Beginning in January 1, 2017, this will be the location of a new on-line quarterly magazine for short stories, poetry, and other short works of the horror genre. Please feel free to start submitting as of September 9, 2016. You can find the guidelines for submissions on my current Submissions and Announcements page, which will remain the same, with the only exception being that the word limit for submissions for “The Chamber” will increase from 1,000 to 2,000 words.
I am creating this magazine primarily because it is not fair to my contributors to submit a work for publication, when that work will be at the top of my blog posts for only a day, and then that author and his readers will have to wade through a morass of unrelated blogs to find that one post. To remedy this, I will create a separate page on my blog for my new magazine, “The Chamber”, where each quarter’s selections will appear on a separate page for eternity (or until WordPress folds, or until I give it all up and wander off to buy a bar in Key West or etc.) Issue 1 will appear on January 1st. Cut-off date for submissions will be November 30 (I don’t want to work over Christmas). Selections will probably be made by December 15. Send submissions per the Submissions and Announcements guidelines, but specify Submission for “The Chamber” in the subject line, if you want your work published in The Chamber, or Submission for The Blog, if you want to be published in the regular blog. I will continue to publish submissions in my regular blog until December 31.
Why call it “The Chamber”? The word chamber has numerous sinister and macabre connotations: a chamber of horrors, a torture chamber, one chambers a round into a rifle, etc. A chamber can also be where a sorcerer, an alchemist, or a member of the Inquisition stores his library. It is with this last connotation in mind that I am developing my Chamber for the storage of my selection of sinister and macabre works from the best up and coming authors that seek to contribute to my blog.
So, start editing your best, most powerful material and see where this new venture takes us! I want powerful, hard-hitting material that leaves its readers gasping and awe-struck at the end.
The Farmington Writers Circle meets tonight on September 8, 2016 at 7:00 p.m. Because of the closing of Hasting’s Hardback Cafe, the Writers Circle will now meet at Starbuck’s at 4337 East Main, #101 (near the intersection with 30th Street) until further notice. The evening’s topic has not been determined.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. There are no fees or requirements to attend meetings. Writers of any and all genres, regardless of writing experience, and non-writers with an interest in the art are welcome. Previous topics have included establishing a website to maximize the use of social media in publicizing works, writers’ conferences, and finding an agent among other topics. Meetings generally run for two hours. For more information, contact me via this website.
In my editing endeavors recently I’ve encountered a lot of words that spellcheck doesn’t always catch and so it prompted me to share a few of them with you. Passed (verb) vs Past (prepo…
If you have a bit of horror flash fiction or poetry you would like to see published on this blog, go to my submissions page for guidelines. I would like to see more original fiction and poetry published here in any short form from narratives to any type of poetry (including the experimental and off-beat) to short plays or whatever. I would like to showcase as wide a range possible of works of horror. If in doubt, send it. This is not to say that I will publish anything that comes along. Whatever I publish will have to meet my own aesthetic standards and tastes, but I do want to see anything you have (so long as it meets the minimal standards expressed on my submissions page). We have had some very good authors and poets recently and I am eager to see more.
In addition, I will now start taking announcements about works of horror. If you are a horror author with a book-signing coming up or you will be giving a public talk somewhere or you have a book (or film) with a definite release date, announce it here. If you have anything related to a creative work in the horror genre that you would like to publicize, draft an announcement and send it in. I reserve all editorial rights however to make any needed changes for clarity, etc, and to ask questions if the announcement isn’t clear on some point. There will be no charge for this, at least initially, but I do reserve the right to charge fees later, if a lot of announcements do start to flood my inbox.
However, note that I will not do advertising for any product. I want to publicize creative works and to help authors, poets, film makers, and others jump start their careers. I am not a merchant. As to where the line is between advertising a product and publicizing a work, that will be my subjective decision. So if you want to sell pens, notebooks, software, or any other concrete product, try Amazon.com.
How Important Is Backstory When Creating Characters? To my fellow writers here: Got 3 minutes to learn something interesting about backstory when writing? Are you stuck in too much research or stal…
The Farmington Writers Circle will meet again on September 8, 2016 at 7:00 p.m. Because of the closing of Hasting’s Hardback Cafe, the Writers Circle will now meet at Starbuck’s at 4337 East Main, #101 (near the intersection with 30th Street) until further notice. The evening’s topic has not been determined.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. There are no fees or requirements to attend meetings. Writers of any and all genres, regardless of writing experience, and non-writers with an interest in the art are welcome. Previous topics have included establishing a website to maximize the use of social media in publicizing works, writers’ conferences, and finding an agent among other topics. Meetings generally run for two hours. For more information, contact me via this website.
You feel it closing in all around you. It’s down the hallway with the slanted floorboards with their warped bulbs of hardwood. You can feel it as you jiggle the handle of the doors to your daughter’s room and it jiggles in your hand like a loose tooth. There it is, all around her.
“Oppression” by Isabella Quintana October 21, 2014
Your daughter is the picture of innocence, rocking in a tiny chair, hugging her Barbie close. You think of the way she cried when she brought Barbie into the bath and the doll’s hair clumped and pulled off at the scalp when she tried to brush it and how happy she was when you spent the next week switching that Barbie out for other’s with more hair so your daughter thought that Barbie’s hair was growing back. When you looked again, the original’s hair was longer and fuller, and the others bald. You didn’t tell your daughter, but you switched it back.
How could this thing be in her?
But as you get close you feel the air around your daughter and it’s cold, like stepping into a freezer on a summer day.
You rip the Barbie out of her hand. She cries out. You tell her this is for her own good, and see the tears in her eyes. She is too young to understand. You snap the doll over your knee, and for a second you believe your daughter is safe.
There’s a static in the way it comes out of the Barbie into you. It adjusts to its new home, in a way that you never adjusted to yours. It is you now.
###
Ryan C. Bradley has previously published fiction in The Gothic Blue Book V, apt, Pinball, and others. His nonfiction regularly appears in Wicked Horror, Dread Central, and Diabolique. In 2015, he won the 2015 JP Reads Flash Fiction Contest. His first novel, Friday the Furteenth, is being serialized at Channillo.com. You can learn more about him at https://ryancbradleyblog.wordpress.com/.
Ardus Publications, Sybaritic Press, Prolific Press, and some others published the poems of Marieta Maglas in anthologies like Tanka Journal, edited by Glenn Lyvers, The Aquillrelle Wall of Poetry, edited by Yossi Faybish, A Divine Madness: An Anthology of Modern Love Poetry, edited by
Marieta Maglas
John Patrick Boutilier, Near Kin:A Collection of Words and Art Inspired by Octavia Estelle Butler, edited by Marie Lecrivain, Three Line Poetry #25, edited by Glenn Lyvers, ENCHANTED – Love Poems and Abstract Art, edited by Gabrielle de la Fair, and Intercontinental Anthology of Poetry on Universal Peace and Love, edited by Madan Gandhi.
In my tortured ears there sounds unceasingly a nightmare whirring and flapping, and a faint distant baying as of some gigantic hound. It is not dream – it is not, I fear, even madness – for too much has already happened to give me these merciful doubts.
St John is a mangled corpse; I alone know why, and such is my knowledge that I am about to blow out my brains for fear I shall be mangled in the same way. Down unlit and illimitable corridors of eldrith phantasy sweeps the black, shapeless Nemesis that drives me to self-annihilation.
H.P. Lovecraft, 1915
May heaven forgive the folly and morbidity which led us both to so monstrous a fate! Wearied with the commonplaces of a prosaic world; where even the joys of romance and adventure soon grow stale, St John and I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui. The enigmas of the symbolists and the ecstasies of the pre-Raphaelites all were ours in their time, but each new mood was drained too soon, of its diverting novelty and appeal.
Only the somber philosophy of the decadents could help us, and this we found potent only by increasing gradually the depth and diabolism of our penetrations. Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us only the more direct stimuli of unnatural personal experiences and adventures. It was this frightful emotional need which led us eventually to that detestable course which even in my present fear I mention with shame and timidity – that hideous extremity of human outrage, the abhorred practice of grave-robbing.
I cannot reveal the details of our shocking expeditions, or catalogue even partly the worst of the trophies adorning the nameless museum we prepared in the great stone house where we jointly dwelt, alone and servantless. Our museum was a blasphemous, unthinkable place, where with the satanic taste of neurotic virtuosi we had assembled an universe of terror and decay to excite our jaded sensibilities. It was a secret room, far, far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death the lines of red charnel things hand in hand woven in voluminous black hangings. Through these pipes came at will the odors our moods most craved; sometimes the scent of pale funeral lilies; sometimes the narcotic incense of imagined Eastern shrines of the kingly dead, and sometimes – how I shudder to recall it! – the frightful, soul-upheaving stenches of the uncovered-grave.
Around the walls of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the taxidermist’s art, and with headstones snatched from the oldest churchyards of the world. Niches here and there contained skulls of all shapes, and heads preserved in various stages of dissolution. There one might find the rotting, bald pates of famous noblemen, and the fresh and radiantly golden heads of new-buried children.
Statues and paintings there were, all of fiendish subjects and some executed by St John and myself. A locked portfolio, bound in tanned human skin, held certain unknown and unnameable drawings which it was rumored Goya had perpetrated but dared not acknowledge. There were nauseous musical instruments, stringed, brass, and wood-wind, on which St John and I sometimes produced dissonances of exquisite morbidity and cacodaemoniacal ghastliness; whilst in a multitude of inlaid ebony cabinets reposed the most incredible and unimaginable variety of tomb-loot ever assembled by human madness and perversity. It is of this loot in particular that I must not speak – thank God I had the courage to destroy it long before I thought of destroying myself!
The predatory excursions on which we collected our unmentionable treasures were always artistically memorable events. We were no vulgar ghouls, but worked only under certain conditions of mood, landscape, environment, weather, season, and moonlight. These pastimes were to us the most exquisite form of aesthetic expression, and we gave their details a fastidious technical care. An inappropriate hour, a jarring lighting effect, or a clumsy manipulation of the damp sod, would almost totally destroy for us that ecstatic titillation which followed the exhumation of some ominous, grinning secret of the earth. Our quest for novel scenes and piquant conditions was feverish and insatiate – St John was always the leader, and he it was who led the way at last to that mocking, accursed spot which brought us our hideous and inevitable doom.
By what malign fatality were we lured to that terrible Holland churchyard? I think it was the dark rumor and legendry, the tales of one buried for five centuries, who had himself been a ghoul in his time and had stolen a potent thing from a mighty sepulchre. I can recall the scene in these final moments – the pale autumnal moon over the graves, casting long horrible shadows; the grotesque trees, drooping sullenly to meet the neglected grass and the crumbling slabs; the vast legions of strangely colossal bats that flew against the moon; the antique ivied church pointing a huge spectral finger at the livid sky; the phosphorescent insects that danced like death-fires under the yews in a distant corner; the odors of mould, vegetation, and less explicable things that mingled feebly with the night-wind from over far swamps and seas; and, worst of all, the faint deep-toned baying of some gigantic hound which we could neither see nor definitely place. As we heard this suggestion of baying we shuddered, remembering the tales of the peasantry; for he whom we sought had centuries before been found in this self same spot, torn and mangled by the claws and teeth of some unspeakable beast.
I remember how we delved in the ghoul’s grave with our spades, and how we thrilled at the picture of ourselves, the grave, the pale watching moon, the horrible shadows, the grotesque trees, the titanic bats, the antique church, the dancing death-fires, the sickening odors, the gently moaning night-wind, and the strange, half-heard directionless baying of whose objective existence we could scarcely be sure.
Then we struck a substance harder than the damp mould, and beheld a rotting oblong box crusted with mineral deposits from the long undisturbed ground. It was incredibly tough and thick, but so old that we finally pried it open and feasted our eyes on what it held.
Much – amazingly much – was left of the object despite the lapse of five hundred years. The skeleton, though crushed in places by the jaws of the thing that had killed it, held together with surprising firmness, and we gloated over the clean white skull and its long, firm teeth and its eyeless sockets that once had glowed with a charnel fever like our own. In the coffin lay an amulet of curious and exotic design, which had apparently been worn around the sleeper’s neck. It was the oddly conventionalised figure of a crouching winged hound, or sphinx with a semi-canine face, and was exquisitely carved in antique Oriental fashion from a small piece of green jade. The expression of its features was repellent in the extreme, savoring at once of death, bestiality and malevolence. Around the base was an inscription in characters which neither St John nor I could identify; and on the bottom, like a maker’s seal, was graven a grotesque and formidable skull.
Immediately upon beholding this amulet we knew that we must possess it; that this treasure alone was our logical pelf from the centuried grave. Even had its outlines been unfamiliar we would have desired it, but as we looked more closely we saw that it was not wholly unfamiliar. Alien it indeed was to all art and literature which sane and balanced readers know, but we recognized it as the thing hinted of in the forbidden Necronomicon of the mad Arab Abdul Alhazred; the ghastly soul-symbol of the corpse-eating cult of inaccessible Leng, in Central Asia. All too well did we trace the sinister lineaments described by the old Arab daemonologist; lineaments, he wrote, drawn from some obscure supernatural manifestation of the souls of those who vexed and gnawed at the dead.
Seizing the green jade object, we gave a last glance at the bleached and cavern-eyed face of its owner and closed up the grave as we found it. As we hastened from the abhorrent spot, the stolen amulet in St John’s pocket, we thought we saw the bats descend in a body to the earth we had so lately rifled, as if seeking for some cursed and unholy nourishment. But the autumn moon shone weak and pale, and we could not be sure.
So, too, as we sailed the next day away from Holland to our home, we thought we heard the faint distant baying of some gigantic hound in the background. But the autumn wind moaned sad and wan, and we could not be sure.
Less than a week after our return to England, strange things began to happen. We lived as recluses; devoid of friends, alone, and without servants in a few rooms of an ancient manor-house on a bleak and unfrequented moor; so that our doors were seldom disturbed by the knock of the visitor.
Now, however, we were troubled by what seemed to be a frequent fumbling in the night, not only around the doors but around the windows also, upper as well as lower. Once we fancied that a large, opaque body darkened the library window when the moon was shining against it, and another time we thought we heard a whirring or flapping sound not far off. On each occasion investigation revealed nothing, and we began to ascribe the occurrences to imagination which still prolonged in our ears the faint far baying we thought we had heard in the Holland churchyard. The jade amulet now reposed in a niche in our museum, and sometimes we burned a strangely scented candle before it. We read much in Alhazred’s Necronomicon about its properties, and about the relation of ghosts’ souls to the objects it symbolized; and were disturbed by what we read.
Then terror came.
On the night of September 24, 19–, I heard a knock at my chamber door. Fancying it St John’s, I bade the knocker enter, but was answered only by a shrill laugh. There was no one in the corridor. When I aroused St John from his sleep, he professed entire ignorance of the event, and became as worried as I. It was the night that the faint, distant baying over the moor became to us a certain and dreaded reality.
Four days later, whilst we were both in the hidden museum, there came a low, cautious scratching at the single door which led to the secret library staircase. Our alarm was now divided, for, besides our fear of the unknown, we had always entertained a dread that our grisly collection might be discovered. Extinguishing all lights, we proceeded to the door and threw it suddenly open; whereupon we felt an unaccountable rush of air, and heard, as if receding far away, a queer combination of rustling, tittering, and articulate chatter. Whether we were mad, dreaming, or in our senses, we did not try to determine. We only realized, with the blackest of apprehensions, that the apparently disembodied chatter was beyond a doubt in the Dutch language.
After that we lived in growing horror and fascination. Mostly we held to the theory that we were jointly going mad from our life of unnatural excitements, but sometimes it pleased us more to dramatize ourselves as the victims of some creeping and appalling doom. Bizarre manifestations were now too frequent to count. Our lonely house was seemingly alive with the presence of some malign being whose nature we could not guess, and every night that daemoniac baying rolled over the wind-swept moor, always louder and louder. On October 29 we found in the soft earth underneath the library window a series of footprints utterly impossible to describe. They were as baffling as the hordes of great bats which haunted the old manor-house in unprecedented and increasing numbers.
The horror reached a culmination on November 18, when St John, walking home after dark from the dismal railway station, was seized by some frightful carnivorous thing and torn to ribbons. His screams had reached the house, and I had hastened to the terrible scene in time to hear a whir of wings and see a vague black cloudy thing silhouetted against the rising moon.
My friend was dying when I spoke to him, and he could not answer coherently. All he could do was to whisper, “The amulet – that damned thing -”
Then he collapsed, an inert mass of mangled flesh.
I buried him the next midnight in one of our neglected gardens, and mumbled over his body one of the devilish rituals he had loved in life. And as I pronounced the last daemoniac sentence I heard afar on the moor the faint baying of some gigantic hound. The moon was up, but I dared not look at it. And when I saw on the dim-lighted moor a wide-nebulous shadow sweeping from mound to mound, I shut my eyes and threw myself face down upon the ground. When I arose, trembling, I know not how much later, I staggered into the house and made shocking obeisances before the enshrined amulet of green jade.
Being now afraid to live alone in the ancient house on the moor, I departed on the following day for London, taking with me the amulet after destroying by fire and burial the rest of the impious collection in the museum. But after three nights I heard the baying again, and before a week was over felt strange eyes upon me whenever it was dark. One evening as I strolled on Victoria Embankment for some needed air, I saw a black shape obscure one of the reflections of the lamps in the water. A wind, stronger than the night-wind, rushed by, and I knew that what had befallen St John must soon befall me.
The next day I carefully wrapped the green jade amulet and sailed for Holland. What mercy I might gain by returning the thing to its silent, sleeping owner I knew not; but I felt that I must try any step conceivably logical. What the hound was, and why it had pursued me, were questions still vague; but I had first heard the baying in that ancient churchyard, and every subsequent event including St John’s dying whisper had served to connect the curse with the stealing of the amulet. Accordingly I sank into the nethermost abysses of despair when, at an inn in Rotterdam, I discovered that thieves had despoiled me of this sole means of salvation.
The baying was loud that evening, and in the morning I read of a nameless deed in the vilest quarter of the city. The rabble were in terror, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the neighborhood. In a squalid thieves’ den an entire family had been torn to shreds by an unknown thing which left no trace, and those around had heard all night a faint, deep, insistent note as of a gigantic hound.
So at last I stood again in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the withered, frosty grass and cracking slabs, and the ivied church pointed a jeering finger at the unfriendly sky, and the night-wind howled maniacally from over frozen swamps and frigid seas. The baying was very faint now, and it ceased altogether as I approached the ancient grave I had once violated, and frightened away an abnormally large horde of bats which had been hovering curiously around it.
I know not why I went thither unless to pray, or gibber out insane pleas and apologies to the calm white thing that lay within; but, whatever my reason, I attacked the half frozen sod with a desperation partly mine and partly that of a dominating will outside myself. Excavation was much easier than I expected, though at one point I encountered a queer interruption; when a lean vulture darted down out of the cold sky and pecked frantically at the grave-earth until I killed him with a blow of my spade. Finally I reached the rotting oblong box and removed the damp nitrous cover. This is the last rational act I ever performed.
For crouched within that centuried coffin, embraced by a closepacked nightmare retinue of huge, sinewy, sleeping bats, was the bony thing my friend and I had robbed; not clean and placid as we had seen it then, but covered with caked blood and shreds of alien flesh and hair, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my inevitable doom. And when it gave from those grinning jaws a deep, sardonic bay as of some gigantic hound, and I saw that it held in its gory filthy claw the lost and fateful amulet of green jade, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter.
Madness rides the star-wind… claws and teeth sharpened on centuries of corpses… dripping death astride a bacchanale of bats from nigh-black ruins of buried temples of Belial… Now, as the baying of that dead fleshless monstrosity grows louder and louder, and the stealthy whirring and flapping of those accursed web-wings closer and closer, I shall seek with my revolver the oblivion which is my only refuge from the unnamed and unnameable.
a thirsty tick just out of reach, drawing my energies
almost too slowly to notice. Slowly, like the many
voices growing in the veins of ancient trees.
I hear you, yes. Oh, by the gods I hear you…
###
Larry D. Thacker is a writer and artist from Tennessee (US). His stories can be found in past issues of The Still Journal, Fried Chicken and Coffee, Dime Show Review and The Emancipator. His poetry can be found in journals and magazines such as The Still Journal, The Southern Poetry Anthology: Tennessee, Mojave River Review, Broad River Review, Harpoon Review, Rappahannock Review, and Appalachian Heritage.He is the author of Mountain Mysteries: The Mystic Traditions of Appalachia, the poetry chapbooks, Voice Hunting and Memory Train and the forthcoming full collection Drifting in Awe. He is presently taking his MFA in poetry and fiction at West Virginia Wesleyan College. More stuff at:www.larrydthacker.com
The Farmington Writers Circle will meet again on September 8, 2016 at 7:00 p.m. Because of the closing of Hasting’s Hardback Cafe, the Writers Circle will now meet at Starbuck’s at 4337 East Main, #101 (near the intersection with 30th Street) until further notice. The evening’s topic has not been determined.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. There are no fees or requirements to attend meetings. Writers of any and all genres, regardless of writing experience, and non-writers with an interest in the art are welcome. Previous topics have included establishing a website to maximize the use of social media in publicizing works, writers’ conferences, and finding an agent among other topics. Meetings generally run for two hours. For more information, contact me via this website.
I am bound to only the portions of books you’re paging through, a forced patience as you deliberate over the aged leather bindings and titles, of chapter and verse, of gradual plot developments and story arcs, the lovingly slow conflicts unraveling over black on beige onion skin thinness, so hauntingly unrushed even for me with the bottomless well of time in this shaded condition. Long uninterested in my own company.
I hear your steady breath mouthing words as you read and it still aggravates hell from me. I would gladly hover here, over your shoulder for years, as this slightest presence, a forever company in poetry and story, word, letter, and pen, if I could but accomplish something more than some slightest benign breeze on the curtain. An afterthought after a boring day. An aftertaste after a sip of tepid wine.
But sometimes, when you have finally given in to sleep’s call in the early morning dark and startle suddenly awake to find that book turned to a different page than you remember, it is then I have just barely mustered enough of a whisper to turn the page, yet you have missed it and I am exhausted in this lost state. Again, undetected. Again, left to my own retched company.
###
Larry D. Thacker is a writer and artist from Tennessee (US). His stories can be found in past issues of The Still Journal, Fried Chicken and Coffee, Dime Show Review and The Emancipator. His poetry can be found in journals and magazines such as The Still Journal, The Southern Poetry Anthology: Tennessee, Mojave River Review, Broad River Review, Harpoon Review, Rappahannock Review, and Appalachian Heritage.He is the author of Mountain Mysteries: The Mystic Traditions of Appalachia, the poetry chapbooks, Voice Hunting and Memory Train and the forthcoming full collection Drifting in Awe. He is presently taking his MFA in poetry and fiction at West Virginia Wesleyan College. More stuff at:www.larrydthacker.com
The Farmington Writers Circle will meet again on September 8, 2016 at 7:00 p.m. Because of the closing of Hasting’s Hardback Cafe, the Writers Circle will now meet at Starbuck’s at 4337 East Main, #101 (near the intersection with 30th Street) until further notice. The evening’s topic has not been determined.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. There are no fees or requirements to attend meetings. Writers of any and all genres, regardless of writing experience, and non-writers with an interest in the art are welcome. Previous topics have included establishing a website to maximize the use of social media in publicizing works, writers’ conferences, and finding an agent among other topics. Meetings generally run for two hours. For more information, contact me via this website.
Something compelled the little brown sparrow to drop from the sky and enter the glade. It swooped down and down and down to light onto the gnarled branch lying in the grass. Another bird, a blue jay, was already resting further along its twisted length and turned its head at the new arrival.
“Oh, good morning,” it said.
“Hello,” said the sparrow. “It’s going to be a beautiful day – The sun is so bright.”
The blue jay sounded solemn as it nodded its blue head and said, “We’re lucky to be here to feel its touch.”
The sparrow watched the blue bird, admiring its brilliant feathers. A moment later it turned and began grooming its own feathered stomach with its little beak in order to make itself more beautiful too.
After a while they turned their attention to watch the sun singing the tops of the apple trees in the east, and then crawl its way slowly into the sky overhead.
The blue jay began to sing a song and the sparrow, listening and admiring its melancholy beauty, joined in.
Their voices filled the glade like the sunlight.
“The flies will be here soon,” observed the blue jay. “Here’s one now.”
The sparrow followed where the jay looked. Indeed, just beside them, a fat bluebell had landed on the human lying crumpled in the grass and flowers, rubbing its legs together earnestly where it perched along the edge of the immense raw crater where the animal’s face had once been. The fly’s buzzing was very excited in the quiet glade as it stayed a moment in the red meat there, feasting its fill before moving with a flash to a place on the opposite side of the gaping hole where the blue skin looked cold even in the warm morning sun.
“Yes,” said the sparrow, feeling a sudden sorrow in its heart. “Yes, I see him.” A subtly rancid smell had entered the glade and diluted the vibrant green smell of the apples and flowers, and seemed to grow more pungent every moment passing.
“Let’s leave this place,” advised the blue jay. “Let’s put ourselves in the sky where nothing can touch us.”
The sparrow had never before been invited to fly with a blue jay, and the invitation filled it with pride. It felt beautiful, and welcomed, and safe.
Together they lifted from the branch, away from the quiet dell, and up and up and up into the clear clean sky.
###
Alexander Zelenyj is the author of the short story collections Songs For The Lost (Eibonvale Press, 2014; digital edition: Independent Legions Publishing, 2016) and Experiments At 3 Billion A.M. (Eibonvale Press, 2009); the poetry and essay collection, Ballads To The Burning Twins: The Complete Song Lyrics Of The Deathray Bradburys (Eibonvale Press, 2014); and the novel, Black Sunshine(Fourth Horseman Press, 2005). His fiction has appeared in a wide variety of magazines and anthologies – for a more comprehensive bibliography please feel free to visit his website at alexanderzelenyj.com.