Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

“Diabolical: Three Tales of Jack Thurston and Revenge” is Available on Kindle and in Print

Please go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

Jack Thurston is a retired professor of medieval literature and history. He is also a widower and father and a retired sorcerer who has returned to the black arts to exact revenge for the death of his wife, daughter, and brother. He has an intriguing position in the universe at a focal point of life, the afterlife, logic and reason, anger and hatred, the ancient and the modern worlds, grief and his attempts to escape grief through self-destruction. Though he wants to have the peace he once found with his wife, Agatha, he is pulled in many directions by circumstance and by his powerful negative emotions.

I am a fan of the old school horror practiced by such authors as H.P. Lovecraft, Poe, Edward Lucas White, and Arthur Machen.  I endeavor to make a story as terrifying and suspenseful for the reader as possible without resorting to gratuitous blood and gore for a simple shock or quick feeling of disgust.

This collection of three short tales is perfect for those who have only a few short breaks to escape into the hidden world of horror, black magic, sorcery, and anger-fueled revenge.

You can find this and other works at my Amazon author’s page:  www.amazon.com/author/philslattery.

Currently, Jack has a Twitter account (@jthurston666), where he has attracted a small following and where it has only recently been revealed that he is fictional. Jack has his own blog at jackthurstonblog.wordpress.com (a work in progress) and his own e-mail at jackthurston666@gmail.com.

Information on more social media accounts and other characters (as they are developed) can be found at: philslattery.wordpress.com. Please interact with him at any of his social media accounts as you would with a real person.

Show your appreciation for these stories by leaving a review on Amazon, Goodreads, or other social media.

If you enjoy horror, check out my collection of horror short stories A Tale of Hell and Other Works of Horror: Stories of wizards, werewolves, serial killers, alien worlds, and the damned, which includes these stories.

Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

Update: November 19, 2019, Preparations for Shadows and Stars

Selfie with Lotus in background near Arkansas Post, September 4, 2019

I am closing in on finishing the first draft of Shadows and Stars. It’s time for me to start (probably late) some of the peripheral tasks of producing a book.  I think I will start designing a cover for one thing. I hope to have Shadows and Stars published by a big, traditional publishing house rather than self-publishing, but in any case, I will need at least an idea of what my vision of its cover should be, if, for no other reason, than to give the cover artists a starting point. I will go with whatever looks the best and expresses the emotional impact the best. At least that’s my initial thought. Any comments or suggestions? I am open.

As I develop ideas, I will probably post them here for comment. Of course, I won’t make a hard and fast decision until all is said and done.

I will probably need an agent as well. I should start checking the Internet and researching how to find and select an agent. I learned a little about this in the Farmington Writers Circle, but I need to get serious about it now.

I am not planning any parties until a publisher accepts it. I am just going to intensify my research in the final stages of producing a novel.

Hasta luego.

Update: November 19, 2019, 4:42 a.m. “Warehouses and All”

Phil Slattery portrait
Phil Slattery
March, 2015

As I often do, I am having trouble sleeping tonight. So I have been surfing the net and going through my electronic files looking for some flash fiction that I recently wrote and that I would like to submit somewhere. However, in the process of doing that, I ran across some early works, one of which I thought I would share here. I have not published it in any of my collections. It was originally published in the online magazine “Six Sentences” over ten, maybe fifteen years ago. The main requirement for stories to be published in “Six Sentences” was that they had to be six sentences or less in length.

The story is entitled “Warehouses and All”. It is based on a true story told to me in 1989 by a woman who had been an assistant agricultural attache to the US embassy in Somalia. At the time, I was working in the Defense Attache Office in Cairo. One weekend, I decided to take a trip to Luxor to see the temple and Valley of the Kings. The lady and I shared a horse-drawn carriage for several minutes. I forget our destinations.  In the story, I changed the narrator to an American ex-pat working in the Somali oilfields for various reasons. Otherwise, the story is very close to the story she related to me. As you can see, it was quite a challenge to reduce her story to only six sentences, but I believe I pulled it off well. If Six Sentences is still up and running, you may be able to find the original story. I received several compliments on it.

By the way, while I was in Luxor, I stayed at the Jolie Ville Hotel. Apparently, it is still doing well. I recommend staying there if you are ever in Luxor.

 

Warehouses and All

I met the world-weary expatriate American at a garden party in Egypt in ’89, several months after he had left the Somali oilfields. He remembered that outside his barracks near Mogadishu there had been warehouses full of rice donated by foreign charities to combat the perpetual famine. The impoverished, inept government had no trucks to distribute the rice and fighting among factions within the government insured none could be arranged while their arcane laws kept them from simply opening the doors. So the rice sat as starving women tried to glean the few grains they could from what had fallen off trucks hauling it in or from what had leaked out through cracks in the walls. One night he awoke to commotion and found that the warehouses were in flames. “The rice had sat so long that it had rotted, so the government burned it―warehouses and all,” he said with a look that spoke volumes about his exasperation with the world.

Hasta luego.

Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

Note Friday, November 22 and 29 (Black Friday), on Your Calendars

The new cover for Nocturne as of November 15, 2019.

On Friday, November 22, and the following Friday, November 29 (Black Friday) I will have four of my works free on Amazon Kindle: Click; A Tale of Hell and Other Works of Horror; The Scent and Other Stories; and Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover.

I am doing this primary as an experiment in marketing and publicity. Yesterday, I offered the same four books as free and I got more takers than usual.

If you noticed, I have new covers for three except The Scent and Other Stories. I hope to have a new cover for it by Friday the 22nd, however. This is another marketing tactic. Because I love black and white photography and often find it captivating and powerful, I have used it for most of my covers, trying to express something I see in each book.  But I see that most, more experienced authors use full color, flashy covers to grab the buyer’s attention. So I decided to give that a shot and see if sales pick up.  I tried to make each cover grab the attention of a passing buyer by making it not only in full color, but also expressing something powerful and exciting about the experience I hope to get across in my book.  I would like readers, not to judge my books by their covers, but maybe get a taste of

The new cover for Click as of November 15, 2019.
The new cover for Click as of November 15, 2019.

my books from their covers.

Anyway, I have included the three new covers in this article. If you would like to find out more about each, please go to my Amazon author’s blog. You can sign up for updates there or go to philslattery.wordpress.com and follow me there.

Oh, by the way, if you’re wondering where I got the covers, I downloaded some royalty-free public domain images from Pixabay (and maybe Pexels) and manipulated them in Pixlr. Each one took a few hours to make.

Hasta luego.

I am sitting here right now (Saturday night, 8:47 pm CST, at home in Arkansas Post, listening to Carlos Nakai. It sort of makes me homesick for New Mexico. Beautiful, slow, peaceful, Native American flute music that sounds like it’s coming across a mesa or from some Anasazi ruins. If you ever need to seriously relax I recommend listening to Carlos.

The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.
The new cover for A Tale of Hell and Other Works of Horror as of November 15, 2019.

The Saturday Night Special: “Annabel Lee” by Edgar Allan Poe (1849)

It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.
I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.
And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.
The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;
For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.
Edgar Allan Poe, circa 1849
Edgar Allan Poe, circa 1849

Now Taking Submissions and Announcements for the Arkansas Country Writers Circle Website

Phil Slattery portrait
Phil Slattery
March, 2015

I will consider articles, short stories, and poems for publication on the Arkansas County Writers Circle website. Please feel free to submit at any time. I will try to post your work as soon as I can. Of course, preference will be given to writers from Arkansas and particularly from Arkansas County. There is no pay other than having the distinction of being published and having another bullet for your writer’s resume.

I am looking for short, flash, or micro fiction that demonstrates the art of writing, whether it be prose, poetry, one-act plays, or any other form of literature of any genre.  I want to showcase literature in all its subtlety, beauty, intelligence, art, horror, terror, suspense, and gruesome detail.  I also want to push its limits with the challenge of staying under 2,500 words while making an intellectual and emotional connection with the reader. Do your best, most imaginative, most professional work.

I am also looking for non-fiction articles on the art of writing.   Please keep these to under 2,500 words as well. All rights will remain with the author. If you would like to submit an article or book/movie review on the art of writing horror fiction or just on the art of writing, please send it to philslattery87410@gmail.com.  Everything must be submitted by e-mail either in the body of the e-mail or a Word document (.doc or .docx).  There is no pay for any submission at this time (maybe after I win the Pulitzer or Nobel, but probably not before then).

In addition, I am taking announcements about works of literature of any genre.  If you are an author with a book-signing coming up or you will be giving a public talk somewhere or you have a book (or film) with a definite release date, announce it here.  If you have anything related to a creative work of literature that you would like to publicize, draft an announcement and send it in.  I reserve all editorial rights however to make any needed changes for clarity, etc, and to ask questions if the announcement isn’t clear on some point.  There will be no charge for this, at least initially, but I do reserve the right to charge fees later, if a lot of announcements start to flood my inbox.

Mark Twain

However, note that I will not do advertising for any product.  I want to publicize creative works and to help authors, poets, film makers, and others jump start their careers.  I am not a merchant.  As to where the line is between advertising a product and publicizing a work, that will be my subjective decision.  So if you want to sell pens, notebooks, software, or any other concrete product, try Amazon.com.

Fiction will probably be published on Fridays and articles on other nights as I feel appropriate.

You may submit stories and articles in languages besides English, but it must be in one of the languages in which I have at least some minimal ability. These are primarily German and Spanish, though I can read French to a degree. I need practice in all three.  Shorter articles will fare well here as I do not want to spend all day with a dictionary and grammar ensuring that the writing is up to par. Odds of these being accepted are sort of low, but if I can read them easily enough, I will consider them.

I reserve the right to change my mind as I develop this site.

Specifically, in terms of creative works, I am seeking:

  1. Articles under 2,500 words on the art of writing (fiction of any length, poetry, screenplays, etc.) or on writing in general  Articles on foreign literature are encouraged.
  2. Book and movie reviews, the more recently published or distributed the better.
  3. I will consider reviews of articles on literature in other countries.  These must also be under 2,500 words.
  4. Translations of articles, stories, or poems from French, German, or Spanish are considered, but the original article/story/poem and its translation must not exceed 2,500 words.
  5. Poetry (under 32 lines) or articles on poetry.
  6. Flash fiction (i.e. under 1,000 words).

Guidelines

  1. Be professional.
  2. Use standard manuscript format.  The easier it is for me to simply copy and paste into WordPress, the more likely you are to be published.
  3. Tennessee Williams, 1965
    Tennessee Williams, 1965

    With submissions include your website, twitter handle, or any other social media identification you like.  A short bio of 100 words or less (including a list of previous publications) is nice, but not required.   Knowing your publication history won’t influence whether or not you are accepted, but it might be nice for the readership to know.  If you don’t want to include any social media contact info, don’t include it.  Pseudonyms are fine, but please state them as the byline and include your actual name and contact info in the top left of the first page of the submission per standard manuscript format.

  4. In the subject line of your e-mail state whether this is an article or review or poetry of fiction submission, your name, and the work’s title.  For example:  Article by Phil Slattery  “Poe’s Raven: an Analysis”
  5. No hardcopy submissions.  Everything must be submitted by e-mail either in the body of the e-mail or attached as a Word document (.doc or .docx).
  6. I would like to reach as large an audience as possible, so please keep profanity to an absolute minimum.
  7. I will try to respond to submissions as quickly as possible, but please allow at least a couple of weeks before querying about your article/story.
  8. There is no pay other than the honor of being published on this website.
  9. I am not taking multiple submissions or simultaneous submissions.  Once you have submitted one article/story, please wait about a week before submitting another.
  10. You may submit on piece of artwork or a photo to accompany your article/story.  I will edit it (mainly re-sizing) as needed to fit the space available.  I will not publish any form of what I deem pornography or in bad taste.  If you do not submit artwork or a photo, I may select something appropriate.  JPEGs, TIFs and other formats accepted by WordPress are okay, but keep the number of bytes to a minimum.  I have only a limited amount of space available.
  11. Artwork and photos may be submitted on their own and you must own the copyright to them or they may be from the public domain (please state so if they are).  There is no pay for these either.  If I do not use these right away, I may keep them until a use arises, but please let me know if this is okay.  If you no longer wish me to use them, please let me know as soon as possible.
  12. Kate Chopin, 1894
    Kate Chopin, 1894

    Do not send advertising (no matter how cleverly veiled it is).  It won’t be published.

  13. Gratuitous sex, extreme violence, violence to children or animals, rape, excessive profanity, and anything else that offends my personal sensibilities will not be published.  Anything that seems to reflect an actual crime (past, present, or future) will be immediately turned over to the proper authorities.
  14. If I like your submission, I will publish it as soon as possible.  This will depend on the backlog of submissions and other factors.   Don’t ask for a time-frame.
  15. Reprints are okay, but you must tell me when and where the article/story/poem was first published.
  16. I do not want fan fiction.
  17. Always re-check the guidelines before submitting.  I may change them at any moment without prior notice.

I will update these guidelines as time allows and events warrant.  This page was last updated on June 4, 2019. Please contact me via philslattery87410@gmail.com with any questions. Thoughts?  Comments?

“Diabolical: Three Tales of Jack Thurston and Revenge” is Available on Kindle and in Print

Please go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

Jack Thurston is a retired professor of medieval literature and history. He is also a widower and father and a retired sorcerer who has returned to the black arts to exact revenge for the death of his wife, daughter, and brother. He has an intriguing position in the universe at a focal point of life, the afterlife, logic and reason, anger and hatred, the ancient and the modern worlds, grief and his attempts to escape grief through self-destruction. Though he wants to have the peace he once found with his wife, Agatha, he is pulled in many directions by circumstance and by his powerful negative emotions.

I am a fan of the old school horror practiced by such authors as H.P. Lovecraft, Poe, Edward Lucas White, and Arthur Machen.  I endeavor to make a story as terrifying and suspenseful for the reader as possible without resorting to gratuitous blood and gore for a simple shock or quick feeling of disgust.

This collection of three short tales is perfect for those who have only a few short breaks to escape into the hidden world of horror, black magic, sorcery, and anger-fueled revenge.

You can find this and other works at my Amazon author’s page:  www.amazon.com/author/philslattery.

Currently, Jack has a Twitter account (@jthurston666), where he has attracted a small following and where it has only recently been revealed that he is fictional. Jack has his own blog at jackthurstonblog.wordpress.com (a work in progress) and his own e-mail at jackthurston666@gmail.com.

Information on more social media accounts and other characters (as they are developed) can be found at: philslattery.wordpress.com. Please interact with him at any of his social media accounts as you would with a real person.

Show your appreciation for these stories by leaving a review on Amazon, Goodreads, or other social media.

If you enjoy horror, check out my collection of horror short stories A Tale of Hell and Other Works of Horror: Stories of wizards, werewolves, serial killers, alien worlds, and the damned, which includes these stories.

Reviews Needed

I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy.  You can find my works on my Amazon author’s page.  Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click).  The other two works are contained in A Tale of Hell and Other Works of Horror.

The Saturday Night Special: “The Phantom Coach” by Amelia B. Edwards (1864)

The circumstances I am about to relate to you have truth to recommend them. They happened to myself, and my recollection of them is as vivid as if they had taken place only yesterday. Twenty years, however, have gone by since that night. During those twenty years I have told the story to but one other person. I tell it now with a reluctance which I find it difficult to overcome. All I entreat, meanwhile, is that you will abstain from forcing your own conclusions upon me. I want nothing explained away. I desire no arguments. My mind on this subject is quite made up, and, having the testimony of my own senses to rely upon, I prefer to abide by it.

Amelia B. Edwards, 1890
Amelia B. Edwards, 1890

Well! It was just twenty years ago, and within a day or two of the end of the grouse season. I had been out all day with my gun, and had had no sport to speak of. The wind was due east; the month, December; the place, a bleak wide moor in the far north of England. And I had lost my way. It was not a pleasant place in which to lose one’s way, with the first feathery flakes of a coming snowstorm just fluttering down upon the heather, and the leaden evening closing in all around. I shaded my eyes with my hand, and staled anxiously into the gathering darkness, where the purple moorland melted into a range of low hills, some ten or twelve miles distant. Not the faintest smoke-wreath, not the tiniest cultivated patch, or fence, or sheep-track, met my eyes in any direction. There was nothing for it but to walk on, and take my chance of finding what shelter I could, by the way. So I shouldered my gun again, and pushed wearily forward; for I had been on foot since an hour after daybreak, and had eaten nothing since breakfast.

Meanwhile, the snow began to come down with ominous steadiness, and the wind fell. After this, the cold became more intense, and the night came rapidly up. As for me, my prospects darkened with the darkening sky, and my heart grew heavy as I thought how my young wife was already watching for me through the window of our little inn parlour, and thought of all the suffering in store for her throughout this weary night. We had been married four months, and, having spent our autumn in the Highlands, were now lodging in a remote little village situated just on the verge of the great English moorlands. We were very much in love, and, of course, very happy. This morning, when we parted, she had implored me to return before dusk, and I had promised her that I would. What would I not have given to have kept my word!

Even now, weary as I was, I felt that with a supper, an hour’s rest, and a guide, I might still get back to her before midnight, if only guide and shelter could be found.

And all this time, the snow fell and the night thickened. I stopped and shouted every now and then, but my shouts seemed only to make the silence deeper. Then a vague sense of uneasiness came upon me, and I began to remember stories of travellers who had walked on and on in the falling snow until, wearied out, they were fain to lie down and sleep their lives away. Would it be possible, I asked myself, to keep on thus through all the long dark night? Would there not come a time when my limbs must fail, and my resolution give way? When I, too, must sleep the sleep of death. Death! I shuddered. How hard to die just now, when life lay all so bright before me! How hard for my darling, whose whole loving heart but that thought was not to be borne! To banish it, I shouted again, louder and longer, and then listened eagerly. Was my shout answered, or did I only fancy that I heard a far-off cry? I halloed again, and again the echo followed. Then a wavering speck of light came suddenly out of the dark, shifting, disappearing, growing momentarily nearer and brighter. Running towards it at full speed, I found myself, to my great joy, face to face with an old man and a lantern.

“Thank God!” was the exclamation that burst involuntarily from my lips.

Blinking and frowning, he lifted his lantern and peered into my face.

“What for?” growled he, sulkily.

“Well — for you. I began to fear I should be lost in the snow.”

“Eh, then, folks do get cast away hereabouts fra’ time to time, an’ what’s to hinder you from bein’ cast away likewise, if the Lord’s so minded?”

“If the Lord is so minded that you and I shall be lost together, friend, we must submit,” I replied; “but I don’t mean to be lost without you. How far am I now from Dwolding?”

“A gude twenty mile, more or less.”

“And the nearest village?”

“The nearest village is Wyke, an’ that’s twelve mile t’other side.”

“Where do you live, then?”

“Out yonder,” said he, with a vague jerk of the lantern.

“You’re going home, I presume?”

“Maybe I am.”

“Then I’m going with you.”

The old man shook his head, and rubbed his nose reflectively with the handle of the lantern.

“It ain’t o’ no use,” growled he. “He ‘ont let you in — not he.”

“We’ll see about that,” I replied, briskly. “Who is He?”

“The master.”

“Who is the master?”

“That’s nowt to you,” was the unceremonious reply.

“Well, well; you lead the way, and I’ll engage that the master shall give me shelter and a supper to-night.”

“Eh, you can try him!” muttered my reluctant guide; and, still shaking his head, he hobbled, gnome-like, away through the falling snow. A large mass loomed up presently out of the darkness, and a huge dog rushed out, barking furiously.

“Is this the house?” I asked.

“Ay, it’s the house. Down, Bey!” And he fumbled in his pocket for the key.

 I drew up close behind him, prepared to lose no chance of entrance, and saw in the little circle of light shed by the lantern that the door was heavily studded with iron nails, like the door of a prison. In another minute he had turned the key and I had pushed past him into the house.

 Once inside, I looked round with curiosity, and found myself in a great raftered hall, which served, apparently, a variety of uses. One end was piled to the roof with corn, like a barn. The other was stored with flour-sacks, agricultural implements, casks, and all kinds of miscellaneous lumber; while from the beams overhead hung rows of hams, flitches, and bunches of dried herbs for winter use. In the centre of the floor stood some huge object gauntly dressed in a dingy wrapping-cloth, and reaching half way to the rafters. Lifting a corner of this cloth, I saw, to my surprise, a telescope of very considerable size, mounted on a rude movable platform, with four small wheels. The tube was made of painted wood, bound round with bands of metal rudely fashioned; the speculum, so far as I could estimate its size in the dim light, measured at least fifteen inches in diameter. While I was yet examining the instrument, and asking myself whether it was not the work of some self-taught optician, a bell rang sharply.

“That’s for you,” said my guide, with a malicious grin. “Yonder’s his room.”

He pointed to a low black door at the opposite side of the hall. I crossed over, rapped somewhat loudly, and went in, without waiting for an invitation. A huge, white-haired old man rose from a table covered with books and papers, and confronted me sternly.

“Who are you?” said he. “How came you here? What do you want?”

“James Murray, barrister-at-law. On foot across the moor. Meat, drink, and sleep.”

He bent his bushy brows into a portentous frown.

“Mine is not a house of entertainment,” he said, haughtily. “Jacob, how dared you admit this stranger?”
 “I didn’t admit him,” grumbled the old man. “He followed me over the muir, and shouldered his way in before me. I’m no match for six foot two.”

“And pray, sir, by what right have you forced an entrance into my house?”

“The same by which I should have clung to your boat, if I were drowning. The right of self-preservation.”

“Self-preservation?”

“There’s an inch of snow on the ground already,” I replied, briefly; “and it would be deep enough to cover my body before daybreak.”

He strode to the window, pulled aside a heavy black curtain, and looked out.

“It is true,” he said. “You can stay, if you choose, till morning. Jacob, serve the supper.”

With this he waved me to a seat, resumed his own, and became at once absorbed in the studies from which I had disturbed him.

I placed my gun in a corner, drew a chair to the hearth, and examined my quarters at leisure. Smaller and less incongruous in its arrangements than the hall, this room contained, nevertheless, much to awaken my curiosity. The floor was carpetless. The whitewashed walls were in parts scrawled over with strange diagrams, and in others covered with shelves crowded with philosophical instruments, the uses of many of which were unknown to me. On one side of the fireplace, stood a bookcase filled with dingy folios; on the other, a small organ, fantastically decorated with painted carvings of medieval saints and devils. Through the half-opened door of a cupboard at the further end of the room, I saw a long array of geological specimens, surgical preparations, crucibles, retorts, and jars of chemicals; while on the mantelshelf beside me, amid a number of small objects, stood a model of the solar system, a small galvanic battery, and a microscope. Every chair had its burden. Every corner was heaped high with books. The very floor was littered over with maps, casts, papers, tracings, and learned lumber of all conceivable kinds.

 I stared about me with an amazement increased by every fresh object upon which my eyes chanced to rest. So strange a room I had never seen; yet seemed it stranger still, to find such a room in a lone farmhouse amid those wild and solitary moors! Over and over again, I looked from my host to his surroundings, and from his surroundings back to my host, asking myself who and what he could be? His head was singularly fine; but it was more the head of a poet than of a philosopher. Broad in the temples, prominent over the eyes, and clothed with a rough profusion of perfectly white hair, it had all the ideality and much of the ruggedness that characterises the head of Louis von Beethoven. There were the same deep lines about the mouth, and the same stern furrows in the brow. There was the same concentration of expression. While I was yet observing him, the door opened, and Jacob brought in the supper. His master then closed his book, rose, and with more courtesy of manner than he had yet shown, invited me to the table.
A dish of ham and eggs, a loaf of brown bread, and a bottle of admirable sherry, were placed before me.

“I have but the homeliest farmhouse fare to offer you, sir,” said my entertainer. “Your appetite, I trust, will make up for the deficiencies of our larder.”

I had already fallen upon the viands, and now protested, with the enthusiasm of a starving sportsman, that I had never eaten anything so delicious.

He bowed stiffly, and sat down to his own supper, which consisted, primitively, of a jug of milk and a basin of porridge. We ate in silence, and, when we had done, Jacob removed the tray. I then drew my chair back to the fireside. My host, somewhat to my surprise, did the same, and turning abruptly towards me, said:

“Sir, I have lived here in strict retirement for three-and-twenty years. During that time, I have not seen as many strange faces, and I have not read a single newspaper. You are the first stranger who has crossed my threshold for more than four years. Will you favour me with a few words of information respecting that outer world from which I have parted company so long?”

 “Pray interrogate me,” I replied. “I am heartily at your service.”

He bent his head in acknowledgment; leaned forward, with his elbows resting on his knees and his chin supported in the palms of his hands; stared fixedly into the fire; and proceeded to question me.

His inquiries related chiefly to scientific matters, with the later progress of which, as applied to the practical purposes of life, he was almost wholly unacquainted. No student of science myself, I replied as well as my slight information permitted; but the task was far from easy, and I was much relieved when, passing from interrogation to discussion, he began pouring forth his own conclusions upon the facts which I had been attempting to place before him. He talked, and I listened spellbound. He talked till I believe he almost forgot my presence, and only thought aloud. I had never heard anything like it then; I have never heard anything like it since. Familiar with all systems of all philosophies, subtle in analysis, bold in generalisation, he poured forth his thoughts in an uninterrupted stream, and, still leaning forward in the same moody attitude with his eyes fixed upon the fire, wandered from topic to topic, from speculation to speculation, like an inspired dreamer. From practical science to mental philosophy; from electricity in the wire to electricity in the nerve; from Watts to Mesmer, from Mesmer to Reichenbach, from Reichenbach to Swedenborg, Spinoza, Condillac, Descartes, Berkeley, Aristotle, Plato, and the Magi and mystics of the East, were transitions which, however bewildering in their variety and scope, seemed easy and harmonious upon his lips as sequences in music. By-and-by — I forget now by what link of conjecture or illustration — he passed on to that field which lies beyond the boundary line of even conjectural philosophy, and reaches no man knows whither. He spoke of the soul and its aspirations; of the spirit and its powers; of second sight; of prophecy; of those phenomena which, under the names of ghosts, spectres, and supernatural appearances, have been denied by the sceptics and attested by the credulous, of all ages.

“The world,” he said, “grows hourly more and more sceptical of all that lies beyond its own narrow radius; and our men of science foster the fatal tendency. They condemn as fable all that resists experiment. They reject as false all that cannot be brought to the test of the laboratory or the dissecting-room. Against what superstition have they waged so long and obstinate a war, as against the belief in apparitions? And yet what superstition has maintained its hold upon the minds of men so long and so firmly? Show me any fact in physics, in history, in archæology, which is supported by testimony so wide and so various. Attested by all races of men, in all ages, and in all climates, by the soberest sages of antiquity, by the rudest savage of to-day, by the Christian, the Pagan, the Pantheist, the Materialist, this phenomenon is treated as a nursery tale by the philosophers of our century. Circumstantial evidence weighs with them as a feather in the balance. The comparison of causes with effects, however valuable in physical science, is put aside as worthless and unreliable. The evidence of competent witnesses, however conclusive in a court of justice, counts for nothing. He who pauses before he pronounces, is condemned as a trifler. He who believes, is a dreamer or a fool.”

He spoke with bitterness, and, having said thus, relapsed for some minutes into silence. Presently he raised his head from his hands, and added, with an altered voice and manner, “I, sir, paused, investigated, believed, and was not ashamed to state my convictions to the world. I, too, was branded as a visionary, held up to ridicule by my contemporaries, and hooted from that field of science in which I had laboured with honour during all the best years of my life. These things happened just three-and-twenty years ago. Since then, I have lived as you see me living now, and the world has forgotten me, as I have forgotten the world. You have my history.”

“It is a very sad one,” I murmured, scarcely knowing what to answer.

“It is a very common one,” he replied. “I have only suffered for the truth, as many a better and wiser man has suffered before me.”

He rose, as if desirous of ending the conversation, and went over to the window.

“It has ceased snowing,” he observed, as he dropped the curtain, and came back to the fireside.

“Ceased!” I exclaimed, starting eagerly to my feet. “Oh, if it were only possible — but no! it is hopeless. Even if I could find my way across the moor, I could not walk twenty miles to-night.”

“Walk twenty miles to-night!” repeated my host. “What are you thinking of?”

“Of my wife,” I replied, impatiently. “Of my young wife, who does not know that I have lost my way, and who is at this moment breaking her heart with suspense and terror.”

“Where is she?”

“At Dwolding, twenty miles away.”

“At Dwolding,” he echoed, thoughtfully. “Yes, the distance, it is true, is twenty miles; but — are you so very anxious to save the next six or eight hours?”

“So very, very anxious, that I would give ten guineas at this moment for a guide and a horse.”

 “Your wish can be gratified at a less costly rate,” said he, smiling. “The night mail from the north, which changes horses at Dwolding, passes within five miles of this spot, and will be due at a certain cross-road in about an hour and a quarter. If Jacob were to go with you across the moor, and put you into the old coach-road, you could find your way, I suppose, to where it joins the new one?”

“Easily — gladly.”

He smiled again, rang the bell, gave the old servant his directions, and, taking a bottle of whisky and a wineglass from the cupboard in which he kept his chemicals, said:

“The snow lies deep, and it will be difficult walking to-night on the moor. A glass of usquebaugh before you start?”

I would have declined the spirit, but he pressed it on me, and I drank it. It went down my throat like liquid flame, and almost took my breath away.

“It is strong,” he said; “but it will help to keep out the cold. And now you have no moments to spare. Good night!”

I thanked him for his hospitality, and would have shaken hands, but that he had turned away before I could finish my sentence. In another minute I had traversed the hall, Jacob had locked the outer door behind me, and we were out on the wide white moor.

Although the wind had fallen, it was still bitterly cold. Not a star glimmered in the black vault overhead. Not a sound, save the rapid crunching of the snow beneath our feet, disturbed the heavy stillness of the night. Jacob, not too well pleased with his mission, shambled on before in sullen silence, his lantern in his hand, and his shadow at his feet. I followed, with my gun over my shoulder, as little inclined for conversation as himself. My thoughts were full of my late host. His voice yet rang in my ears. His eloquence yet held my imagination captive. I remember to this day, with surprise, how my over-excited brain retained whole sentences and parts of sentences, troops of brilliant images, and fragments of splendid reasoning, in the very words in which he had uttered them. Musing thus over what I had heard, and striving to recall a lost link here and there, I strode on at the heels of my guide, absorbed and unobservant. Presently — at the end, as it seemed to me, of only a few minutes — he came to a sudden halt, and said:

“Yon’s your road. Keep the stone fence to your right hand, and you can’t fail of the way.”

 “This, then, is the old coach-road?”

“Ay, ’tis the old coach-road.”

“And how far do I go, before I reach the cross-roads?”

“Nigh upon three mile.”

I pulled out my purse, and he became more communicative.

“The road’s a fair road enough,” said he, “for foot passengers; but ’twas over steep and narrow for the northern traffic. You’ll mind where the parapet’s broken away, close again the sign-post. It’s never been mended since the accident.”

“What accident?”

“Eh, the night mail pitched right over into the valley below — a gude fifty feet an’ more — just at the worst bit o’ road in the whole county.”

“Horrible! Were many lives lost?”

“All. Four were found dead, and t’other two died next morning.”

“How long is it since this happened?”

“Just nine year.”

“Near the sign-post, you say? I will bear it in mind. Good night.”

“Gude night, sir, and thankee.” Jacob pocketed his half-crown, made a faint pretence of touching his hat, and trudged back by the way he had come.

I watched the light of his lantern till it quite disappeared, and then turned to pursue my way alone. This was no longer matter of the slightest difficulty, for, despite the dead darkness overhead, the line of stone fence showed distinctly enough against the pale gleam of the snow. How silent it seemed now, with only my footsteps to listen to; how silent and how solitary! A strange disagreeable sense of loneliness stole over me. I walked faster. I hummed a fragment of a tune. I cast up enormous sums in my head, and accumulated them at compound interest. I did my best, in short, to forget the startling speculations to which I had but just been listening, and, to some extent, I succeeded.

Meanwhile the night air seemed to become colder and colder, and though I walked fast I found it impossible to keep myself warm. My feet were like ice. I lost sensation in my hands, and grasped my gun mechanically. I even breathed with difficulty, as though, instead of traversing a quiet north country highway, I were scaling the uppermost heights of some gigantic Alp. This last symptom became presently so distressing, that I was forced to stop for a few minutes, and lean against the stone fence. As I did so, I chanced to look back up the road, and there, to my infinite relief, I saw a distant point of light, like the gleam of an approaching lantern. I at first concluded that Jacob had retraced his steps and followed me; but even as the conjecture presented itself, a second light flashed into sight — a light evidently parallel with the first, and approaching at the same rate of motion. It needed no second thought to show me that these must be the carriage-lamps of some private vehicle, though it seemed strange that any private vehicle should take a road professedly disused and dangerousThere could be no doubt, however, of the fact, for the lamps grew larger and brighter every moment, and I even fancied I could already see the dark outline of the carriage between them. It was coming up very fast, and quite noiselessly, the snow being nearly a foot deep under the wheels.

And now the body of the vehicle became distinctly visible behind the lamps. It looked strangely lofty. A sudden suspicion flashed upon me. Was it possible that I had passed the cross-roads in the dark without observing the sign-post, and could this be the very coach which I had come to meet?

No need to ask myself that question a second time, for here it came round the bend of the road, guard and driver, one outside passenger, and four steaming greys, all wrapped in a soft haze of light, through which the lamps blazed out, like a pair of fiery meteors.

I jumped forward, waved my hat, and shouted. The mail came down at full speed, and passed me. For a moment I feared that I had not been seen or heard, but it was only for a moment. The coachman pulled up; the guard, muffled to the eyes in capes and comforters, and apparently sound asleep in the rumble, neither answered my hail nor made the slightest effort to dismount; the outside passenger did not even turn his head. I opened the door for myself, and looked in. There were but three travellers inside, so I stepped in, shut the door, slipped into the vacant corner, and congratulated myself on my good fortune.

The atmosphere of the coach seemed, if possible, colder than that of the outer air, and was pervaded by a singularly damp and disagreeable smell. I looked round at my fellow-passengers. They were all three, men, and all silent. They did not seem to be asleep, but each leaned back in his corner of the vehicle, as if absorbed in his own reflections. I attempted to open a conversation.

“How intensely cold it is to-night,” I said, addressing my opposite neighbour.

He lifted his head, looked at me, but made no reply.

“The winter,” I added, “seems to have begun in earnest.”

Although the corner in which he sat was so dim that I could distinguish none of his features very clearly, I saw that his eyes were still turned full upon me. And yet he answered never a word.

At any other time I should have felt, and perhaps expressed, some annoyance, but at the moment I felt too ill to do either. The icy coldness of the night air had struck a chill to my very marrow, and the strange smell inside the coach was affecting me with an intolerable nausea. I shivered from head to foot, and, turning to my left-hand neighbour, asked if he had any objection to an open window?

He neither spoke nor stirred.

I repeated the question somewhat more loudly, but with the same result. Then I lost patience, and let the sash down. As I did so, the leather strap broke in my hand, and I observed that the glass was covered with a thick coat of mildew, the accumulation, apparently, of years. My attention being thus drawn to the condition of the coach, I examined it more narrowly, and saw by the uncertain light of the outer lamps that it was in the last stage of dilapidation. Every part of it was not only out of repair, but in a condition of decay. The sashes splintered at a touch. The leather fittings were crusted over with mould, and literally rotting from the woodwork. The floor was almost breaking away beneath my feet. The whole machine, in short, was foul with damp, and had evidently been dragged from some outhouse in which it had been mouldering away for years, to do another day or two of duty on the road.

I turned to the third passenger, whom I had not yet addressed, and hazarded one more remark.

“This coach,” I said, “is in a deplorable condition. The regular mail, I suppose, is under repair?”

He moved his head slowly, and looked me in the face, without speaking a word. I shall never forget that look while I live. I turned cold at heart under it. I turn cold at heart even now when I recall it. His eyes glowed with a fiery unnatural lustre. His face was livid as the face of a corpse. His bloodless lips were drawn back as if in the agony of death, and showed the gleaming teeth between.

The words that I was about to utter died upon my lips, and a strange horror — a dreadful horror — came upon me. My sight had by this time become used to the gloom of the coach, and I could see with tolerable distinctness. I turned to my opposite neighbour. He, too, was looking at me, with the same startling pallor in his face, and the same stony glitter in his eyes. I passed my hand across my brow. I turned to the passenger on the seat beside my own, and saw — oh Heaven! how shall I describe what I saw? I saw that he was no living man — that none of them were living men, like myself! A pale phosphorescent light — the light of putrefaction — played upon their awful faces; upon their hair, dank with the dews of the grave; upon their clothes, earth-stained and dropping to pieces; upon their hands, which were as the hands of corpses long buried. Only their eyes, their terrible eyes, were living; and those eyes were all turned menacingly upon me!

A shriek of terror, a wild unintelligible cry for help and mercy; burst from my lips as I flung myself against the door, and strove in vain to open it.

 In that single instant, brief and vivid as a landscape beheld in the flash of summer lightning, I saw the moon shining down through a rift of stormy cloud — the ghastly sign-post rearing its warning finger by the wayside — the broken parapet — the plunging horses — the black gulf below. Then, the coach reeled like a ship at sea. Then, came a mighty crash — a sense of crushing pain — and then, darkness.

It seemed as if years had gone by when I awoke one morning from a deep sleep, and found my wife watching by my bedside I will pass over the scene that ensued, and give you, in half a dozen words, the tale she told me with tears of thanksgiving. I had fallen over a precipice, close against the junction of the old coach-road and the new, and had only been saved from certain death by lighting upon a deep snowdrift that had accumulated at the foot of the rock beneath. In this snowdrift I was discovered at daybreak, by a couple of shepherds, who carried me to the nearest shelter, and brought a surgeon to my aid. The surgeon found me in a state of raving delirium, with a broken arm and a compound fracture of the skull. The letters in my pocket-book showed my name and address; my wife was summoned to nurse me; and, thanks to youth and a fine constitution, I came out of danger at last. The place of my fall, I need scarcely say, was precisely that at which a frightful accident had happened to the north mail nine years before.

I never told my wife the fearful events which I have just related to you. I told the surgeon who attended me; but he treated the whole adventure as a mere dream born of the fever in my brain. We discussed the question over and over again, until we found that we could discuss it with temper no longer, and then we dropped it. Others may form what conclusions they please — I know that twenty years ago I was the fourth inside passenger in that Phantom Coach.

Update: Bobby the Brown Pelican, November 8, 2019

Tonight, I submitted my children’s book, Bobby the Brown Pelican, to Austin Macauley Publishers. This is a big publishing company. Their website says to expect a response in three weeks, which will be November 29. Wish me luck.

Bobby has previously been rejected by Shadow Mountain Publishing. However, it is uncommon to have a work accepted on the first attempt. I consider myself doing well if one of my manuscripts is accepted on the fifth or sixth attempt.  In the past, when all rejections were sent by US mail, some writers proudly papered their walls with rejection slips. I am surprised that I have received as few as I have. I would love to be published by Austin Macauley, but if not, c’est la vie.

Bobby is a young brown pelican who is afraid to fly and to dive into the sea, which is the way brown pelicans hunt. His parents, particularly his dad, give him positive reinforcement and teach him to have confidence and to do what he needs to in spite of his fear. He follows his dad, who teaches him to fly, and then he teaches him to dive and catch fish. In critical points in the action, the narrator asks the reader what he is thinking and feeling in order to establish a connection between the reader and Bobby and to give any parent reading this to a child a chance to discuss how the child would feel and what he would do if he were in Bobby’s place. This book also helps parents talk with their children and help them overcome the fear children have of disappointing their parents. This books promotes interaction and discussion between children and parents on very basic fears common to children, such as of disappointing their parents, fear of being hurt, etc.

I will post updates as they occur.

Hasta luego.

 

“Diabolical: Three Tales of Jack Thurston and Revenge” is Available on Kindle and in Print

Please go to amazon.com/author/philslattery or Goodreads or any other social media to leave a review.

Jack Thurston is a retired professor of medieval literature and history. He is also a widower and father and a retired sorcerer who has returned to the black arts to exact revenge for the death of his wife, daughter, and brother. He has an intriguing position in the universe at a focal point of life, the afterlife, logic and reason, anger and hatred, the ancient and the modern worlds, grief and his attempts to escape grief through self-destruction. Though he wants to have the peace he once found with his wife, Agatha, he is pulled in many directions by circumstance and by his powerful negative emotions.

I am a fan of the old school horror practiced by such authors as H.P. Lovecraft, Poe, Edward Lucas White, and Arthur Machen.  I endeavor to make a story as terrifying and suspenseful for the reader as possible without resorting to gratuitous blood and gore for a simple shock or quick feeling of disgust.

This collection of three short tales is perfect for those who have only a few short breaks to escape into the hidden world of horror, black magic, sorcery, and anger-fueled revenge.

You can find this and other works at my Amazon author’s page:  www.amazon.com/author/philslattery.

Currently, Jack has a Twitter account (@jthurston666), where he has attracted a small following and where it has only recently been revealed that he is fictional. Jack has his own blog at jackthurstonblog.wordpress.com (a work in progress) and his own e-mail at jackthurston666@gmail.com.

Information on more social media accounts and other characters (as they are developed) can be found at: philslattery.wordpress.com. Please interact with him at any of his social media accounts as you would with a real person.

Show your appreciation for these stories by leaving a review on Amazon, Goodreads, or other social media.

If you enjoy horror, check out my collection of horror short stories A Tale of Hell and Other Works of Horror: Stories of wizards, werewolves, serial killers, alien worlds, and the damned, which includes these stories.