The Farmington Writers Circle will meet again on September 8, 2016 at 7:00 p.m. Because of the closing of Hasting’s Hardback Cafe, the Writers Circle will now meet at Starbuck’s at 4337 East Main, #101 (near the intersection with 30th Street) until further notice. The evening’s topic has not been determined.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. There are no fees or requirements to attend meetings. Writers of any and all genres, regardless of writing experience, and non-writers with an interest in the art are welcome. Previous topics have included establishing a website to maximize the use of social media in publicizing works, writers’ conferences, and finding an agent among other topics. Meetings generally run for two hours. For more information, contact me via this website.
The Farmington Writers Circle meets tonight at 7:00 p.m. at Hastings Hardback Café in Farmington, NM. The topic for the night will be how to generate reviews for your work.
The July meeting was attended by Gloria, Yvonne, Vicki, myself, and by author Delsheree Gladden (delshereegladden.com), whose website describes her as “USA Today Bestselling Young Adult and Romance Author”. Delsheree provided some valuable insights into the world of publishing.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. The public is invited to attend. There are no fees or requirements to attend meetings, which are usually held on the second Thursday of each month at 7:00 p.m. at the Hardback Café. Writers of any and all genres or non-writers with an interest in the art are welcome. For more information, contact me via this website.
The Farmington Writers Circle will meet next on Thursday, August 11, 2016, at 7:00 p.m. at Hastings Hardback Café in Farmington, NM. The topic for the night will be how to generate reviews for your work.
The July meeting was attended by Gloria, Yvonne, Vicki, myself, and by author Delsheree Gladden (delshereegladden.com), whose website describes her as “USA Today Bestselling Young Adult and Romance Author”. Delsheree provided some valuable insights into the world of publishing.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. The public is invited to attend. There are no fees or requirements to attend meetings, which are usually held on the second Thursday of each month at 7:00 p.m. at the Hardback Café. Writers of any and all genres or non-writers with an interest in the art are welcome. For more information, contact me via this website.
Last week I received my hardcopy of Creepy Campfire Quarterly #3 containing my short story “Sorcerer”. My sincere thanks to Jennifer Word and her staff for publishing this story, which is one of my favorite works, but which has been long in finding a home. “Sorcerer” is the story of a former sorcerer, who has given up his wizard’s life for the love of a woman, but who comes out of retirement to wreak a novel but horrific vengeance on the callous, young womanizer he holds responsible for the death of his daughter and his infant grandson during childbirth. I am currently seeking a publisher for its sequel entitled “Under the Willow”. Run out today and buy a copy wherever you can find Creepy Campfire Quarterly or visit their website at http://www.emppublishing.com/creepy-campfire-quarterly.html. You can also find them at Amazon and Kindle and they have a Facebook page as well.
Amy tugs impatiently at her mum’s sleeve, while Janey taps on her iPhone. ‘In a minute. Just let me finish.’
Amy shrugs, skips back to her ‘discovery’, pokes it then pulls at the filthy trousered leg. It jerks. The
white plastic bag, wrapped around the bony fingers, floats upwards. Tugging to escape, in the skin
slicing January winds. Amy, pink cheeked, rearranges the man’s fingers, so he can better hold the cup of tea she pretends to present to her ‘guest.’
‘Nice cup of tea Mister, that’ll warm you up.’
She’s noticed how cold the man’s hand feels. ‘Proper chilled.’ As her Nan would say.
‘Nippy at this time of year Mister.’ Amy parrots the words Janey had tossed at the neighbour earlier. ‘Here’s my scarf.’
She unwraps her fleecy scarf, carefully wrapping it around the man’s neck, like her mum does for
her. Amy pats his shoulder. ‘That’ll warm you up.’
She wonders what else she might do to help. Regretfully she peels off her furry red mittens, a gift
from her Nan. Nan’s always saying it’s good to help others.
Amy gently pulls the man’s dirty fingers into her mittens. Her eye falls on the undone laces of his
solo trainer.
‘I’m not very good at laces, but Mummy says I need to practise more.’
Amy pokes out her tongue, concentrating. ‘…over and under..one loop….oops, nearly..’ she mutters.
Her guest wears a cap which covers the top half of his face. Amy can only see his lips. They look
blue. It seems rude to lift his cap when he’s having a sleep, but she really wants to see his eyes. He
hasn’t moved at all. Trying to be bold, Amy reaches out towards the cap’s brim.
‘Come on Amy it’s time to go.’ Janey shouts.
Amy hovers, uncertain, then pats his shoulder instead.
‘Bye Mister. See you tomorrow.’
She crawls out from under the slide, turning her face towards her Mummy, she waves happily.
Mitten less.
Only the plastic bag bobs a goodbye.
###
“The Doll Man” was previously published by The Casket of Fictional Delights.
As noted by The Casket of Fictional Delights: “Alyson is an ex teacher, from Norwich via Birmingham now living in West Yorkshire, with a son and 3 cats. She writes in her spare time when she’s not singing or swimming.”
Alyson has appeared a couple times previously on this website, when I have re-blogged works of hers from The Drabble.
Portrait of Nikolai Gogol circa 1840 from Wikipedia
The Farmington Writers Circle will meet next on August 11, 2016, at 7:00 p.m. at Hastings Hardback Café in Farmington, NM. The topic for the night will be how to generate reviews for your work.
The July meeting was attended by Gloria, Yvonne, Vicki, myself, and by author Delsheree Gladden (delshereegladden.com), whose website describes her as “USA Today Bestselling Young Adult and Romance Author”. Delsheree provided some valuable insights into the world of publishing.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. The public is invited to attend. There are no fees or requirements to attend meetings, which are usually held on the second Thursday of each month at 7:00 p.m. at the Hardback Café. Writers of any and all genres or non-writers with an interest in the art are welcome. For more information, contact me via this website.
If you would like to submit a short horror story (flash fiction of less than 1,000 words preferred), an article or book/movie review on the art of writing horror fiction, or just on the art of writing, please send it to horror@philslattery.com. Everything must be submitted by e-mail either in the body of the e-mail or a Word document (.doc or .docx). There is no pay for any submission at this time (maybe after I win the Pulitzer or Nobel, but probably not before then).
I am seeking:
Articles under 1,000 words on the art of writing horror (fiction of any length, poetry, screenplays, etc.) or on writing in general, but material along the lines of horror is preferred. Articles on foreign horror are encouraged.
Book and movie reviews, the more recently published or distributed the better, but I will consider reviews of classics works such as those of Poe, Lovecraft, Blackwood, etc. all the way back to Walpole (and before if sufficiently interesting). These must be under 1,000 words also.
Articles on horror in other countries are encouraged. These must also be under 1,000 words.
Translations of articles, stories, or poems from French, German, or Spanish are considered, but the original article/story/poem and its translation must not exceed 2,000 words.
Horror poetry (under 32 lines) or articles on horror in poetry.
Flash horror fiction (i.e. under 1,000 words) preferred, although longer stories may be accepted if really good.
Horror screenplays (under 1,000 words), horror haiku, horror sonnets, basically anything innovative that can be considered horror will have a shot here. I will even consider short videos, but I have not even experimented with them yet and do not know how to write the guidelines for them. The first consideration, however, will have to be that they conform to WordPress’s guidelines for videos, so I’ll start with that. If you want to submit a video, please do, but be aware that I may have to decline it, if it turns out that I do not have the technical expertise to post it and do it justice. Drop me a note first about other formats however, so that I can determine if they are feasible within the limits of my blog and skill set.
Guidelines
Be professional.
Use standard manuscript format. The easier it is for me to simply copy and paste into the website, the more likely you are to be published.
With submissions include your website, twitter handle, or any other social media identification you like. A short bio of 100 words or less (including a list of previous publications) is nice, but not required. Knowing your publication history won’t influence whether or not you are accepted, but it might be nice for the readership to know. If you don’t want to include any social media contact info, don’t include it. Pseudonyms are fine, but please state them as the byline and include your actual name and contact info in the top left of the first page of the submission per standard manuscript format.
In the subject line of your e-mail state whether this is an article or review or poetry of fiction submission, your name, and the work’s title. For example: Article by Phil Slattery “Poe’s Raven: an Analysis”
No hardcopy submissions. Everything must be submitted by e-mail either in the body of the e-mail or attached as a Word document (.doc or .docx).
I would like to reach as large an audience as possible, so please keep profanity to an absolute minimum.
I will try to respond to submissions as quickly as possible, but please allow at least a couple of weeks before querying about your article/story.
There is no pay other than the honor of being published on this website.
I am not taking multiple submissions or simultaneous submissions. Once you have submitted one article/story, please wait about a week before submitting another.
You may submit on piece of artwork or a photo to accompany your article/story. I will edit it (mainly re-sizing) as needed to fit the space available. I will not publish any form of what I deem pornography or in bad taste. If you do not submit artwork or a photo, I may select something appropriate. JPEGs, TIFs and other formats accepted by WordPress are okay, but keep the number of bytes to a minimum. I have only a limited amount of space available.
Artwork and photos may be submitted on their own and you must own the copyright to them. There is no pay for these either. If I do not use these right away, I may keep them until a use arises, but please let me know if this is okay. If you no longer wish me to use them, please let me know as soon as possible.
Do not send advertising (no matter how cleverly veiled it is). It won’t be published.
Gratuitous sex, extreme violence, violence to children, rape and anything else that offends my personal sensibilities will not be published. Anything that seems to reflect an actual crime (past, present, or future) will be immediately turned over to the proper authorities.
If I like your submission, I will publish it as soon as possible, probably within a week. This will depend on the backlog of submissions and other factors. Don’t ask for a timeframe.
Reprints are okay, but you must tell me when and where the article/story/poem was first published.
I do not want fan fiction.
Always re-check the guidelines before submitting. I may change them at any moment without prior notice.
I will update these guidelines as time allows and events warrant. This page was last updated on July 23, 2016.
Please contact me via horror@philslattery.com with any questions.
The Farmington Writers Circle will meet next on August 11, 2016, at 7:00 p.m. at Hastings Hardback Café in Farmington, NM. The topic for the night will be how to generate reviews for your work.
The July meeting was attended by Gloria, Yvonne, Vicki, myself, and by author Delsheree Gladden (delshereegladden.com), whose website describes her as “USA Today Bestselling Young Adult and Romance Author”. Delsheree provided some valuable insights into the world of publishing.
The Farmington Writers Circle is nascent organization of Farmington-area writers who are interested in finding or developing innovative ways of publicizing and marketing their works. Meetings are usually round-table discussions, although occasionally a member will lead the discussion when it deals with an area of the member’s expertise. The public is invited to attend. There are no fees or requirements to attend meetings, which are usually held on the second Thursday of each month at 7:00 p.m. at the Hardback Café. Writers of any and all genres or non-writers with an interest in the art are welcome. For more information, contact me via this website.
Today, my short horror story “Sorcerer” is slated to appear in Creepy Campfire Quarterly. Many thanks to the CCQ staff for publishing this story, its first time in print.
“Sorcerer” is about a modern-day wizard who comes out of retirement to take a unique vengeance on the boy he holds responsible for abandoning and killing his daughter when she was most vulnerable.
Watch for Creepy Campfire Quarterly at your local newsstand or bookstore.
Phil Slattery hiking in the Bisti Wilderness near Farmington, NM, circa 2013
Drop by, check it out, and give me a “like” to get things rolling.
My Facebook Art of Horror address (https://www.facebook.com/slatterysartofhorror) remains the same, but the title is now “Phil Slattery, Author of Horror and Dark Fiction”. I intend to give it a more personal focus rather than have it serve as a facebook-formatted version of this blog. Please ask your friends and acquaintances to “like” and “friend” me as well.
The next meeting of the Farmington Writers Circle will be at 7:00 p.m. on July 14, 2016, at Hastings Hardback Café on 20th Street. The topic of the evening will be a continuation of the June meeting on creative ways of marketing your work.The meeting is open to the general public.
The Farmington Writers Circle is a nascent organization of authors and writers, who are interested in publishing and marketing their works.
Please contact Phil Slattery via this website with any questions or comments.
From Southwater, where he left the train, the road led due west. That he knew; for the rest he trusted to luck, being one of those born walkers who dislike asking the way. He had that instinct, and as a rule it served him well. “A mile or so due west along the sandy road till you come to a stile on the right; then across the fields. You’ll see the red house straight before you.” He glanced at the post-card’s instructions once again, and once again he tried to decipher the scratched-out sentence—without success. It had been so elaborately inked over that no word was legible. Inked-out sentences in a letter were always enticing. He wondered what it was that had to be so very carefully obliterated.
The afternoon was boisterous, with a tearing, shouting wind that blew from the sea, across the Sussex weald. Massive clouds with
Algernon Blackwood 1869-1951
rounded, piled-up edges, cannoned across gaping spaces of blue sky. Far away the line of Downs swept the horizon, like an arriving wave. Chanctonbury Ring rode their crest—a scudding ship, hull down before the wind. He took his hat off and walked rapidly, breathing great draughts of air with delight and exhilaration. The road was deserted; no horsemen, bicycles, or motors; not even a tradesman’s cart; no single walker. But anyhow he would never have asked the way. Keeping a sharp eye for the stile, he pounded along, while the wind tossed the cloak against his face, and made waves across the blue puddles in the yellow road. The trees showed their under leaves of white. The bracken and the high new grass bent all one way. Great life was in the day, high spirits and dancing everywhere. And for a Croydon surveyor’s clerk just out of an office this was like a holiday at the sea.
It was a day for high adventure, and his heart rose up to meet the mood of Nature. His umbrella with the silver ring ought to have been a sword, and his brown shoes should have been top-boots with spurs upon the heels. Where hid the enchanted Castle and the princess with the hair of sunny gold? His horse…
The stile came suddenly into view and nipped adventure in the bud. Everyday clothes took him prisoner again. He was a surveyor’s clerk, middle-aged, earning three pounds a week, coming from Croydon to see about a client’s proposed alterations in a wood—something to ensure a better view from the dining-room window. Across the fields, perhaps a mile away, he saw the red house gleaming in the sunshine; and resting on the stile a moment to get his breath he noticed a copse of oak and hornbeam on the right. “Aha,” he told himself “so that must be the wood he wants to cut down to improve the view? I’ll ’ave a look at it.” There were boards up, of course, but there was an inviting little path as well. “I’m not a trespasser,” he said; “it’s part of my business, this is.” He scrambled awkwardly over the gate and entered the copse. A little round would bring him to the field again.
But the moment he passed among the trees the wind ceased shouting and a stillness dropped upon the world. So dense was the growth that the sunshine only came through in isolated patches. The air was close. He mopped his forehead and put his green felt hat on, but a low branch knocked it off again at once, and as he stooped an elastic twig swung back and stung his face. There were flowers along both edges of the little path; glades opened on either side; ferns curved about in damper corners, and the smell of earth and foliage was rich and sweet. It was cooler here. What an enchanting little wood, he thought, turning down a small green glade where the sunshine flickered like silver wings. How it danced and fluttered and moved about! He put a dark blue flower in his buttonhole. Again his hat, caught by an oak branch as he rose, was knocked from his head, falling across his eyes. And this time he did not put it on again. Swinging his umbrella, he walked on with uncovered head, whistling rather loudly as he went. But the thickness of the trees hardly encouraged whistling, and something of his gaiety and high spirits seemed to leave him. He suddenly found himself treading circumspectly and with caution. The stillness in the wood was so peculiar.
There was a rustle among the ferns and leaves and something shot across the path ten yards ahead, stopped abruptly an instant with head cocked sideways to stare, then dived again beneath the underbrush with the speed of a shadow. He started like a frightened child, laughing the next second that a mere pheasant could have made him jump. In the distance he heard wheels upon the road, and wondered why the sound was pleasant. “Good old butcher’s cart,” he said to himself—then realised that he was going in the wrong direction and had somehow got turned round. For the road should be behind him, not in front.
And he hurriedly took another narrow glade that lost itself in greenness to the right. “That’s my direction, of course,” he said; “the trees has mixed me up a bit, it seems”—then found himself abruptly by the gate he had first climbed over. He had merely made a circle. Surprise became almost discomfiture then. And a man, dressed like a gamekeeper in browny green, leaned against the gate, hitting his legs with a switch. “I’m making for Mr. Lumley’s farm,” explained the walker. “This is his wood, I believe—” then stopped dead, because it was no man at all, but merely an effect of light and shade and foliage. He stepped back to reconstruct the singular illusion, but the wind shook the branches roughly here on the edge of the wood and the foliage refused to reconstruct the figure. The leaves all rustled strangely. And just then the sun went behind a cloud, making the whole wood look otherwise. Yet how the mind could be thus doubly deceived was indeed remarkable, for it almost seemed to him the man had answered, spoken—or was this the shuffling noise the branches made ?—and had pointed with his switch to the notice-board upon the nearest tree. The words rang on in his head, but of course he had imagined them: “No, it’s not his wood. It’s ours.” And some village wit, moreover, had changed the lettering on the weather-beaten board, for it read quite plainly, “Trespassers will be persecuted.”
And while the astonished clerk read the words and chuckled, he said to himself, thinking what a tale he’d have to tell his wife and children later—“The blooming wood has tried to chuck me out. But I’ll go in again. Why, it’s only a matter of a square acre at most. I’m bound to reach the fields on the other side if I keep straight on.” He remembered his position in the office. He had a certain dignity to maintain.
The cloud passed from below the sun, and light splashed suddenly in all manner of unlikely places. The man went straight on. He felt a touch of puzzling confusion somewhere; this way the copse had of shifting from sunshine into shadow doubtless troubled sight a little. To his relief at last, a new glade opened through the trees and disclosed the fields with a glimpse of the red house in the distance at the far end. But a little wicket gate that stood across the path had first to be climbed, and as he scrambled heavily over—for it would not open—he got the astonishing feeling that it slid off sideways beneath his weight, and towards the wood. Like the moving staircases at Harrod’s and Earl’s Court, it began to glide off with him. It was quite horrible. He made a violent effort to get down before it carried him into the trees, but his feet became entangled with the bars and umbrella, so that he fell heavily upon the farther side, arms spread across the grass and nettles, boots clutched between the first and second bars. He lay there a moment like a man crucified upside down, and while he struggled to get disentangled—feet, bars, and umbrella formed a regular net—he saw the little man in browny green go past him with extreme rapidity through the wood. The man was laughing. He passed across the glade some fifty yards away, and he was not alone this time. A companion like himself went with him. The clerk, now upon his feet again, watched them disappear into the gloom of green beyond. “They’re tramps, not gamekeepers,” he said to himself, half mortified, half angry. But his heart was thumping dreadfully, and he dared not utter all his thought.
He examined the wicket gate, convinced it was a trick gate somehow—then went hurriedly on again, disturbed beyond belief to see that the glade no longer opened into fields, but curved away to the right. What in the world had happened to him? His sight was so utterly at fault. Again the sun flamed out abruptly and lit the floor of the wood with pools of silver, and at the same moment a violent gust of wind passed shouting overhead. Drops fell clattering everywhere upon the leaves, making a sharp pattering as of many footsteps. The whole copse shuddered and went moving.
“Rain, by George,” thought the clerk, and feeling for his umbrella, discovered he had lost it. He turned back to the gate and found it lying on the farther side. To his amazement he saw the fields at the far end of the glade, the red house, too, ashine in the sunset. He laughed then, for, of course, in his struggle with the gate, he had somehow got turned round—had fallen back instead of forwards. Climbing over, this time quite easily, he retraced his steps. The silver band, he saw, had been torn from the umbrella. No doubt his foot, a nail, or something had caught in it and ripped it off. The clerk began to run; he felt extraordinarily dismayed.
But, while he ran, the entire wood ran with him, round him, to and fro, trees shifting like living things, leaves folding and unfolding, trunks darting backwards and forwards, and branches disclosing enormous empty spaces, then closing up again before he could look into them. There were footsteps everywhere, and laughing, crying voices, and crowds of figures gathering just behind his back till the glade, he knew, was thick with moving life. The wind in his ears, of course, produced the voices and the laughter, while sun and clouds, plunging the copse alternately in shadow and bright dazzling light, created the figures. But he did not like it, and went as fast as ever his sturdy legs could take him. He was frightened now. This was no story for his wife and children. He ran like the wind. But his feet made no sound upon the soft mossy turf.
Then, to his horror, he saw that the glade grew narrow, nettles and weeds stood thick across it, it dwindled down into a tiny path, and twenty yards ahead it stopped finally and melted off among the trees. What the trick gate had failed to achieve, this twisting glade accomplished easily—carried him in bodily among the dense and crowding trees.
There was only one thing to do—turn sharply and dash back again, run headlong into the life that followed at his back, followed so closely too that now it almost touched him, pushing him in. And with reckless courage this was what he did. It seemed a fearful thing to do. He turned with a sort of violent spring, head down and shoulders forward, hands stretched before his face. He made the plunge; like a hunted creature he charged full tilt the other way, meeting the wind now in his face.
Good Lord! The glade behind him had closed up as well; there was no longer any path at all. Turning round and round, like an animal at bay, he searched for an opening, a way of escape, searched frantically, breathlessly, terrified now in his bones. But foliage surrounded him, branches blocked the way; the trees stood close and still, unshaken by a breath of wind; and the sun dipped that moment behind a great black cloud. The entire wood turned dark and silent. It watched him.
Perhaps it was this final touch of sudden blackness that made him act so foolishly, as though he had really lost his head. At any rate, without pausing to think, he dashed headlong in among the trees again. There was a sensation of being stiflingly surrounded and entangled, and that he must break out at all costs—out and away into the open of the blessed fields and air. He did this ill-considered thing, and apparently charged straight into an oak that deliberately moved into his path to stop him. He saw it shift across a good full yard, and being a measuring man, accustomed to theodolite and chain, he ought to know. He fell, saw stars, and felt a thousand tiny fingers tugging and pulling at his hands and neck and ankles. The stinging nettles, no doubt, were responsible for this. He thought of it later. At the moment it felt diabolically calculated.
But another remarkable illusion was not so easily explained. For all in a moment, it seemed, the entire wood went sliding past him with a thick deep rustling of leaves and laughter, myriad footsteps, and tiny little active, energetic shapes; two men in browny green gave him a mighty hoist—and he opened his eyes to find himself lying in the meadow beside the stile where first his incredible adventure had begun. The wood stood in its usual place and stared down upon him in the sunlight. There was the red house in the distance as before. Above him grinned the weather-beaten notice-board: “Trespassers will be prosecuted.”
Dishevelled in mind and body, and a good deal shaken in his official soul, the clerk walked slowly across the fields. But on the way he glanced once more at the postcard of instructions, and saw with dull amazement that the inked-out sentence was quite legible after all beneath the scratches made across it: “There is a short cut through the wood—the wood I want cut down—if you care to take it.” Only “care” was so badly written, it looked more like another word; the “c” was uncommonly like “d.”
“That’s the copse that spoils my view of the Downs, you see,” his client explained to him later, pointing across the fields, and referring to the ordnance map beside him. “I want it cut down and a path made so and so.” His finger indicated direction on the map. “The Fairy Wood—it’s still called, and it’s far older than this house. Come now, if you’re ready, Mr. Thomas, we might go out and have a look at it. . .”
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