The Clown Oroborus by Alex S. Johnson Reginald Snubb was a man in his late forties, bald except for two cottony puffs of hair that simply resisted the barber’s scissors–sheered, they wo…
Tag: writing
The Dim, Dark-Toned Room
The Shell of Sense by Olivia Howard Dunbar (1940s) Tuesday’s Tale of Terror April 26, 2016 If you’ve ever mused about what it’s like to be newly dead, here is a story about two sisters, …
Source: The Dim, Dark-Toned Room
New Flash Fiction by Alyson Faye: “Mother Love”
Edward suspects his Mama is mad. Every afternoon they withdraw to the parlour overlooking the garden—Edward shoulder to shoulder with the pianoforte—as they jostle next to chairs arrayed for guests. No one presents calling cards at our door anymore. Papa has left for the City ‘on business.’ The servants, departed.
Mama sits, gazing at my baby brother, Ernest. “Do you think he looks a little pallid today?”
I nod sagely, “Yes, Mama. A little.”
Mama reaches over with her rouge to rub more colour into Ernest’s flaccid cheeks.
The vicar is still striving to give him a Christian burial.
The Saturday Night Special: “The Street of the Four Winds” by Robert W. Chambers (1895)
| “Ferme tes yeux à demi, |
| Croise tes bras sur ton sein, |
| Et de ton cœur endormi |
| Chasse à jamais tout dessein.” |
| “Je chante la nature, |
| Les étoiles du soir, les larmes du matin, |
| Les couchers de soleil à l’horizon lointain, |
| Le ciel qui parle au cœur d’existence future!” |
I
The animal paused on the threshold, interrogative alert, ready for flight if necessary. Severn laid down his palette, and held out a hand of welcome. The cat remained motionless, her yellow eyes fastened upon Severn.
“Puss,” he said, in his low, pleasant voice, “come in.”
The tip of her thin tail twitched uncertainly.
“Come in,” he said again.
Apparently she found his voice reassuring, for she slowly settled upon all fours, her eyes still fastened upon him, her tail tucked under her gaunt flanks.
He rose from his easel smiling. She eyed him quietly, and when he walked toward her she watched him bend above her without a wince; her eyes followed his hand until it touched her head. Then she uttered a ragged mew.
It had long been Severn’s custom to converse with animals, probably because he lived so much alone; and now he said, “What’s the matter, puss?”
Her timid eyes sought his.
“I understand,” he said gently, “you shall have it at once.”
Then moving quietly about he busied himself with the duties of a host, rinsed a saucer, filled it with the rest of the milk from the bottle on the window-sill, and kneeling down, crumbled a roll into the hollow of his hand.
The creature rose and crept toward the saucer.
With the handle of a palette-knife he stirred the crumbs and milk together and stepped back as she thrust her nose into the mess. He watched her in silence. From time to time the saucer clinked upon the tiled floor as she reached for a morsel on the rim; and at last the bread was all gone, and her purple tongue travelled over every unlicked spot until the saucer shone like polished marble. Then she sat up, and coolly turning her back to him, began her ablutions.
“Keep it up,” said Severn, much interested, “you need it.”
She flattened one ear, but neither turned nor interrupted her toilet. As the grime was slowly removed Severn observed that nature had intended her for a white cat. Her fur had disappeared in patches, from disease or the chances of war, her tail was bony and her spine sharp. But what charms she had were becoming apparent under vigorous licking, and he waited until she had finished before re-opening the conversation. When at last she closed her eyes and folded her forepaws under her breast, he began again very gently: “Puss, tell me your troubles.”
At the sound of his voice she broke into a harsh rumbling which he recognized as an attempt to purr. He bent over to rub her cheek and she mewed again, an amiable inquiring little mew, to which he replied, “Certainly, you are greatly improved, and when you recover your plumage you will be a gorgeous bird.” Much flattered, she stood up and marched around and around his legs, pushing her head between them and making pleased remarks, to which he responded with grave politeness.
“Now, what sent you here,” he said—”here into the Street of the Four Winds, and up five flights to the very door where you would be welcome? What was it that prevented your meditated flight when I turned from my canvas to encounter your yellow eyes? Are you a Latin Quarter cat as I am a Latin Quarter man? And why do you wear a rose-coloured flowered garter buckled about your neck?” The cat had climbed into his lap, and now sat purring as he passed his hand over her thin coat.

1903
“Excuse me,” he continued in lazy soothing tones, harmonizing with her purring, “if I seem indelicate, but I cannot help musing on this rose-coloured garter, flowered so quaintly and fastened with a silver clasp. For the clasp is silver; I can see the mint mark on the edge, as is prescribed by the law of the French Republic. Now, why is this garter woven of rose silk and delicately embroidered,—why is this silken garter with its silver clasp about your famished throat? Am I indiscreet when I inquire if its owner is your owner? Is she some aged dame living in memory of youthful vanities, fond, doting on you, decorating you with her intimate personal attire? The circumference of the garter would suggest this, for your neck is thin, and the garter fits you. But then again I notice—I notice most things—that the garter is capable of being much enlarged. These small silver-rimmed eyelets, of which I count five, are proof of that. And now I observe that the fifth eyelet is worn out, as though the tongue of the clasp were accustomed to lie there. That seems to argue a well-rounded form.”
The cat curled her toes in contentment. The street was very still outside.
He murmured on: “Why should your mistress decorate you with an article most necessary to her at all times? Anyway, at most times. How did she come to slip this bit of silk and silver about your neck? Was it the caprice of a moment,—when you, before you had lost your pristine plumpness, marched singing into her bedroom to bid her good-morning? Of course, and she sat up among the pillows, her coiled hair tumbling to her shoulders, as you sprang upon the bed purring: ‘Good-day, my lady.’ Oh, it is very easy to understand,” he yawned, resting his head on the back of the chair. The cat still purred, tightening and relaxing her padded claws over his knee.
“Shall I tell you all about her, cat? She is very beautiful—your mistress,” he murmured drowsily, “and her hair is heavy as burnished gold. I could paint her,—not on canvas—for I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need be found. For her eyes, I must have azure from skies untroubled by a cloud—the skies of dreamland. For her lips, roses from the palaces of slumberland, and for her brow, snow-drifts from mountains which tower in fantastic pinnacles to the moons;—oh, much higher than our moon here,—the crystal moons of dreamland. She is—very—beautiful, your mistress.”
The words died on his lips and his eyelids drooped.
The cat, too, was asleep, her cheek turned up upon her wasted flank, her paws relaxed and limp.
II
“It is fortunate,” said Severn, sitting up and stretching, “that we have tided over the dinner hour, for I have nothing to offer you for supper but what may be purchased with one silver franc.”
The cat on his knee rose, arched her back, yawned, and looked up at him.
“What shall it be? A roast chicken with salad? No? Possibly you prefer beef? Of course,—and I shall try an egg and some white bread. Now for the wines. Milk for you? Good. I shall take a little water, fresh from the wood,” with a motion toward the bucket in the sink.
He put on his hat and left the room. The cat followed to the door, and after he had closed it behind him, she settled down, smelling at the cracks, and cocking one ear at every creak from the crazy old building.
The door below opened and shut. The cat looked serious, for a moment doubtful, and her ears flattened in nervous expectation. Presently she rose with a jerk of her tail and started on a noiseless tour of the studio. She sneezed at a pot of turpentine, hastily retreating to the table, which she presently mounted, and having satisfied her curiosity concerning a roll of red modelling wax, returned to the door and sat down with her eyes on the crack over the threshold. Then she lifted her voice in a thin plaint.
When Severn returned he looked grave, but the cat, joyous and demonstrative, marched around him, rubbing her gaunt body against his legs, driving her head enthusiastically into his hand, and purring until her voice mounted to a squeal.
He placed a bit of meat, wrapped in brown paper, upon the table, and with a penknife cut it into shreds. The milk he took from a bottle which had served for medicine, and poured it into the saucer on the hearth.
The cat crouched before it, purring and lapping at the same time.
He cooked his egg and ate it with a slice of bread, watching her busy with the shredded meat, and when he had finished, and had filled and emptied a cup of water from the bucket in the sink, he sat down, taking her into his lap, where she at once curled up and began her toilet. He began to speak again, touching her caressingly at times by way of emphasis.
“Cat, I have found out where your mistress lives. It is not very far away;—it is here, under this same leaky roof, but in the north wing which I had supposed was uninhabited. My janitor tells me this. By chance, he is almost sober this evening. The butcher on the rue de Seine, where I bought your meat, knows you, and old Cabane the baker identified you with needless sarcasm. They tell me hard tales of your mistress which I shall not believe. They say she is idle and vain and pleasure-loving; they say she is hare-brained and reckless. The little sculptor on the ground floor, who was buying rolls from old Cabane, spoke to me to-night for the first time, although we have always bowed to each other. He said she was very good and very beautiful. He has only seen her once, and does not know her name. I thanked him;—I don’t know why I thanked him so warmly. Cabane said, ‘Into this cursed Street of the Four Winds, the four winds blow all things evil.’ The sculptor looked confused, but when he went out with his rolls, he said to me, ‘I am sure, Monsieur, that she is as good as she is beautiful.'”
The cat had finished her toilet, and now, springing softly to the floor, went to the door and sniffed. He knelt beside her, and unclasping the garter held it for a moment in his hands. After a while he said: “There is a name engraved upon the silver clasp beneath the buckle. It is a pretty name, Sylvia Elven. Sylvia is a woman’s name, Elven is the name of a town. In Paris, in this quarter, above all, in this Street of the Four Winds, names are worn and put away as the fashions change with the seasons. I know the little town of Elven, for there I met Fate face to face and Fate was unkind. But do you know that in Elven Fate had another name, and that name was Sylvia?”
He replaced the garter and stood up looking down at the cat crouched before the closed door.
“The name of Elven has a charm for me. It tells me of meadows and clear rivers. The name of Sylvia troubles me like perfume from dead flowers.”
The cat mewed.
“Yes, yes,” he said soothingly, “I will take you back. Your Sylvia is not my Sylvia; the world is wide and Elven is not unknown. Yet in the darkness and filth of poorer Paris, in the sad shadows of this ancient house, these names are very pleasant to me.”
He lifted her in his arms and strode through the silent corridors to the stairs. Down five flights and into the moonlit court, past the little sculptor’s den, and then again in at the gate of the north wing and up the worm-eaten stairs he passed, until he came to a closed door. When he had stood knocking for a long time, something moved behind the door; it opened and he went in. The room was dark. As he crossed the threshold, the cat sprang from his arms into the shadows. He listened but heard nothing. The silence was oppressive and he struck a match. At his elbow stood a table and on the table a candle in a gilded candlestick. This he lighted, then looked around. The chamber was vast, the hangings heavy with embroidery. Over the fireplace towered a carved mantel, grey with the ashes of dead fires. In a recess by the deep-set windows stood a bed, from which the bedclothes, soft and fine as lace, trailed to the polished floor. He lifted the candle above his head. A handkerchief lay at his feet. It was faintly perfumed. He turned toward the windows. In front of them was a canapé and over it were flung, pell-mell, a gown of silk, a heap of lace-like garments, white and delicate as spiders’ meshes, long, crumpled gloves, and, on the floor beneath, the stockings, the little pointed shoes, and one garter of rosy silk, quaintly flowered and fitted with a silver clasp. Wondering, he stepped forward and drew the heavy curtains from the bed. For a moment the candle flared in his hand; then his eyes met two other eyes, wide open, smiling, and the candle-flame flashed over hair heavy as gold.
She was pale, but not as white as he; her eyes were untroubled as a child’s; but he stared, trembling from head to foot, while the candle flickered in his hand.
At last he whispered: “Sylvia, it is I.”
Again he said, “It is I.”
Then, knowing that she was dead, he kissed her on the mouth. And through the long watches of the night the cat purred on his knee, tightening and relaxing her padded claws, until the sky paled above the Street of the Four Winds.
Canapés
By Matthew Wong The Guitarist strummed his out of tune guitar. The Chef carved slices of meat from the ham in the center of the table as the Guitarist kept on strumming a tuneless Tears in Heaven. …
Source: Canapés
Next Meeting of Farmington Writers Circle Set for May 12, 2016

The next meeting of the Farmington Writers Circle will be at 7:00 p.m. on May 12, 2016, at Hastings Hardback Café on 20th Street. The topic of the evening will be a round table on contests and other publication opportunities. Participants are encouraged to bring information on contests and other publication opportunities to share with the other participants in an open discussion. The meeting is open to the general public.
The Farmington Writers Circle is a nascent organization of authors and writers, who are interested in publishing and marketing their works.
Please contact Phil Slattery via this website with any questions or comments.
Blood Of Socorro County
Interview With Sean Young, Author of Blood Of Socorro County For season 11 of the HorrorAddicts.net podcast, we will once again feature an 11 episode audio drama. Our latest ongoing story started …
Source: Blood Of Socorro County
Horroraddicts.net Publishing presents: Plague Master: Sanctuary Dome
On February 29th Horroraddicts.net publishing released its newest book: Plague Master: Sanctuary Dome by H.E. Roulo. She has had stories in other Horroraddicts.net publications such as: The Wicke…
Source: Horroraddicts.net Publishing presents: Plague Master: Sanctuary Dome
What Angela James Wishes Writers Knew About the Editing process
On Saturday, May 21, 2016, the New Hampshire chapter of Romance Writers of America is welcoming Angela James to present her workshop Before You Hit Send. In previous blog posts we’ve talked a…
Source: What Angela James Wishes Writers Knew About the Editing process
The Saturday Night Special: “The Fearsome Touch of Death” by Robert E. Howard (1930)
_As long as midnight cloaks the earth_
_With shadows grim and stark,_
_God save us from the Judas kiss_
_Of a dead man in the dark._
_Old Adam Farrel lay dead in the house wherein he had lived alone
for the last twenty years. A silent, churlish recluse, in his life he
had known no friends, and only two men had watched his passing._
Dr. Stein rose and glanced out the window into the gathering dusk.
“You think you can spend the night here, then?” he asked his
companion.
This man, Falred by name, assented.
“Yes, certainly. I guess it’s up to me.”
“Rather a useless and primitive custom, sitting up with the dead,”

commented the doctor, preparing to depart, “but I suppose in common
decency we will have to bow to precedence. Maybe I can find someone
who’ll come over here and help you with your vigil.”
Falred shrugged his shoulders. “I doubt it. Farrel wasn’t liked–
wasn’t known by many people. I scarcely knew him myself, but I don’t
mind sitting up with the corpse.”
Dr. Stein was removing his rubber gloves and Falred watched the
process with an interest that almost amounted to fascination. A
slight, involuntary shudder shook him at the memory of touching these
gloves–slick, cold, clammy things, like the touch of death.
“You may get lonely tonight, if I don’t find anyone,” the doctor
remarked as he opened the door. “Not superstitious, are you?”
Falred laughed. “Scarcely. To tell the truth, from what I hear of
Farrel’s disposition, I’d rather be watching his corpse than have been
his guest in life.”
The door closed and Falred took up his vigil. He seated himself in
the only chair the room boasted, glanced casually at the formless,
sheeted bulk on the bed opposite him, and began to read by the light
of the dim lamp which stood on the rough table.
Outside, the darkness gathered swiftly, and finally Falred laid
down his magazine to rest his eyes. He looked again at the shape which
had, in life, been the form of Adam Farrel, wondering what quirk in
the human nature made the sight of a corpse not so unpleasant, but
such an object of fear to man. Unthinking ignorance, seeing in dead
things a reminder of death to come, he decided lazily, and began idly
contemplating as to what life had held for this grim and crabbed old
man, who had neither relatives nor friends, and who had seldom left
the house wherein he had died. The usual tales of miser-hoarded wealth
had accumulated, but Falred felt so little interest in the whole
matter that it was not even necessary for him to overcome any
temptation to prey about the house for possible hidden treasure.
He returned to his reading with a shrug. The task was more
boresome than he had thought for. After a while he was aware that
every time he looked up from his magazine and his eyes fell upon the
bed with its grim occupant, he started involuntarily as if he had, for
an instant, forgotten the presence of the dead man and was
unpleasantly reminded of the fact. The start was slight and
instinctive, but he felt almost angered at himself. He realized, for
the first time, the utter and deadening silence which enwrapped the
house–a silence apparently shared by the night, for no sound came
through the window. Adam Farrel lived as far apart from his neighbors
as possible, and there was no other house within hearing distance.
Falred shook himself as if to rid his mind of unsavory
speculations, and went back to his reading. A sudden vagrant gust of
wind whipped through the window, in which the light in the lamp
flickered and went out suddenly. Falred, cursing softly, groped in the
darkness for matches, burning his fingers on the lamp chimney. He
struck a match, relighted the lamp, and glancing over at the bed, got
a horrible mental jolt. Adam Farrel’s face stared blindly at him, the
dead eyes wide and blank, framed in the gnarled gray features. Even as
Falred instinctively shuddered, his reason explained the apparent
phenomenon: the sheet that covered the corpse had been carelessly
thrown across the face and the sudden puff of wind had disarranged and
flung it aside.
Yet there was something grisly about the thing, something
fearsomely suggestive–as if, in the cloaking dark, a dead hand had
flung aside the sheet, just as if the corpse were about to rise….
Falred, an imaginative man, shrugged his shoulders at these
ghastly thoughts and crossed the room to replace the sheet. The dead
eyes seemed to stare malevolently, with an evilness that transcended
the dead man’s churlishness in life. The workings of a vivid
imagination, Falred knew, and he re-covered the gray face, shrinking
as his hand chanced to touch the cold flesh–slick and clammy, the
touch of death. He shuddered with the natural revulsion of the living
for the dead, and went back to his chair and magazine.
At last, growing sleepy, he lay down upon a couch which, by some
strange whim of the original owner, formed part of the room’s scant
furnishings, and composed himself for slumber. He decided to leave the
light burning, telling himself that it was in accordance with the
usual custom of leaving lights burning for the dead; for he was not
willing to admit to himself that already he was conscious of a dislike
for lying in the darkness with the corpse. He dozed, awoke with a
start and looked at the sheeted form of the bed. Silence reigned over
the house, and outside it was very dark.
The hour was approaching midnight, with its accompanying eerie
domination over the human mind. Falred glanced again at the bed where
the body lay and found the sight of the sheeted object most repellent.
A fantastic idea had birth in his mind, and grew, that beneath the
sheet, the mere lifeless body had become a strange, monstrous thing, a
hideous, conscious being, that watched him with eyes which burned
through the fabric of the cloth. This thought–a mere fantasy, of
course–he explained to himself by the legends of vampires, undead
ghosts and such like–the fearsome attributes with which the living
have cloaked the dead for countless ages, since primitive man first
recognized in death something horrid and apart from life. Man feared
death, thought Falred, and some of this fear of death took hold on the
dead so that they, too, were feared. And the sight of the dead
engendered grisly thoughts, gave rise to dim fears of hereditary
memory, lurking back in the dark corners of the brain.
At any rate, that silent, hidden thing was getting on his nerves.
He thought of uncovering the face, on the principle that familiarity
breeds contempt. The sight of the features, calm and still in death,
would banish, he thought, all such wild conjectures as were haunting
him in spite of himself. But the thought of those dead eyes staring in
the lamplight was intolerable; so at last he blew out the light and
lay down. This fear had been stealing upon him so insidiously and
gradually that he had not been aware of its growth.
With the extinguishing of the light, however, and the blotting out
of the sight of the corpse, things assumed their true character and
proportions, and Falred fell asleep almost instantly, on his lips a
faint smile for his previous folly.
He awakened suddenly. How long he had been asleep he did not know.
He sat up, his pulse pounding frantically, the cold sweat beading his
forehead. He knew instantly where he was, remembered the other
occupant of the room. But what had awakened him? A dream–yes, now he
remembered–a hideous dream in which the dead man had risen from the
bed and stalked stiffly across the room with eyes of fire and a horrid
leer frozen on his gray lips. Falred had seemed to lie motionless,
helpless; then as the corpses reached a gnarled and horrible hand, he
had awakened.
He strove to pierce the gloom, but the room was all blackness and
all without was so dark that no gleam of light came through the
window. He reached a shaking hand toward the lamp, then recoiled as if
from a hidden serpent. Sitting here in the dark with a fiendish corpse
was bad enough, but he dared not light the lamp, for fear that his
reason would be snuffed out like a candle at what he might see.
Horror, stark and unreasoning, had full possession of his soul; he no
longer questioned the instinctive fears that rose in him. All those
legends he had heard came back to him and brought a belief in them.
Death was a hideous thing, a brain-shattering horror, imbuing lifeless
men with a horrid malevolence. Adam Farrel in his life had been simply
a churlish but harmless man; now he was a terror, a monster, a fiend
lurking in the shadows of fear, ready to leap on mankind with talons
dipped deep in death and insanity.
Falred sat there, his blood freezing, and fought out his silent
battle. Faint glimmerings of reason had begun to touch his fright when
a soft, stealthy sound again froze him. He did not recognize it as the
whisper of the night wind across the windowsill. His frenzied fancy
knew it only as the tread of death and horror. He sprang from the
couch, then stood undecided. Escape was in his mind but he was too
dazed to even try to formulate a plan of escape. Even his sense of
direction was gone. Fear had so stultified his mind that he was not
able to think consciously. The blackness spread in long waves about
him and its darkness and void entered into his brain. His motions,
such as they were, were instinctive. He seemed shackled with mighty
chains and his limbs responded sluggishly, like an imbecile’s.
A terrible horror grew up in him and reared its grisly shape, that
the dead man was behind him, was stealing upon him from the rear. He
no longer thought of lighting the lamp; he no longer thought of
anything. Fear filled his whole being; there was room for nothing
else.
He backed slowly away in the darkness, hands behind him,
instinctively feeling the way. With a terrific effort he partly shook
the clinging mists of horror from him, and, the cold sweat clammy upon
his body, strove to orient himself. He could see nothing, but the bed
was across the room, in front of him. He was backing away from it.
There was where the dead man was lying, according to all rules of
nature; if the thing were, as he felt, behind him, then the old tales
were true: death did implant in lifeless bodies an unearthly
animation, and dead men did roam the shadows to work their ghastly and
evil will upon the sons of men. Then–great God!–what was man but a
wailing infant, lost in the night and beset by frightful things from
the black abysses and the terrible unknown voids of space and time?
These conclusions he did not reach by any reasoning process; they
leaped full-grown into his terror-dazed brain. He worked his way
slowly backward, groping, clinging to the thought that the dead man
must be in front of him.
Then his back-flung hands encountered something–something slick,
cold and clammy–like the touch of death. A scream shook the echoes,
followed by the crash of a falling body.
The next morning they who came to the house of death found two
corpses in the room. Adam Farrel’s sheeted body lay motionless upon
the bed, and across the room lay the body of Falred, beneath the shelf
where Dr. Stein had absent-mindedly left his gloves–rubber gloves,
slick and clammy to the touch of a hand groping in the dark–a hand of
one fleeing his own fear–rubber gloves, slick and clammy and cold,
like the touch of death.
###
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Flesh and Blood and Bones of Writing, Natalie Goldberg
Writing Down the Bones, Freeing the Writer Within by Natalie Goldberg Book Review and Commentary April 13, 2016 This is an intimate approach to the journey of writing. Goldberg is a writing teache…
Source: Flesh and Blood and Bones of Writing, Natalie Goldberg
The Girl With The Hungry Eyes

Photo by Phil Slattery
circa 1990
The Girl With the Hungry Eyes by Fritz Leiber (1949) Tuesday’s Tale of Terror April 12, 2016 Remember Rod Serling’s Night Gallery? He did a film adaptation of Fritz Leiber’s The Girl Wit…
Source: The Girl With The Hungry Eyes
This Wasn’t the Plan
By Tim Ritter She came at me. Sweaty, naked body, frothing at the mouth, eyes filled with fear and deadly anger. I tried to wrap my hands around her throat but they kept sliding off her greasy sk…
Source: This Wasn’t the Plan
New Fiction by George Gad Economou: “Dark Room”
The darkness of the night had engulfed the room; the only light the edge of the lit cigarette, hanging from her lips. The night sky in front of her eyes, the full moon illuminating the calm ocean underneath. Her sighs were deep and silent, her mind occupied with thoughts of him. Suddenly a sound.

Photo by Phil Slattery
circa 1993-1996
to confirm its emptiness. Yet, she was afraid. Scared of what may hide in there. I’m going insane! There’s… there’s no one in there. All I got to do is… just open the damn door, Jill. Just… I can’t do it! What if… something is, in fact, hiding in there? What if… NO! I’m… It’s nothing! I have to…She got up; with small, uncertain steps she approached the now silent closet. Her heartbeat elevated, her heart pounding hard up against her ribs. Her breathing heavy; sweat ran down her eyes. The lit cigarette still hanging from her lips. A voice came from within the closet. No, no. It can’t… I just… Damn it Jill, get it together! I’m hallucinating, I’m… I don’t know what the hell is wrong with me! All I need to do is to open the closet, and… then what? She stared at the closet; observing it in fright. She knew it all too well, all her clothes were in there. She opened it just a couple of hours ago, to retrieve a clean pair of underwear. Then, there was no one in it. But now… she gulped, her gaze fixated on the closet.
The Saturday Night Special: “Ancient Lights” by Algernon Blackwood (1912)
From Southwater, where he left the train, the road led due west. That he knew; for the rest he trusted to luck, being one of those born walkers who dislike asking the way. He had that instinct, and as a rule it served him well. “A mile or so due west along the sandy road till you come to a stile onthe right; then across the fields. You’ll see the red house straight before you.” He glanced at the postcard’s instructions once again, and once again hetried to decipher the scratched-out sentence— without success. It had been so elaborately inked over that no word was legible. Inked-out sentences in a letter were always enticing. He wondered what it was that had to be so very carefully obliterated.
The cloud passed from below the sun, and light splashed suddenly in all manner of unlikely places. The man went straight on. He felt a touch of puzzling confusion somewhere; this way the copse had of shifting from sunshine into shadow doubtless troubled sight a little. To his relief at last, a new glade opened through the trees and disclosed the fields with a glimpse of the red house in the distance at the far end. But a little wicket gate that stood across the path had first to be climbed, and as he scrambled heavily over—for it would not open—he got the astonishing feeling that it slid off sideways beneath his weight, and towards the wood. Like the moving staircases at Harrod’s and Earl’s Court, it began to glide off with him. It was quite horrible. He made a violent effort to get down before it carried him into the trees, but his feet became entangled with the bars and umbrella, so that he fell heavily upon the farther side,

1869-1951
arms spread across the grass and nettles, boots clutched between the first and second bars. He lay there a moment like a man crucified upside down, and while he struggled to get disentangled—feet, bars,and umbrella formed a regular net—he saw the little man in browny green go past him with extreme rapidity through the wood. The man was laughing. He passed across the glade some fifty yards away, and he was not alone this time. A companion like himself went with him. The clerk, now upon his feet again, watched them disappear intothe gloom of green beyond. “They’re tramps, not gamekeepers,” he said to himself, half mortified, half angry. But his heart was thumping dreadfully ,and he dared not utter all his thought.