The Value of Discussing Catcher in the Rye Beyond the Classroom

I believe it [Catcher in the Rye] should be taught in high school because these are the issues teens face or will face once they go to college, just as Holden did. Once in college, students will learn how phony the world is, if they haven’t already.

[The following is a comment I made today to a post on Catcher in the Rye made by Colorless Wonderland published four years ago.]

Excellent presentation and discussion! I am going to play the age card here and say that I recently turned 68 (born in 1957, 6 years after Catcher in the Rye was first published). The culture I grew up in was only a few years after the culture shown in Catcher, ergo, not much difference. I disagree with your opinion that Catcher should not be taught in high school. It definitely should be taught in high school, but not for the usual reasons that communities have for banning this book or for the reasons you state.

I believe it [Catcher in the Rye] should be taught in high school because these are the issues teens face or will face once they go to college, just as Holden did. Once in college, students will learn how phony the world is, if they haven’t already.

This is a coming-of-age novel, at a point in which many teens START discovering the phoniness of the world. However (somewhat in agreement with you), high school teachers should not be the ones discussing Catcher with students. Teachers will only teach what the local school board says they should teach or they put their jobs on the line, and a lot of communities still, even in 2025, want to teach the idealized American Dream, which is a textbook example of phoniness.

The people with which students should be discussing Catcher are a) other students or b) their parents (ideally). High school students need to prepare themselves for encountering the phoniness that lies ahead for them and which they will be encountering for the rest of their lives, as I have for 68 years. Of course, many parents will just try to teach the ideal American Dream or sugar-coat the future, but the honest ones, the good parents (or friends) will honestly prepare their children for what lies ahead. So, while the “teachers” may present the local school board’s view of what teens should learn, the student’s friends and family will teach the down-to-earth, worthwhile lessons.

The great thing about literature which is most valuable for the reader is not reading something and then discussing it with the teacher the community hired to teach its values, but discussing the material with classmates, family, and others, i.e. getting a lot of opinions and then having to decide, based on experience, which are the opinions worth considering, which are the most valuable, which are the most truthful and accurate, and deciding what one should take from them to help oneself prepare for the coming future.

Update: November 21, 2025

I have been feeling the need to resurrect Rural Fiction Magazine. I have been thinking about this a lot and there is something I love about publishing, particularly publishing something that is intended to help people, and RFM is intended to help people relax and avoid stress during these trying times for not only the US but also for nations around the globe.

I have been feeling the need to resurrect Rural Fiction Magazine. I have been thinking about this a lot and there is something I love about publishing, particularly publishing something that is intended to help people, and RFM is intended to help people relax and avoid stress during these trying times for not only the US but also for nations around the globe.

Publishing RFM is something I really love to do.

I will need to find a way to make money from it, and that is not easy for a literary magazine whether just in print or online. But, as I have learned so often in life, I will just have to (as Clint Eastwood said in one of his movies – I forget the name – in it he was a Marine gunnery sergeant invading Grenada in the 80’s. “…Improvise, adapt, and overcome”, which actually is sort of an unspoken principle of the Navy, where I spent my time in the Service. It is a very good principle and is actually reflected back throughout military history as far back as Sun Tzu’s The Art of War in the fifth century B.C.E.

So, I may not resurrect RFM soon; this will require substantial planning, but I think in the long run it will be worthwhile, if not financially, then perhaps spiritually, because it is something my subconscious demands of me.

If my writing seems erratic, itis because I am on my third White Lady (equal parts gin (in this instance Tanqueray), orange liquor (in this instance Cointreau), and freshly squeezed lemon juice.

In any case, please follow the leader’s guidance (unclorius) , and subscribe to our channel and like our videos. When Friend look we are peformane

Stay tuned as this story develops…

I have some ideas to oldearmacy

as to how to bath.

[Addendum: the first few paragraphs above are honest opinion, the ones after the word “gin” — well, what can I say other than White Ladies are really good? Updated December 3, 2025 at 1:20 am (CST) after a couple of gin and tonics.]

Samples of My Writing

Looking over my website tonight, I realized that … there are no samples of my fiction on this site. Ergo, I decided to correct that.

Looking over my website tonight, I realized that although I mention on my Published Works page where to find the few small books I have self-published so far, other than the non-fiction articles I write for this website, there are no samples of my fiction on this site. Instead, I recommend on my Published Works page that you can easily find them by Googling my name and “fiction”. Making you go that extra mile is not fair to you.

Therefore, I have developed this page as a quick shortcut to some of my works online at Fiction on the Web, a site located in England. Charlie Fish, the publisher and editor of Fiction on the Web has been gracious enough to publish several of my stories. Although the site does not pay, I do like to be published there, because Charlie’s readers are good about commenting on stories published there, and I have received some excellent comments on my works.

Here are links to each of my stories at Fiction on the Web. Instead of writing up my own synopsis of each, I will use each of Charlie’s taglines to entice you into reading each. These are in italics. I will also make a brief comment following each of Charlie’s taglines each of which will be followed by my initials thus: -PS.

The Scent

Phil Slattery’s lyrical vignette about the scent of an absent lover.

I based this story on an actual experience I had one evening, which is described almost exactly as it happened sometime around 2000. -PS

Murder by Plastic

Alan Patterson wakes up to find past indiscretions have caught up with him in Phil Slattery’s crime short.

I based this bit of flash fiction on a report that I once heard about a mobster’s (maybe John Gotti) son who was killed accidentally by a hit and run driver. Sometime later two big guys pulled up alongside him in a van one day, rushed him into the van, and he was never seen again. This is my fictitious account of what followed, but I also add a twist. -PS

Letters

An exchange of letters between a man and a woman who had an intense relationship two decades ago, and have not seen each other since; by Phil Slattery.

I had been reading something about the definition of the literary subgenre of dark romance and decided to try my hand at it. -PS

Bye-Bye

A former naval officer tells a stranger a story of young love from his time on Aircraft Carrier USS Enterprise; by Phil Slattery.

This is based on something I witnessed on the docks at the French port of Toulon when I was on board the USS Enterprise for a deployment in 1986. I took what I witnessed and carried a few steps further to what this couple’s future may have held. -PS

The Slightest of Indiscretions

A national park guide in New Mexico has lustful urges for a Vietnamese visitor with a domineering husband; by Phil Slattery.

Once again this is based on something I witnessed. This happened when I was working at Gila Cliff Dwellings National Monument in New Mexico during the summer of 2002. Once again, I expand this story into what might have happened. -PS

Decision

In early 1970s rural Kentucky, Travis, son of a cruelly racist mill worker, is forced into a moral dilemma.

I grew up in a time and area of Kentucky where there was some bigotry and prejudice against African-Americans, though nothing on the scale of what is described here. -PS

A Tale of Hell

Phill Slattery’s chilling vision of hell.

I was once thrown out of a bar in a situation similar to this. Again, I postulate what might have happened had the situation turned extreme. Don’t worry. I never saw the bartender again after I left the bar that night and, so far as I know, the jerk is still alive and kicking. -PS

Dream Warrior

Phil Slattery’s powerful revenge epic about a man who visits his Mexican grandfather for spiritual guidance after a violent crime results in the death if his fiancée.

I once read about how Aztec sorcerers believed they could kill people by entering their dreams somewhat like Freddy Krueger, but 500 years earlier. So, I developed a scenario showing how this might be done today. -PS

A Good Man

On the day before her death from lung cancer, Christopher’s mother tells him a secret about his father that may change his perception of his parents forever; by Phil Slattery.

It always fascinated me how someone could be a kindly grandfather, like my own, and yet have a dark past. Note this is pure fiction and my own grandfather was never in such a situation as far as I know. -PS

Please let me know what you think of each of these stories and maybe provide a brief critique in the comments, if you would. I am open to criticism. I believe just and fair criticism helps a writer grow.

I have collected a few of these along with others of the horror genre into A Tale of Hell and Other Works of Horror. It is available through print-on-demand from any major bookstore along with a few of my smaller collections.

Until next time, take care and stay grounded.

Update of November 17, 2025

I have recently decided to go ahead with my plans to create a second edition of my poetry collection, Nocturne (now available through Amazon). The second edition will include all the poems of the first edition plus some that were lost for many years….

It has been a long time since I last published anything and I miss publishing dearly. I enjoy it immensely and no small part of that enjoyment is working with all the hardworking contributors to both The Chamber and Rural Fiction Magazine. While The Chamber will not be returning in the foreseeable future, RFM may reappear in the near future. It is quite a time commitment, and I have to find a way to make it profitable. Your donations have been deeply appreciated . It means a lot to me to think that RFM was so well-liked that people would actually give of their hard-earned money to keep it afloat. I thank you all sincerely for that.

I have recently decided to go ahead with my plans to create a second edition of my poetry collection, Nocturne (now available through Amazon). The second edition will include all the poems of the first edition plus some that were lost for many years. I will also include the stories from my slim short story collection, The Scent and Other Stories, as they have some of the same themes as Nocturne. The second edition will be in three parts vs. just one as in the first edition. They will be Section A, Section B, and Coda (the stories). I chose this organization, because these are generally the components of a musical nocturne.

I am also putting more emphasis on my YouTube Channel. When I first started it, I knew nothing about producing videos. However, with a little experience and study, I have decided to resurrect it and see if I can make it profitable also. I am also working on a channel where I produce ambience videos. I enjoy the ambience videos produced by other YouTubers and I have finally decided to explore this field. I will provide updates in the coming months.

I am also finishing up my first novel, which will be a mystery/thriller/supernatural tale of a woman’s investigation into the cold case of the disappearance of one of her grandparents’ neighbors fifty years ago. I have settled on a title yet, but I hope to have one soon. The length is now about 60,000 words and I may add another 5,000 before wrapping it up.

Because I expect to finish both of these books soon, I am also searching in earnest for a agent. I have yet to approach one, but I have found a few possibilities.

That’s all I have for this update. I wish you all the very best.

Hasta luego.

The Intersection of Faith and Reason: My Views on God

As some of my works have Christianity or at least some type of vague spirituality or metaphysics lurking in the backstory or surfacing here or there in a plot or in a character, I thought it would be a good idea to clarify just what my religious vs. spiritual beliefs are.

As some of my works have Christianity or at least some type of vague spirituality or metaphysics lurking in the backstory or surfacing here or there in a plot or in a character, I thought it would be a good idea to clarify just what my religious vs. spiritual beliefs are.

Let me summarize my beliefs (yes, this is a summary; my beliefs are somewhat intricate), however haphazardly organized they are. I am writing these off the top of my head as they occur. I edit as I go along.

Cogito ergo sum (I think therefore I am). As did Rene Descartes, I believe that all I can be sure of is that I exist. My perception of everything else might be in error. This is true for everyone. Some interesting concepts can be derived from this. For example, in the movie The Matrix, nearly all humans are being kept in cells and used as energy sources while the images of the false world they know are fed to them. When Neo was in his cell, all he could be certain of is that he alone existed and that only because he was thinking. All else was an illusion.

If my perceptions are dubious, then everyone else’s is in doubt as well, assuming that other humans exist. If they only exist in my mind, then my perception of what they perceive is in doubt. If others do exist, then everyone’s perception is in doubt.

Now if I am the only being in existence, then who created me? There must be another entity to create me and another to create my parent entity, and so forth, and so on. My recollection of my perceptions tells me that I have existed for only a finite amount of time. In that case, death is when I pass out of existence. How does that work if I am the only entity that exists? Do I pass on to another existence? I think that if I exist, then at least one other entity exists in order to have created me. Perhaps my reality is only the madness of someone who has existed in solitude too long.

Based on my experience, I believe subjectively that God exists. In that case, whoever created me and the being that created Him and so on ad infinitum, is God. So, if I exist, God, being my creator, must exist in some form.

If my perception of reality is correct, meaning it is actual reality for all of us, where did it originate? The best explanation science has to offer is that it was created in “the Big Bang”. What caused the Big Bang? No one knows at this point in our scientific evolution. My inclination is to say God, but then God is a ready, go-to explanation for everything beyond the limits of our scientific knowledge.

I am a Christian, though I do not cling to any one denomination. I believe in most of the principles that Christ taught. The only way to know these for certain is to look at the actual words of Christ. This leads to problems, because how do we know that the words Christ reportedly said were not carefully selected when the New Testament was put together to meet one or more agendas? While in college, I took two years of New Testament Greek and had a GPA in it of about 3.9-4.0. During these two years, the way we learned was by translating the Gospel of Mark. My professor was a Lutheran Minister whose father and brother (I think it was a brother) were Lutheran ministers, and I attended his church for a while. I was also a member of a Christian fellowship for a few years and often discussed religion and philosophy with friends. After these experiences I am increasingly suspicious that the teachings of Christ as they stand in the four gospels were probably carefully vetted before inclusion. I don’t have the space at the moment to discuss this, but I hope to write an article about it in the future.

I do believe in the overall message of Christ as I perceive it, which is to love one another and to love God. I honestly believe that if people could do this, most of our problems would disappear, but most people are incapable of doing this.

I don’t think most people understand just how radical Christ’s message (λογος in the Koine Greek of the New Testament) was for those times. Then, most people believed in multiple fickle gods and goddesses, to whom they had to offered sacrifices to have prayers answered and which, to my rudimentary knowledge of ancient polytheism, did not provide moral guidance or establish laws per se. Only Judaism had a single god. Then Christ came along and said this single god loves everyone and wants everyone to love each other and to love Him. What a truly radical thought! Over time, that idea would change the way we think on a global basis. Christ was right. If we could truly love God and each other (ἀγάπη and φιλία in the New Testament), all hatred and desire to damage or destroy each other in any sense would disappear. You can’t intentionally harm someone if you truly love them. But most of us can’t love each other as we should, which is heartbreaking.

Recently, I read Nietzsche’s The Antichrist, his last work before going mad and being confined to an “asylum”, as mental institutions were known then. I have read parts of his other works and I have read a little biographical info on him. I would like to read a lot more of them. Interestingly, Nietzsche’s father was a Lutheran minister and his grandfather a theologian. I agree with a lot, but not everything, of what Nietzsche says about the Church and about how Christianity can foster weakness. I think what must be taken into consideration though is Nietzsche’s perspective based on his life experience. I suspect that his constant suffering from a variety of ailments undoubtedly soured him on what belief in God can do for oneself. I think also that his strong negative views on society led him to state that “God is dead”, meaning that the world treats God as if he were dead.

Many people cite the evil people have done in God’s name (e.g. the Crusades) as a reason not to believe in God. This is one reason I say that people confuse God, the Church, and the laity. Because people, in order to achieve their own goals, say God ordained them (whether they actually believe it or not) to do such and such, does not mean that He did. They may actually believe they are doing the work of God, but if they are not living in accordance with Christ’s teachings, they are not doing the work of God.

Despite the evil that has been done in the name of God and the Church, belief in the teachings of Jesus has accomplished a lot of good from the establishment of charitable and nursing programs and hospitals to innumerable cases of individual healing, feeding the poor, and mercy for the weak and what we would term today “the underprivileged”. Unfortunately, these acts are not exciting and consequently do not make headlines as do acts of violence, betrayal, etc.

Who has examined the the words Christ actually spoke according to the four gospels? Here are a few websites reporting what Jesus said: ElDoradoweather.com; Walking with Jesus Ministries; Sacredtexts.com; etc

I am not what many people would consider a religious man. I do believe in God (Father, Son, and Holy Ghost) and I consider myself a Christian, though not a good one by any stretch of the imagination. Am I worried about going to Heaven or Hell? Not really. What will be, will be. But then there is what Heinrich Heine reportedly said on his deathbed when asked if he was worried about getting into Heaven: Gott wird mir verzeihen. Das is sein Beruf. [God will pardon me. That is his business.]

For decades, I prayed regularly in private usually every day, whether I was in a crisis or not and I rarely attended church from about 1980 to 2024. Within the past year, I have begun attending church regularly.

Sometime last spring, the solitude of having lived in a remote area of Arkansas for five years began to take its toll on me. I needed people, but in this rural area there are very few bars (and I don’t drive after any alcohol consumption anyway), few restaurants stay open past 9:00 (and those that do usually have few customers), and there are no social hotspots. My solution was to do what the pioneers did and go to church. I tried several but almost all taught the traditional views, lessons, and sermons. Then I found a church, whose name I won’t mention, that I thought my wife, who teaches in west Texas most of the year (at that time; she lives in the Dallas area now — a long story), would enjoy. I was right and we began attending regularly when she came home over Christmas break.

Now that she is back in Texas, I still attend it every Sunday and usually on Wednesdays as well while she attends a church she found in her town. I do enjoy the sermons, and the congregants are good people who sincerely believe. Occasionally, I may disagree with something stated in a sermon, but overall I believe it is a good experience and it does strengthen my faith in God and humanity as well and I put a nominal amount in the offering bucket every Sunday, because I believe it will be put to good use.

Nonetheless, I do not claim to be of any denomination or sect currently, though I was brought up in a Church of Christ. I have not applied to be a member of my current church and I do not intend to do so in the foreseeable future. I have nothing against joining any church. I just prefer to think of myself as still a member of the church where I grew up though I haven’t seen it in decades.

Nonetheless, I do not take the Bible on blind faith. I see the Bible as an anthology of writings by men who were perhaps divinely inspired but were still as fallible and as subject to misperception as any other human. I see the Bible as a hodgepodge of history, myth, and law overlapping the bronze and early iron ages. While some things in the Bible may be taken literally, much of it should be taken metaphorically. The Bible should be studied meticulously just as another other important work of ancient literature should be studied–with a critical, discerning, perspicacious eye seeking truth, not searching for justification for nefarious acts past, present, or future.

The best Sunday school I ever attended was while I was in college in the late 1970s’. I was a member of Intervarsity Christian Fellowship at the time, and I was trying to find a suitable church for me in Richmond, KY, where my alma mater of Eastern Kentucky University is located. My professor of Koine Greek (see above), his father, and, I believe, another relative were pastors at a Lutheran church that met in the Baptist Student Union building just off campus. Instead of teaching the usual Bible stories, they brought in textbooks and studied the archaeology supporting the Bible. Many of the small congregation, as I recall, were professors at the university. It was a fascinating experience.

I also suspect that parts of the Biblical texts, especially the New Testament, may have been occasionally manipulated, intentionally or unintentionally, to suit the politics of the time.

I know that many experts vehemently deny that the content of the New Testament was manipulated to suit the political problems Emperor Constantine was facing at the time and that there is no evidence to that effect. However, I look at the frequent number of times that Christ advises his followers to obey their rulers and then my doubts arise.

What are the actual teachings of Christ? In the several verses where Jesus is quoted, what does he actually say we should do to follow him? For now, please research this on your own. I may write a post on it later, but this one is already much, much longer than I originally intended. Besides, I think it is important that you read exactly what Jesus said, come to your own conclusions, and not rely on my interpretation or anyone else’s.

The Christian church (any Christian church) seems constructed to be manipulated by someone. Here’s the problem: there are three parts in the communications between God and the laity: 1) God, 2) the clergy, 3) the laity. To know what God teaches, the laity relies on the clergy. We must therefore trust the clergy to teach about God and His desires and instructions for us. But there are two problems: we trust the clergy to know what they’re doing (they are human after all and subject to errors); and they are also susceptible to their own political currents and the political currents of the world around them. This is not even to mention which of them might have their own private agendas. In short, the clergy is human, flesh as it were. As in John 1:14, “and the word became flesh…” My Greek professor (see above) explained the meaning of flesh in this context as the word of God became flesh with all its weaknesses and failings.

There is also the fact that the concepts of a heaven for true followers and a hell for non-believers and sinners make for one incredible carrot-and-stick combination. It’s as if the clergy is saying: do as we say and you go to heaven; don’t do what we say and go to hell; but we also have the power to forgive sins, so you might get into heaven despite those sins, but you have to do as we say.

At the same time, I do not automatically decry any belief of any faith. I try to judge each with a measure of disinterest.

My personal beliefs align best with the thought expressed on a small, wooden plaque I picked up in Germany in the distant past and now keep in my office:

“Ihr glaubt der Jager sei ein Sunder, weil er selten zur Kirche geht, im grunen Wald ein Blick zum Himmel ist besser als ein falsch Gebet.”

You (all) believe the hunter to be a sinner, because he seldom goes to church, in the green forest a glance to the sky is better than a false prayer.

Anonymous

I do have a spiritual side. I sometimes think I feel the presence of God when I see a truly awe-inspiring sight such as when I saw the Grand Canyon for the first time or when I have gazed at the myriad stars on a moonless night at sea hundreds of miles from land.

Where my beliefs depart from those of many Christians, is that I do not perceive God, “the Church”, and the Laity as one entity. I believe that confusing the three is a serious failing of many people, both believers and non-believers. God is spirit; “the Church” (in my view and as I shall use it in this writing) is the clerical organization of any and all Christian denominations; the Laity is the community of non-clerical adherents of any and all Christian denominations.

The Nature of God

I shall use the traditional pronoun of He/Him/His for ease of reference, though any spirit should technically be referred to as “it”, because it is neither male nor female. However, one’s perception of God, including mine, is often exceptionally personal, and using a non-personal pronoun might be construed as offensive, irreverent, or even blasphemous. As the majority of people probably still perceive God as male, I shall refer to God as male in this text.

I shall do that also because that is my perception and my tradition and the traditional perception in which I grew up. Using the pronoun she is just as inaccurate as using he, but if someone perceives God as female, that perception should be respected just as perceiving God as a male should be respected. If someone wants to refer to God as it, that view should also be respected. No one knows the actual nature of God and whether God is male, female, or neither is a matter of perception and tradition. For that matter, in my view, all perceptions of God should be respected including those that deny or doubt His/Her/Its existence.

Probably the one thing about God that most people can agree upon, whether they believe in one God or many, is that God is spirit. The definition of spirit, however, is perhaps as vague as the definition of God. Spirit, in general terms, can be a metaphysical entity or sense that runs through one person or through all people or through all living things, like the Asian concept of chi or the similar though fictional concept of the Force in the Star Wars movie franchise.

Spirit, in my experience with the modern lay/vernacular usage, is something that only living things have. Rocks do not have spirit. Dirt does not have spirit. Trees and other plants might be perceived as having spirit. However, in animistic beliefs, inanimate objects have a spirit of their own or a spirit associated with them.

Spirit can be good or evil or anywhere on the spectrum between them. It seems to be the abstract/invisible part of a person of all people or of all living things that animates them and drives their decision-making. It is a combination of emotions and reasoning and perception that drives the actions of one person or of a people or of all living things or of all things, depending on one’s beliefs. A soul then is a person’s personal, individual spirit or part of the universal spirit.

A good way to understand the connection between breath/air and spirit is to remember that the ancient Greek word for spirit is pneuma (πνεῦμα), which is also the word for breath or air (cf. modern English pneumatic). According to my professor of Koine Greek at university, the Greeks associated breath/air with spirit, because when a person dies, both their breath and their spirit leave them.

Spirit is a part of God, but God is more than that. God seems to be not only the spirit that permeates all things but more than that: the spirit that created the universe, drives it, and that one day will destroy it. This divine spirit is usually not considered haphazard. It is often perceived as intelligent, omniscient, and omnipotent. Depending upon one’s perception of fortune, it is often imbued with human characteristics, such as being good or evil, merciful or merciless, loving or cruel or with any other human trait. It is easy, therefore, to understand why the ancient Greeks and Romans believed in many gods. Everything seems to take on human characteristics at one point or the other.

Perhaps we perceive God with human qualities because we have trouble understanding each other’s actions and motivations. We see the actions of each other, particularly of those far removed from our daily lives, as fickle, mysterious, and inscrutable. Therefore, we see the actions of universe as fickle, mysterious, and inscrutable.

My perception is that God is the intelligent, overarching spirit that guides the universe, but to what degree He guides the universe is debatable to say the least. Many believe that He concerns Himself only with major events and not with the mundane, day-to-day lives of His followers. Others believe that since He is omniscient and omnipotent that He is involved in every occurrence no matter how trivial or esoteric.

The Nature of The Church

What I am calling The Church is the administrative organization that supports the clergy and clerical operations of a belief system. This is similar to the corporate structure of a business. It is composed of people who are usually paid in some fashion for their work for the organization, though the Church does have numerous volunteers working for it. As an organization, it has its established procedures, protocol, and goals. It functions via collaborative thinking and decision making or by supporting the guidance of an individual.

The Nature of the Laity

The laity are the unpaid followers of a belief system. They are people who believe in the faith’s goals and teachings and contribute to its success through contributing work or finances or tangible items to support the Church and its operations. The Laity is the source of the Clergy.

The Nature of the Afterlife

No one can offer concrete proof of an afterlife. People may use logic and reason and stories of personal experience to convince themselves or others that there is an afterlife, but how could one offer anything concrete to prove beyond a reasonable doubt that there is an afterlife?

If life ends in nothingness, what would it be like? How can one visualize it? One could think of an overcast night at sea when there is only blackness in literally every direction, and one seems to be floating in a black void with no up or down or left or right and nothing visible to indicate the passage of time. However, there would still be one’s heartbeat and one could still taste and smell the salt air and feel the tropical heat or arctic cold on one’s skin.

The best visualization of nothingness would probably be to visualize existence not before one’s birth but before one’s conception. Then it would be logical to return to that void after death.

Some faiths tell of past lives while some people speak of recollections from past lives. While there can probably never be concrete evidence of past lives or of God, does that mean that past lives and God do not exist? Does lack of evidence mean something never existed? No, it just means that it cannot be proven to exist or to have existed. Sciences such as archaeology, paleontology, and paleoanthropology continue to uncover new evidence of the world’s prehistory that was previously considered to be myth or legend. At the same time, given the nebulous nature of human perception and recollection, simply because someone seems to recall a past experience does not mean that experience actually took place. Any criminal defense or prosecuting attorney, psychiatrist, or psychologist or other mental health professional should be able to speak to this.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.

H.P. Lovecraft, “Supernatural Horror in Literature”, 1927

Having one’s followers believe in an afterlife is a useful tool in keeping one’s followers in line with the organizational doctrine. This is the classic aforementioned “carrot and stick” method of convincing others to believe and do one’s bidding: if one does as the Church demands, after death one will spend eternity in a very pleasant place with friends and family. If one does not do as the Church requests, one will spend eternity in torment.

Do I believe in an afterlife? I hope there is an afterlife. To quote the poster behind Fox Mulder’s desk in The X-Files: “I want to believe”. The idea that life should end in nothingness is depressing and abhorrent. If one believes in souls and spirit, it is illogical that life should end in a void.

The Nature of the Bible

The Old Testament is a collection of manuscripts written over a period of roughly 1,200 years by (presumably) men who are lost to time. The authors of some manuscripts cannot be verified, while the authors of others are unknown, and the authors of others are only a name about whom literally nothing is known. Most of the manuscripts are known only second-hand, i.e. no original text exists and its contents are known only by being quoted in other manuscripts.

The New Testament is likewise a collection of manuscripts whose authors generally cannot be verified and which was written over a period of about 100-200 years. Also like the Old Testament, none of its texts are original but are known only through being quoted in other texts.

A history professor at almost any university would probably fail a student who used sources this dubious. A hypothetical conversation between the two might go something like this:

“Johnny, who is your source for saying Jesus was the product of Mary and the Holy Spirit?”

“Matthew, Professor Quisquam.”

“And who is Matthew?”

“I really don’t know. He was probably one of Jesus’s disciples. They say he knew Jesus personally.”

“Where did Matthew get his information?”

“They say he might have gotten it from Mark, but Jesus might have told him too.”

“And who is this Mark?”

“Well, uh…”

Does this mean that the Bible is useless as a spiritual guide? Not really. Scholars, clergy, and the Laity have gained valuable insight and life lessons from it for millennia. Parts of it are the bedrock for laws and nations worldwide. And while zealous devotion to the Bible has been the source of conflict from college debating teams to brutal crusades and oppressive regimes, much good has arisen from scholarly study of it ranging from anonymous personal acts of forgiveness and mercy to the founding of global charitable institutions, hospitals, and universities.

The Bible seldom states life lessons as explicitly as The Analects of Confucius or The Meditations of Marcus Aurelius. Most of its lessons must be learned through interpretation of its passages just as one would interpret a novel. And while there are traditional interpretations of probably every passage, sometimes they are interpreted in unusual or even bizarre ways that can lead to conflict with other Christians and particularly with non-Christians.

Of course, the mutability of the interpretation of the Bible also makes it easily susceptible to intentional or unintentional misinterpretation.

Another complex problem arises when one considers that at some point what texts should be included in the Bible had to be decided. Most, particularly in the Old Testament, are included probably out of tradition. In my humble opinion, the New Testament is more problematic.

There are some instances where Jesus gave straightforward spiritual guidance, particularly in the Sermon on the Mount or in Matthew 22: 37-40, when He said, ” Love the Lord your God with all your heart and with all your soul and with all your mind. This is the first and greatest commandment. And the second is like it: Love your neighbor as yourself.”

After that, much of what Jesus said was to tell people to not be afraid and that they should follow him, because He is the only way to God.

Some of the remaining teachings He gave concerned obeying the established authorities.

Jesus says about obedience:

“If you love Me, you will obey what I command.”

John 14:15

“Whoever has My commands and obeys them, he is the one who loves Me…”

John 14:21

“Jesus replied, ‘If anyone loves Me, he will obey My teaching.’”

John 14:23

“You are my friends if you do what I command you. “

John 15:14

“Remind them to be subject to rulers and authorities, to obey, to be ready for every good work, to speak evil of no one, to be peaceable, gentle, showing all humility to all men.”

Titus 3:1-2 NKJV

“Obey those who rule over you, and be submissive, for they watch out for your souls, as those who must give account. Let them do so with joy and not with grief, for that would be unprofitable for you.”

Hebrews 13:17 NKJV

These statements were made to people who probably had only a simple understanding of government, which was to either obey the authorities, the king, and the emperor or suffer the consequences, which would quite often be a slow, agonizing death.

Then there is Romans 13, verses 1-7, are quoted here from the New International Version of the New Testament:

Let everyone be subject to the governing authorities, for there is no authority except that which God has established. The authorities that exist have been established by God. Consequently, whoever rebels against the authority is rebelling against what God has instituted, and those who do so will bring judgment on themselves. For rulers hold no terror for those who do right, but for those who do wrong. Do you want to be free from fear of the one in authority? Then do what is right and you will be commended. For the one in authority is God’s servant for your good. But if you do wrong, be afraid, for rulers do not bear the sword for no reason. They are God’s servants, agents of wrath to bring punishment on the wrongdoer. Therefore, it is necessary to submit to the authorities, not only because of possible punishment but also as a matter of conscience. This is also why you pay taxes, for the authorities are God’s servants, who give their full time to governing. Give to everyone what you owe them: If you owe taxes, pay taxes; if revenue, then revenue; if respect, then respect; if honor, then honor.

This was written by Paul the apostle in 55-58 CE (formerly AD). According to Wikipedia, Nero was Emperor of Rome from 13 October 54 CE to 9 June 68 CE.

The path to life after death as described in the New Testament is essentially: a) The only way to life after death is through God b) the only way to God is through Jesus c) obeying Jesus will give someone eternal life d) disobedience will land one in Hell. This is the ultimate carrot-and-stick of persuasion: either do what I say and spend eternity in bliss or disobey me and spend eternity in Hell.

But once Jesus left this plane of existence, who was to tell the people what guidance was coming from Jesus? Only the lay leaders and the clergy could. That gave them an incredible amount of power.

Power tends to corrupt, and absolute power corrupts absolutely.

Lord Acton
The Nature of Good and Evil

“For there is nothing either good or bad, but thinking makes it so.”

William Shakespeare (Hamlet, Act II, Scene 2)

Is a gun good or evil? Place a pistol on a table and leave it there, without touching it. It performs no actions on its own, therefore it cannot be either good or evil. Use it to shoot someone, and it is evil–usually. What if you used it to shoot an assailant, thereby saving another person’s life. In the eyes of the person saved, that pistol was used for good. To the now (perhaps mortally) wounded assailant, that pistol was used for evil. If someone uses a rifle to shoot a deer to feed his/her family, that rifle is used for good. To the deer’s mate, that rifle was used for evil.

Irreconcilable Problems of Belief

The question I have trouble reconciling with my belief in God, is where was God when the Jews (who believe they are his “chosen people”) and millions of other non-Jews when the Nazis shipped them to concentration camps or murdered them en masse? Undoubtedly, many of all faiths prayed fervently to be freed when they were being used as slave labor. Likewise, where is God when innocent young women are tortured to death by a serial killer?

Why then do I continue to believe in God? I have no choice. That God exists is more than my perception. It seems to be an innate part of my being. At times, particularly when facing some incredible spectacle of the natural world, I can no more deny God’s existence than I can deny my own. At other times, some stroke of fortune, good or bad, seems to be more than a coincidence or simple luck; it seems to be of deliberate design. Perhaps when I view a scene that affects me spiritually, there is a certain combination of endorphins and related biochemicals released that create the feeling of a spiritual experience or it could be a genuine spiritual experience. All I can do is understand the moment as I perceive it.

“Ich kan nicht anderst, hie[r] stehe ich, Gott helff mir, Amen.”

I cannot do otherwise, here I stand, God help me, Amen.

Martin Luther before the Diet of Worms, 17 April 1521

One interesting catchphrase used repeatedly on the television show Lost was “do not mistake coincidence for fate.”

God is often used as the reason for things beyond our comprehension, for things that science has not yet found a way to explain.

I believe that science does not and can never know everything. If science knew everything, there would be nothing left to discover. Science is exploration of the unknown. It is egotistical for anyone to argue that science has uncovered all the answers to everything. This argument has probably made since at least the Enlightenment. Each generation since has probably believed that they are at the pinnacle of science and all knowledge, yet the next generation with its own advances and refutations of past beliefs, believes the same. Many in this year of 2025 undoubtedly believe humanity now knows everything and there is nothing more to learn, but people in 2125 will believe the same as will people in 2225, etc. ad infinitum. The same can be said for the people of 1425, 1525, 1625, and 1725. Science is constantly tearing down old concepts and building new ones. As recently as the 1940’s it was believed that it would be impossible to break the sound barrier. The first exoplanets were not confirmed until 1992.

But God is always just beyond the horizon of our knowledge.

Perhaps because I am a visually oriented person, perceiving God as an invisible spirit is difficult. I find it easier to understand things if I can visualize them. Because comprehending something may be easier if it can be visualized, might be the reason ancient peoples built idols and conceived of God as a person (or persons).

“God does not play dice with the universe.”

Albert Einstein

At this point, in the interest of time I shall end this rambling essay by saying that, as you can see, I try to take everything with a healthy dose of salt. For most of my spiritual beliefs, I cannot quote sources or cite passages from obscure texts. I base my beliefs on subjective experience and analysis rooted in a cold logic (as one friend described it). But this all seems right to me, which is all anyone could ask of themselves.

Understanding Flash Fiction to Novels: A Writer’s Guide — Slattery’s Tao of Writing, Part 7

If you have been reading my blog regularly, you know that I believe that a work should be as short as possible, because, like a bullet, the smaller it is, the more powerful it is.  I try not to have a preconceived notion of how long a story should be.  I try to just write the story, keeping it as short as possible, and let the story decide its own length.

To market my works I use duotrope.com, who uses the following categories of length, which often vary from publishers’ definitions of these same categories:

  • Flash fiction:  less than 1,000 words
  • Short Story:    1,000-7,500
  • Novelette:       7,500-15,000
  • Novella:           15,000-40,000
  • Novel:              Over 40,000

One of the first things I have learned is that there are no hard and fast definitions for each of the above categories, only generally-accepted guidelines that change over time.  My rule of thumb is that flash fiction is anything under 1,000 words;  short stories are generally 1,000 to 17,500-20,000; novellas are 17,500-20,000 words to 40,000; and anything over 40,000 is a novel.  

Now it seems that the Duotrope guidelines are reasonably accurate with the following exceptions:  short stories are still often considered to be works up to 10,000 words; novelettes are generally from about 10,000 to 17,500 or thereabouts; novellas from 17,500 to 40,000-50,000 or even higher; and novels beginning sometimes at 40,000-50,000 or even 70,000 or greater.

However, as several websites, authors, critics, and publishers point out, categories by length are often arbitrary guidelines produced by publishers.  From an artistic standpoint, what determines the category of a work is its length compared to the complexity of its plot.  

A short story of 2,000 words does not have space to explore character development, subplots, or multiple events.  A 2,000-word short story usually describes only a single event and may give some insight into the characters.  The even shorter category of flash fiction and its subcategories, such as smokelongs and microfiction, have no space for anything more complex than a good twist to its ending. Examples of some of the more famous short stories are:

  • “The Black Cat” by Edgar Allan Poe
  • “The Lottery” by Shirley Jackson
  • “The Lottery Ticket” by Anton Chekhov
  • “To Build a Fire” by Jack London
  • “A Rose for Emily” by William Faulkner
  • “Hills Like White Elephants” by Ernest Hemingway
  • “The Gift of the Magi” by O. Henry
  • “The Yellow Wallpaper” by Charlotte Perkins Gilman
  • “An Occurrence at Owl Creek Bridge” by Ambrose Bierce

A novelette can have some of the complexities of a novel, but usually deals with a single event, and it is briefer than a novella.  Maybe novella lite is a more appropriate term than novelette.  In my humble opinion, “novelette” is either just a little more complex form of a short story or it is just a term to boost the egos of those who write a bit more complex short stories but haven’t progressed to writing novellas.

A novella can have many of the complexities of a novel, but usually deals with a single event.  In the US, I think this is an underused classification, perhaps because novellas are less marketable in the US than the longer novels. That is a shame as some of the most famous and most powerful works in world literature are novellas. Here are a few examples:

  • Heart of Darkness by Joseph Conrad
  • The Stranger by Albert Camus
  • Breakfast at Tiffany’s by Truman Capote
  • The Old Man and the Sea by Ernest Hemingway
  •  The Metamorphosis by Franz Kafka
  • Animal Farm by George Orwell
  • Of Mice and Men by John Steinbeck
  • The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
  • A Christmas Carol by Charles Dickens

At the other end of the scale from the short story sits the novel, which can include all the aforementioned complexities of character development, subplots, and multiple events. Examples of famous novels are:

  • Anna Karenina by Leo Tolstoy
  • The Great Gatsby by F. Scott Fitzgerald
  • A Farewell to Arms by Ernest Hemingway
  • Madame Bovary by Gustave Flaubert
  • Don Quixote by Miguel de Cervantes
  • To Kill a Mockingbird by Harper Lee
  • One Hundred Years of Solitude by Gabriel Garcia Marquez
  • Moby Dick by Herman Melville
  • All Quiet on the Western Front by Erich Maria Remarque

Unfortunately, trying to categorize a work based on its relative complexity is a complex task in its own right, which is undoubtedly why the much simpler method of categorization by word count dominates the literary world.

So what does all this mean for the writer?

There must be a balance between length and complexity in a work if it is to be considered as serious writing by the literary world.   If a work is too complex for its length, it may be seen as muddled, confused, puzzling, or even unintelligible. If it is not sufficiently complex for its length, it may be seen as wordy, boring, and unnecessarily long.

The best a writer can do is to keep the work as short and powerful as possible, making the story only as complex as is necessary in order to bring out the intellectual and emotional nuances that will enable the reader to live the work vicariously.  If that is done, the length and category will take care of themselves.

How will the writer know when a work is of sufficient complexity compared to its length?

There can be no hard and fast rule or guidance on this. It is subjective, therefore the writer must have an innate “feel” for this balance. The best way to develop this feel is probably just to read as much as you possibly can of the acknowledged masters of each category. Yes, you could obtain a Ph.D. in World or English Literature, but to get that, you will still have to read a lot of novels, novellas, and short stories, but you will also have to listen to a series of professors teaching the accepted views on each, when you want to develop your own creative viewpoint. I am not saying that is without merit, because in order to think outside the box, you have to be familiar with the box, which is what any degree teaches. This, of course, begs the question of how essential a college or post-graduate degree is to write well. All I can say is to look up the biographies of those considered masters of the art and find out what degrees they had. Hemingway, Fitzgerald, Poe, Flaubert, Conrad, and many others had no academic degrees. Many, like Hemingway, had experience in journalism or just felt compelled to write since they were children. This is a fascinating subject and would be well worth your time to research.


AI generated image from Pixabay

Writing for Decision Makers: Key Strategies Unveiled

From 1989 to 1991 I worked at the Defense Intelligence Agency (DIA) in Washington, DC. Part of my duties included writing short briefing papers for high-level Pentagon and State Department officials. As part of my training, I took a DIA course called Writing for Decisionmakers. Its aim was to teach analysts to write short briefing papers for users who would be under daunting workloads and considerable time constraints. These papers were to be superficial treatments of complex topics, so that a diplomat, who had never been to a country, could read these on their first trip there and familiarize him/herself with the situation waiting. Topics could be anything from the biographies of officials he/she would meet to the operational status of an air force or air defense command or navy, etc.

The papers we had to write had to be no more than the front and back of a single sheet of paper with the more graphics (pie charts, maps, etc.) and the more white space the better. If I recall correctly, the text could be single-spaced.

This was the only true writing course I ever had and the lessons I garnered from it have lasted decades. For your enjoyment and edification, here are the lessons from it and from experience that have lingered for over thirty years.

The first lesson I learned about writing these papers, though from experience and not from this course in particular, was how to take my broad knowledge of a subject and boil it down to its essence, down to the critical bullet points that official would need. This I had to learn on my own through trial and error, but the paper format did help somewhat, because each paper had to begin with a two to three line executive summary, so that if the official had almost no time, he/she could read that summary, know the most important point(s) of the paper, and decide whether to read the rest.

Over the years, using my lessons learned from writing executive summaries plus lessons from other organizations and my experience giving numerous briefings and presentations, I found that the best way to write official documents and most non-fiction material (and for writing a speech) is to write it like a newspaper article: put the most important point as the first sentence in the text. Then the second most important point is the second sentence, the third most important point is the third sentence and so forth. Then if the reader reads nothing but that first sentence and is suddenly called away onto some emergency, they still know the most important point of your document.

The next lesson was to use short, declarative sentences in the present tense. This keeps the action flowing and lets the reader know exactly what is happening at the moment he/she is reading the document. It also lets the reader know exactly who is performing which action. For the purposes of writing fiction, this taught me that packing more action into a sentence keeps the story from being boring.

The third most important lesson I learned was to eschew the passive tense. Passive tense is used a lot in government organizations, because it simply states that an action has taken place but doesn’t have to say who performed that action. Therefore, it is useful for avoiding blame for some snafu or to avoid pointing out who is responsible (for example your supervisor, your colleague, or a combination of people) if you want them to avoid blame for something or if you want to ensure they receive the blame for something. That is cold to say, but it is the reality of bureaucratic Realpolitik.

Finally, one critical lesson was to use as few words as possible (which Strunk and White’s Elements of Style also advises). Do this by packing as much meaning into each word as possible by using words precisely and avoiding adverbs. Each word has a specific meaning. Find the word whose meaning reflects precisely the action you are describing. Why say “John walked slowly and lazily into the room”, when you can be more descriptive and more precise by saying “John sauntered into the room”? Using specific, meaning-charged words also packs power into whatever you are writing. Why would you say “Joe went to the store” when you can pack more meaning and action into the sentence by saying “Joe raced to the 7-11 in his ’78 Camaro”?

A good example of a sentence that would benefit from these lessons would be:

At this moment in time no changes in enemy operations have been observed by our local personnel.

That is a good example of what I think of as governmentese.

A little thought shows that:

“At this moment in time” = now. But you don’t need now, because the verb is present tense, which also equates to now.

Now change from passive voice to active and the result is:

Our local personnel have observed no changes in enemy operations.

Why not say: Our local personnel have not observed any changes in enemy operations. ?

The first example contains nine words. The second example contains eleven.

You may also notice a device I use which is technically correct and which helps understanding. I spelled out the numbers 9 and 11 versus using the numerals. Different style guides have varied guidance on this, but this is a good, general rule of thumb from Grammarly:

It is generally best to write out numbers from zero to one hundred in nontechnical writing. In scientific and technical writing, the prevailing style is to write out numbers under ten. While there are exceptions to these rules, your predominant concern should be expressing numbers consistently.

What I like about this is that if you have a single number, it prevents changing the entire meaning of not only a sentence, but of a paper, if you have a typo. Consider the sentence:

3 strikes and you’re out.

A typo changes it to: 5 strikes and you’re out. This is bad if you are writing the Official Baseball Rules, published by Major League Baseball. It is incredibly bad if the typo goes unnoticed and is published. But if you write out the number and have a typo, it may look like this:

Threy strikes and you’re out.

Even if you are not familiar with baseball, you know what the author intended the number to be. If it manages to go to print, you look like an idiot, but everyone who reads it knows what you meant.

My personal preference is to go with writing out numbers under a hundred whenever I can and ones over a hundred if they are important. Of course, I use numerals when it is practical to do so.

Someone I knew who used to be a bank teller told me that banks never look at the numbers of an amount on a check. They always go by what is spelled out on the line below. This is wise. Likewise, I write out any critical number in any document just to be certain that I cannot be misunderstood, or that the meaning of the entire document cannot be changed by a typo.

Another example: suppose you gave an organization a promise to pay them $1,000, but a typo changed it to $3,000. It would have been better just to write out one-thousand dollars. Also, it is harder for someone to deliberately cheat you out of more than you owe.

These are just a few thoughts on my philosophy of writing and how it has developed over the years. Stay tuned. More are coming.

I hope these few pointers help in your writing experience.


Image generated by AI.

Rohwer Relocation Center: A Hidden History

Full resolution photos of the current Rohwer Relocation Center National Historic Landmark were taken by Phil Slattery at Rohwer on July 5, 2020, and are downloadable from Wikimedia Commons. If that link doesn’t work, search in Wikimedia Commons for “rohwer relocation center slattery”.


For several months, a lot of people were visiting my article on returning to Rohwer War Relocation Camp. I am not complaining. I am simply mystified that there is so much interest in it, much more than my other articles. I do not know if it is something I said about the camp itself or about the photography set-up for a YouTube video or what. I am sincerely grateful that one article of mine is getting so much attention for whatever reason. I am glad to have supplied something that apparently benefits so many people.

Today, I want to set down some thoughts on the Rohwer camp.

The township of Rohwer is very small. Very little information is available on it. Arkansas Tourism has a brief but enjoyable article on it, but Densho has an extensive article with an incredible amount of information on the camp.

Having originally been there in July 2020, my first impression of the location is that it was hot, empty, and lonely. The camp sat in the center of what are now hundreds of acres of cotton fields with trees along their distant perimeters. During the time of the Relocation Camp, it was quite different, but the overall condition remains much the same today with hot, muggy summers filled with mosquitoes and other insects.

The land and climate of the two Arkansas camps were fundamentally different from the barren, desert-like settings of the other WRA sites, in that it had dense vegetation, boggy soil, and was surrounded by trees, some of which extended into the inmate sections of the camp. The weather was hot and sticky in the summer and mosquitoes swarmed. Calling the area “low and badly drained and … typical malaria country,” a Malaria Control Program had to be started in the spring of 1943 that resulted in the spraying of breeding areas inside and outside the camp. Winter and spring rains (and occasional snow) brought slippery conditions and sticky mud. A 1990 Rohwer Reunion Booklet recalled how the “soil of the area turned to dust in the summer and into a gooey stick muddy mess during the winter.” In a 2011 interview, Takeshi Nakayama recalled mud that “was almost like quicksand” in which one of his brothers “got stuck and he couldn’t get out.” In reaction to the mud, wooden walkways were built, which addressed the mud, but exacerbated the slipperiness. Yoshie Ogata wrote in her diary in December 1942, “[t]he wood slate for walks are very dangerous—slippery when wet.” A diarist writing in January 1944 noted that “today was by far the most slippery on record” and reported seeing women “crossing narrow bridges on hands and knees” while others “tied pieces of rope or sacks around their shoes as ‘skid chains,’ and many women wore socks over their shoes.” [2]

Densho.org

The camp was modified to interface with the environment to some extent.

While the general layout of Rohwer was similar to most other WRA camps, the unique conditions at the Arkansas camps led to some interesting aspects of the physical setting. While most of Rohwer had been cleared of trees and other vegetation, nine or ten blocks in the southwest portion of the camp were built on a forested area and thus included numerous shade trees, something not found at the non-Arkansas WRA camps. The swampy conditions also required that special attention be paid to drainage. Thus, drainage ditches ran between barracks and along the roads that separated each block. These ditches drained to the southwest corner of the camp, where they extended 1½ miles to empty into Coon Bayou. Waste water from the camp sewage system also drained there. Being the lower end of the camp, the forested southwest corner of the camp was also prone to flooding. Sandbags were deployed to keep the entrances to the mess hall and latrine buildings from flooding. Other unique environmental hazards included numerous flies and mosquitoes, as well as biting insects known as “chiggers” that bored into the skin. The camp’s water supply was also contaminated into the spring of 1943; inmates had to boil water before drinking it. [5]

Densho.org

According to the Densho article, inmates had some degree of freedom, being allowed to have jobs outside the camp and to go shopping in nearby McGehee. However, there were some restrictions as Arkansas law prohibited them from working in the local agricultural industry (nonetheless, some inmates did find agricultural work–albeit illegally). Inmates were also granted honorary “white status” and were prohibited from interacting with the local African-Americans, which made up most of the local population. Buses that took the inmates to McGehee could take them only to places owned or operated by white people.

Could internment in southern Arkansas have actually prevented someone from spying for Japan? Definitely-if any of the occupants were spies. For one thing, it would have been easy for camp authorities to monitor inmate activities. Plus, there were no real opportunities for espionage in the vicinity of Rohwer. Even the closest military installations were at least a couple of hours by car from Rohwer and someone of Asian descent would readily stand out among the vastly predominant Caucasians and African-Americans who inhabited southern Arkansas at the time. Rohwer’s remoteness protected the military installations in the area, much as Alcatraz’s remoteness protected the nation from its inmates.

According to The Encyclopedia of Arkansas, there were six ordnance plants in Arkansas. The two closest to Rohwer were at Camden and Pine Bluff. Other relatively nearby military installations included: an Army Airfield at Stuttgart (now Stuttgart Municipal Airport), Grider Field in Pine Bluff (a training facility now used at Pine Bluff Regional Airport), and Camp Magnolia (a work camp for religious conscientious objectors who performed manual labor as had the Civilian Conservation Corps of earlier years and who participated in government controlled medical experiments involving disease and malnutrition)

Most of the facilities anywhere near Rohwer were training facilities of probably little intelligence value to the Japanese, except for one: the Pine Bluff Arsenal.

The Pine Bluff Arsenal was established on November 2, 1941, for the manufacture of incendiary grenades and bombs. 5,000 acres, purchased from local physician James W. John, Sr, served as the foundation for the site. It was originally named the Chemical Warfare Arsenal but was renamed four months later.[2] The mission expanded to include production and storage of pyrotechnic, riot control, and chemical-filled munitions. At the height of World War II, the plant expanded from making magnesium and thermite incendiary munitions to a chemical warfare manufacturing facility as well, producing lethal gases and chemical compounds installed in artillery shells and specifically designed bombs.[3]

From the Wikipedia entry on the Pine Bluff Arsenal

Per Google Earth, along today’s highways, the distance from Rohwer to White Hall (where the Pine Bluff arsenal is located) is about 72 miles. That’s easy to travel with today’s vehicles on today’s roads, but in the 1940’s, before there were freeways and most roads, if not dirt, would have probably been two-lane at best, it would have been a different matter.

But then, most of the inhabitants of Rohwer would have come from the west coast or other places outside Arkansas. Rohwer wasn’t established with the intent of protecting military facilities in Arkansas but in strategically valuable places like San Francisco or San Diego. Protecting military bases in Arkansas would have been a secondary aim, at best.

One question that I have not seen posed elsewhere is whether it was possible that some of the Rohwer inhabitants were actual spies? It is possible.

Wikipedia provides a list of Japanese spies during the Second World War. In it are noted the following intelligence organizations that operated in the US:

Since the 1920s, the intelligence services also used Doho or dokuku jin – (nikkei) cultural groups in the Pacific War as alternative secret agents. These were Japanese citizens with foreign nationality, with loyalty to the emperor and Japan; they lived around the world.

  • The Black Dragon Society, the Kaigun Kyokai (Navy League), or the Hoirusha Kai (Military Service Man’s League), and other similar societies. These Japanese secret groups were well known to the US Naval Intelligence Service and the Federal Bureau of Investigation for the subversive actions in the United States among some elements of Doho communities.
  • Other overseas Japanese agents of Black Dragon Society were the so-called “soshi” (Brave Knights). At the same time, referring to superior commander as the “Darkside Emperor” mentioned agents since the 1940s, operating worldwide, as far away as North America, South America, and Morocco. They formed covert ties with the Nazis.

However, spies can be expected to be a miniscule part of any populace. Do the odds of having a spy in a city justify rounding up everyone of a race, disrupting the innocents’ lives, and shipping them off to internment camps losing almost everything they have in the process?

We will never know. We don’t know what information one person might have collected. It might have been something of critical importance. Spies, even of those pre-satellite times, operate in different ways.

Some are given intelligence collection training and covertly inserted into a nation where they observe ports and bases and radio back to their agencies what they have seen or rumors that they have heard. Germany did this often in England and the US during the Second World War. One of the Rohwer inhabitants could have likewise been inserted into the US. Relocation to remote Arkansas could have interrupted such an operation.

Another way spies can collect information is not by observing it themselves, but by buying information from traitors in the country. It is not impossible that one of the Rohwer inhabitants might have operated in this fashion. Just as with spies who observe bases directly, relocation to Arkansas would have negated such an operation.

Another way spies can operate is by relaying information from an agent who collected it to the home agency. Again, relocation would have interrupted this type of operation.

We will never know the effect the relocation program had on Japanese intelligence collection operations.

However, I agree with what is probably the prevalent public opinion about the Rohwer, or any Japanese-American internment camp in the US, which is that it was an ugly chapter in American history, especially in the history of civil rights. The lives of thousands of innocents were needlessly ruined for the actions of a few and probably for the most part for what is termed today “optics”, known then simply as “appearances”, that the government was doing something to secure the nation against Japanese aggression.

Obviously, I do not know what opinions are held in private today. I feel certain that a few opinions might be in favor of such camps and probably a very few would like to have them for various races even today and very likely for immigrants (documented or not) from Central and South America.

The bottom line for any ugly issue is always the same: what can be done to rectify it or to prevent it from happening? I don’t know if anything has been done to compensate the Japanese-Americans who were interned at Rohwer or anywhere else in the US. I have yet to research that. But the bigger question in my mind is whether anything can be done to prevent it from happening again?

There are laws prohibiting this type of governmental action now. However, legislators can change laws on whatever they agree upon based upon the prevailing public opinion that elected them. If the prevailing public opinion is that a certain race should be interned, if enough legislators agree, that race will be interned though the arguments for it may be disingenuous or spurious. The critical element of such a situation is not that a government allowed it to happen, but that a section of humanity allowed it to happen. Rohwer Relocation Center is just another cold-blooded example of “man’s inhumanity to man”.

Can anything be done about humanity’s innate cruelty to those of its own species? I sincerely doubt it. Even if the nature of people allowed everyone to think reasonably as a mass, just as they can now be angry in great masses, people often need to control other people. This is not just a psychological quirk of humanity. Sometimes one segment of people needs to control another in a broad variety of ways out of the basic survival instinct or face extinction themselves.

Ostensibly, it seems these people were interned here out of that basic survival instinct. No one could be certain that any of these people were not spying for the new enemy of Japan. However, why weren’t people of German or Italian heritage interned? They had been enemies longer than the Japanese. Perhaps because it was easier to spot someone of Japanese descent in public than it was to spot someone of German or Italian descent. In those cases, it wouldn’t have been as easy for the government could make it appear as if they were doing something to root out spies and saboteurs.

Perhaps you have read about the scrap metal drives of the time. The government asked people to contribute their scrap pots and pans and other metal objects to scrap metal drives. The pots and pans would then be melted down and turned into bullets and other useful tools of war. Unfortunately, the technology to do that did not exist at the time. The pots and pans were simply hauled off to the nearest dump in secret. However, the drive’s value to the government was that it boosted national morale by making people feel as if they were contributing to the war effort. The benefit of Japanese-American internment camps to the government was probably along the same lines. It had no practical effect on the war, but it gave the public a good feeling that something was being done to root out potential saboteurs. No one would notice if someone of German descent was removed from the streets, but they would notice if someone of a different race was being hauled off.


Slattery’s Tao of Writing, Part 2: the Allegory of the Stream

Thalia Muse of Comedy and Bucolic Poetry Illustration by Arash
Thalia
Muse of Comedy and Bucolic Poetry
Illustration by Arash

 

This is a reprint of a previous post from several years ago.

Once in a while, I come across some gem of the writer’s art that almost strikes me breathless with its beauty.  The poems of John Donne are one example.  The poignant first chapter of A Farewell to Arms is another.   Recently, I began reading Ray Bradbury’s The Martian Chronicles  and every time I pick it up, I am nearly struck breathless with his simple, understated eloquence that touches one’s very core.   Today I read a post at winebbler.wordpress.com and her simple, fun voice and flowing, relaxed style combined with playful use of the English language made for very entertaining and enjoyable reading beneath which I thought I could sense an undercurrent of growing artistic beauty.

That article made me start to think about what makes a work of writing aesthetically beautiful.  After some thought, I reached the conclusion that every work of literary beauty has the same qualities as a powerful but smoothly flowing mountain stream:  clarity, power, and an uninterrupted flow.  But unlike a stream, a work of literary beauty must also be reasonably brief.

In every literary work I consider beautiful,  the first universal characteristic that comes to mind is that the author uses a simple voice comprising simple, everyday words that anyone can understand.  Writing is communication.  Communication is one person disseminating ideas to others by using words, which are collections of sounds representing ideas.  By using simple words everyone understands easily, the writer makes his ideas easier to disseminate.  Why use a word that few can understand, when you can use a simpler word with the same meaning that everyone can understand?  Therefore, our stream must be crystal clear and free of mud or anything that would hinder insight and perception.

If ideas equate to the water in our allegorical mountain stream, the precision of the component ideas, the words, give the stream its force.  As I mentioned in my post “Slattery’s Tao of Writing, Part I”, words chosen for their precise meanings have power.   As I said earlier in this article, words are ideas.  Precise words are precise ideas.   Precise ideas are powerful ideas, powerful emotionally and intellectually.  Like all other forces in the universe, powerful ideas become more powerful if combined and organized with one idea leading logically, flowingly to the next.  This facilitates understanding and the reading experience.

When my stream of thought is uninterrupted and powerful, I become immersed in the work.  I can be swept away and can lose track of time and of everything happening around me.   To my mind, every writer should aspire to instill this experience into his readers.  When this happens, the writer has made an emotional and intellectual connection with his reader and the reader is grasping the writer’s ideas.

If organization is lacking, ideas are scattered like boulders in the stream and on the banks, creating rapids and breaking up the smooth flow. A powerful, disorganized stream is a torrent, destructive of everything along its banks, stiking out at random, benefiting no one.  In communication, disorganization is the source of misunderstanding, the antithesis of understanding.  The stream becomes destructive. 

If a writer uses words his readers do not understand and they have to turn to a dictionary to find out what the writer intends, the clarity of the ideas is lost and the reading experience is muddied.  Furthermore, the reading experience flows even less smoothly.   Even if the reader can reason out the meanings of the words from the context, the stream of thought is still disrupted and muddied, even if to a lesser degree.  The words will also lose much of their power, because the reader cannot appreciate the nuances of what he or she does not fully understand.

Lastly, every beautiful work has been reasonably brief.  Reading anything exasperatingly long becomes tiresome for everyone.   When readers become weary (word-weary so to speak), they can lose focus on what the writer is trying to communicate.  This detracts from the reading experience just as if someone who enjoys swimming in a mountain stream can no longer enjoy their swim if they become overly fatigued with exertion.

That said, I will now close tonight’s blog before I wear you out with my ramblings.

Thoughts?  Comments?

RFM’s Rising Popularity Among Sri Lankan Readers

RFM has had a significant uptick in the number of views it has been receiving from Sri Lanka. I don’t know what is driving this, but I appreciate it very much and I hope that our Sri Lankan readers find and enjoy whatever they are seeking in RFM.

RFM has had a significant uptick in the number of views it has been receiving from Sri Lanka. I don’t know what is driving this, but I appreciate it very much and I hope that our Sri Lankan readers find and enjoy whatever they are seeking in RFM.

If you are not familiar with Sri Lankan literature, here is a link to the Wikipedia page on Sri Lankan literature. Also, here is a link to the list of popular Sri Lankan Literature books on Goodreads.

I was surprised to find out that Michael Ondaatje is a Sri Lankan-Canadian author. Perhaps his best known work, The English Patient, came out in 1992 and was made into a popular movie in 1996. I have read the book and have seen the movie. I found both fascinating and the movie helped my visualization of the book immensely. However, the ending of the film varies from that of the book, which I thought was a great ending, but I can see how capturing it on film in 1996 might have been difficult.

I thought the book was beautifully written and I recommend it highly to anyone who enjoys good literature that transcends genres. It is poignant and intricately woven. Ralph Fiennes stars as Almasy, the lead actor and Kristin Scott Thomas as Katherine Clifton, his love interest. Wikipedia sums up the film thus:

The eponymous protagonist [Almasy], a man burned beyond recognition who speaks with an English accent, recalls his history in a series of flashbacks, revealing to the audience his true identity and the love affair in which he was involved before the war. The film ends with a definitive onscreen statement that it is a highly fictionalized account of László Almásy (died 1951) and other historical figures and events. The film received widespread critical acclaim and emerged as a major commercial success at the box-office.

I recommend highly that you read the novel and watch the film in that order.

–Phil Slattery, Publisher, RFM


Image generated by AI. Please let me know if this does not capture Sri Lankan culture accurately.

RFM Call for Submissions: Stories Set in Coffee and Tea Farming Regions Around the World

Rural Fiction Magazine is (RFM) seeking short fiction and poetry that involve coffee and tea farming or are set in coffee and tea farming areas…

Rural Fiction Magazine is (RFM) seeking short fiction and poetry that involve coffee and tea farming or are set in coffee and tea farming areas. Please see RFM’s Submissions page for details on how to submit stories and poetry for publication. Of course, as always, there is no pay for any stories or poems except exposure to the English-speaking, especially American and British, markets.

RFM believes strongly that all stories are ultimately about people and that genre is secondary. Likewise any story submitted that involves coffee and tea farming should be primarily about people and human interaction and not about production methods or strategies or any technical aspect of coffee and tea farming.

These stories may be of any genre but the mainstream and literary genres stand a better chance of being accepted than experimental stories.

These stories may also be from any nation but stories from coffee and tea producing nations will be especially appreciated.

If you have questions or would like to query RFM about a possible submission, contact RFM through the Contact page or via ruralfictionmagazine@gmail.com.


Image generated by AI

Slattery’s Tao of Writing, Part 1

Several years ago, I wrote a seven-part series on my own Tao of the art of writing and published it on my then nascent version of this website. Over the next several days I will be republishing it. I will probably end up adding at least a part 8. In addition, I intend to convert this series into a series of YouTube videos, once I work out some production details, to play on the website’s YouTube channel. Please let me know what you think of this series and how I can improve it for YouTube. 

A quick Google search reveals there are a lot of web articles entitled “The Tao of Writing”.   This is mine.  Let me begin by explaining what I perceive to be the Tao (others may view it differently and have equally valid perceptions).

The Chinese character above translates as Tao, the way, and is pronounced as “dow”, as in “The Dow-Jones Industrial Average”.  Taoism is an ancient Chinese religion rooted in the teachings of the legenday Chinese philosopher Lao Tzu (sometimes transliterated as “Lao Tze” or in a number of other ways) as expressed in his book, the Tao Teh Ching (The Book of the Way).   The Taoist religion, as I understand it, is far removed from Lao Tzu’s original philosophy, because the religion incorporates demons, gods, demigods, spirits, and other things that are not mentioned in the Tao Teh Ching or in the teachings of the original masters such as Lao Tzu, Chuang Tzu, or the Huainan Masters (at least in the translations I have read).

What the Tao is, is hard to express.  “The Way”, as I understand it, refers to the the way of the universe, basically how the universe works in a general sense.  In the American vernacular, we would probably express it as “the way things are”.    Some reader might respond to that as, “Sure.  I understand.  You’re saying the Tao is why toast always falls buttered side down.  Gotcha.”

No, I am talking about something a bit more profound.  It’s more like this:

You work hard at trying to find a publisher for a story and are consistently rejected by what you perceived to be all the most suitable choices.  So, one night when you are battling insomnia and have just started the first glass of your second bottle of wine, out of frustration you send it off as a shot in the dark to some big name magazine who will never accept it, and lo and behold it is accepted.  So, sometimes it seems that you work your butt off for something and get nowhere, but you give up trying and you succeed.  Basically, the Tao is then like learning the way the universe works, then learning to succeed by adapting to that way.  Confused yet?  Have I oversimplified my point or have I made it overly complex?

Understanding how the Tao works is not something anyone can express in words;  it is something one can understand only subjectively,  i.e., one must have a feel for it.  In fact, the first sentence of the Tao Teh Ching is “The Way that can be spoken is not the true Way.”  For most people, reading the Tao Teh Ching will probably be an exercise in confusion and frustration and contradiction.  In the Tao Teh Ching, nothing is exact; everything is metaphor and allusion, about how water flows into a valley and then the sea, how wood is shaped, the balance of the universe, and so on.

To complicate matters even more, because the Tao Teh Ching was written in Chinese about 2,500 years ago, and the translation of the original Chinese characters may have changed significantly since then, translation of the Tao Teh Ching into modern languages is frustratingly imprecise, often relying on traditional or customary translations as opposed to knowing exactly what Lao Tzu was saying.  For today’s modern, exact, Socratic-tradition-based society, this is maddening.  Our scholars argue about the meanings of works written in modern English, how are they going to agree on something as nebulous as the Tao Teh Ching?

So, what are the important ponts of the Tao that everyone should remember?

As I perceive the Tao, one critical aspect of existence is balance;  the universe consists of opposites that must balance out or problems arise.  At the same time, all existence arises from the conflict of opposites.  An example of this is the old Zen Buddhist rhetorical question of “what is the sound of one hand clapping?”  I do not know the official or traditional answer to this, but from my Taoist perception, the answer is that there is no sound.   The sound of  clapping is produced only when the opposing forces of the hands meet.  Thus it is with everything in the universe.  Two opposites have to come together to produce anything:  light and dark, man and woman, left and right, up and down,  hot and cold, etc.

Another critical aspect of existence is that emptiness can be as important as substance and non-action can be as important as action.  There are other aspects, of course, but I will stick to these for now and address those at a later date.

Take a look at your hand for an example of the first principle.  If there were no spaces between your fingers, you would not have a hand, you would have something else, maybe a flipper.    Likewise, a sculptor can create a sculpture only by cutting away pieces of material so that the now-empty spaces create a form.  So a sculpture, or any object for that matter, comprises both substance and emptiness.

For an example of the non-action versus action principle, think about problems you faced in the past.  Could you have solved any of them by simply doing nothing?  Not every problem can be solved by doing nothing, but some can.

These principles are symbolized by what is know in our society as the Yin-Yang as shown here:

yinYang

In the yin-yang, as I perceive it, the eternal circle of the universe is formed by the interaction of opposites, here symbolized by light and dark, but while they are opposites, a little of each exists in the other.

For a very short book, the Tao Teh Ching is filled with incredible depth and meaning.  For me, in the few translations I have read, the Tao makes perfect sense, and I understand the world a little better each time I read it.    However, others may read it and just be confused or frustrated.   The Tao Teh Ching is something that will either speak to you personally and enlighten your world, or it will not.

But what has all this to do with writing?

I see the Tao at work whenever I write anything.  I see it in what I consider to be some of the basic principles of writing: less is more, what is not said is often more important than what is said, and so forth.  For me, this makes writing almost a form of magic, not in the sense of illusion, but true magic where one creates something  out of nothing by using as few components as possible, by making something complex by keeping everything as simple as possible.

I will give one example and then I will close this article for the day and pick it up when I can sometime in the hopefully near future.

One of the first principles of writing I learned was to use as few words as possible.  Strunk and White, in The Elements of Style, say to “Omit unnecessary words”, which in itself is a perfect example of omitting unnecessary words.  How much more concise can that one sentence be?  It contains absolutely no unnecessary words.  If one word is omitted, the sentence ceases to have meaning.   The virtue of this is that, if done properly, the work becomes much more powerful because each word carries more weight.

To do this, a writer needs to use words precisely.  Try to find a word that captures the exact meaning of the idea you are trying to express–and the shorter the word the better.  After all, you are trying to communicate an idea to the largest possible audience.  Why use big words that will send readers scurrying to the nearest dictionary, thus interrupting their chain of thought and perhaps tainting their reading experience, when you can use words that everyone understands and keep their experience free from interruptions?

An example of using words precisely would be revising the sentence “A man went quickly to the store.”

Now, shorten it by replacing “went quickly” with “ran”.  While you are at it, replace the other general terms with more precise ones.   The sentence becomes “John ran to Walmart.” Now, if you have had any background information on John, you know who he is, what he is like, his possible motivations, and that he is in a hurry for some reason to get something from Walmart, knowing the kind of products Walmart has, you may have an idea of why he is going there.   If we changed the sentence to “John ran to the Red Dot Liquor Store” we have an even better idea of his motivation.   If we said, “John sped to Red Dot Liquors in his brand-new corvette”, we know even more about John:  we know he can afford a brand-new corvette.   If you have ever been in Red Dot Liquors, you know something of the products they carry and that may say something to you about John’s decision to purchase them.

So, how much more excitement and power does the sentence “John sped to Red Dot Liquors in his brand-new corvette” have versus “a man went quickly to the store”.   The final version packs a lot more information in almost the same space.

So that is part of the magic of writing for me:  using as few words as possible to create a work.  On the surface, it seem to go against logic.  How can you build something by using as few components as possible and deleting the ones you do have whenever possible?

Try an experiment, take the first page of any run of the mill romance novel and draw a line through every word you consider unnecessary while keeping the meaning of the sentence.   Then take your final product and do it again.  Do it a third time if you like.  How much were you able to reduce without changing its meaning?

Now take the first page of a novel by Hemingway, someone known for his lean, muscular writing.  How far were you able to reduce it before changing the meaning?

Someone once said, “draw a line through every third word and you will be surprised at how much it improves your writing.”  I have tried that and it works wonderfully.  Of course, you can’t arbitrarily omit every third word, or the work may become nonsense, but it does cause one to question whether that word is necessary.

I have always marveled at the idea that one can write something by omitting words. It goes against my standard, American, public school education, where teachers give a mininum number of words to an assignment and one is forced to insert as many words as possible just to meet the requirement. But can you blame them? If you told the average American high school student to tell what he did over the summer in as few words as possible, he would say, “I had fun” or “I worked.” Good luck teaching him to write.

Anyway, I am rambling once again.  I will close for now and pick this up at some later date.

Thoughts?  Comments?

A Tale of Hell Now Available at Your Local Bookstore by Print on Demand.

As of October 23, 2020, A Tale of Hell and Other Works of Horror is being printed and distributed by IngramSpark. With their immense distribution network of over 39,000 retailers, A Tale of Hell and Other Works of Horror is now available by print on demand. Be sure to ask for it at your local book retailer. It will continue to be sold via Amazon in Kindle and in print (though the IngramSpark version will be much nicer).

In this collection of published and previously unpublished stories of horror, I take you on a journey into the minds of people who perpetrate horrors, from acts of stupidity with unintended results to cold-hearted revenge to pure enjoyment to complete indifference. Settings range from 17th-century France in the heart of the werewolf trials to the Old West to the present and on to alien worlds in the distant future. Order yours today!

Dark but interesting thoughts

I was watching the video above earlier because I love the native American flute and this is a particularly beautiful visual.

But then my darker nature took over and I thought “what if the bear suddenly bit off the girl’s head?”

Then my dark humor took over and I thought “what if the girl suddenly bit off the bear’s head?”

Then the literary side of my nature stepped up and noted, “if the bear bites off the girl’s head, then that’s either drama, adventure, or horror. But if the girl bites off the bear’s head that is either exceptional horror, supernatural horror, or fantasy.”

These are my musings after very little sleep over the past few days and very little coffee so far today (as of 7:52 a.m.).

Thoughts like this are not just why I write, but why I need to write.

Update December 16, 2024: RFM on YouTube

Yesterday, I took a YouTube channel I experimented with years ago, which went nowhere, and changed it into a YouTube channel for Rural Fiction Magazine. I have only one of my older videos for it now, but I have altered the playlists considerably into ones that should interest RFM readers. I hope to add more videos soon. I am considering using this channel for interviews primarily and other topics as I dream them up.

Stay tuned for further updates.