide show.   Both slide shows are enjoyable and quick, so I recommend visiting both anyway.

Dictionary.com – Monsters of Literature and Folklore

Bela Lugosi as Count Dracula 1931
Bela Lugosi
as Count Dracula
1931

Here is an interesting bit of trivia:  “8 Monsters of Literature and Folklore” at Dictionary.com – Free Online English Dictionary.  You may have to wait a second or two for the slide show to pop up.

Slattery’s Vocabulary of Horror

Here are some intriguing words that may be of interest to writers of horror or to writers in general.   Most come from Dictionary.com.   I hope to be posting more from time to time.  Every field has its own jargon.  The writing of horror should have its own.  I have taken these from two or three sources.

 

hadal:  adjective:  1. of or pertaining to the greatest ocean depths, below approximately 20,000 feet (6500 meters).   2. of or pertaining to the biogeographic region of the ocean bottom below the abyssal zone.   Hadal entered English in the mid-1900s, and comes from the name Hades, the Greek god of the underworld.

 

de profundis  adverb:  out of the depths (of sorrow, despair, etc.).  De profundis means “out of the depths” in Latin. It is the opening of Latin translation of Psalm 130 which continues “Out of the depths I cry to you.” Today the term can be used as a phrase to convey sadness or as an adverb.

 

isolato  noun:  a person who is spiritually isolated from or out of sympathy with his or her times or society.

 

mordacious adjective:  1. sharp or caustic in style, tone, etc.  2. biting or given to biting.

 

topos  noun:  a convention or motif, especially in a literary work; a rhetorical convention.

 

Anacoluthon (an-uh-kuh-LOO-thon) noun: 1. A construction involving a break in grammatical sequence, as It makes me so—I just get angry. 2. An instance of anacoluthia.

 

Catachresis (kat-uh-KREE-sis) noun: Misuse or strained use of words, as in a mixed metaphor, occurring either in error or for rhetorical effect.

 

Apophasis (uh-POF-uh-sis), noun: Denial of one’s intention to speak of a subject that is at the same time named or insinuated, as “I shall not mention Caesar’s avarice, nor his cunning, nor his morality.”

 

Palter (PAWL-ter) verb: 1. To talk or act insincerely or deceitfully; lie or use trickery. 2. To bargain with; haggle.  3. To act carelessly; trifle.

 

 Questions?  Comments?

 

Edgar Allan Poe: Poet and Prophet | Interesting Literature

Edgar Allan Poe, 1848
Edgar Allan Poe, 1848

Here is a fascinating article about the founding father of modern horror:  Edgar Allan Poe: Poet and Prophet | Interesting Literature.  Interestingly, it states that the story about Edgar Allan Poe in his white belt and gloves at West Point, which I quoted in an earlier post from The Writer’s Home Companion, is urban legend.   It goes on to state several fascinating bits of trivia about Poe including his involvement in the development of the detective story and the short story, the backgrounds of some of his most famous works, his passion for cryptography, his foreshadowing of the Big Bang Theory, criticisms of his work by William Butler Yeats and T.S. Eliot, and some insights on his personal and financial life.