Quick Survey: Fascinating Characters

Phil Slattery circa 2007
Phil Slattery
circa 2007

Today I have been contemplating several things including what makes for a fascinating character in a story.   To me, it is the same as what would make for a fascinating person that I meet in my day-to-day life.  I thought about this for a while and decided that what makes a person fascinating for me is their way of thinking, how they handled any unusual situations they encountered, and the experiences they have had.  However, what is fascinating for me, may not be fascinating for the readers of my stories.  So I thought I would post a quick survey tonight and ask my blog audience:  just what is it that you find fascinating about people in your lives and how does it differ from what you would consider a fascinating character in a work of literature, if it is different.  Please feel free to post as long a response as you want in the comments section to this article.  If you prefer, if you know of a good article on the subject, please include a link to it in your comment.   I am eager to hear any new perspectives on this.

Sunday 6 February – Shareworthy Reading and Writing Links and Sundry

Writing advice, resources, and tips for the day from an excellent source:

Suddenly Jamie (@suddenlyjamie)'s avatarLive to Write - Write to Live

snowy treeNew England showed its true colors this week. After a Thursday that felt like spring (complete with near sixty-degree temperatures and March-like zephyrs), Friday dawned to a cold rain that transformed into heavy wet snow as the mercury fell. Parents who had scoffed at seemingly premature school closings were soon grateful that they didn’t have to venture out into what became a pretty messy afternoon commute.

Yesterday, after the storm had passed, my beau and I enjoyed a long walk in a nearby state park. Every bough in the forest was coated with a layer of snow, giving the place a clichéd faerieland look that was charming as hell. And when we reached the open spaces, the pristine surface of the snow sparkled like some crafty goddess has scattered a miniature universe of stars across the meadow. It was quite breathtaking.

And now it’s Sunday – hopefully a day for…

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New Fiction by George Gad Economou: “A Shot of Normalcy”

Young Couple Kissing by Catlovers, 2007
Young Couple Kissing
by Catlovers, 2007

Common sense was telling me no, don’t go, but, I couldn’t resist the temptation. A damn Halloween party in the middle of a ferocious civil war sounded like an extremely bad idea, yet, some escape from the horrors was more than just needed. Warfare was raging on the streets, bodies were lying anywhere, yet, at the University campus it was peaceful; at least, for the time being.

Hence why they decided to throw the party; we didn’t even know if it, indeed, was Halloween, or if it was too early, or late. It was winter, it was snowing, and it was all that mattered. Besides, we didn’t really care about dressing up, we just needed a moment of normalcy, a way out of Hell.

Dressed like Jesus, I went. The alcohol was running plentifully- how it was acquired I never learned, although wild rumors were being thrown around- and we all drank, while remaining inside the small room, falsely believing in strength and safety in numbers. At first, the music was low, barely audible; we were terrified of being heard by the soldiers that sometimes patrolled the streets of the campus. However, as we all became more and more intoxicated- and blissfully oblivious to the gunshots that were disturbing the otherwise silent night- we turned the music higher. AC/DC’s “Highway to Hell” was blasting loudly inside the room, and we all danced like everything had gotten back to normal.

I was dancing with a girl, a philosophy major, whose name I didn’t ask. When you know any day can be your last, you stop caring about etiquette and norms become nonsensical. Thus, the nameless woman and I kissed passionately on the dance floor, as our bodies moved rhythmically to the music, which was getting louder and louder. Equally louder became the gunshots and screams of anguish and despair, but none of us paid any attention to it.

Eventually, the girl and I walked outside, for some fresh air. We were both cheerfully dizzy, happily ignorant of the devastation all around us. The party’s goal was accomplished; for a few hours, we were living like normal citizens, there was no civil war, no unreasonable deaths, no meaningless suffering. We lit a joint- the girl and I- to take the edge off, to relax even further. Our minds were engulfed in a delightful mist, we were atop Cloud Number Nine, as we continued to kiss and share the strong blunt. Laughing, we wished upon a falling star for the end of the war, as soon as possible; yet, as I stared at the falling star, I noticed, horrified, its rapid approach. The hissing sound reached my ears and purely out of instinct I grabbed my companion’s hand and dragged her, violently and ignoring her cries, away.

Moments later, the missile found its target; the former cafeteria of the campus had turned into a pile of debris and a cold grave for dozens of nameless, unfortunate souls.

The Saturday Night Special: “The Open Window” by Saki

Saki (Hector Hugh Munro) 1870-1916
Saki
(Hector Hugh Munro)
1870-1916

“My aunt will be down presently, Mr. Nuttel,” said a very self-possessed young lady of fifteen; “in the meantime you must try and put up with me.”

Framton Nuttel endeavoured to say the correct something which should duly flatter the niece of the moment without unduly discounting the aunt that was to come. Privately he doubted more than ever whether these formal visits on a succession of total strangers would do much towards helping the nerve cure which he was supposed to be undergoing.

“I know how it will be,” his sister had said when he was preparing to migrate to this rural retreat; “you will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping. I shall just give you letters of introduction to all the people I know there. Some of them, as far as I can remember, were quite nice.”

Framton wondered whether Mrs. Sappleton, the lady to whom he was presenting one of the letters of introduction came into the nice division.

“Do you know many of the people round here?” asked the niece, when she judged that they had had sufficient silent communion.

“Hardly a soul,” said Framton. “My sister was staying here, at the rectory, you know, some four years ago, and she gave me letters of introduction to some of the people here.”

He made the last statement in a tone of distinct regret.

“Then you know practically nothing about my aunt?” pursued the self-possessed young lady.

“Only her name and address,” admitted the caller. He was wondering whether Mrs. Sappleton was in the married or widowed state. An undefinable something about the room seemed to suggest masculine habitation.

“Her great tragedy happened just three years ago,” said the child; “that would be since your sister’s time.”

“Her tragedy?” asked Framton; somehow in this restful country spot tragedies seemed out of place.

“You may wonder why we keep that window wide open on an October afternoon,” said the niece, indicating a large French window that opened on to a lawn.

“It is quite warm for the time of the year,” said Framton; “but has that window got anything to do with the tragedy?”

“Out through that window, three years ago to a day, her husband and her two young brothers went off for their day’s shooting. They never came back. In crossing the moor to their favourite snipe-shooting ground they were all three engulfed in a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it.” Here the child’s voice lost its self-possessed note and became falteringly human. “Poor aunt always thinks that they will come back someday, they and the little brown spaniel that was lost with them, and walk in at that window just as they used to do. That is why the window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing ‘Bertie, why do you bound?’ as he always did to tease her, because she said it got on her nerves. Do you know, sometimes on still, quiet evenings like this, I almost get a creepy feeling that they will all walk in through that window – ”

She broke off with a little shudder. It was a relief to Framton when the aunt bustled into the room with a whirl of apologies for being late in making her appearance.

“I hope Vera has been amusing you?” she said.

“She has been very interesting,” said Framton.

“I hope you don’t mind the open window,” said Mrs. Sappleton briskly; “my husband and brothers will be home directly from shooting, and they always come in this way. They’ve been out for snipe in the marshes today, so they’ll make a fine mess over my poor carpets. So like you menfolk, isn’t it?”

She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter. To Framton it was all purely horrible. He made a desperate but only partially successful effort to turn the talk on to a less ghastly topic, he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary.

“The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything in the nature of violent physical exercise,” announced Framton, who laboured under the tolerably widespread delusion that total strangers and chance acquaintances are hungry for the least detail of one’s ailments and infirmities, their cause and cure. “On the matter of diet they are not so much in agreement,” he continued.

“No?” said Mrs. Sappleton, in a voice which only replaced a yawn at the last moment. Then she suddenly brightened into alert attention – but not to what Framton was saying.

“Here they are at last!” she cried. “Just in time for tea, and don’t they look as if they were muddy up to the eyes!”

Framton shivered slightly and turned towards the niece with a look intended to convey sympathetic comprehension. The child was staring out through the open window with a dazed horror in her eyes. In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction.

In the deepening twilight three figures were walking across the lawn towards the window, they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: “I said, Bertie, why do you bound?”

Framton grabbed wildly at his stick and hat; the hall door, the gravel drive, and the front gate were dimly noted stages in his headlong retreat. A cyclist coming along the road had to run into the hedge to avoid imminent collision.

“Here we are, my dear,” said the bearer of the white mackintosh, coming in through the window, “fairly muddy, but most of it’s dry. Who was that who bolted out as we came up?”

 “A most extraordinary man, a Mr. Nuttel,” said Mrs. Sappleton; “could only talk about his illnesses, and dashed off without a word of goodby or apology when you arrived. One would think he had seen a ghost.”

“I expect it was the spaniel,” said the niece calmly; “he told me he had a horror of dogs. He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him. Enough to make anyone lose their nerve.”

Romance at short notice was her speciality.

###

Text from www.eastoftheweb.com

For your added enjoyment, follow this link to a film adaptation of “The Open Window” on youtube starring a young Michael Sheen.

Next Meeting of Farmington Writers Circle Set for February 11, 2016

Farmington Hastings Hardback Cafe
Farmington Hastings Hardback Cafe

The next meeting of the Farmington Writers Circle will be on Thursday, February 11, 2016, at 7:00 p.m. at Hastings Hardback Café on 20th Street in Farmington, New Mexico.  I will lead the discussion on establishing a blog and using it for publicity.  Everyone is invited to attend.  There is no charge and no membership requirements.  Please contact me via this website if you have any questions.  The Farmington Writers Circle is a group of local authors with an interest in publishing and marketing their works.  Authors of all genres are welcome.   If you would like to be on our electronic mailing list to be notified of upcoming meetings, please contact me.

Grammar-ease: Lying vs Laying (Lie vs Lay)

Grammar tip of the day:

Lisa J. Jackson (@lisajjackson)'s avatarLive to Write - Write to Live

Using lay versus lie has come up quite a bit, so here’s a re-do of my 2013 post on these tricky words.

Lay is an active verb. A person picks up a book and lays it on a chair. A chicken lays an egg. (The person and chicken are active.)

Lie is a still verb. People lie on beds. Cats lie on people. Fleas lie on cats. (The people, cats, and fleas are still.)

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Lay: to place or set something

SimpleProgressivePerfectPerfect progressive (action continues for a while)
PresentI lay

You lay

He/she/it lays

They lay

I am laying

You are laying

She is laying

They are laying

I have laid

You have laid

She has laid

They have laid

I have been laying

You have been laying

She has been laying

They have been laying

PastI laid

You laid

She laid

They laid

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discreet, discrete

Word usage lesson for the day:

sesquiotic's avatarSesquiotica

If you do not use your discretion in keeping words discrete, your lack of discernment may result in indiscretion – and it won’t be discreet.

Let’s be honest: discrete and discreet seem like the sort of word pair that just exist to be a sand trap in the golf course of the language, don’t they? They’re pronounced the same way and they have related meanings. But if you mix up the two, someone is sure to hold it up as evidence of a woeful lack of education. The English language is like a secret society where there’s a new password at every door, and sooner or later you’ll get one of them wrong and be stripped of your disguise and your power – your discretion and your discretion. And those who get it right will mock you indiscreetly. (Come to think of it, it’s more like an elementary-school secret club…

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Women In Horror Month, February 2016, Gothic, Music, Supernatural

Another fine article from Paula Cappa.

Paula Cappa's avatarPaula Cappa

Women in Horror Month, February 2016

Tuesday’s Tale of Terror  February 2, 2016

We are celebrating Women in Horror all this month. But not just horror. We all recognize the names Shirley Jackson, Anne Rice, and Mary Shelley, among lots more women who write horror but also supernatural mysteries, dark fantasy, and ghost stories.  Have you experienced the stories of Elizabeth Hand? Winterlong launched her career in 1990.  Today I call your attention to Wylding Hall.

61vn59gbvvLWylding Hall is her dark fantasy/horror novel. When the young members of a British acid-folk band are compelled by their manager to record their unique music, they hole up at Wylding Hall, an ancient country house with dark secrets. “Wylding Hall is a true surreal phantasmagoria, with music and all the accoutrements of the world of rock-and-roll set off by a wonderful admixture of the gothic supernatural. Treat it like the most exciting getaway in a truly…

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*Abso-hallelujah-lutely: Infixes can’t be interjections (but what are they?)

Writing at Hasting's Hardback Café, October, 2015
Writing at Hasting’s Hardback Café, October, 2015

Source: *Abso-hallelujah-lutely: Infixes can’t be interjections (but what are they?)