37 years ago, Don Coscarelli unwittingly began a cult franchise with his guerilla style DIY supernatural film Phantasm. While the directorial reigns have been handed off to new director, but long-…
Source: Phantasm: Ravager (2016) Review
37 years ago, Don Coscarelli unwittingly began a cult franchise with his guerilla style DIY supernatural film Phantasm. While the directorial reigns have been handed off to new director, but long-…
Source: Phantasm: Ravager (2016) Review
Source: Review: 31, lost in the violence
April 15th, 190-
I am requested by the Council of the —— Association to return to you the draft of a paper on The Truth of Alchemy, which you have been good enough to offer to read at our forthcoming meeting, and to inform you that the Council do not see their way to including it in the programme.
I am sorry to say that my engagements do not permit of my affording you an interview on the subject of your proposed paper. Nor do our laws allow of your discussing the matter with a Committee of our Council, as you suggest. Please allow me to assure you that the fullest consideration was given to the draft which you submitted, and that it was not declined without having been referred to the judgement of a most competent authority. No personal question (it can hardly be necessary for me to add) can have had the slightest influence on the decision of the Council.
Believe me (ut supra).
The Secretary of the —— Association begs respectfully to inform Mr Karswell that it is impossible for him to communicate the name of any person or persons to whom the draft of Mr Karswell’s paper may have been submitted; and further desires to intimate that he cannot undertake to reply to any further letters on this subject.
‘And who is Mr Karswell?’ inquired the Secretary’s wife. She had called at his office, and (perhaps unwarrantably) had picked up the last of these three letters, which the typist had just brought in.
‘Why, my dear, just at present Mr Karswell is a very angry man. But I don’t know much about him otherwise, except that he is a person of wealth, his address is Lufford Abbey, Warwickshire, and he’s an alchemist, apparently, and wants to tell us all about it; and that’s about all — except that I don’t want to meet him for the next week or two. Now, if you’re ready to leave this place, I am.’
‘What have you been doing to make him angry?’ asked Mrs Secretary.
‘The usual thing, my dear, the usual thing: he sent in a draft of a paper he wanted to read at the next meeting, and we referred it to Edward Dunning — almost the only man in England who knows about these things — and he said it was perfectly hopeless, so we declined it. So Karswell has been pelting me with letters ever since. The last thing he wanted was the name of the man we referred his nonsense to; you saw my answer to that. But don’t you say anything about it, for goodness’ sake.’
‘I should think not, indeed. Did I ever do such a thing? I do hope, though, he won’t get to know that it was poor Mr Dunning.’
‘Poor Mr Dunning? I don’t know why you call him that; he’s a very happy man, is Dunning. Lots of hobbies and a comfortable home, and all his time to himself.’
‘I only meant I should be sorry for him if this man got hold of his name, and came and bothered him.’
‘Oh, ah! yes. I dare say he would be poor Mr Dunning then.’
The Secretary and his wife were lunching out, and the friends to whose house they were bound were Warwickshire people. So Mrs Secretary had already settled it in her own mind that she would question them judiciously about Mr Karswell. But she was saved the trouble of leading up to the subject, for the hostess said to the host, before many minutes had passed, ‘I saw the Abbot of Lufford this morning.’ The host whistled. ‘Did you? What in the world brings him up to town?’ ‘Goodness knows; he was coming out of the British Museum gate as I drove past.’ It was not unnatural that Mrs Secretary should inquire whether this was a real Abbot who was being spoken of. ‘Oh no, my dear: only a neighbour of ours in the country who bought Lufford Abbey a few years ago. His real name is Karswell.’ ‘Is he a friend of yours?’ asked Mr Secretary, with a private wink to his wife. The question let loose a torrent of declamation. There was really nothing to be said for Mr Karswell. Nobody knew what he did with himself: his servants were a horrible set of people; he had invented a new religion for himself, and practised no one
could tell what appalling rites; he was very easily offended, and never forgave anybody; he had a dreadful face (so the lady insisted, her husband somewhat demurring); he never did a kind action, and whatever influence he did exert was mischievous. ‘Do the poor man justice, dear,’ the husband interrupted. ‘You forget the treat he gave the school children.’ ‘Forget it, indeed! But I’m glad you mentioned it, because it gives an idea of the man. Now, Florence, listen to this. The first winter he was at Lufford this delightful neighbour of ours wrote to the clergyman of his parish (he’s not ours, but we know him very well) and offered to show the school children some magic-lantern slides. He said he had some new kinds, which he thought would interest them. Well, the clergyman was rather surprised, because Mr Karswell had shown himself inclined to be unpleasant to the children — complaining of their trespassing, or something of the sort; but of course he accepted, and the evening was fixed, and our friend went himself to see that everything went right. He said he never had been so thankful for anything as that his own children were all prevented from being there: they were at a children’s party at our house, as a matter of fact. Because this Mr Karswell had evidently set out with the intention of frightening these poor village children out of their wits, and I do believe, if he had been allowed to go on, he would actually have done so. He began with some comparatively mild things. Red Riding Hood was one, and even then, Mr Farrer said, the wolf was so dreadful that several of the smaller children had to be taken out: and he said Mr Karswell began the story by producing a noise like a wolf howling in the distance, which was the most gruesome thing he had ever heard. All the slides he showed, Mr Farrer said, were most clever; they were absolutely realistic, and where he had got them or how he worked them he could not imagine. Well, the show went on, and the stories kept on becoming a little more terrifying each time, and the children were mesmerized into complete silence. At last he produced a series which represented a little boy passing through his own park — Lufford, I mean — in the evening. Every child in the room could recognize the place from the pictures. And this poor boy was followed, and at last pursued and overtaken, and either torn to pieces or somehow made away with, by a horrible hopping creature in white, which you saw first dodging about among the trees, and gradually it appeared more and more plainly. Mr Farrer said it gave him one of the worst nightmares he ever remembered, and what it must have meant to the children doesn’t bear thinking of. Of course this was too much, and he spoke very sharply indeed to Mr Karswell, and said it couldn’t go on. All he said was: “Oh, you think it’s time to bring our little show to an end and send them home to their beds? Very well!” And then, if you please, he switched on another slide, which showed a great mass of snakes, centipedes, and disgusting creatures with wings, and somehow or other he made it seem as if they were climbing out of the picture and getting in amongst the audience; and this was accompanied by a sort of dry rustling noise which sent the children nearly mad, and of course they stampeded. A good many of them were rather hurt in getting out of the room, and I don’t suppose one of them closed an eye that night. There was the most dreadful trouble in the village afterwards. Of course the mothers threw a good part of the blame on poor Mr Farrer, and, if they could have got past the gates, I believe the fathers would have broken every window in the Abbey. Well, now, that’s Mr Karswell: that’s the Abbot of Lufford, my dear, and you can imagine how we covet his society.’
‘Yes, I think he has all the possibilities of a distinguished criminal, has Karswell,’ said the host. ‘I should be sorry for anyone who got into his bad books.’
‘Is he the man, or am I mixing him up with someone else?’ asked the Secretary (who for some minutes had been wearing the frown of the man who is trying to recollect something). ‘Is he the man who brought out a History of Witchcraft some time back — ten years or more?’
‘That’s the man; do you remember the reviews of it?’
‘Certainly I do; and what’s equally to the point, I knew the author of the most incisive of the lot. So did you: you must remember John Harrington; he was at John’s in our time.’
‘Oh, very well indeed, though I don’t think I saw or heard anything of him between the time I went down and the day I read the account of the inquest on him.’
‘Inquest?’ said one of the ladies. ‘What has happened to him?’
‘Why, what happened was that he fell out of a tree and broke his neck. But the puzzle was, what could have induced him to get up there. It was a mysterious business, I must say. Here was this man — not an athletic fellow, was he? and with no eccentric twist about him that was ever noticed — walking home along a country road late in the evening — no tramps about — well known and liked in the place — and he suddenly begins to run like mad, loses his hat and stick, and finally shins up a tree — quite a difficult tree — growing in the hedgerow: a dead branch gives way, and he comes down with it and breaks his neck, and there he’s found next morning with the most dreadful face of fear on him that could be imagined. It was pretty evident, of course, that he had been chased by something, and people talked of savage dogs, and beasts escaped out of menageries; but there was nothing to be made of that. That was in ‘89, and I believe his brother Henry (whom I remember as well at Cambridge, but you probably don’t) has been trying to get on the track of an explanation ever since. He, of course, insists there was malice in it, but I don’t know. It’s difficult to see how it could have come in.’
After a time the talk reverted to the History of Witchcraft. ‘Did you ever look into it?’ asked the host.
‘Yes, I did,’ said the Secretary. ‘I went so far as to read it.’
‘Was it as bad as it was made out to be?’
‘Oh, in point of style and form, quite hopeless. It deserved all the pulverizing it got. But, besides that, it was an evil book. The man believed every word of what he was saying, and I’m very much mistaken if he hadn’t tried the greater part of his receipts.’
‘Well, I only remember Harrington’s review of it, and I must say if I’d been the author it would have quenched my literary ambition for good. I should never have held up my head again.’
‘It hasn’t had that effect in the present case. But come, it’s half-past three; I must be off.’
On the way home the Secretary’s wife said, ‘I do hope that horrible man won’t find out that Mr Dunning had anything to do with the rejection of his paper.’ ‘I don’t think there’s much chance of that,’ said the Secretary. ‘Dunning won’t mention it himself, for these matters are confidential, and none of us will for the same reason. Karswell won’t know his name, for Dunning hasn’t published anything on the same subject yet. The only danger is that Karswell might find out, if he was to ask the British Museum people who was in the habit of consulting alchemical manuscripts: I can’t very well tell them not to mention Dunning, can I? It would set them talking at once. Let’s hope it won’t occur to him.’
However, Mr Karswell was an astute man.
This much is in the way of prologue. On an evening rather later in the same week, Mr Edward Dunning was returning from the British Museum, where he had been engaged in research, to the comfortable house in a suburb where he lived alone, tended by two excellent women who had been long with him. There is nothing to be added by way of description of him to what we have heard already. Let us follow him as he takes his sober course homewards.
A train took him to within a mile or two of his house, and an electric tram a stage farther. The line ended at a point some three hundred yards from his front door. He had had enough of reading when he got into the car, and indeed the light was not such as to allow him to do more than study the advertisements on the panes of glass that faced him as he sat. As was not unnatural, the advertisements in this particular line of cars were objects of his frequent contemplation, and, with the possible exception of the brilliant and convincing dialogue between Mr Lamplough and an eminent K.C. on the subject of Pyretic Saline, none of them afforded much scope to his imagination. I am wrong: there was one at the corner of the car farthest from him which did not seem familiar. It was in blue letters on a yellow ground, and all that he could read of it was a name — John Harrington — and something like a date. It could be of no interest to him to know more; but for all that, as the car emptied, he was just curious enough to move along the seat until he could read it well. He felt to a slight extent repaid for his trouble; the advertisement was not of the usual type. It ran thus: ‘In memory of John Harrington, F.S.A., of The Laurels, Ashbrooke. Died Sept. 18th, 1889. Three months were allowed.’
The car stopped. Mr Dunning, still contemplating the blue letters on the yellow ground, had to be stimulated to rise by a word from the conductor. ‘I beg your pardon,’ he said, ‘I was looking at that advertisement; it’s a very odd one, isn’t it?’ The conductor read it slowly. ‘Well, my word,’ he said, ‘I never see that one before. Well, that is a cure, ain’t it? Someone bin up to their jokes ’ere, I should think.’ He got out a duster and applied it, not without saliva, to the pane and then to the outside. ‘No,’ he said, returning, ‘that ain’t no transfer; seems to me as if it was reg’lar in the glass, what I mean in the substance, as you may say. Don’t you think so, sir?’ Mr Dunning examined it and rubbed it with his glove, and agreed. ‘Who looks after these advertisements, and gives leave for them to be put up? I wish you would inquire. I will just take a note of the words.’ At this moment there came a call from the driver: ‘Look alive, George, time’s up.’ ‘All right, all right; there’s something else what’s up at this end. You come and look at this ’ere glass.’ ‘What’s gorn with the glass?’ said the driver, approaching. ‘Well, and oo’s ‘Arrington? What’s it all about?’ ‘I was just asking who was responsible for putting the advertisements up in your cars, and saying it would be as well to make some inquiry about this one.’ ‘Well, sir, that’s all done at the Company’s office, that work is: it’s our Mr Timms, I believe, looks into that. When we put up tonight I’ll leave word, and per’aps I’ll be able to tell you tomorrer if you ‘appen to be coming this way.’
This was all that passed that evening. Mr Dunning did just go to the trouble of looking up Ashbrooke, and found that it was in Warwickshire.
Next day he went to town again. The car (it was the same car) was too full in the morning to allow of his getting a word with the conductor: he could only be sure that the curious advertisement had been made away with. The close of the day brought a further element of mystery into the transaction. He had missed the tram, or else preferred walking home, but at a rather late hour, while he was at work in his study, one of the maids came to say that two men from the tramways was very anxious to speak to him. This was a reminder of the advertisement, which he had, he says, nearly forgotten. He had the men in-they were the conductor and driver of the car — and when the matter of refreshment had been attended to, asked what Mr Timms had had to say about the advertisement. ‘Well, sir, that’s what we took the liberty to step round about,’ said the conductor. ‘Mr Timms ‘e give William ’ere the rough side of his tongue about that: ‘cordin’ to ’im there warn’t no advertisement of that description sent in, nor ordered, nor paid for, nor put up, nor nothink, let alone not bein’ there, and we was playing the fool takin’ up his time. “Well,” I says, “if that’s the case, all I ask of you, Mr Timms,” I says, “is to take and look at it for yourself,” I says. “Of course if it ain’t there,” I says, “you may take and call me what you like.” “Right,” he says, “I will”: and we went straight off. Now, I leave it to you, sir, if that ad., as we term ’em, with ‘Arrington on it warn’t as plain as ever you see anythink — blue letters on yeller glass, and as I says at the time, and you borne me out, reg’lar in the glass, because, if you remember, you recollect of me swabbing it with my duster.’ ‘To be sure I do, quite clearly — well?’ ‘You may say well, I don’t think. Mr Timms he gets in that car with a light — no, he telled William to ‘old the light outside. “Now,” he says, “where’s your precious ad. what we’ve ‘eard so much about?” “‘Ere it is,” I says, “Mr Timms,” and I laid my ‘and on it.’ The conductor paused.
‘Well,’ said Mr Dunning, ‘it was gone, I suppose. Broken?’
‘Broke! — not it. There warn’t, if you’ll believe me, no more trace of them letters — blue letters they was — on that piece o’ glass, than — well, it’s no good me talkin’. I never see such a thing. I leave it to William here if — but there, as I says, where’s the benefit in me going on about it?’
‘And what did Mr Timms say?’
‘Why ‘e did what I give ’im leave to — called us pretty much anythink he liked, and I don’t know as I blame him so much neither. But what we thought, William and me did, was as we seen you take down a bit of a note about that — well, that letterin’—’
‘I certainly did that, and I have it now. Did you wish me to speak to Mr Timms myself, and show it to him? Was that what you came in about?’
‘There, didn’t I say as much?’ said William. ‘Deal with a gent if you can get on the track of one, that’s my word. Now perhaps, George, you’ll allow as I ain’t took you very far wrong tonight.’
‘Very well, William, very well; no need for you to go on as if you’d ‘ad to frog’s-march me ’ere. I come quiet, didn’t I? All the same for that, we ‘adn’t ought to take up your time this way, sir; but if it so ‘appened you could find time to step round to the Company orfice in the morning and tell Mr Timms what you seen for yourself, we should lay under a very ‘igh obligation to you for the trouble. You see it ain’t bein’ called — well, one thing and another, as we mind, but if they got it into their ‘ead at the orfice as we seen things as warn’t there, why, one thing leads to another, and where we should be a twelvemunce ‘ence — well, you can understand what I mean.’
Amid further elucidations of the proposition, George, conducted by William, left the room.
The incredulity of Mr Timms (who had a nodding acquaintance with Mr Dunning) was greatly modified on the following day by what the latter could tell and show him; and any bad mark that might have been attached to the names of William and George was not suffered to remain on the Company’s books; but explanation there was none.
Mr Dunning’s interest in the matter was kept alive by an incident of the following afternoon. He was walking from his club to the train, and he noticed some way ahead a man with a handful of leaflets such as are distributed to passers-by by agents of enterprising firms. This agent had not chosen a very crowded street for his operations: in fact, Mr Dunning did not see him get rid of a single leaflet before he himself reached the spot. One was thrust into his hand as he passed: the hand that gave it touched his, and he experienced a sort of little shock as it did so. It seemed unnaturally rough and hot. He looked in passing at the giver, but the impression he got was so unclear that, however much he tried to reckon it up subsequently, nothing would come. He was walking quickly, and as he went on glanced at the paper. It was a blue one. The name of Harrington in large capitals caught his eye. He stopped, startled, and felt for his glasses. The next instant the leaflet was twitched out of his hand by a man who hurried past, and was irrecoverably gone. He ran back a few paces, but where was the passer-by? and where the distributor?
It was in a somewhat pensive frame of mind that Mr Dunning passed on the following day into the Select Manuscript Room of the British Museum, and filled up tickets for Harley 3586, and some other volumes. After a few minutes they were brought to him, and he was settling the one he wanted first upon the desk, when he thought he heard his own name whispered behind him. He turned round hastily, and in doing so, brushed his little portfolio of loose papers on to the floor. He saw no one he recognized except one of the staff in charge of the room, who nodded to him, and he proceeded to pick up his papers. He thought he had them all, and was turning to begin work, when a stout gentleman at the table behind him, who was just rising to leave, and had collected his own belongings, touched him on the shoulder, saying, ‘May I give you this? I think it should be yours,’ and handed him a missing quire. ‘It is mine, thank you,’ said Mr Dunning. In another moment the man had left the room. Upon finishing his work for the afternoon, Mr Dunning had some conversation with the assistant in charge, and took occasion to ask who the stout gentleman was. ‘Oh, he’s a man named Karswell,’ said the assistant; ‘he was asking me a week ago who were the great authorities on alchemy, and of course I told him you were the only one in the country. I’ll see if I can catch him: he’d like to meet you, I’m sure.’
‘For heaven’s sake don’t dream of it!’ said Mr Dunning, ‘I’m particularly anxious to avoid him.’
‘Oh! very well,’ said the assistant, ‘he doesn’t come here often: I dare say you won’t meet him.’
More than once on the way home that day Mr Dunning confessed to himself that he did not look forward with his usual cheerfulness to a solitary evening. It seemed to him that something ill-defined and impalpable had stepped in between him and his fellow-men — had taken him in charge, as it were. He wanted to sit close up to his neighbours in the train and in the tram, but as luck would have it both train and car were markedly empty. The conductor George was thoughtful, and appeared to be absorbed in calculations as to the number of passengers. On arriving at his house he found Dr Watson, his medical man, on his doorstep. ‘I’ve had to upset your household arrangements, I’m sorry to say, Dunning. Both your servants hors de combat. In fact, I’ve had to send them to the Nursing Home.’
‘Good heavens! what’s the matter?’
‘It’s something like ptomaine poisoning, I should think: you’ve not suffered yourself, I can see, or you wouldn’t be walking about. I think they’ll pull through all right.’
‘Dear, dear! Have you any idea what brought it on?’ ‘Well, they tell me they bought some shell-fish from a hawker at their dinner-time. It’s odd. I’ve made inquiries, but I can’t find that any hawker has been to other houses in the street. I couldn’t send word to you; they won’t be back for a bit yet. You come and dine with me tonight, anyhow, and we can make arrangements for going on. Eight o’clock. Don’t be too anxious.’ The solitary evening was thus obviated; at the expense of some distress and inconvenience, it is true. Mr Dunning spent the time pleasantly enough with the doctor (a rather recent settler), and returned to his lonely home at about 11.30. The night he passed is not one on which he looks back with any satisfaction. He was in bed and the light was out. He was wondering if the charwoman would come early enough to get him hot water next morning, when he heard the unmistakable sound of his study door opening. No step followed it on the passage floor, but the sound must mean mischief, for he knew that he had shut the door that evening after putting his papers away in his desk. It was rather shame than courage that induced him to slip out into the passage and lean over the banister in his nightgown, listening. No light was visible; no further sound came: only a gust of warm, or even hot air played for an instant round his shins. He went back and decided to lock himself into his room. There was more unpleasantness, however. Either an economical suburban company had decided that their light would not be required in the small hours, and had stopped working, or else something was wrong with the meter; the effect was in any case that the electric light was off. The obvious course was to find a match, and also to consult his watch: he might as well know how many hours of discomfort awaited him. So he put his hand into the well-known nook under the pillow: only, it did not get so far. What he touched was, according to his account, a mouth, with teeth, and with hair about it, and, he declares, not the mouth of a human being. I do not think it is any use to guess what he said or did; but he was in a spare room with the door locked and his ear to it before he was clearly conscious again. And there he spent the rest of a most miserable night, looking every moment for some fumbling at the door: but nothing came.
The venturing back to his own room in the morning was attended with many listenings and quiverings. The door stood open, fortunately, and the blinds were up (the servants had been out of the house before the hour of drawing them down); there was, to be short, no trace of an inhabitant. The watch, too, was in its usual place; nothing was disturbed, only the wardrobe door had swung open, in accordance with its confirmed habit. A ring at the back door now announced the charwoman, who had been ordered the night before, and nerved Mr Dunning, after letting her in, to continue his search in other parts of the house. It was equally fruitless.
The day thus begun went on dismally enough. He dared not go to the Museum: in spite of what the assistant had said, Karswell might turn up there, and Dunning felt he could not cope with a probably hostile stranger. His own house was odious; he hated sponging on the doctor. He spent some little time in a call at the Nursing Home, where he was slightly cheered by a good report of his housekeeper and maid. Towards lunch-time he betook himself to his club, again experiencing a gleam of satisfaction at seeing the Secretary of the Association. At luncheon Dunning told his friend the more material of his woes, but could not bring himself to speak of those that weighed most heavily on his spirits. ‘My poor dear man,’ said the Secretary, ‘what an upset! Look here: we’re alone at home, absolutely. You must put up with us. Yes! no excuse: send your things in this afternoon.’ Dunning was unable to stand out: he was, in truth, becoming acutely anxious, as the hours went on, as to what that night might have waiting for him. He was almost happy as he hurried home to pack up.
His friends, when they had time to take stock of him, were rather shocked at his lorn appearance, and did their best to keep him up to the mark. Not altogether without success: but, when the two men were smoking alone later, Dunning became dull again. Suddenly he said, ‘Gayton, I believe that alchemist man knows it was I who got his paper rejected.’ Gayton whistled. ‘What makes you think that?’ he said. Dunning told of his conversation with the Museum assistant, and Gayton could only agree that the guess seemed likely to be correct. ‘Not that I care much,’ Dunning went on, ‘only it might be a nuisance if we were to meet. He’s a bad-tempered party, I imagine.’ Conversation dropped again; Gayton became more and more strongly impressed with the desolateness that came over Dunning’s face and bearing, and finally — though with a considerable effort — he asked him point-blank whether something serious was not bothering him. Dunning gave an exclamation of relief. ‘I was perishing to get it off my mind,’ he said. ‘Do you know anything about a man named John Harrington?’ Gayton was thoroughly startled, and at the moment could only ask why. Then the complete story of Dunning’s experiences came out — what had happened in the tramcar, in his own house, and in the street, the troubling of spirit that had crept over him, and still held him; and he ended with the question he had begun with. Gayton was at a loss how to answer him. To tell the story of Harrington’s end would perhaps be right; only, Dunning was in a nervous state, the story was a grim one, and he could not help asking himself whether there were not a connecting link between these two cases, in the person of Karswell. It was a difficult concession for a scientific man, but it could be eased by the phrase ‘hypnotic suggestion’. In the end he decided that his answer tonight should be guarded; he would talk the situation over with his wife. So he said that he had known Harrington at Cambridge, and believed he had died suddenly in 1889, adding a few details about the man and his published work. He did talk over the matter with Mrs Gayton, and, as he had anticipated, she leapt at once to the conclusion which had been hovering before him. It was she who reminded him of the surviving brother, Henry Harrington, and she also who suggested that he might be got hold of by means of their hosts of the day before. ‘He might be a hopeless crank,’ objected Gayton. ‘That could be ascertained from the Bennetts, who knew him,’ Mrs Gayton retorted; and she undertook to see the Bennetts the very next day.
It is not necessary to tell in further detail the steps by which Henry Harrington and Dunning were brought together.
The next scene that does require to be narrated is a conversation that took place between the two. Dunning had told Harrington of the strange ways in which the dead man’s name had been brought before him, and had said something, besides, of his own subsequent experiences. Then he had asked if Harrington was disposed, in return, to recall any of the circumstances connected with his brother’s death. Harrington’s surprise at what he heard can be imagined: but his reply was readily given.
‘John,’ he said, ‘was in a very odd state, undeniably, from time to time, during some weeks before, though not immediately before, the catastrophe. There were several things; the principal notion he had was that he thought he was being followed. No doubt he was an impressionable man, but he never had had such fancies as this before. I cannot get it out of my mind that there was ill-will at work, and what you tell me about yourself reminds me very much of my brother. Can you think of any possible connecting link?’
‘There is just one that has been taking shape vaguely in my mind. I’ve been told that your brother reviewed a book very severely not long before he died, and just lately I have happened to cross the path of the man who wrote that book in a way he would resent.’
‘Don’t tell me the man was called Karswell.’
‘Why not? that is exactly his name.’
Henry Harrington leant back. ‘That is final to my mind. Now I must explain further. From something he said, I feel sure that my brother John was beginning to believe — very much against his will — that Karswell was at the bottom of his trouble. I want to tell you what seems to me to have a bearing on the situation. My brother was a great musician, and used to run up to concerts in town. He came back, three months before he died, from one of these, and gave me his programme to look at — an analytical programme: he always kept them. “I nearly missed this one,” he said. “I suppose I must have dropped it: anyhow, I was looking for it under my seat and in my pockets and so on, and my neighbour offered me his, said ‘might he give it me, he had no further use for it,’ and he went away just afterwards. I don’t know who he was — a stout, clean-shaven man. I should have been sorry to miss it; of course I could have bought another, but this cost me nothing.” At another time he told me that he had been very uncomfortable both on the way to his hotel and during the night. I piece things together now in thinking it over. Then, not very long after, he was going over these programmes, putting them in order to have them bound up, and in this particular one (which by the way I had hardly glanced at), he found quite near the beginning a strip of paper with some very odd writing on it in red and black — most carefully done — it looked to me more like Runic letters than anything else. “Why,” he said, “this must belong to my fat neighbour. It looks as if it might be worth returning to him; it may be a copy of something; evidently someone has taken trouble over it. How can I find his address?” We talked it over for a little and agreed that it wasn’t worth advertising about, and that my brother had better look out for the man at the next concert, to which he was going very soon. The paper was lying on the book and we were both by the fire; it was a cold, windy summer evening. I suppose the door blew open, though I didn’t notice it: at any rate a gust — a warm gust it was — came quite suddenly between us, took the paper and blew it straight into the fire: it was light, thin paper, and flared and went up the chimney in a single ash. “Well,” I said, “you can’t give it back now.” He said nothing for a minute: then rather crossly, “No, I can’t; but why you should keep on saying so I don’t know.” I remarked that I didn’t say it more than once. “Not more than four times, you mean,” was all he said. I remember all that very clearly, without any good reason; and now to come to the point. I don’t know if you looked at that book of Karswell’s which my unfortunate brother reviewed. It’s not likely that you should: but I did, both before his death and after it. The first time we made game of it together. It was written in no style at all — split infinitives, and every sort of thing that makes an Oxford gorge rise. Then there was nothing that the man didn’t swallow: mixing up classical myths, and stories out of the Golden Legend with reports of savage customs of today — all very proper, no doubt, if you know how to use them, but he didn’t: he seemed to put the Golden Legend and the Golden Bough exactly on a par, and to believe both: a pitiable exhibition, in short. Well, after the misfortune, I looked over the book again. It was no better than before, but the impression which it left this time on my mind was different. I suspected — as I told you — that Karswell had borne ill-will to my brother, even that he was in some way responsible for what had happened; and now his book seemed to me to be a very sinister performance indeed. One chapter in particular struck me, in which he spoke of “casting the Runes” on people, either for the purpose of gaining their affection or of getting them out of the way — perhaps more especially the latter: he spoke of all this in a way that really seemed to me to imply actual knowledge. I’ve not time to go into details, but the upshot is that I am pretty sure from information received that the civil man at the concert was Karswell: I suspect — I more than suspect — that the paper was of importance: and I do believe that if my brother had been able to give it back, he might have been alive now. Therefore, it occurs to me to ask you whether you have anything to put beside what I have told you.’
By way of answer, Dunning had the episode in the Manuscript Room at the British Museum to relate.
‘Then he did actually hand you some papers; have you examined them? No? because we must, if you’ll allow it, look at them at once, and very carefully.’
They went to the still empty house — empty, for the two servants were not yet able to return to work. Dunning’s portfolio of papers was gathering dust on the writing-table. In it were the quires of small-sized scribbling paper which he used for his transcripts: and from one of these, as he took it up, there slipped and fluttered out into the room with uncanny quickness, a strip of thin light paper. The window was open, but Harrington slammed it to, just in time to intercept the paper, which he caught. ‘I thought so,’ he said; ‘it might be the identical thing that was given to my brother. You’ll have to look out, Dunning; this may mean something quite serious for you.’
A long consultation took place. The paper was narrowly examined. As Harrington had said, the characters on it were more like Runes than anything else, but not decipherable by either man, and both hesitated to copy them, for fear, as they confessed, of perpetuating whatever evil purpose they might conceal. So it has remained impossible (if I may anticipate a little) to ascertain what was conveyed in this curious message or commission. Both Dunning and Harrington are firmly convinced that it had the effect of bringing its possessors into very undesirable company. That it must be returned to the source whence it came they were agreed, and further, that the only safe and certain way was that of personal service; and here contrivance would be necessary, for Dunning was known by sight to Karswell. He must, for one thing, alter his appearance by shaving his beard. But then might not the blow fall first? Harrington thought they could time it. He knew the date of the concert at which the ‘black spot’ had been put on his brother: it was June 18th. The death had followed on Sept. 18th. Dunning reminded him that three months had been mentioned on the inscription on the car-window. ‘Perhaps,’ he added, with a cheerless laugh, ‘mine may be a bill at three months too. I believe I can fix it by my diary. Yes, April 23rd was the day at the Museum; that brings us to July 23rd. Now, you know, it becomes extremely important to me to know anything you will tell me about the progress of your brother’s trouble, if it is possible for you to speak of it.’ ‘Of course. Well, the sense of being watched whenever he was alone was the most distressing thing to him. After a time I took to sleeping in his room, and he was the better for that: still, he talked a great deal in his sleep. What about? Is it wise to dwell on that, at least before things are straightened out? I think not, but I can tell you this: two things came for him by post during those weeks, both with a London postmark, and addressed in a commercial hand. One was a woodcut of Bewick’s, roughly torn out of the page: one which shows a moonlit road and a man walking along it, followed by an awful demon creature. Under it were written the lines out of the “Ancient Mariner” (which I suppose the cut illustrates) about one who, having once looked round —
And turns no more his head,
Because he knows a frightful fiend
Doth close behind him tread.
The other was a calendar, such as tradesmen often send. My brother paid no attention to this, but I looked at it after his death, and found that everything after Sept. 18 had been torn out. You may be surprised at his having gone out alone the evening he was killed, but the fact is that during the last ten days or so of his life he had been quite free from the sense of being followed or watched.’
The end of the consultation was this. Harrington, who knew a neighbour of Karswell’s, thought he saw a way of keeping a watch on his movements. It would be Dunning’s part to be in readiness to try to cross Karswell’s path at any moment, to keep the paper safe and in a place of ready access.
They parted. The next weeks were no doubt a severe strain upon Dunning’s nerves: the intangible barrier which had seemed to rise about him on the day when he received the paper, gradually developed into a brooding blackness that cut him off from the means of escape to which one might have thought he might resort. No one was at hand who was likely to suggest them to him, and he seemed robbed of all initiative. He waited with inexpressible anxiety as May, June, and early July passed on, for a mandate from Harrington. But all this time Karswell remained immovable at Lufford.
At last, in less than a week before the date he had come to look upon as the end of his earthly activities, came a telegram: ‘Leaves Victoria by boat train Thursday night. Do not miss. I come to you to-night. Harrington.’
He arrived accordingly, and they concocted plans. The train left Victoria at nine and its last stop before Dover was Croydon West. Harrington would mark down Karswell at Victoria, and look out for Dunning at Croydon, calling to him if need were by a name agreed upon. Dunning, disguised as far as might be, was to have no label or initials on any hand luggage, and must at all costs have the paper with him.
Dunning’s suspense as he waited on the Croydon platform I need not attempt to describe. His sense of danger during the last days had only been sharpened by the fact that the cloud about him had perceptibly been lighter; but relief was an ominous symptom, and, if Karswell eluded him now, hope was gone: and there were so many chances of that. The rumour of the journey might be itself a device. The twenty minutes in which he paced the platform and persecuted every porter with inquiries as to the boat train were as bitter as any he had spent. Still, the train came, and Harrington was at the window. It was important, of course, that there should be no recognition: so Dunning got in at the farther end of the corridor carriage, and only gradually made his way to the compartment where Harrington and Karswell were. He was pleased, on the whole, to see that the train was far from full.
Karswell was on the alert, but gave no sign of recognition. Dunning took the seat not immediately facing him, and attempted, vainly at first, then with increasing command of his faculties, to reckon the possibilities of making the desired transfer. Opposite to Karswell, and next to Dunning, was a heap of Karswell’s coats on the seat. It would be of no use to slip the paper into these — he would not be safe, or would not feel so, unless in some way it could be proffered by him and accepted by the other. There was a handbag, open, and with papers in it. Could he manage to conceal this (so that perhaps Karswell might leave the carriage without it), and then find and give it to him? This was the plan that suggested itself. If he could only have counselled with Harrington! but that could not be. The minutes went on. More than once Karswell rose and went out into the corridor. The second time Dunning was on the point of attempting to make the bag fall off the seat, but he caught Harrington’s eye, and read in it a warning.
Karswell, from the corridor, was watching: probably to see if the two men recognized each other. He returned, but was evidently restless: and, when he rose the third time, hope dawned, for something did slip off his seat and fall with hardly a sound to the floor. Karswell went out once more, and passed out of range of the corridor window. Dunning picked up what had fallen, and saw that the key was in his hands in the form of one of Cook’s ticket-cases, with tickets in it. These cases have a pocket in the cover, and within very few seconds the paper of which we have heard was in the pocket of this one. To make the operation more secure, Harrington stood in the doorway of the compartment and fiddled with the blind. It was done, and done at the right time, for the train was now slowing down towards Dover.
In a moment more Karswell re-entered the compartment. As he did so, Dunning, managing, he knew not how, to suppress the tremble in his voice, handed him the ticket-case, saying, ‘May I give you this, sir? I believe it is yours.’ After a brief glance at the ticket inside, Karswell uttered the hoped-for response, ‘Yes, it is; much obliged to you, sir,’ and he placed it in his breast pocket.
Even in the few moments that remained — moments of tense anxiety, for they knew not to what a premature finding of the paper might lead — both men noticed that the carriage seemed to darken about them and to grow warmer; that Karswell was fidgety and oppressed; that he drew the heap of loose coats near to him and cast it back as if it repelled him; and that he then sat upright and glanced anxiously at both. They, with sickening anxiety, busied themselves in collecting their belongings; but they both thought that Karswell was on the point of speaking when the train stopped at Dover Town. It was natural that in the short space between town and pier they should both go into the corridor.
At the pier they got out, but so empty was the train that they were forced to linger on the platform until Karswell should have passed ahead of them with his porter on the way to the boat, and only then was it safe for them to exchange a pressure of the hand and a word of concentrated congratulation. The effect upon Dunning was to make him almost faint. Harrington made him lean up against the wall, while he himself went forward a few yards within sight of the gangway to the boat, at which Karswell had now arrived. The man at the head of it examined his ticket, and, laden with coats he passed down into the boat. Suddenly the official called after him, ‘You, sir, beg pardon, did the other gentleman show his ticket?’ ‘What the devil do you mean by the other gentleman?’ Karswell’s snarling voice called back from the deck. The man bent over and looked at him. ‘The devil? Well, I don’t know, I’m sure,’ Harrington heard him say to himself, and then aloud, ‘My mistake, sir; must have been your rugs! ask your pardon.’ And then, to a subordinate near him, ‘‘Ad he got a dog with him, or what? Funny thing: I could ‘a’ swore ‘e wasn’t alone. Well, whatever it was, they’ll ‘ave to see to it aboard. She’s off now. Another week and we shall be gettin’ the ‘oliday customers.’ In five minutes more there was nothing but the lessening lights of the boat, the long line of the Dover lamps, the night breeze, and the moon.
Long and long the two sat in their room at the ‘Lord Warden’. In spite of the removal of their greatest anxiety, they were oppressed with a doubt, not of the lightest. Had they been justified in sending a man to his death, as they believed they had? Ought they not to warn him, at least? ‘No,’ said Harrington; ‘if he is the murderer I think him, we have done no more than is just. Still, if you think it better — but how and where can you warn him?’ ‘He was booked to Abbeville only,’ said Dunning. ‘I saw that. If I wired to the hotels there in Joanne’s Guide, “Examine your ticket-case, Dunning,” I should feel happier. This is the 21st: he will have a day. But I am afraid he has gone into the dark.’ So telegrams were left at the hotel office.
It is not clear whether these reached their destination, or whether, if they did, they were understood. All that is known is that, on the afternoon of the 23rd, an English traveller, examining the front of St Wulfram’s Church at Abbeville, then under extensive repair, was struck on the head and instantly killed by a stone falling from the scaffold erected round the north-western tower, there being, as was clearly proved, no workman on the scaffold at that moment: and the traveller’s papers identified him as Mr Karswell.
Only one detail shall be added. At Karswell’s sale a set of Bewick, sold with all faults, was acquired by Harrington. The page with the woodcut of the traveller and the demon was, as he had expected, mutilated. Also, after a judicious interval, Harrington repeated to Dunning something of what he had heard his brother say in his sleep: but it was not long before Dunning stopped him.
Beginning in January 1, 2017, this will be the location of a new on-line quarterly magazine for short stories, poetry, and other short works of the horror genre. You can find the guidelines for submissions on my current Submissions and Announcements page, which will remain the same, with the only exception being that the word limit for submissions for “The Chamber” will increase from 1,000 to 2,000 words.
I am creating this magazine primarily because it is not fair to my contributors to submit a work for publication, when that work will be at the top of my blog posts for only a day, and then that author and his readers will have to wade through a morass of unrelated blogs to find that one post. To remedy this, I will create a separate page on my blog for my new magazine, “The Chamber”, where each quarter’s selections will appear on a separate page for eternity (or until WordPress folds, or until I give it all up and wander off to buy a bar in Key West or etc.) Issue 1 will appear on January 1st. Cut-off date for submissions will be November 30 (I don’t want to work over Christmas). Selections will probably be made by December 15. Send submissions per the Submissions and Announcements guidelines, but specify Submission for “The Chamber” in the subject line, if you want your work published in The Chamber, or Submission for The Blog, if you want to be published in the regular blog. I will continue to publish submissions in my regular blog until December 31.
Why call it “The Chamber”? The word chamber has numerous sinister and macabre connotations: a chamber of horrors, a torture chamber, one chambers a round into a rifle, etc. A chamber can also be where a sorcerer, an alchemist, or a member of the Inquisition stores his library. It is with this last connotation in mind that I am developing my Chamber for the storage of my selection of sinister and macabre works from the best up and coming authors that seek to contribute to my blog.
So, start editing your best, most powerful material and see where this new venture takes us! I want powerful, hard-hitting material that leaves its readers gasping and awe-struck at the end.
Source: Phantasm: Ravager (2016) Review
Terror, murder and madness are all part of the human condition. We try to hide the fact that we have evil thoughts inside us and we don’t speak about the things that scare us the most. Like w…
Source: An Interview With Suzanne Madron
I might submit to this.
Non-themed short horror stories that arrests readers and leave them haunted for months to come. Stories must be original. We are not accepting reprints.
Since horror is the only genre of fiction defined by an emotion, your story must have the following:
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The American Rangers who were tasked with freeing 500 American POWs from a camp in Cabanatuan, Nueva Ecija, were flanked by a large group of Filipino guerrillas who escorted the Rangers to the camp and back. On pp. 112 – 113 of Ghost Soldiers, there is a section on moving through a field of native grass (cogon) at night.
TRIGGER WARNING: Horror
A lot of the Filipinos believed the cogon fields were haunted places at night, and the Rangers could tell some of them were a bit spooked . . . Their devout Spanish Catholicism coexisted with a smattering of older ingidenous beliefs. Among other things, they believed in a certain demon called the aswang. An aswang was a person like anyone else during the day, but at night he shed his legs and sprouted wings and gadded around like a vampire, settling old scores and…
View original post 97 more words
“Did you cut your hair, Nikolas?”
“Well, I don’t like it.”
The teapot was lifted daintily, and poured in a similar fashion so as to not spill a drop.
“Hopefully this new man replacing you will know a thing or two about appearances.”
The china cup was handed over, and he brought it to his lips.
“This is bitter Nikolas. You messed this up, too.”
“No, sir. It is a different brew, made especially for you.”
A second sip entered between his pursed lips.
“What is in it, then?”
“Rat poison, sir.”
And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will.
– Joseph Glanvill
I CANNOT, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot now bring these points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid cast of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive that they have been unnoticed and unknown. Yet I believe that I
met her first and most frequently in some large, old, decaying city near the Rhine. Of her family –I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone –by Ligeia –that I bring before mine eyes in fancy the image of her who is no more. And now, while I write, a recollection flashes upon me that I have never known the paternal name of her who was my friend and my betrothed, and who became the partner of my studies, and finally the wife of my bosom. Was it a playful charge on the part of my Ligeia? or was it a test of my strength of affection, that I should institute no inquiries upon this point? or was it rather a caprice of my own –a wildly romantic offering on the shrine of the most passionate devotion? I but indistinctly recall the fact itself –what wonder that I have utterly forgotten the circumstances which originated or attended it? And, indeed, if ever she, the wan and the misty-winged Ashtophet of idolatrous Egypt, presided, as they tell, over marriages ill-omened, then most surely she presided over mine.
There is one dear topic, however, on which my memory fails me not. It is the person of Ligeia. In stature she was tall, somewhat slender, and, in her latter days, even emaciated. I would in vain attempt to portray the majesty, the quiet ease, of her demeanor, or the incomprehensible lightness and elasticity of her footfall. She came and departed as a shadow. I was never made aware of her entrance into my closed study save by the dear music of her low sweet voice, as she placed her marble hand upon my shoulder. In beauty of face no maiden ever equalled her. It was the radiance of an opium-dream –an airy and spirit-lifting vision more wildly divine than the phantasies which hovered vision about the slumbering souls of the daughters of Delos. Yet her features were not of that regular mould which we have been falsely taught to worship in the classical labors of the heathen. “There is no exquisite beauty,” says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, without some strangeness in the proportion.” Yet, although I saw that the features of Ligeia were not of a classic regularity –although I perceived that her loveliness was indeed “exquisite,” and felt that there was much of “strangeness” pervading it, yet I have tried in vain to detect the irregularity and to trace home my own perception of “the strange.” I examined the contour of the lofty and pale forehead –it was faultless –how cold indeed that word when applied to a majesty so divine! –the skin rivalling the purest ivory, the commanding extent and repose, the gentle prominence of the regions above the temples; and then the raven-black, the glossy, the luxuriant and naturally-curling tresses, setting forth the full force of the Homeric epithet, “hyacinthine!” I looked at the delicate outlines of the nose –and nowhere but in the graceful medallions of the Hebrews had I beheld a similar perfection. There were the same luxurious smoothness of surface, the same scarcely perceptible tendency to the aquiline, the same harmoniously curved nostrils speaking the free spirit. I regarded the sweet mouth. Here was indeed the triumph of all things heavenly –the magnificent turn of the short upper lip –the soft, voluptuous slumber of the under –the dimples which sported, and the color which spoke –the teeth glancing back, with a brilliancy almost startling, every ray of the holy light which fell upon them in her serene and placid, yet most exultingly radiant of all smiles. I scrutinized the formation of the chin –and here, too, I found the gentleness of breadth, the softness and the majesty, the fullness and the spirituality, of the Greek –the contour which the god Apollo revealed but in a dream, to Cleomenes, the son of the Athenian. And then I peered into the large eyes of Ligeia.
For eyes we have no models in the remotely antique. It might have been, too, that in these eves of my beloved lay the secret to which Lord Verulam alludes. They were, I must believe, far larger than the ordinary eyes of our own race. They were even fuller than the fullest of the gazelle eyes of the tribe of the valley of Nourjahad. Yet it was only at intervals –in moments of intense excitement –that this peculiarity became more than slightly noticeable in Ligeia. And at such moments was her beauty –in my heated fancy thus it appeared perhaps –the beauty of beings either above or apart from the earth –the beauty of the fabulous Houri of the Turk. The hue of the orbs was the most brilliant of black, and, far over them, hung jetty lashes of great length. The brows, slightly irregular in outline, had the same tint. The “strangeness,” however, which I found in the eyes, was of a nature distinct from the formation, or the color, or the brilliancy of the features, and must, after all, be referred to the expression. Ah, word of no meaning! behind whose vast latitude of mere sound we intrench our ignorance of so much of the spiritual. The expression of the eyes of Ligeia! How for long hours have I pondered upon it! How have I, through the whole of a midsummer night, struggled to fathom it! What was it –that something more profound than the well of Democritus –which lay far within the pupils of my beloved? What was it? I was possessed with a passion to discover. Those eyes! those large, those shining, those divine orbs! they became to me twin stars of Leda, and I to them devoutest of astrologers.
There is no point, among the many incomprehensible anomalies of the science of mind, more thrillingly exciting than the fact –never, I believe, noticed in the schools –that, in our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember. And thus how frequently, in my intense scrutiny of Ligeia’s eyes, have I felt approaching the full knowledge of their expression –felt it approaching –yet not quite be mine –and so at length entirely depart! And (strange, oh strangest mystery of all!) I found, in the commonest objects of the universe, a circle of analogies to theat expression. I mean to say that, subsequently to the period when Ligeia’s beauty passed into my spirit, there dwelling as in a shrine, I derived, from many existences in the material world, a sentiment such as I felt always aroused within me by her large and luminous orbs. Yet not the more could I define that sentiment, or analyze, or even steadily view it. I recognized it, let me repeat, sometimes in the survey of a rapidly-growing vine –in the contemplation of a moth, a butterfly, a chrysalis, a stream of running water. I have felt it in the ocean; in the falling of a meteor. I have felt it in the glances of unusually aged people. And there are one or two stars in heaven –(one especially, a star of the sixth magnitude, double and changeable, to be found near the large star in Lyra) in a telescopic scrutiny of which I have been made aware of the feeling. I have been filled with it by certain sounds from stringed instruments, and not unfrequently by passages from books. Among innumerable other instances, I well remember something in a volume of Joseph Glanvill, which (perhaps merely from its quaintness –who shall say?) never failed to inspire me with the sentiment; –“And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.”
Length of years, and subsequent reflection, have enabled me to trace, indeed, some remote connection between this passage in the English moralist and a portion of the character of Ligeia. An intensity in thought, action, or speech, was possibly, in her, a result, or at least an index, of that gigantic volition which, during our long intercourse, failed to give other and more immediate evidence of its existence. Of all the women whom I have ever known, she, the outwardly calm, the ever-placid Ligeia, was the most violently a prey to the tumultuous vultures of stern passion. And of such passion I could form no estimate, save by the miraculous expansion of those eyes which at once so delighted and appalled me –by the almost magical melody, modulation, distinctness and placidity of her very low voice –and by the fierce energy (rendered doubly effective by contrast with her manner of utterance) of the wild words which she habitually uttered.
I have spoken of the learning of Ligeia: it was immense –such as I have never known in woman. In the classical tongues was she deeply proficient, and as far as my own acquaintance extended in regard to the modern dialects of Europe, I have never known her at fault. Indeed upon any theme of the most admired, because simply the most abstruse of the boasted erudition of the academy, have I ever found Ligeia at fault? How singularly –how thrillingly, this one point in the nature of my wife has forced itself, at this late period only, upon my attention! I said her knowledge was such as I have never known in woman –but where breathes the man who has traversed, and successfully, all the wide areas of moral, physical, and mathematical science? I saw not then what I now clearly perceive, that the acquisitions of Ligeia were gigantic, were astounding; yet I was sufficiently aware of her infinite supremacy to resign myself, with a child-like confidence, to her guidance through the chaotic world of metaphysical investigation at which I was most busily occupied during the earlier years of our marriage. With how vast a triumph –with how vivid a delight –with how much of all that is ethereal in hope –did I feel, as she bent over me in studies but little sought –but less known –that delicious vista by slow degrees expanding before me, down whose long, gorgeous, and all untrodden path, I might at length pass onward to the goal of a wisdom too divinely precious not to be forbidden!
How poignant, then, must have been the grief with which, after some years, I beheld my well-grounded expectations take wings to themselves and fly away! Without Ligeia I was but as a child groping benighted. Her presence, her readings alone, rendered vividly luminous the many mysteries of the transcendentalism in which we were immersed. Wanting the radiant lustre of her eyes, letters, lambent and golden, grew duller than Saturnian lead. And now those eyes shone less and less frequently upon the pages over which I pored. Ligeia grew ill. The wild eyes blazed with a too –too glorious effulgence; the pale fingers became of the transparent waxen hue of the grave, and the blue veins upon the lofty forehead swelled and sank impetuously with the tides of the gentle emotion. I saw that she must die –and I struggled desperately in spirit with the grim Azrael. And the struggles of the passionate wife were, to my astonishment, even more energetic than my own. There had been much in her stern nature to impress me with the belief that, to her, death would have come without its terrors; –but not so. Words are impotent to convey any just idea of the fierceness of resistance with which she wrestled with the Shadow. I groaned in anguish at the pitiable spectacle. would have soothed –I would have reasoned; but, in the intensity of her wild desire for life, –for life –but for life –solace and reason were the uttermost folly. Yet not until the last instance, amid the most convulsive writhings of her fierce spirit, was shaken the external placidity of her demeanor. Her voice grew more gentle –grew more low –yet I would not wish to dwell upon the wild meaning of the quietly uttered words. My brain reeled as I hearkened entranced, to a melody more than mortal –to assumptions and aspirations which mortality had never before known.
That she loved me I should not have doubted; and I might have been easily aware that, in a bosom such as hers, love would have reigned no ordinary passion. But in death only, was I fully impressed with the strength of her affection. For long hours, detaining my hand, would she pour out before me the overflowing of a heart whose more than passionate devotion amounted to idolatry. How had I deserved to be so blessed by such confessions? –how had I deserved to be so cursed with the removal of my beloved in the hour of her making them, But upon this subject I cannot bear to dilate. Let me say only, that in Ligeia’s more than womanly abandonment to a love, alas! all unmerited, all unworthily bestowed, I at length recognized the principle of her longing with so wildly earnest a desire for the life which was now fleeing so rapidly away. It is this wild longing –it is this eager vehemence of desire for life –but for life –that I have no power to portray –no utterance capable of expressing.
At high noon of the night in which she departed, beckoning me, peremptorily, to her side, she bade me repeat certain verses composed by herself not many days before. I obeyed her. –They were these:
Lo! ’tis a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.
Mimes, in the form of God on high,
Mutter and mumble low,
And hither and thither fly —
Mere puppets they, who come and go
At bidding of vast formless things
That shift the scenery to and fro,
Flapping from out their Condor wings
That motley drama! –oh, be sure
It shall not be forgot!
With its Phantom chased forever more,
By a crowd that seize it not,
Through a circle that ever returneth in
To the self-same spot,
And much of Madness and more of Sin
And Horror the soul of the plot.
But see, amid the mimic rout,
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes! –it writhes! –with mortal pangs
The mimes become its food,
And the seraphs sob at vermin fangs
In human gore imbued.
Out –out are the lights –out all!
And over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
And the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, “Man,”
And its hero the Conqueror Worm.
“O God!” half shrieked Ligeia, leaping to her feet and extending her arms aloft with a spasmodic movement, as I made an end of these lines –“O God! O Divine Father! –shall these things be undeviatingly so? –shall this Conqueror be not once conquered? Are we not part and parcel in Thee? Who –who knoweth the mysteries of the will with its vigor? Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.”
And now, as if exhausted with emotion, she suffered her white arms to fall, and returned solemnly to her bed of death. And as she breathed her last sighs, there came mingled with them a low murmur from her lips. I bent to them my ear and distinguished, again, the concluding words of the passage in Glanvill –“Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.”
She died; –and I, crushed into the very dust with sorrow, could no longer endure the lonely desolation of my dwelling in the dim and decaying city by the Rhine. I had no lack of what the world calls wealth. Ligeia had brought me far more, very far more than ordinarily falls to the lot of mortals. After a few months, therefore, of weary and aimless wandering, I purchased, and put in some repair, an abbey, which I shall not name, in one of the wildest and least frequented portions of fair England. The gloomy and dreary grandeur of the building, the almost savage aspect of the domain, the many melancholy and time-honored memories connected with both, had much in unison with the feelings of utter abandonment which had driven me into that remote and unsocial region of the country. Yet although the external abbey, with its verdant decay hanging about it, suffered but little alteration, I gave way, with a child-like perversity, and perchance with a faint hope of alleviating my sorrows, to a display of more than regal magnificence within. –For such follies, even in childhood, I had imbibed a taste and now they came back to me as if in the dotage of grief. Alas, I feel how much even of incipient madness might have been discovered in the gorgeous and fantastic draperies, in the solemn carvings of Egypt, in the wild cornices and furniture, in the Bedlam patterns of the carpets of tufted gold! I had become a bounden slave in the trammels of opium, and my labors and my orders had taken a coloring from my dreams. But these absurdities must not pause to detail. Let me speak only of that one chamber, ever accursed, whither in a moment of mental alienation, I led from the altar as my bride –as the successor of the unforgotten Ligeia –the fair-haired and blue-eyed Lady Rowena Trevanion, of Tremaine.
There is no individual portion of the architecture and decoration of that bridal chamber which is not now visibly before me. Where were the souls of the haughty family of the bride, when, through thirst of gold, they permitted to pass the threshold of an apartment so bedecked, a maiden and a daughter so beloved? I have said that I minutely remember the details of the chamber –yet I am sadly forgetful on topics of deep moment –and here there was no system, no keeping, in the fantastic display, to take hold upon the memory. The room lay in a high turret of the castellated abbey, was pentagonal in shape, and of capacious size. Occupying the whole southern face of the pentagon was the sole window –an immense sheet of unbroken glass from Venice –a single pane, and tinted of a leaden hue, so that the rays of either the sun or moon, passing through it, fell with a ghastly lustre on the objects within. Over the upper portion of this huge window, extended the trellice-work of an aged vine, which clambered up the massy walls of the turret. The ceiling, of gloomy-looking oak, was excessively lofty, vaulted, and elaborately fretted with the wildest and most grotesque specimens of a semi-Gothic, semi-Druidical device. From out the most central recess of this melancholy vaulting, depended, by a single chain of gold with long links, a huge censer of the same metal, Saracenic in pattern, and with many perforations so contrived that there writhed in and out of them, as if endued with a serpent vitality, a continual succession of parti-colored fires.
Some few ottomans and golden candelabra, of Eastern figure, were in various stations about –and there was the couch, too –bridal couch –of an Indian model, and low, and sculptured of solid ebony, with a pall-like canopy above. In each of the angles of the chamber stood on end a gigantic sarcophagus of black granite, from the tombs of the kings over against Luxor, with their aged lids full of immemorial sculpture. But in the draping of the apartment lay, alas! the chief phantasy of all. The lofty walls, gigantic in height –even unproportionably so –were hung from summit to foot, in vast folds, with a heavy and massive-looking tapestry –tapestry of a material which was found alike as a carpet on the floor, as a covering for the ottomans and the ebony bed, as a canopy for the bed, and as the gorgeous volutes of the curtains which partially shaded the window. The material was the richest cloth of gold. It was spotted all over, at irregular intervals, with arabesque figures, about a foot in diameter, and wrought upon the cloth in patterns of the most jetty black. But these figures partook of the true character of the arabesque only when regarded from a single point of view. By a contrivance now common, and indeed traceable to a very remote period of antiquity, they were made changeable in aspect. To one entering the room, they bore the appearance of simple monstrosities; but upon a farther advance, this appearance gradually departed; and step by step, as the visitor moved his station in the chamber, he saw himself surrounded by an endless succession of the ghastly forms which belong to the superstition of the Norman, or arise in the guilty slumbers of the monk. The phantasmagoric effect was vastly heightened by the artificial introduction of a strong continual current of wind behind the draperies –giving a hideous and uneasy animation to the whole.
In halls such as these –in a bridal chamber such as this –I passed, with the Lady of Tremaine, the unhallowed hours of the first month of our marriage –passed them with but little disquietude. That my wife dreaded the fierce moodiness of my temper –that she shunned me and loved me but little –I could not help perceiving; but it gave me rather pleasure than otherwise. I loathed her with a hatred belonging more to demon than to man. My memory flew back, (oh, with what intensity of regret!) to Ligeia, the beloved, the august, the beautiful, the entombed. I revelled in recollections of her purity, of her wisdom, of her lofty, her ethereal nature, of her passionate, her idolatrous love. Now, then, did my spirit fully and freely burn with more than all the fires of her own. In the excitement of my opium dreams (for I was habitually fettered in the shackles of the drug) I would call aloud upon her name, during the silence of the night, or among the sheltered recesses of the glens by day, as if, through the wild eagerness, the solemn passion, the consuming ardor of my longing for the departed, I could restore her to the pathway she had abandoned –ah, could it be forever? –upon the earth.
About the commencement of the second month of the marriage, the Lady Rowena was attacked with sudden illness, from which her recovery was slow. The fever which consumed her rendered her nights uneasy; and in her perturbed state of half-slumber, she spoke of sounds, and of motions, in and about the chamber of the turret, which I concluded had no origin save in the distemper of her fancy, or perhaps in the phantasmagoric influences of the chamber itself. She became at length convalescent –finally well. Yet but a brief period elapsed, ere a second more violent disorder again threw her upon a bed of suffering; and from this attack her frame, at all times feeble, never altogether recovered. Her illnesses were, after this epoch, of alarming character, and of more alarming recurrence, defying alike the knowledge and the great exertions of her physicians. With the increase of the chronic disease which had thus, apparently, taken too sure hold upon her constitution to be eradicated by human means, I could not fail to observe a similar increase in the nervous irritation of her temperament, and in her excitability by trivial causes of fear. She spoke again, and now more frequently and pertinaciously, of the sounds –of the slight sounds –and of the unusual motions among the tapestries, to which she had formerly alluded.
One night, near the closing in of September, she pressed this distressing subject with more than usual emphasis upon my attention. She had just awakened from an unquiet slumber, and I had been watching, with feelings half of anxiety, half of vague terror, the workings of her emaciated countenance. I sat by the side of her ebony bed, upon one of the ottomans of India. She partly arose, and spoke, in an earnest low whisper, of sounds which she then heard, but which I could not hear –of motions which she then saw, but which I could not perceive. The wind was rushing hurriedly behind the tapestries, and I wished to show her (what, let me confess it, I could not all believe) that those almost inarticulate breathings, and those very gentle variations of the figures upon the wall, were but the natural effects of that customary rushing of the wind. But a deadly pallor, overspreading her face, had proved to me that my exertions to reassure her would be fruitless. She appeared to be fainting, and no attendants were within call. I remembered where was deposited a decanter of light wine which had been ordered by her physicians, and hastened across the chamber to procure it. But, as I stepped beneath the light of the censer, two circumstances of a startling nature attracted my attention. I had felt that some palpable although invisible object had passed lightly by my person; and I saw that there lay upon the golden carpet, in the very middle of the rich lustre thrown from the censer, a shadow –a faint, indefinite shadow of angelic aspect –such as might be fancied for the shadow of a shade. But I was wild with the excitement of an immoderate dose of opium, and heeded these things but little, nor spoke of them to Rowena. Having found the wine, I recrossed the chamber, and poured out a gobletful, which I held to the lips of the fainting lady. She had now partially recovered, however, and took the vessel herself, while I sank upon an ottoman near me, with my eyes fastened upon her person. It was then that I became distinctly aware of a gentle footfall upon the carpet, and near the couch; and in a second thereafter, as Rowena was in the act of raising the wine to her lips, I saw, or may have dreamed that I saw, fall within the goblet, as if from some invisible spring in the atmosphere of the room, three or four large drops of a brilliant and ruby colored fluid. If this I saw –not so Rowena. She swallowed the wine unhesitatingly, and I forbore to speak to her of a circumstance which must, after all, I considered, have been but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, by the opium, and by the hour.
Yet I cannot conceal it from my own perception that, immediately subsequent to the fall of the ruby-drops, a rapid change for the worse took place in the disorder of my wife; so that, on the third subsequent night, the hands of her menials prepared her for the tomb, and on the fourth, I sat alone, with her shrouded body, in that fantastic chamber which had received her as my bride. –Wild visions, opium-engendered, flitted, shadow-like, before me. I gazed with unquiet eye upon the sarcophagi in the angles of the room, upon the varying figures of the drapery, and upon the writhing of the parti-colored fires in the censer overhead. My eyes then fell, as I called to mind the circumstances of a former night, to the spot beneath the glare of the censer where I had seen the faint traces of the shadow. It was there, however, no longer; and breathing with greater freedom, I turned my glances to the pallid and rigid figure upon the bed. Then rushed upon me a thousand memories of Ligeia –and then came back upon my heart, with the turbulent violence of a flood, the whole of that unutterable wo with which I had regarded her thus enshrouded. The night waned; and still, with a bosom full of bitter thoughts of the one only and supremely beloved, I remained gazing upon the body of Rowena.
It might have been midnight, or perhaps earlier, or later, for I had taken no note of time, when a sob, low, gentle, but very distinct, startled me from my revery. –I felt that it came from the bed of ebony –the bed of death. I listened in an agony of superstitious terror –but there was no repetition of the sound. I strained my vision to detect any motion in the corpse –but there was not the slightest perceptible. Yet I could not have been deceived. I had heard the noise, however faint, and my soul was awakened within me. I resolutely and perseveringly kept my attention riveted upon the body. Many minutes elapsed before any circumstance occurred tending to throw light upon the mystery. At length it became evident that a slight, a very feeble, and barely noticeable tinge of color had flushed up within the cheeks, and along the sunken small veins of the eyelids. Through a species of unutterable horror and awe, for which the language of mortality has no sufficiently energetic expression, I felt my heart cease to beat, my limbs grow rigid where I sat. Yet a sense of duty finally operated to restore my self-possession. I could no longer doubt that we had been precipitate in our preparations –that Rowena still lived. It was necessary that some immediate exertion be made; yet the turret was altogether apart from the portion of the abbey tenanted by the servants –there were none within call –I had no means of summoning them to my aid without leaving the room for many minutes –and this I could not venture to do. I therefore struggled alone in my endeavors to call back the spirit ill hovering. In a short period it was certain, however, that a relapse had taken place; the color disappeared from both eyelid and cheek, leaving a wanness even more than that of marble; the lips became doubly shrivelled and pinched up in the ghastly expression of death; a repulsive clamminess and coldness overspread rapidly the surface of the body; and all the usual rigorous illness immediately supervened. I fell back with a shudder upon the couch from which I had been so startlingly aroused, and again gave myself up to passionate waking visions of Ligeia.
An hour thus elapsed when (could it be possible?) I was a second time aware of some vague sound issuing from the region of the bed. I listened –in extremity of horror. The sound came again –it was a sigh. Rushing to the corpse, I saw –distinctly saw –a tremor upon the lips. In a minute afterward they relaxed, disclosing a bright line of the pearly teeth. Amazement now struggled in my bosom with the profound awe which had hitherto reigned there alone. I felt that my vision grew dim, that my reason wandered; and it was only by a violent effort that I at length succeeded in nerving myself to the task which duty thus once more had pointed out. There was now a partial glow upon the forehead and upon the cheek and throat; a perceptible warmth pervaded the whole frame; there was even a slight pulsation at the heart. The lady lived; and with redoubled ardor I betook myself to the task of restoration. I chafed and bathed the temples and the hands, and used every exertion which experience, and no little medical reading, could suggest. But in vain. Suddenly, the color fled, the pulsation ceased, the lips resumed the expression of the dead, and, in an instant afterward, the whole body took upon itself the icy chilliness, the livid hue, the intense rigidity, the sunken outline, and all the loathsome peculiarities of that which has been, for many days, a tenant of the tomb.
And again I sunk into visions of Ligeia –and again, (what marvel that I shudder while I write,) again there reached my ears a low sob from the region of the ebony bed. But why shall I minutely detail the unspeakable horrors of that night? Why shall I pause to relate how, time after time, until near the period of the gray dawn, this hideous drama of revivification was repeated; how each terrific relapse was only into a sterner and apparently more irredeemable death; how each agony wore the aspect of a struggle with some invisible foe; and how each struggle was succeeded by I know not what of wild change in the personal appearance of the corpse? Let me hurry to a conclusion.
The greater part of the fearful night had worn away, and she who had been dead, once again stirred –and now more vigorously than hitherto, although arousing from a dissolution more appalling in its utter hopelessness than any. I had long ceased to struggle or to move, and remained sitting rigidly upon the ottoman, a helpless prey to a whirl of violent emotions, of which extreme awe was perhaps the least terrible, the least consuming. The corpse, I repeat, stirred, and now more vigorously than before. The hues of life flushed up with unwonted energy into the countenance –the limbs relaxed –and, save that the eyelids were yet pressed heavily together, and that the bandages and draperies of the grave still imparted their charnel character to the figure, I might have dreamed that Rowena had indeed shaken off, utterly, the fetters of Death. But if this idea was not, even then, altogether adopted, I could at least doubt no longer, when, arising from the bed, tottering, with feeble steps, with closed eyes, and with the manner of one bewildered in a dream, the thing that was enshrouded advanced boldly and palpably into the middle of the apartment.
I trembled not –I stirred not –for a crowd of unutterable fancies connected with the air, the stature, the demeanor of the figure, rushing hurriedly through my brain, had paralyzed –had chilled me into stone. I stirred not –but gazed upon the apparition. There was a mad disorder in my thoughts –a tumult unappeasable. Could it, indeed, be the living Rowena who confronted me? Could it indeed be Rowena at all –the fair-haired, the blue-eyed Lady Rowena Trevanion of Tremaine? Why, why should I doubt it? The bandage lay heavily about the mouth –but then might it not be the mouth of the breathing Lady of Tremaine? And the cheeks-there were the roses as in her noon of life –yes, these might indeed be the fair cheeks of the living Lady of Tremaine. And the chin, with its dimples, as in health, might it not be hers? –but had she then grown taller since her malady? What inexpressible madness seized me with that thought? One bound, and I had reached her feet! Shrinking from my touch, she let fall from her head, unloosened, the ghastly cerements which had confined it, and there streamed forth, into the rushing atmosphere of the chamber, huge masses of long and dishevelled hair; it was blacker than the raven wings of the midnight! And now slowly opened the eyes of the figure which stood before me. “Here then, at least,” I shrieked aloud, “can I never –can I never be mistaken –these are the full, and the black, and the wild eyes –of my lost love –of the lady –of the LADY LIGEIA.”
Heidi was at a crossroads in life, she was recently divorced and she just moved into a new condo. She had a little house-warming party which is where things start to go dreadfully wrong. She didn&#…
Source: David’s Haunted Library: 3 Down
Cover art by: Masloski Carmen
Editor: David Watson
Do you love the horror genre? Do you look at horror as a lifestyle? Do the “norms” not understand your love of the macabre?
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Authors: Kristin Battestella, Mimielle, Emerian Rich, Dan Shaurette, Steven Rose Jr., Garth von Buchholz, H.E. Roulo, Sparky Lee Anderson, Mary Abshire, Chantal Boudreau, Jeff Carlson, Catt Dahman, Dean Farnell, Sandra Harris, Willo Hausman, Laurel Anne Hill, Sapphire Neal, James Newman, Loren Rhoads, Chris Ringler, Jessica Robinson…
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Source: Current Submission Calls
The Farmington Writers Circle meets again tonight, October 13, 2016 at 7:00 p.m. not at Starbuck’s at 4337 East Main, , but at Mary’s Kitchen (the student cafeteria) at San Juan College. Follow this link to the Facebook page for Mary’s Kitchen for directions. The meeting will actually take place just outside the cafeteria after it has closed, so bring your own refreshments (if desired).
The evening’s topic has not been determined.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. There are no fees or requirements to attend meetings. Writers of any and all genres, regardless of writing experience, and non-writers with an interest in the art are welcome. Previous topics have included establishing a website to maximize the use of social media in publicizing works, writers’ conferences, and finding an agent among other topics. Meetings generally run for two hours. For more information, contact me via this website.