The Saturday Night Special: “The Conquerer Worm” by Edgar Allan Poe (1843)

Edgar Allan Poe, circa 1849
Edgar Allan Poe, circa 1849

 

 

 

 

 

 

 

Lo! ’tis a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.
Mimes, in the form of God on high,
Mutter and mumble low,
And hither and thither fly-
Mere puppets they, who come and go
At bidding of vast formless things
That shift the scenery to and fro,
Flapping from out their Condor wings
Invisible Woe!

That motley drama- oh, be sure
It shall not be forgot!
With its Phantom chased for evermore,
By a crowd that seize it not,
Through a circle that ever returneth in
To the self-same spot,
And much of Madness, and more of Sin,
And Horror the soul of the plot.

But see, amid the mimic rout
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes!- it writhes!- with mortal pangs
The mimes become its food,
And seraphs sob at vermin fangs
In human gore imbued.

Out- out are the lights- out all!
And, over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
While the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, “Man,”
And its hero the Conqueror Worm.

New Fiction by George Gad Economou: “Helen”

I went to bed alone; that much I know for certain, despite the bottles emptied, the junk injected, the glass smoked, locked within my apartment for days, abhorring the light, avoiding the sun, embracing the permanent midnight fighting with the page during the waking hours, battling with the numbness of the soul, the desolation.

I woke up next to her; the cold, pale corpse of my childhood’s love.

In the substance-induced dreams I was back at junior high, when my heart was still unbruised, my liver virgin. With the whole world ahead of me, all roads wide open, all I had to do was pick the path and follow it to the end. It’s too late now, yet in my sleep I smiled broadly, for I recalled how it feels to be outside the pit of shit. And there she was, too, smiling at the beach, when the question was popped and the first dagger was driven through a heart that was destined to be broken into millions of pieces oh so many times. Yet, I didn’t know at the time and even the pain of love felt real and delightful, for it ignited a fire in the soul; a fire that was never meant to be extinguished.

And as I slowly opened my exhausted eyes, I stared at the decomposing body lying next to me; my arm around her waist, my body pressing up against hers, and I wanted to move, to jump, to disappear, but I couldn’t; chained to the bed, the substances still in control and all my muscles too heavy to obey the desperate commands of my panicking mind.

Suddenly she moved, turned to look at me, and the cold, dark eyes pierced through mine, staring straight into my soul. I couldn’t move, yet I saw a future that never unfolded taking place inside my head; a future that didn’t involve countless empty bottles of bourbon, cooking crack-cocaine, smoking meth, shooting junk. In the cold, dead eyes I witnessed warmth, safety, sanity. I smiled, despite the fear that overwhelmed my barely beating heart, and I wished to close my eyes and disappear into the fictional future reflecting in those dark eyes I hadn’t had the chance to stare into because of wrong decisions.

Her mouth opened slightly, exposing the falling teeth, the rotting gums, the green tongue. An invitation for a kiss and I was still not ready to kiss the devil, even though I had sold my soul years ago. Her hand reached for my cheek and the blood froze in my veins, a chill traversed all of my bones. Numb, I wished to jump out the window and disappear into the night, but couldn’t move.

She pressed her body closer to mine, and once more I could see a future in another city, with brighter prospects. I also saw the mediocrity of that future, the lack of the one thing that has maintained my sanity throughout years of abuses. And I couldn’t decide, couldn’t pick the right choice. It didn’t matter, either, because she was right there, next to me, rotting away with every passing minute and all I could do was accept her touches, her embrace, her forceful kisses.

With no end in sight my mind was too exhausted after a week of sleeplessness and of abusing every drug known to man. She smiled and despite the rotting teeth and gums I saw the hidden beauty, a beauty which I lost due to wine decisions, and a single tear rolled down my eye.

Abruptly, her face was replaced, and others took her place in my bed; I was surrounded by corpses and ghosts and I couldn’t run away. Standing accused in front of those I hurt, and those I lost, I could only accept the jury’s verdict and I was condemned to a slow, painful death and I smiled at the idea of the grave.

The ghosts evaporated, the sentence had been dealt, and the jury was therefore disbanded. Yet, she remained, her empty eyes still reminding me of a life never lived, of moments never experienced; was it for the best? I asked myself, and there was no place where I could find an answer.

From within the darkness the eternal flames appeared a preview of what’s to come and I smiled, barely, at the future waiting around the corner. A final kiss from the frozen lips and warmth flooded my numb body; it lasted only a second. She was suddenly gone, I was still there, and the flames were extinguished. With nowhere to run, with no dreams in which I could find refuge, I got up.

I sat heavily on the couch, stared about the dark room and breathed in the perfect stillness of the night. All alone, once more, and my sole companion were my memories, those of the past lived and those of the future that remained a stillborn.

And as I filled my glass pipe, getting ready for yet another week of staying awake amidst the binges, I heard a loud, complaining sigh from my bed and the blanket was raised.

 

New Fiction by George Gad Economou: “Sounds of the Night”

 There’s nothing extraordinary about hearing the toilet flushing in the middle of the night; unless, of course, if you live alone.

At 3 am, the flushing startled me. It had been a long time since anyone had slept over at my place. I was trying to sleep off three bottles of wine.  My head was heavy and my body numb. I didn’t jump off the sofa, as perhaps I should have, instead I raised my head from the soft pillow and peered into the darkness.

The darkness looked back.  I saw the familiar ghosts that have been surrounding me for years and the known whispers still lingered in the air.  There was, at the same time, something new, a fresh breeze of evil that froze everything in the room. If I could have, I would have run, but in my hazy state all I could do was observe. The bathroom door creaked as it opened and closed.  I saw the shadow standing in the kitchen.

I was still trying to figure out whether I was dreaming, while still staring befuddled at the shadow lighting a cigarette in the kitchen; the blue smoke arose quickly and evaporated. There was no other sound but of the crackling of the burning cigarette while the clouds did not allow the pale light of the moon to illuminate the room.

The shadow seemed all too familiar. I froze, lying face down on the couch, glaring intensely at it from underneath the blanket. The shadow began talking, but despite the perfect stillness I could not hear its voice. Alas, I recognized the words used, as they were the same words I often uttered while standing at the kitchen having a quick smoke: “just one more sip, just one more drag, and I’m coming to bed”.

A pile of dirty clothes hid the bed, not having being used in months; not since the final whispering ghost exited my life for good. Still on the couch, safe underneath the heavy covers, I heard the words of the shadow echoing in my head, even though no sound reached my ears.

The empty bottles laid on the floor, amidst the layers of dust, stale tobacco, and wasted blow, and yet, there was nothing I could do. The faintest light penetrating the loosely sitting blinds on the window reflected on the glass and hit my eyes, bringing forth memories of better times; of nights, where my bed was occupied and I drank and smoked my life away in the kitchen, wishing to be alone.

Suddenly, I was all alone, with no one to call and ask how I am doing, and I wished for the past to become the present and for the future to be different than the blanket made of snow that was waiting for me in the corner. The shadow in the kitchen put out the cigarette in an ashtray that shouldn’t be on the counter and walked in the main room with confident steps.

I still could not discern its features; I could not tell the identity of the night intruder. I couldn’t move, I was numb, both from the drink and the fear, and the shadow idly sat at my desk chair, its fingers hovering over the keyboard.  A shiver ran through my spine, I wanted to react but was helpless.

I heard the keys being pressed rhythmically creating music I had long forgotten, and my heart sank. The shadow had taken my place, while I was still suffering from a headache that could kill even the most savage dinosaur.  More voices echoed in my head, words long ago uttered by lips, memories erased by drink.

It all came back, as the shadow typed purposelessly, the keyboard suffering under the brutal writing and smoke began filling the small room. There was no oxygen and I was suffocating slowly, while the shadow seemed unfazed by the ever-changing environment. I sat up, finally, ignoring the tremendously violent jolts of pain that shot through my body. My head on the verge of exploding, barely able to hold my eyes open, I looked around and I was all alone. The smoke had evaporated, the shadow vanished.

Only the bottles on the floor indicated the reality of the situation, and I looked about in complete bewilderment. Once more alone, the voices in my head had ceased and the perfect quietness of the night was reigning. It didn’t feel good, even the shadow was a pleasant change of rhythm and I laid back on the soft pillow, as I observed the room spin around me while fighting my urge to vomit.

I was determined to start afresh; quit the bad habits and become a new person. I sat up, struggling to ignore the horrific pain that arose in every inch of my suffering body, and filled my glass pipe with some freshly-cooked ice. It was time to stay awake, fight for the dreams I had betrayed.

The first cloud of blue smoke arose in front of me and I saw thousands of faces arising from within it; faces long forgotten, eyes once adored, lips once tasted.

Another puff was dragged and the crackling of the pipe was the only sound that violated the peace of the night, overshadowed abruptly by the flushing of the toilet.

 

The Saturday Night Special: “A School Story” by M.R. James (1911)

[Phil Slattery’s Note:  One of the interesting aspects of this story is the discussion on the types of stories passed down by school boys.  They sound very much like the same motifs circulating through horror fiction and movies today.]

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Two men in a smoking-room were talking of their private-school days. ‘At our school,’ said A., ‘we had a ghost’s footmark on the staircase. What was it like? Oh, very unconvincing. Just the shape of a shoe, with a square toe, if I remember right. The staircase was a stone one. I never heard any story about the thing. That seems odd, when you come to think of it. Why didn’t somebody invent one, I wonder?’

‘You never can tell with little boys. They have a mythology of their own.
There’s a subject for you, by the way—”The Folklore of Private
Schools”.’

‘Yes; the crop is rather scanty, though. I imagine, if you were to investigate the cycle of ghost stories, for instance, which the boys at private schools tell each other, they would all turn out to be highly-compressed versions of stories out of books.’

‘Nowadays the Strand and Pearson’s, and so on, would be extensively drawn upon.’

‘No doubt: they weren’t born or thought of in my time. Let’s see. I wonder if I can remember the staple ones that I was told. First, there was the house with a room in which a series of people insisted on passing a night; and each of them in the morning was found kneeling in a corner, and had just time to say, “I’ve seen it,” and died.’

‘Wasn’t that the house in Berkeley Square?’

‘I dare say it was. Then there was the man who heard a noise in the passage at night, opened his door, and saw someone crawling

M.R. James 1900
M.R. James
1900

towards him on all fours with his eye hanging out on his cheek. There was besides, let me think—Yes! the room where a man was found dead in bed with a horseshoe mark on his forehead, and the floor under the bed was covered with marks of horseshoes also; I don’t know why. Also there was the lady who, on locking her bedroom door in a strange house, heard a thin voice among the bed-curtains say, “Now we’re shut in for the night.” None of those had any explanation or sequel. I wonder if they go on still, those stories.’

‘Oh, likely enough—with additions from the magazines, as I said. You never heard, did you, of a real ghost at a private school? I thought not; nobody has that ever I came across.’

‘From the way in which you said that, I gather that you have.’

‘I really don’t know; but this is what was in my mind. It happened at my private school thirty odd years ago, and I haven’t any explanation of it.

‘The school I mean was near London. It was established in a large and fairly old house—a great white building with very fine grounds about it; there were large cedars in the garden, as there are in so many of the older gardens in the Thames valley, and ancient elms in the three or four fields which we used for our games. I think probably it was quite an attractive place, but boys seldom allow that their schools possess any tolerable features.

‘I came to the school in a September, soon after the year 1870; and among the boys who arrived on the same day was one whom I took to: a Highland boy, whom I will call McLeod. I needn’t spend time in describing him: the main thing is that I got to know him very well. He was not an exceptional boy in any way—not particularly good at books or games—but he suited me.

‘The school was a large one: there must have been from 120 to 130 boys there as a rule, and so a considerable staff of masters was required, and there were rather frequent changes among them.

‘One term—perhaps it was my third or fourth—a new master made his appearance. His name was Sampson. He was a tallish, stoutish, pale, black-bearded man. I think we liked him: he had travelled a good deal, and had stories which amused us on our school walks, so that there was some competition among us to get within earshot of him. I remember too—dear me, I have hardly thought of it since then!—that he had a charm on his watch-chain that attracted my attention one day, and he let me examine it. It was, I now suppose, a gold Byzantine coin; there was an effigy of some absurd emperor on one side; the other side had been worn practically smooth, and he had had cut on it—rather barbarously—his own initials, G.W.S., and a date, 24 July, 1865. Yes, I can see it now: he told me he had picked it up in Constantinople: it was about the size of a florin, perhaps rather smaller.

‘Well, the first odd thing that happened was this. Sampson was doing Latin grammar with us. One of his favourite methods—perhaps it is rather a good one—was to make us construct sentences out of our own heads to illustrate the rules he was trying to make us learn. Of course that is a thing which gives a silly boy a chance of being impertinent: there are lots of school stories in which that happens—or anyhow there might be. But Sampson was too good a disciplinarian for us to think of trying that on with him. Now, on this occasion he was telling us how to express remembering in Latin: and he ordered us each to make a sentence bringing in the verb memini, “I remember.” Well, most of us made up some ordinary sentence such as “I remember my father,” or “He remembers his book,” or something equally uninteresting: and I dare say a good many put down memino librum meum, and so forth: but the boy I mentioned—McLeod—was evidently thinking of something more elaborate than that. The rest of us wanted to have our sentences passed, and get on to something else, so some kicked him under the desk, and I, who was next to him, poked him and whispered to him to look sharp. But he didn’t seem to attend. I looked at his paper and saw he had put down nothing at all. So I jogged him again harder than before and upbraided him sharply for keeping us all waiting. That did have some effect. He started and seemed to wake up, and then very quickly he scribbled about a couple of lines on his paper, and showed it up with the rest. As it was the last, or nearly the last, to come in, and as Sampson had a good deal to say to the boys who had writtenmeminiscimus patri meo and the rest of it, it turned out that the clock struck twelve before he had got to McLeod, and McLeod had to wait afterwards to have his sentence corrected. There was nothing much going on outside when I got out, so I waited for him to come. He came very slowly when he did arrive, and I guessed there had been some sort of trouble. “Well,” I said, “what did you get?” “Oh, I don’t know,” said McLeod, “nothing much: but I think Sampson’s rather sick with me.” “Why, did you show him up some rot?” “No fear,” he said. “It was all right as far as I could see: it was like this: Memento—that’s right enough for remember, and it takes a genitive,—memento putei inter quatuor taxos.” “What silly rot!” I said. “What made you shove that down? What does it mean?” “That’s the funny part,” said McLeod. “I’m not quite sure what it does mean. All I know is, it just came into my head and I corked it down. I know what I think it means, because just before I wrote it down I had a sort of picture of it in my head: I believe it means ‘Remember the well among the four’—what are those dark sort of trees that have red berries on them?” “Mountain ashes, I s’pose you mean.” “I never heard of them,” said McLeod; “no, I’ll tell you—yews.” “Well, and what did Sampson say?” “Why, he was jolly odd about it. When he read it he got up and went to the mantelpiece and stopped quite a long time without saying anything, with his back to me. And then he said, without turning round, and rather quiet, ‘What do you suppose that means?’ I told him what I thought; only I couldn’t remember the name of the silly tree: and then he wanted to know why I put it down, and I had to say something or other. And after that he left off talking about it, and asked me how long I’d been here, and where my people lived, and things like that: and then I came away: but he wasn’t looking a bit well.”

‘I don’t remember any more that was said by either of us about this. Next day McLeod took to his bed with a chill or something of the kind, and it was a week or more before he was in school again. And as much as a month went by without anything happening that was noticeable. Whether or not Mr Sampson was really startled, as McLeod had thought, he didn’t show it. I am pretty sure, of course, now, that there was something very curious in his past history, but I’m not going to pretend that we boys were sharp enough to guess any such thing.

‘There was one other incident of the same kind as the last which I told you. Several times since that day we had had to make up examples in school to illustrate different rules, but there had never been any row except when we did them wrong. At last there came a day when we were going through those dismal things which people call Conditional Sentences, and we were told to make a conditional sentence, expressing a future consequence. We did it, right or wrong, and showed up our bits of paper, and Sampson began looking through them. All at once he got up, made some odd sort of noise in his throat, and rushed out by a door that was just by his desk. We sat there for a minute or two, and then—I suppose it was incorrect—but we went up, I and one or two others, to look at the papers on his desk. Of course I thought someone must have put down some nonsense or other, and Sampson had gone off to report him. All the same, I noticed that he hadn’t taken any of the papers with him when he ran out. Well, the top paper on the desk was written in red ink—which no one used—and it wasn’t in anyone’s hand who was in the class. They all looked at it—McLeod and all—and took their dying oaths that it wasn’t theirs. Then I thought of counting the bits of paper. And of this I made quite certain: that there were seventeen bits of paper on the desk, and sixteen boys in the form. Well, I bagged the extra paper, and kept it, and I believe I have it now. And now you will want to know what was written on it. It was simple enough, and harmless enough, I should have said.

‘”Si tu non veneris ad me, ego veniam ad te,” which means, I suppose, “If you don’t come to me, I’ll come to you.”‘

‘Could you show me the paper?’ interrupted the listener.

‘Yes, I could: but there’s another odd thing about it. That same afternoon I took it out of my locker—I know for certain it was the same bit, for I made a finger-mark on it—and no single trace of writing of any kind was there on it. I kept it, as I said, and since that time I have tried various experiments to see whether sympathetic ink had been used, but absolutely without result.

‘So much for that. After about half an hour Sampson looked in again: said he had felt very unwell, and told us we might go. He came rather gingerly to his desk and gave just one look at the uppermost paper: and I suppose he thought he must have been dreaming: anyhow, he asked no questions.

‘That day was a half-holiday, and next day Sampson was in school again, much as usual. That night the third and last incident in my story happened.

‘We—McLeod and I—slept in a dormitory at right angles to the main building. Sampson slept in the main building on the first floor. There was a very bright full moon. At an hour which I can’t tell exactly, but some time between one and two, I was woken up by somebody shaking me. It was McLeod; and a nice state of mind he seemed to be in. “Come,” he said,—”come! there’s a burglar getting in through Sampson’s window.” As soon as I could speak, I said, “Well, why not call out and wake everybody up?” “No, no,” he said, “I’m not sure who it is: don’t make a row: come and look.” Naturally I came and looked, and naturally there was no one there. I was cross enough, and should have called McLeod plenty of names: only—I couldn’t tell why—it seemed to me that there was something wrong—something that made me very glad I wasn’t alone to face it. We were still at the window looking out, and as soon as I could, I asked him what he had heard or seen. “I didn’t hear anything at all,” he said, “but about five minutes before I woke you, I found myself looking out of this window here, and there was a man sitting or kneeling on Sampson’s window-sill, and looking in, and I thought he was beckoning.” “What sort of man?” McLeod wriggled. “I don’t know,” he said, “but I can tell you one thing—he was beastly thin: and he looked as if he was wet all over: and,” he said, looking round and whispering as if he hardly liked to hear himself, “I’m not at all sure that he was alive.”

‘We went on talking in whispers some time longer, and eventually crept back to bed. No one else in the room woke or stirred the whole time. I believe we did sleep a bit afterwards, but we were very cheap next day.

‘And next day Mr Sampson was gone: not to be found: and I believe no trace of him has ever come to light since. In thinking it over, one of the oddest things about it all has seemed to me to be the fact that neither McLeod nor I ever mentioned what we had seen to any third person whatever. Of course no questions were asked on the subject, and if they had been, I am inclined to believe that we could not have made any answer: we seemed unable to speak about it.

‘That is my story,’ said the narrator. ‘The only approach to a ghost story connected with a school that I know, but still, I think, an approach to such a thing.’

* * * * *

The sequel to this may perhaps be reckoned highly conventional; but a sequel there is, and so it must be produced. There had been more than one listener to the story, and, in the latter part of that same year, or of the next, one such listener was staying at a country house in Ireland.

One evening his host was turning over a drawer full of odds and ends in the smoking-room. Suddenly he put his hand upon a little box. ‘Now,’ he said, ‘you know about old things; tell me what that is.’ My friend opened the little box, and found in it a thin gold chain with an object attached to it. He glanced at the object and then took off his spectacles to examine it more narrowly. ‘What’s the history of this?’ he asked. ‘Odd enough,’ was the answer. ‘You know the yew thicket in the shrubbery: well, a year or two back we were cleaning out the old well that used to be in the clearing here, and what do you suppose we found?’

‘Is it possible that you found a body?’ said the visitor, with an odd feeling of nervousness.

‘We did that: but what’s more, in every sense of the word, we found two.’

‘Good Heavens! Two? Was there anything to show how they got there? Was this thing found with them?’

‘It was. Amongst the rags of the clothes that were on one of the bodies. A bad business, whatever the story of it may have been. One body had the arms tight round the other. They must have been there thirty years or more—long enough before we came to this place. You may judge we filled the well up fast enough. Do you make anything of what’s cut on that gold coin you have there?’

‘I think I can,’ said my friend, holding it to the light (but he read it without much difficulty); ‘it seems to be G.W.S., 24 July, 1865.’

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This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.net.  This story is part of the collection Ghost Stories of an Antiquary by M.R. James available at www.gutenberg.org.

The Saturday Night Special: “Volpurno – or The Student” by Wilkie Collins (1843)

” – Memory, like a drop that, night and day,

Falls cold and ceaseless, wore her heart away.” – Lalla Rookh

Perfectly overcome by the heat of an Italian evening at Venice, I quitted the bustling gaiety of St Mark’s Place for the quiet of a gondola, and directing the man to shape his course for the island of Lido, (a narrow strip of land dividing the “lagunes,” or shallows beyond the city, from the open sea,) I seated myself on the prow of the vessel, with a firm determination to make the most of the flimsy wafts of air that every now and then ruffled the surface of the still, dark waters.

Wilkie Collins circa 1871(?)
Wilkie Collins
circa 1871(?)

Nothing intercepted my view of the distant city, whose mighty buildings glowed beneath the long, red rays of the setting sun, save occasionally, when a market boat on its return floated lazily past us, or the hull of some tall merchantman shut out for an instant the dome of a magnificent church or the deep red brickwork of the Ducal Palace. Inexpressibly beautiful was the glimmering of the far off lights in the houses, as, one after another, they seemed to start out of the bosom of the deep; and at that quiet hour the repose – the peculiar repose of Venice – seemed mellowed into perfect harmony with the delicious languor of the atmosphere. The sounds of laughter, or snatches of rude songs that now and then came over the waves, instead of interupting [sic], invested with fresh charms the luxurious silence of the moment. We touched the narrow strip of sand that forms the beach of the little island, and stepping ashore, I enjoyed the only particle of green sward in all Venice.

I walked backward and forward for some time, thinking of England and English friends, (for at such hours the mind wanders to distant scenes and old customs,) without interruption, until a slight rustling among the bushes of the island reminded me that I was not the only tenant of the garden of the Lido, and looking through the fast gathering darkness, I discovered an aged female pacing the smooth walk near, apparently lost in contemplation.

My curiosity was rather excited by the presence of a lone old woman in such an unfrequented place; but the haze of the evening prevented my observing her with any degree of accuracy, and as I feared to disturb her by advancing too near, I could only guess at her features. At last the dwarf trees in the island “began to glitter with the climbing moon,” and I saw that she was weeping bitterly.  Her thick gray tresses were braided over a face that had evidently once been beautiful, and there was a dignity and propriety in her demeanour, and a native nobleness of expression in her countenance, which told me that I looked on no common person. She continued her solitary walk for some time, occasionally pausing to look up to the stars that now gemmed the clear glowing firmament, or to pluck a few dead leaves from a little rose bush that grew in an obscure corner of the garden, until a thought seemed suddenly to strike her, and hastening to the shore she stepped into a small gondola that was in waiting and rapidly disappeared.

On my return to Venice, I mentioned the circumstance to my cicerone, or guide, a remarkably intelligent fellow; and much to my astonishment, he solved the mystery of the lonely lady to me immediately. As her history is one of great devotion and misfortune, it may perhaps merit repetition.

It appeared, then, from the statement of the cicerone, that the elderly lady was an English woman who had once been the beauty of the gay circles of Venice. She had there met with a student in astronomy; and whether it was his lonely mystic life, the charm of his conversation and person, or his scientific attainments, that won her, I know not, but he gained her affections, and it is still remembered by those acquainted with her at the time, that her attachment to him so intensely passive in its devotion as to seem almost unearthly, and that very Lido, now the scene of her affliction, was once the favourite spot for their early love greetings.

He was a strange, wild creature, that student – his family were natives of a distant land, and he had travelled to Italy to devote himself, body and mind, to his favourite pursuit. From the after testimony of one of his friends, it appeared that in childhood he had been attacked with fits of temporary derangement, and his extraordinary application to the mysterious, exciting study of astronomy had increased this infirmity in a most extraordinary and terrible manner. At times he was haunted by a vision of a woman of disgusting ugliness who seemed to pursue and torment him wherever he went. In a few hours, delirium, and sometimes raging madness, would ensue from this hallucination, and though he regularly recovered free from the terrible creation of his mind, it was with a constitution more and more decayed by each successive ravage of his disorder. As he advanced, however, to manhood, these violent and destructive fits became less and less frequent and at the time that he met with the beautiful English lady, though his conscience seemed to tell him that he was no companion for a delicate woman, he tried to persuade himself that his constitution had at last mastered his imagination and that he was as fit for society as his less excitable fellow men. And he thought there was much excuse for him, for who could withstand the quiet yet intense affection of the English woman?  Who could resist the temptation of listening to her sweet musical voice, of watching her sad soft blue eyes, or of hearing her fascinating conversation? She was so devoted, so gentle, so enthusiastic on his favourite subject, so patient of his little fits of peevishness, and melancholy, so considerate of his enjoyments, so comforting in his afflictions, he must surely have been without heart or feeling to have been coldly calculating on possibilities at such a time. He schooled himself to think that it was his solitary life that had so affected his faculties, and that a companion – and such a companion as his betrothed – would drive out all remains of his disorder, even supposing it to be still existing. In short, the eloquent pleading of the heart prevailed over the still small whisper of conscience; the wedding day was fixed, and it was remarked with surprise that the nearer it approached, the more melancholy did Volpurno become. However, the ceremony was performed with great splendour, and the bridal party set out to spend the day on the mainland, where the friends of the bride were to say farewell before she proceeded with her husband on the wedding tour. They were chatting merrily in the little hotel at Mestri, on the mainland, when they were horrified by suddenly hearing sounds of frantic laughter, followed by wild shrieks of agony, and the student rushed into the room, his frame convulsed with horror, with a drawn sword in his hand, as if pursuing something a few yards before him, with an expression of mingled fury and despair. Before the horrified guests could interfere, he had jumped from the window, and with the same shrieks of laughter, sped across the country in pursuit of his phantom enemy.

Assistance was at hand; he was instantly followed; but with supernatural strength he held on his course for hours. He was occasionally seen, as he paused for an instant to strike furiously in the air, and his cries of anguish were sometimes borne by the wind to the ears of his pursuers; but they never gained on him, and unless he neared a village, and was stopped by the inhabitants, his capture seemed impracticable. At last, as night grew on, he sunk exhausted at a lone hovel by the way side, and the bride and her party came up with the maniac bridegroom. But the stern fit was past and gone, and he was lifted insensible upon a coarse pallet in the hut. The Englishwoman sat by his side and bathed his temples, and watched his deep, long slumber, from the rise of the moon to the bright advent of day. And thus passed the bridal night of the heiress and the beauty.

Towards the going down of the sun, Volpurno became conscious, and though the fit had left him, the agony of his situation allowed no repose to his jarred, disordered nerves. His remorse was terrible to behold: over and over again did he heap curses on his selfishness in drawing an innocent. Trusting woman into such a labyrinth of suffering. All her repeated assurances of her forgiveness, of her happiness at his recovery, of her hopes for the future, failed to quiet him; and so, between soothing his anguish and administering his remedies, three days passed, and on the third a material changed took place. The dim eye of the student brightened, and his wan cheek flushed with the hue of health. He commanded all to leave the room but his bride, and to her he made full confession of his terrible infirmity, and of its seizing him with tenfold violence at the inn at Mestri, and of the frightful forebodings he had felt as their wedding approached. And then he grew calmer, and the smile again came forth upon his lip, and the melody returned to his voice, and at his favourite hour of midnight, – in a peaceful quietude that had been unknown to him in his life,  – Volpurno died.

The corpse was carried to Venice and interred by the Englishwoman by her former trysting-place on the Lido. People wondered at her calmness under such an affliction, for she lived on, but little changed – save that she was paler and thinner – from the quiet creature that had won the fatal affection of Volpurno.

By degrees her more immediate friends died, or were called into other countries, and she was left alone in Venice: and then her solitary pilgrimages to the Lido became more and more frequent. As years grew on, and the finger of time imprinted the first furrows on the fair, delicate cheek, and planted the grey among the rich beauties of her hair, these visits increased. While, from day to day, the powers of her body became older, the faculties of her heart grew greener and younger. Years dulled not the pristine delicacy of her feelings, and age seemed in her to nourish instead of impairing the silent growth of memory.

*             *             *             *             *             *             *

A few months afterwards I again visited the Lido at the same hour, but the Englishwoman did not appear.  I walked towards the rose bush which I conjectured grew over the grave of Volpurno; its withered leaves were untrimmed, and the earth around it was newly heaped up. I asked no more questions; the freshness of the mould, and the neglect of the rose tree, were eloquent informers.

The Saturday Night Special: “The Phantom Coach” by Amelia B. Edwards (1864)

The circumstances I am about to relate to you have truth to recommend them. They happened to myself, and my recollection of them is as vivid as if they had taken place only yesterday. Twenty years, however, have gone by since that night. During those twenty years I have told the story to but one other person. I tell it now with a reluctance which I find it difficult to overcome. All I entreat, meanwhile, is that you will abstain from forcing your own conclusions upon me. I want nothing explained away. I desire no arguments. My mind on this subject is quite made up, and, having the testimony of my own senses to rely upon, I prefer to abide by it.

Amelia B. Edwards, 1890
Amelia B. Edwards, 1890

Well! It was just twenty years ago, and within a day or two of the end of the grouse season. I had been out all day with my gun, and had had no sport to speak of. The wind was due east; the month, December; the place, a bleak wide moor in the far north of England. And I had lost my way. It was not a pleasant place in which to lose one’s way, with the first feathery flakes of a coming snowstorm just fluttering down upon the heather, and the leaden evening closing in all around. I shaded my eyes with my hand, and staled anxiously into the gathering darkness, where the purple moorland melted into a range of low hills, some ten or twelve miles distant. Not the faintest smoke-wreath, not the tiniest cultivated patch, or fence, or sheep-track, met my eyes in any direction. There was nothing for it but to walk on, and take my chance of finding what shelter I could, by the way. So I shouldered my gun again, and pushed wearily forward; for I had been on foot since an hour after daybreak, and had eaten nothing since breakfast.

Meanwhile, the snow began to come down with ominous steadiness, and the wind fell. After this, the cold became more intense, and the night came rapidly up. As for me, my prospects darkened with the darkening sky, and my heart grew heavy as I thought how my young wife was already watching for me through the window of our little inn parlour, and thought of all the suffering in store for her throughout this weary night. We had been married four months, and, having spent our autumn in the Highlands, were now lodging in a remote little village situated just on the verge of the great English moorlands. We were very much in love, and, of course, very happy. This morning, when we parted, she had implored me to return before dusk, and I had promised her that I would. What would I not have given to have kept my word!

Even now, weary as I was, I felt that with a supper, an hour’s rest, and a guide, I might still get back to her before midnight, if only guide and shelter could be found.

And all this time, the snow fell and the night thickened. I stopped and shouted every now and then, but my shouts seemed only to make the silence deeper. Then a vague sense of uneasiness came upon me, and I began to remember stories of travellers who had walked on and on in the falling snow until, wearied out, they were fain to lie down and sleep their lives away. Would it be possible, I asked myself, to keep on thus through all the long dark night? Would there not come a time when my limbs must fail, and my resolution give way? When I, too, must sleep the sleep of death. Death! I shuddered. How hard to die just now, when life lay all so bright before me! How hard for my darling, whose whole loving heart but that thought was not to be borne! To banish it, I shouted again, louder and longer, and then listened eagerly. Was my shout answered, or did I only fancy that I heard a far-off cry? I halloed again, and again the echo followed. Then a wavering speck of light came suddenly out of the dark, shifting, disappearing, growing momentarily nearer and brighter. Running towards it at full speed, I found myself, to my great joy, face to face with an old man and a lantern.

“Thank God!” was the exclamation that burst involuntarily from my lips.

Blinking and frowning, he lifted his lantern and peered into my face.

“What for?” growled he, sulkily.

“Well — for you. I began to fear I should be lost in the snow.”

“Eh, then, folks do get cast away hereabouts fra’ time to time, an’ what’s to hinder you from bein’ cast away likewise, if the Lord’s so minded?”

“If the Lord is so minded that you and I shall be lost together, friend, we must submit,” I replied; “but I don’t mean to be lost without you. How far am I now from Dwolding?”

“A gude twenty mile, more or less.”

“And the nearest village?”

“The nearest village is Wyke, an’ that’s twelve mile t’other side.”

“Where do you live, then?”

“Out yonder,” said he, with a vague jerk of the lantern.

“You’re going home, I presume?”

“Maybe I am.”

“Then I’m going with you.”

The old man shook his head, and rubbed his nose reflectively with the handle of the lantern.

“It ain’t o’ no use,” growled he. “He ‘ont let you in — not he.”

“We’ll see about that,” I replied, briskly. “Who is He?”

“The master.”

“Who is the master?”

“That’s nowt to you,” was the unceremonious reply.

“Well, well; you lead the way, and I’ll engage that the master shall give me shelter and a supper to-night.”

“Eh, you can try him!” muttered my reluctant guide; and, still shaking his head, he hobbled, gnome-like, away through the falling snow. A large mass loomed up presently out of the darkness, and a huge dog rushed out, barking furiously.

“Is this the house?” I asked.

“Ay, it’s the house. Down, Bey!” And he fumbled in his pocket for the key.

 I drew up close behind him, prepared to lose no chance of entrance, and saw in the little circle of light shed by the lantern that the door was heavily studded with iron nails, like the door of a prison. In another minute he had turned the key and I had pushed past him into the house.

 Once inside, I looked round with curiosity, and found myself in a great raftered hall, which served, apparently, a variety of uses. One end was piled to the roof with corn, like a barn. The other was stored with flour-sacks, agricultural implements, casks, and all kinds of miscellaneous lumber; while from the beams overhead hung rows of hams, flitches, and bunches of dried herbs for winter use. In the centre of the floor stood some huge object gauntly dressed in a dingy wrapping-cloth, and reaching half way to the rafters. Lifting a corner of this cloth, I saw, to my surprise, a telescope of very considerable size, mounted on a rude movable platform, with four small wheels. The tube was made of painted wood, bound round with bands of metal rudely fashioned; the speculum, so far as I could estimate its size in the dim light, measured at least fifteen inches in diameter. While I was yet examining the instrument, and asking myself whether it was not the work of some self-taught optician, a bell rang sharply.

“That’s for you,” said my guide, with a malicious grin. “Yonder’s his room.”

He pointed to a low black door at the opposite side of the hall. I crossed over, rapped somewhat loudly, and went in, without waiting for an invitation. A huge, white-haired old man rose from a table covered with books and papers, and confronted me sternly.

“Who are you?” said he. “How came you here? What do you want?”

“James Murray, barrister-at-law. On foot across the moor. Meat, drink, and sleep.”

He bent his bushy brows into a portentous frown.

“Mine is not a house of entertainment,” he said, haughtily. “Jacob, how dared you admit this stranger?”
 “I didn’t admit him,” grumbled the old man. “He followed me over the muir, and shouldered his way in before me. I’m no match for six foot two.”

“And pray, sir, by what right have you forced an entrance into my house?”

“The same by which I should have clung to your boat, if I were drowning. The right of self-preservation.”

“Self-preservation?”

“There’s an inch of snow on the ground already,” I replied, briefly; “and it would be deep enough to cover my body before daybreak.”

He strode to the window, pulled aside a heavy black curtain, and looked out.

“It is true,” he said. “You can stay, if you choose, till morning. Jacob, serve the supper.”

With this he waved me to a seat, resumed his own, and became at once absorbed in the studies from which I had disturbed him.

I placed my gun in a corner, drew a chair to the hearth, and examined my quarters at leisure. Smaller and less incongruous in its arrangements than the hall, this room contained, nevertheless, much to awaken my curiosity. The floor was carpetless. The whitewashed walls were in parts scrawled over with strange diagrams, and in others covered with shelves crowded with philosophical instruments, the uses of many of which were unknown to me. On one side of the fireplace, stood a bookcase filled with dingy folios; on the other, a small organ, fantastically decorated with painted carvings of medieval saints and devils. Through the half-opened door of a cupboard at the further end of the room, I saw a long array of geological specimens, surgical preparations, crucibles, retorts, and jars of chemicals; while on the mantelshelf beside me, amid a number of small objects, stood a model of the solar system, a small galvanic battery, and a microscope. Every chair had its burden. Every corner was heaped high with books. The very floor was littered over with maps, casts, papers, tracings, and learned lumber of all conceivable kinds.

 I stared about me with an amazement increased by every fresh object upon which my eyes chanced to rest. So strange a room I had never seen; yet seemed it stranger still, to find such a room in a lone farmhouse amid those wild and solitary moors! Over and over again, I looked from my host to his surroundings, and from his surroundings back to my host, asking myself who and what he could be? His head was singularly fine; but it was more the head of a poet than of a philosopher. Broad in the temples, prominent over the eyes, and clothed with a rough profusion of perfectly white hair, it had all the ideality and much of the ruggedness that characterises the head of Louis von Beethoven. There were the same deep lines about the mouth, and the same stern furrows in the brow. There was the same concentration of expression. While I was yet observing him, the door opened, and Jacob brought in the supper. His master then closed his book, rose, and with more courtesy of manner than he had yet shown, invited me to the table.
A dish of ham and eggs, a loaf of brown bread, and a bottle of admirable sherry, were placed before me.

“I have but the homeliest farmhouse fare to offer you, sir,” said my entertainer. “Your appetite, I trust, will make up for the deficiencies of our larder.”

I had already fallen upon the viands, and now protested, with the enthusiasm of a starving sportsman, that I had never eaten anything so delicious.

He bowed stiffly, and sat down to his own supper, which consisted, primitively, of a jug of milk and a basin of porridge. We ate in silence, and, when we had done, Jacob removed the tray. I then drew my chair back to the fireside. My host, somewhat to my surprise, did the same, and turning abruptly towards me, said:

“Sir, I have lived here in strict retirement for three-and-twenty years. During that time, I have not seen as many strange faces, and I have not read a single newspaper. You are the first stranger who has crossed my threshold for more than four years. Will you favour me with a few words of information respecting that outer world from which I have parted company so long?”

 “Pray interrogate me,” I replied. “I am heartily at your service.”

He bent his head in acknowledgment; leaned forward, with his elbows resting on his knees and his chin supported in the palms of his hands; stared fixedly into the fire; and proceeded to question me.

His inquiries related chiefly to scientific matters, with the later progress of which, as applied to the practical purposes of life, he was almost wholly unacquainted. No student of science myself, I replied as well as my slight information permitted; but the task was far from easy, and I was much relieved when, passing from interrogation to discussion, he began pouring forth his own conclusions upon the facts which I had been attempting to place before him. He talked, and I listened spellbound. He talked till I believe he almost forgot my presence, and only thought aloud. I had never heard anything like it then; I have never heard anything like it since. Familiar with all systems of all philosophies, subtle in analysis, bold in generalisation, he poured forth his thoughts in an uninterrupted stream, and, still leaning forward in the same moody attitude with his eyes fixed upon the fire, wandered from topic to topic, from speculation to speculation, like an inspired dreamer. From practical science to mental philosophy; from electricity in the wire to electricity in the nerve; from Watts to Mesmer, from Mesmer to Reichenbach, from Reichenbach to Swedenborg, Spinoza, Condillac, Descartes, Berkeley, Aristotle, Plato, and the Magi and mystics of the East, were transitions which, however bewildering in their variety and scope, seemed easy and harmonious upon his lips as sequences in music. By-and-by — I forget now by what link of conjecture or illustration — he passed on to that field which lies beyond the boundary line of even conjectural philosophy, and reaches no man knows whither. He spoke of the soul and its aspirations; of the spirit and its powers; of second sight; of prophecy; of those phenomena which, under the names of ghosts, spectres, and supernatural appearances, have been denied by the sceptics and attested by the credulous, of all ages.

“The world,” he said, “grows hourly more and more sceptical of all that lies beyond its own narrow radius; and our men of science foster the fatal tendency. They condemn as fable all that resists experiment. They reject as false all that cannot be brought to the test of the laboratory or the dissecting-room. Against what superstition have they waged so long and obstinate a war, as against the belief in apparitions? And yet what superstition has maintained its hold upon the minds of men so long and so firmly? Show me any fact in physics, in history, in archæology, which is supported by testimony so wide and so various. Attested by all races of men, in all ages, and in all climates, by the soberest sages of antiquity, by the rudest savage of to-day, by the Christian, the Pagan, the Pantheist, the Materialist, this phenomenon is treated as a nursery tale by the philosophers of our century. Circumstantial evidence weighs with them as a feather in the balance. The comparison of causes with effects, however valuable in physical science, is put aside as worthless and unreliable. The evidence of competent witnesses, however conclusive in a court of justice, counts for nothing. He who pauses before he pronounces, is condemned as a trifler. He who believes, is a dreamer or a fool.”

He spoke with bitterness, and, having said thus, relapsed for some minutes into silence. Presently he raised his head from his hands, and added, with an altered voice and manner, “I, sir, paused, investigated, believed, and was not ashamed to state my convictions to the world. I, too, was branded as a visionary, held up to ridicule by my contemporaries, and hooted from that field of science in which I had laboured with honour during all the best years of my life. These things happened just three-and-twenty years ago. Since then, I have lived as you see me living now, and the world has forgotten me, as I have forgotten the world. You have my history.”

“It is a very sad one,” I murmured, scarcely knowing what to answer.

“It is a very common one,” he replied. “I have only suffered for the truth, as many a better and wiser man has suffered before me.”

He rose, as if desirous of ending the conversation, and went over to the window.

“It has ceased snowing,” he observed, as he dropped the curtain, and came back to the fireside.

“Ceased!” I exclaimed, starting eagerly to my feet. “Oh, if it were only possible — but no! it is hopeless. Even if I could find my way across the moor, I could not walk twenty miles to-night.”

“Walk twenty miles to-night!” repeated my host. “What are you thinking of?”

“Of my wife,” I replied, impatiently. “Of my young wife, who does not know that I have lost my way, and who is at this moment breaking her heart with suspense and terror.”

“Where is she?”

“At Dwolding, twenty miles away.”

“At Dwolding,” he echoed, thoughtfully. “Yes, the distance, it is true, is twenty miles; but — are you so very anxious to save the next six or eight hours?”

“So very, very anxious, that I would give ten guineas at this moment for a guide and a horse.”

 “Your wish can be gratified at a less costly rate,” said he, smiling. “The night mail from the north, which changes horses at Dwolding, passes within five miles of this spot, and will be due at a certain cross-road in about an hour and a quarter. If Jacob were to go with you across the moor, and put you into the old coach-road, you could find your way, I suppose, to where it joins the new one?”

“Easily — gladly.”

He smiled again, rang the bell, gave the old servant his directions, and, taking a bottle of whisky and a wineglass from the cupboard in which he kept his chemicals, said:

“The snow lies deep, and it will be difficult walking to-night on the moor. A glass of usquebaugh before you start?”

I would have declined the spirit, but he pressed it on me, and I drank it. It went down my throat like liquid flame, and almost took my breath away.

“It is strong,” he said; “but it will help to keep out the cold. And now you have no moments to spare. Good night!”

I thanked him for his hospitality, and would have shaken hands, but that he had turned away before I could finish my sentence. In another minute I had traversed the hall, Jacob had locked the outer door behind me, and we were out on the wide white moor.

Although the wind had fallen, it was still bitterly cold. Not a star glimmered in the black vault overhead. Not a sound, save the rapid crunching of the snow beneath our feet, disturbed the heavy stillness of the night. Jacob, not too well pleased with his mission, shambled on before in sullen silence, his lantern in his hand, and his shadow at his feet. I followed, with my gun over my shoulder, as little inclined for conversation as himself. My thoughts were full of my late host. His voice yet rang in my ears. His eloquence yet held my imagination captive. I remember to this day, with surprise, how my over-excited brain retained whole sentences and parts of sentences, troops of brilliant images, and fragments of splendid reasoning, in the very words in which he had uttered them. Musing thus over what I had heard, and striving to recall a lost link here and there, I strode on at the heels of my guide, absorbed and unobservant. Presently — at the end, as it seemed to me, of only a few minutes — he came to a sudden halt, and said:

“Yon’s your road. Keep the stone fence to your right hand, and you can’t fail of the way.”

 “This, then, is the old coach-road?”

“Ay, ’tis the old coach-road.”

“And how far do I go, before I reach the cross-roads?”

“Nigh upon three mile.”

I pulled out my purse, and he became more communicative.

“The road’s a fair road enough,” said he, “for foot passengers; but ’twas over steep and narrow for the northern traffic. You’ll mind where the parapet’s broken away, close again the sign-post. It’s never been mended since the accident.”

“What accident?”

“Eh, the night mail pitched right over into the valley below — a gude fifty feet an’ more — just at the worst bit o’ road in the whole county.”

“Horrible! Were many lives lost?”

“All. Four were found dead, and t’other two died next morning.”

“How long is it since this happened?”

“Just nine year.”

“Near the sign-post, you say? I will bear it in mind. Good night.”

“Gude night, sir, and thankee.” Jacob pocketed his half-crown, made a faint pretence of touching his hat, and trudged back by the way he had come.

I watched the light of his lantern till it quite disappeared, and then turned to pursue my way alone. This was no longer matter of the slightest difficulty, for, despite the dead darkness overhead, the line of stone fence showed distinctly enough against the pale gleam of the snow. How silent it seemed now, with only my footsteps to listen to; how silent and how solitary! A strange disagreeable sense of loneliness stole over me. I walked faster. I hummed a fragment of a tune. I cast up enormous sums in my head, and accumulated them at compound interest. I did my best, in short, to forget the startling speculations to which I had but just been listening, and, to some extent, I succeeded.

Meanwhile the night air seemed to become colder and colder, and though I walked fast I found it impossible to keep myself warm. My feet were like ice. I lost sensation in my hands, and grasped my gun mechanically. I even breathed with difficulty, as though, instead of traversing a quiet north country highway, I were scaling the uppermost heights of some gigantic Alp. This last symptom became presently so distressing, that I was forced to stop for a few minutes, and lean against the stone fence. As I did so, I chanced to look back up the road, and there, to my infinite relief, I saw a distant point of light, like the gleam of an approaching lantern. I at first concluded that Jacob had retraced his steps and followed me; but even as the conjecture presented itself, a second light flashed into sight — a light evidently parallel with the first, and approaching at the same rate of motion. It needed no second thought to show me that these must be the carriage-lamps of some private vehicle, though it seemed strange that any private vehicle should take a road professedly disused and dangerousThere could be no doubt, however, of the fact, for the lamps grew larger and brighter every moment, and I even fancied I could already see the dark outline of the carriage between them. It was coming up very fast, and quite noiselessly, the snow being nearly a foot deep under the wheels.

And now the body of the vehicle became distinctly visible behind the lamps. It looked strangely lofty. A sudden suspicion flashed upon me. Was it possible that I had passed the cross-roads in the dark without observing the sign-post, and could this be the very coach which I had come to meet?

No need to ask myself that question a second time, for here it came round the bend of the road, guard and driver, one outside passenger, and four steaming greys, all wrapped in a soft haze of light, through which the lamps blazed out, like a pair of fiery meteors.

I jumped forward, waved my hat, and shouted. The mail came down at full speed, and passed me. For a moment I feared that I had not been seen or heard, but it was only for a moment. The coachman pulled up; the guard, muffled to the eyes in capes and comforters, and apparently sound asleep in the rumble, neither answered my hail nor made the slightest effort to dismount; the outside passenger did not even turn his head. I opened the door for myself, and looked in. There were but three travellers inside, so I stepped in, shut the door, slipped into the vacant corner, and congratulated myself on my good fortune.

The atmosphere of the coach seemed, if possible, colder than that of the outer air, and was pervaded by a singularly damp and disagreeable smell. I looked round at my fellow-passengers. They were all three, men, and all silent. They did not seem to be asleep, but each leaned back in his corner of the vehicle, as if absorbed in his own reflections. I attempted to open a conversation.

“How intensely cold it is to-night,” I said, addressing my opposite neighbour.

He lifted his head, looked at me, but made no reply.

“The winter,” I added, “seems to have begun in earnest.”

Although the corner in which he sat was so dim that I could distinguish none of his features very clearly, I saw that his eyes were still turned full upon me. And yet he answered never a word.

At any other time I should have felt, and perhaps expressed, some annoyance, but at the moment I felt too ill to do either. The icy coldness of the night air had struck a chill to my very marrow, and the strange smell inside the coach was affecting me with an intolerable nausea. I shivered from head to foot, and, turning to my left-hand neighbour, asked if he had any objection to an open window?

He neither spoke nor stirred.

I repeated the question somewhat more loudly, but with the same result. Then I lost patience, and let the sash down. As I did so, the leather strap broke in my hand, and I observed that the glass was covered with a thick coat of mildew, the accumulation, apparently, of years. My attention being thus drawn to the condition of the coach, I examined it more narrowly, and saw by the uncertain light of the outer lamps that it was in the last stage of dilapidation. Every part of it was not only out of repair, but in a condition of decay. The sashes splintered at a touch. The leather fittings were crusted over with mould, and literally rotting from the woodwork. The floor was almost breaking away beneath my feet. The whole machine, in short, was foul with damp, and had evidently been dragged from some outhouse in which it had been mouldering away for years, to do another day or two of duty on the road.

I turned to the third passenger, whom I had not yet addressed, and hazarded one more remark.

“This coach,” I said, “is in a deplorable condition. The regular mail, I suppose, is under repair?”

He moved his head slowly, and looked me in the face, without speaking a word. I shall never forget that look while I live. I turned cold at heart under it. I turn cold at heart even now when I recall it. His eyes glowed with a fiery unnatural lustre. His face was livid as the face of a corpse. His bloodless lips were drawn back as if in the agony of death, and showed the gleaming teeth between.

The words that I was about to utter died upon my lips, and a strange horror — a dreadful horror — came upon me. My sight had by this time become used to the gloom of the coach, and I could see with tolerable distinctness. I turned to my opposite neighbour. He, too, was looking at me, with the same startling pallor in his face, and the same stony glitter in his eyes. I passed my hand across my brow. I turned to the passenger on the seat beside my own, and saw — oh Heaven! how shall I describe what I saw? I saw that he was no living man — that none of them were living men, like myself! A pale phosphorescent light — the light of putrefaction — played upon their awful faces; upon their hair, dank with the dews of the grave; upon their clothes, earth-stained and dropping to pieces; upon their hands, which were as the hands of corpses long buried. Only their eyes, their terrible eyes, were living; and those eyes were all turned menacingly upon me!

A shriek of terror, a wild unintelligible cry for help and mercy; burst from my lips as I flung myself against the door, and strove in vain to open it.

 In that single instant, brief and vivid as a landscape beheld in the flash of summer lightning, I saw the moon shining down through a rift of stormy cloud — the ghastly sign-post rearing its warning finger by the wayside — the broken parapet — the plunging horses — the black gulf below. Then, the coach reeled like a ship at sea. Then, came a mighty crash — a sense of crushing pain — and then, darkness.

It seemed as if years had gone by when I awoke one morning from a deep sleep, and found my wife watching by my bedside I will pass over the scene that ensued, and give you, in half a dozen words, the tale she told me with tears of thanksgiving. I had fallen over a precipice, close against the junction of the old coach-road and the new, and had only been saved from certain death by lighting upon a deep snowdrift that had accumulated at the foot of the rock beneath. In this snowdrift I was discovered at daybreak, by a couple of shepherds, who carried me to the nearest shelter, and brought a surgeon to my aid. The surgeon found me in a state of raving delirium, with a broken arm and a compound fracture of the skull. The letters in my pocket-book showed my name and address; my wife was summoned to nurse me; and, thanks to youth and a fine constitution, I came out of danger at last. The place of my fall, I need scarcely say, was precisely that at which a frightful accident had happened to the north mail nine years before.

I never told my wife the fearful events which I have just related to you. I told the surgeon who attended me; but he treated the whole adventure as a mere dream born of the fever in my brain. We discussed the question over and over again, until we found that we could discuss it with temper no longer, and then we dropped it. Others may form what conclusions they please — I know that twenty years ago I was the fourth inside passenger in that Phantom Coach.

Hold onto your seat at “Don’t Breathe”!

Dont breathe Sept 2016Pay full ticket price to see this at the first opportunity.   This is one hell of a suspenseful movie.  I’m old enough that I fall asleep in action movies and shoot’em-ups if they flag the least in holding my attention.  I sat on the edge of my seat like a teenager through this entire flick, flinching, dodging, squirming, and ducking with the action every step of the way.

The plot is incredibly simple.  Three teenage friends work as a team to  break into rich people’s homes for different reasons, a girl to earn enough money to run away from home, her jerk boyfriend who trips on the vandalism, and the intellectual who has a crush on the girl and will follow her anywhere.  The jerk finds out about a blind veteran of Iraq, who won a lot of money in a lawsuit involving the death of his daughter.  They film the vet’s house in a deserted section of Detroit until they find out that he rarely leaves.  They decide to go against their usual practice of waiting until the owners leave and instead break in during the wee hours with the intent of chloroforming him while he sleeps.  Of course, things do not go as planned and the friends find themselves trapped with a tough, twisted killer who has a dark, sinister secret to protect.

With Iced Tea, Farmington, New Mexico, March 20, 2015
With Iced Tea, Farmington, New Mexico, March 20, 2015

Now, at this point, you can probably guess who is the first to die and then the second, but don’t be too sure about the ending as there are innumerable twists and turns throughout and they are particularly rapid-fire at the end.  I found the action very inventive and well done with completely unsuspected twists.  One moment that had me twisting and muttering “Ewwww” was the most wicked and innovative use of a turkey baster that I have ever seen or even heard of.

I found the acting first-rate and the use of close-ups very effective for bringing the viewer directly into the fast-moving, blood-splattered heat of the action.  I didn’t catch any slip-ups and I thought all the action was logical and exceptionally well planned out down to the tiniest detail.  The set-ups to maintain or generate constant suspense were right on the money.

See this movie at your first opportunity.   This is one of the most terrifying thriller/horror movies I have seen in a very long time.

The Saturday Night Special: “Annabel Lee” by Edgar Allan Poe (1849)

It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.
I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.
And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.
The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;
For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.
Edgar Allan Poe, circa 1849
Edgar Allan Poe, circa 1849

New Microfiction by Ryan C. Bradley: “Material World”

You feel it closing in all around you. It’s down the hallway with the slanted floorboards with their warped bulbs of hardwood. You can feel it as you jiggle the handle of the doors to your daughter’s room and it jiggles in your hand like a loose tooth. There it is, all around her.

"Oppression" by Isabella Quintana October 21, 2014
“Oppression”
by Isabella Quintana
October 21, 2014

Your daughter is the picture of innocence, rocking in a tiny chair, hugging her Barbie close. You think of the way she cried when she brought Barbie into the bath and the doll’s hair clumped and pulled off at the scalp when she tried to brush it and how happy she was when you spent the next week switching that Barbie out for other’s with more hair so your daughter thought that Barbie’s hair was growing back. When you looked again, the original’s hair was longer and fuller, and the others bald. You didn’t tell your daughter, but you switched it back.

How could this thing be in her?

But as you get close you feel the air around your daughter and it’s cold, like stepping into a freezer on a summer day.

You rip the Barbie out of her hand. She cries out. You tell her this is for her own good, and see the tears in her eyes. She is too young to understand. You snap the doll over your knee, and for a second you believe your daughter is safe.

There’s a static in the way it comes out of the Barbie into you. It adjusts to its new home, in a way that you never adjusted to yours. It is you now.

###

Ryan C. Bradley has previously published fiction in The Gothic Blue Book V, apt, Pinball, and others. His nonfiction regularly appears in Wicked Horror, Dread Central, and Diabolique. In 2015, he won the 2015 JP Reads Flash Fiction Contest. His first novel, Friday the Furteenth, is being serialized at Channillo.com. You can learn more about him at https://ryancbradleyblog.wordpress.com/.

New Poetry by Marieta Maglas: “Blind Reality” (second of three poems)

Hollow-eyed shades
of human beings,
human beings
cogitating on jazz music,
jazz penetrating the silence
of the bleeding angels,
angels in a fight for
the awakening of this blind reality,
monetization of
the objects & spaces, asylums,
sexual harassments
for anxious women, prostitution,
deadly ocean waves,
terrorist attacks and
Islamist militancy,
racism,
multiple vortex tornadoes
to damage gas stations,
ISIS’s strategies,
public executions, crucifixions,
vegetation fires,
emblazoned clothes
and precious stones,
children murdered
in egregious crackdowns,
meteorite impacts,
wars,
illegal immigration,
exposed naked bodies,
powerful quakes striking
near the plate boundaries,
changes
in refugee policies,
kidnappings, sales of
stolen artifacts, drugs,
protests blocking roads, landslides,
macroeconomic policies,
casino culture,
silent strategies of democracies,
food securities
for starving people,
food price increases,
Monsoon rains
and flash floods,
nuclear disasters,
smiling volcanoes,
human cells mixed up with
animal embryos,
sphinxes, thermal shocks
caused by global warming,
dengue fever, songs,
warming parties, temporary work,
seasonal unemployment,
low wages,
alcoholic cocktails,
ill people not displaying symptoms,
Zika and Chikungunya viruses,
birth defects, theatrical triumphs,
crime watchers,
new hairstyles,
glacier calving,
different drivers having
different styles to run their cars,
cars blinking their headlights
while their motors scream,
screaming trees and revolvers
that shoot up walls to write lyrics,
lyrics of jazz penetrating the silence
of the bleeding angels,
angels in a fight for
the awakening of this new reality.
###

Ardus Publications, Sybaritic Press, Prolific Press, and some others published the poems of Marieta Maglas in anthologies like Tanka Journal, edited by Glenn Lyvers, The Aquillrelle Wall of Poetry, edited by Yossi Faybish, A Divine Madness: An Anthology of Modern Love Poetry, edited by

Marieta Maglas
Marieta Maglas

John Patrick Boutilier, Near Kin:A Collection of Words and Art Inspired by Octavia Estelle Butler, edited by Marie Lecrivain, Three Line Poetry #25, edited by Glenn Lyvers, ENCHANTED – Love Poems and Abstract Art, edited by Gabrielle de la Fair, and Intercontinental Anthology of Poetry on Universal Peace and Love, edited by Madan Gandhi.

New Poetry by Marieta Maglas: “Screaming Mannequins” (first of three poems)

Eyes huddled in fear,
that paralyzing fear in front of
the bullets mercilessly sprayed,
deeply sprayed by some cruelty,
which is fed up
with a lot of victims,
those defenseless victims of hate,
a dreadful hate,
which is fed up with a little love
as well as
a little pleasure can be fed up
with a lot of pain,
that extreme pain,
which embellishes the madness,
one round and seemingly
nonexistent madness being like
a strange cold having
many moisturized rosy-red,
rosy-red ring-shaped patches
associated with
a giant Quincke swelling
and with a boisterous cooling
noisy breath,
that snorting breath
like a groaning song,
a love song for a dance of death,
that painful death for all the hot puppets,
beautiful puppets becoming
cold wax mannequins,
those mannequins screaming
in their red rain
of feelings,
those red feelings coloring
a few sad moments,
cool moments of many winter fires
those burning fires
in the lost caves of shadows.
###

Ardus Publications, Sybaritic Press, Prolific Press, and some others published the poems of Marieta Maglas in anthologies like Tanka Journal,

Marieta Maglas
Marieta Maglas

edited by Glenn Lyvers, The Aquillrelle Wall of Poetry, edited by Yossi Faybish, A Divine Madness: An Anthology of Modern Love Poetry, edited by John Patrick Boutilier, Near Kin:A Collection of Words and Art Inspired by Octavia Estelle Butler, edited by Marie Lecrivain, Three Line Poetry #25, edited by Glenn Lyvers, ENCHANTED – Love Poems and Abstract Art, edited by Gabrielle de la Fair, and Intercontinental Anthology of Poetry on Universal Peace and Love, edited by Madan Gandhi.

The Saturday Night Special: “The Hound” by H.P. Lovecraft (1922)

In my tortured ears there sounds unceasingly a nightmare whirring and flapping, and a faint distant baying as of some gigantic hound. It is not dream – it is not, I fear, even madness – for too much has already happened to give me these merciful doubts.

St John is a mangled corpse; I alone know why, and such is my knowledge that I am about to blow out my brains for fear I shall be mangled in the same way. Down unlit and illimitable corridors of eldrith phantasy sweeps the black, shapeless Nemesis that drives me to self-annihilation.

H.P. Lovecraft, 1915
H.P. Lovecraft, 1915

May heaven forgive the folly and morbidity which led us both to so monstrous a fate! Wearied with the commonplaces of a prosaic world; where even the joys of romance and adventure soon grow stale, St John and I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui. The enigmas of the symbolists and the ecstasies of the pre-Raphaelites all were ours in their time, but each new mood was drained too soon, of its diverting novelty and appeal.

Only the somber philosophy of the decadents could help us, and this we found potent only by increasing gradually the depth and diabolism of our penetrations. Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us only the more direct stimuli of unnatural personal experiences and adventures. It was this frightful emotional need which led us eventually to that detestable course which even in my present fear I mention with shame and timidity – that hideous extremity of human outrage, the abhorred practice of grave-robbing.

I cannot reveal the details of our shocking expeditions, or catalogue even partly the worst of the trophies adorning the nameless museum we prepared in the great stone house where we jointly dwelt, alone and servantless. Our museum was a blasphemous, unthinkable place, where with the satanic taste of neurotic virtuosi we had assembled an universe of terror and decay to excite our jaded sensibilities. It was a secret room, far, far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death the lines of red charnel things hand in hand woven in voluminous black hangings. Through these pipes came at will the odors our moods most craved; sometimes the scent of pale funeral lilies; sometimes the narcotic incense of imagined Eastern shrines of the kingly dead, and sometimes – how I shudder to recall it! – the frightful, soul-upheaving stenches of the uncovered-grave.

Around the walls of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the taxidermist’s art, and with headstones snatched from the oldest churchyards of the world. Niches here and there contained skulls of all shapes, and heads preserved in various stages of dissolution. There one might find the rotting, bald pates of famous noblemen, and the fresh and radiantly golden heads of new-buried children.

Statues and paintings there were, all of fiendish subjects and some executed by St John and myself. A locked portfolio, bound in tanned human skin, held certain unknown and unnameable drawings which it was rumored Goya had perpetrated but dared not acknowledge. There were nauseous musical instruments, stringed, brass, and wood-wind, on which St John and I sometimes produced dissonances of exquisite morbidity and cacodaemoniacal ghastliness; whilst in a multitude of inlaid ebony cabinets reposed the most incredible and unimaginable variety of tomb-loot ever assembled by human madness and perversity. It is of this loot in particular that I must not speak – thank God I had the courage to destroy it long before I thought of destroying myself!

The predatory excursions on which we collected our unmentionable treasures were always artistically memorable events. We were no vulgar ghouls, but worked only under certain conditions of mood, landscape, environment, weather, season, and moonlight. These pastimes were to us the most exquisite form of aesthetic expression, and we gave their details a fastidious technical care. An inappropriate hour, a jarring lighting effect, or a clumsy manipulation of the damp sod, would almost totally destroy for us that ecstatic titillation which followed the exhumation of some ominous, grinning secret of the earth. Our quest for novel scenes and piquant conditions was feverish and insatiate – St John was always the leader, and he it was who led the way at last to that mocking, accursed spot which brought us our hideous and inevitable doom.

By what malign fatality were we lured to that terrible Holland churchyard? I think it was the dark rumor and legendry, the tales of one buried for five centuries, who had himself been a ghoul in his time and had stolen a potent thing from a mighty sepulchre. I can recall the scene in these final moments – the pale autumnal moon over the graves, casting long horrible shadows; the grotesque trees, drooping sullenly to meet the neglected grass and the crumbling slabs; the vast legions of strangely colossal bats that flew against the moon; the antique ivied church pointing a huge spectral finger at the livid sky; the phosphorescent insects that danced like death-fires under the yews in a distant corner; the odors of mould, vegetation, and less explicable things that mingled feebly with the night-wind from over far swamps and seas; and, worst of all, the faint deep-toned baying of some gigantic hound which we could neither see nor definitely place. As we heard this suggestion of baying we shuddered, remembering the tales of the peasantry; for he whom we sought had centuries before been found in this self same spot, torn and mangled by the claws and teeth of some unspeakable beast.

I remember how we delved in the ghoul’s grave with our spades, and how we thrilled at the picture of ourselves, the grave, the pale watching moon, the horrible shadows, the grotesque trees, the titanic bats, the antique church, the dancing death-fires, the sickening odors, the gently moaning night-wind, and the strange, half-heard directionless baying of whose objective existence we could scarcely be sure.

Then we struck a substance harder than the damp mould, and beheld a rotting oblong box crusted with mineral deposits from the long undisturbed ground. It was incredibly tough and thick, but so old that we finally pried it open and feasted our eyes on what it held.

Much – amazingly much – was left of the object despite the lapse of five hundred years. The skeleton, though crushed in places by the jaws of the thing that had killed it, held together with surprising firmness, and we gloated over the clean white skull and its long, firm teeth and its eyeless sockets that once had glowed with a charnel fever like our own. In the coffin lay an amulet of curious and exotic design, which had apparently been worn around the sleeper’s neck. It was the oddly conventionalised figure of a crouching winged hound, or sphinx with a semi-canine face, and was exquisitely carved in antique Oriental fashion from a small piece of green jade. The expression of its features was repellent in the extreme, savoring at once of death, bestiality and malevolence. Around the base was an inscription in characters which neither St John nor I could identify; and on the bottom, like a maker’s seal, was graven a grotesque and formidable skull.

Immediately upon beholding this amulet we knew that we must possess it; that this treasure alone was our logical pelf from the centuried grave. Even had its outlines been unfamiliar we would have desired it, but as we looked more closely we saw that it was not wholly unfamiliar. Alien it indeed was to all art and literature which sane and balanced readers know, but we recognized it as the thing hinted of in the forbidden Necronomicon of the mad Arab Abdul Alhazred; the ghastly soul-symbol of the corpse-eating cult of inaccessible Leng, in Central Asia. All too well did we trace the sinister lineaments described by the old Arab daemonologist; lineaments, he wrote, drawn from some obscure supernatural manifestation of the souls of those who vexed and gnawed at the dead.

Seizing the green jade object, we gave a last glance at the bleached and cavern-eyed face of its owner and closed up the grave as we found it. As we hastened from the abhorrent spot, the stolen amulet in St John’s pocket, we thought we saw the bats descend in a body to the earth we had so lately rifled, as if seeking for some cursed and unholy nourishment. But the autumn moon shone weak and pale, and we could not be sure.

So, too, as we sailed the next day away from Holland to our home, we thought we heard the faint distant baying of some gigantic hound in the background. But the autumn wind moaned sad and wan, and we could not be sure.

Less than a week after our return to England, strange things began to happen. We lived as recluses; devoid of friends, alone, and without servants in a few rooms of an ancient manor-house on a bleak and unfrequented moor; so that our doors were seldom disturbed by the knock of the visitor.

Now, however, we were troubled by what seemed to be a frequent fumbling in the night, not only around the doors but around the windows also, upper as well as lower. Once we fancied that a large, opaque body darkened the library window when the moon was shining against it, and another time we thought we heard a whirring or flapping sound not far off. On each occasion investigation revealed nothing, and we began to ascribe the occurrences to imagination which still prolonged in our ears the faint far baying we thought we had heard in the Holland churchyard. The jade amulet now reposed in a niche in our museum, and sometimes we burned a strangely scented candle before it. We read much in Alhazred’s Necronomicon about its properties, and about the relation of ghosts’ souls to the objects it symbolized; and were disturbed by what we read.

Then terror came.

On the night of September 24, 19–, I heard a knock at my chamber door. Fancying it St John’s, I bade the knocker enter, but was answered only by a shrill laugh. There was no one in the corridor. When I aroused St John from his sleep, he professed entire ignorance of the event, and became as worried as I. It was the night that the faint, distant baying over the moor became to us a certain and dreaded reality.

Four days later, whilst we were both in the hidden museum, there came a low, cautious scratching at the single door which led to the secret library staircase. Our alarm was now divided, for, besides our fear of the unknown, we had always entertained a dread that our grisly collection might be discovered. Extinguishing all lights, we proceeded to the door and threw it suddenly open; whereupon we felt an unaccountable rush of air, and heard, as if receding far away, a queer combination of rustling, tittering, and articulate chatter. Whether we were mad, dreaming, or in our senses, we did not try to determine. We only realized, with the blackest of apprehensions, that the apparently disembodied chatter was beyond a doubt in the Dutch language.

After that we lived in growing horror and fascination. Mostly we held to the theory that we were jointly going mad from our life of unnatural excitements, but sometimes it pleased us more to dramatize ourselves as the victims of some creeping and appalling doom. Bizarre manifestations were now too frequent to count. Our lonely house was seemingly alive with the presence of some malign being whose nature we could not guess, and every night that daemoniac baying rolled over the wind-swept moor, always louder and louder. On October 29 we found in the soft earth underneath the library window a series of footprints utterly impossible to describe. They were as baffling as the hordes of great bats which haunted the old manor-house in unprecedented and increasing numbers.

The horror reached a culmination on November 18, when St John, walking home after dark from the dismal railway station, was seized by some frightful carnivorous thing and torn to ribbons. His screams had reached the house, and I had hastened to the terrible scene in time to hear a whir of wings and see a vague black cloudy thing silhouetted against the rising moon.

My friend was dying when I spoke to him, and he could not answer coherently. All he could do was to whisper, “The amulet – that damned thing -”

Then he collapsed, an inert mass of mangled flesh.

I buried him the next midnight in one of our neglected gardens, and mumbled over his body one of the devilish rituals he had loved in life. And as I pronounced the last daemoniac sentence I heard afar on the moor the faint baying of some gigantic hound. The moon was up, but I dared not look at it. And when I saw on the dim-lighted moor a wide-nebulous shadow sweeping from mound to mound, I shut my eyes and threw myself face down upon the ground. When I arose, trembling, I know not how much later, I staggered into the house and made shocking obeisances before the enshrined amulet of green jade.

Being now afraid to live alone in the ancient house on the moor, I departed on the following day for London, taking with me the amulet after destroying by fire and burial the rest of the impious collection in the museum. But after three nights I heard the baying again, and before a week was over felt strange eyes upon me whenever it was dark. One evening as I strolled on Victoria Embankment for some needed air, I saw a black shape obscure one of the reflections of the lamps in the water. A wind, stronger than the night-wind, rushed by, and I knew that what had befallen St John must soon befall me.

The next day I carefully wrapped the green jade amulet and sailed for Holland. What mercy I might gain by returning the thing to its silent, sleeping owner I knew not; but I felt that I must try any step conceivably logical. What the hound was, and why it had pursued me, were questions still vague; but I had first heard the baying in that ancient churchyard, and every subsequent event including St John’s dying whisper had served to connect the curse with the stealing of the amulet. Accordingly I sank into the nethermost abysses of despair when, at an inn in Rotterdam, I discovered that thieves had despoiled me of this sole means of salvation.

The baying was loud that evening, and in the morning I read of a nameless deed in the vilest quarter of the city. The rabble were in terror, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the neighborhood. In a squalid thieves’ den an entire family had been torn to shreds by an unknown thing which left no trace, and those around had heard all night a faint, deep, insistent note as of a gigantic hound.

So at last I stood again in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the withered, frosty grass and cracking slabs, and the ivied church pointed a jeering finger at the unfriendly sky, and the night-wind howled maniacally from over frozen swamps and frigid seas. The baying was very faint now, and it ceased altogether as I approached the ancient grave I had once violated, and frightened away an abnormally large horde of bats which had been hovering curiously around it.

I know not why I went thither unless to pray, or gibber out insane pleas and apologies to the calm white thing that lay within; but, whatever my reason, I attacked the half frozen sod with a desperation partly mine and partly that of a dominating will outside myself. Excavation was much easier than I expected, though at one point I encountered a queer interruption; when a lean vulture darted down out of the cold sky and pecked frantically at the grave-earth until I killed him with a blow of my spade. Finally I reached the rotting oblong box and removed the damp nitrous cover. This is the last rational act I ever performed.

For crouched within that centuried coffin, embraced by a closepacked nightmare retinue of huge, sinewy, sleeping bats, was the bony thing my friend and I had robbed; not clean and placid as we had seen it then, but covered with caked blood and shreds of alien flesh and hair, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my inevitable doom. And when it gave from those grinning jaws a deep, sardonic bay as of some gigantic hound, and I saw that it held in its gory filthy claw the lost and fateful amulet of green jade, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter.

Madness rides the star-wind… claws and teeth sharpened on centuries of corpses… dripping death astride a bacchanale of bats from nigh-black ruins of buried temples of Belial… Now, as the baying of that dead fleshless monstrosity grows louder and louder, and the stealthy whirring and flapping of those accursed web-wings closer and closer, I shall seek with my revolver the oblivion which is my only refuge from the unnamed and unnameable.

New Prose Poetry: “I am Assaulted.” by Larry Thacker

In constant struggle with some barely met
demon-god’s angels, just over my shoulders,
along the path of my spine, hovering near
my ears, observing every thought, watching
my faulty movements, keeping time on a watch
I hear ticking but have yet to find hidden
among my debris. Counting breaths. Whispering
their dreaded counting of days. Moving with me,
forever me. I have lost count of their faces.
Their choruses beg attention, un-focusing me,
in languages I’ve given up hope understanding,
an alien tongue lashing, familiar to maddening.
I catch only fragments of messages, tones,
inflections, infections. My struggle, a prayerful
resentment, to find a perfect key, my own
tabula meditatum psychonum. Something to eek
the translation toward wholeness – some gift to
weaken cracks into the sealed gate where they
stand hunched about, listening to my weakened
fists pounding on the other side. They command
my waking hours and somewhere in my dead
sleep, my dreams un-spared. They frighten
my inner workings, these messages, urgent.
I spot wings in the corners of my eyes, shadow-
wrapped in life’s clutter. I turn, they evade,
cleverly plunging from sight. This awful game
they insist upon. They distract me from my days,
a thirsty tick just out of reach, drawing my energies
almost too slowly to notice. Slowly, like the many
voices growing in the veins of ancient trees.
 I hear you, yes. Oh, by the gods I hear you…

### 

Larry D. Thacker is a writer and artist from Tennessee (US). His stories can be found in past issues of The Still Journal, Fried Chicken and Coffee, Dime Show Review and The Emancipator. His poetry can be found in journals and magazines such as The Still Journal, The Southern Poetry Anthology: Tennessee, Mojave River Review, Broad River Review, Harpoon Review, Rappahannock Review, and Appalachian Heritage. He is the author of Mountain Mysteries: The Mystic Traditions of Appalachia, the poetry chapbooks, Voice Hunting and Memory Train and the forthcoming full collection Drifting in Awe. He is presently taking his MFA in poetry and fiction at West Virginia Wesleyan College. More stuff at:www.larrydthacker.com

Announcement: Phil Slattery Teams with Darksomnia Productions to Produce Documentary of a Haunting

Francene Kilgore (l) and I on the set with Alrenzo Black (r) and 2tk (center) of Darksomnia Productions, August 6, 2016
Francene Kilgore (l) and I on the set with Alrenzo Black (r) and 2tk (center) of Darksomnia Productions, August 6, 2016

My fiancée (Francene Kilgore) and I are teaming with Darksomnia Productions of Farmington, NM to produce a documentary/dramatization of a haunting that occurred in south Texas from about 2006-2010.  Filming is taking place.  Parts of the documentary will be dramatized by actors while my fiancee and I appear discussing the events.  The video should be completed within 1-2 months.   More details to come.

 

Darksomnia Productions
Darksomnia Productions

Alrenzo Black (l) and 2tk (r) of CEO's and co-founders of Darksomnia Productions.

Alrenzo Black (l) and 2tk (r) of CEO’s and co-founders of Darksomnia Productions.

Announcement: “Sorcerer” has been published in Creepy Campfire Quarterly

Creepy Campfire Quarterly #3, July 20, 2016, edited by Jennifer Word
Creepy Campfire Quarterly #3, July 20, 2016

Last week I received my hardcopy of Creepy Campfire Quarterly #3 containing my short story “Sorcerer”.  My sincere thanks to Jennifer Word and her staff for publishing this story, which is one of my favorite works, but which has been long in finding a home.  “Sorcerer” is the story of a former sorcerer, who has given up his wizard’s life for the love of a woman, but who comes out of retirement to wreak a novel but horrific vengeance on the callous, young womanizer he holds responsible for the death of his daughter and his infant grandson during childbirth.   I am currently seeking a publisher for its sequel entitled “Under the Willow”.  Run out today and buy a copy wherever you can find Creepy Campfire Quarterly or visit their website at http://www.emppublishing.com/creepy-campfire-quarterly.html.  You can also find them at Amazon and Kindle and they have a Facebook page as well.