Selections from The Writer’s Home Companion

Edgar Allan Poe, circa 1849
Edgar Allan Poe, circa 1849

The other day I happened to find my copy of The Writer’s Home Companion (by James Charlton and Lisbeth Mark, 1987), which I had lost/forgotten some time back. I have been perusing it since and have found several anecdotes on various authors of horror, which had not captured my attention when I purchased the book, because I was not interested in writing horror at the time.  I am quoting them below for your entertainment and consideration.   They provide a few insights and lessons into the art and business of writing as well as into the lives of writers, if not in the art of horror specifically.  If you would like to read more of the book, you can probably find a copy at your local library or half-price bookstore.

“Edgar Allan Poe opted to self-publish Tamerlane and Other Poems. He was able to sell only forty copies and made less than a dollar after expenses. Ironically, over a century later, one of his self-published copies sold at auction for over $11,000.”

Stephen King at Comicon, 2007 Photo by Penguino
Stephen King
at Comicon, 2007
Photo by Penguino

“Stephen King sent his first novel to the editor of the suspense novel The Parallax View. William G. Thompson rejected that submission and several subsequent manuscripts until King sent along Carrie. Years later some of those earlier projects were published under King’s pseudonym Richard Bachmann, and one was affectionately dedicated to ‘W.G.T.'”

“Edgar Allan Poe perpetrated a successful hoax in the New York Sun with an article he wrote in the April 13, 1844 edition of the paper.  He described the arrival, near Charleston, South Carolina, of a group of English ‘aeronauts’ who, as he told the story, had crossed the Atlantic in a dirigible in just seventy-five hours. Poe had cribbed most of his narrative from an account by Monck Mason of an actual balloon trip he and his companions had made from London to Germany in November 1836.  Poe’s realistically detailed fabrication fooled everyone.”

Robert Louis Stevenson Portrait by Girolamo Nerli  (1860-1926)
Robert Louis Stevenson
Portrait by Girolamo Nerli
(1860-1926)

“Robert Louis Stevenson was thrashing about in his bed one night, greatly alarming his wife.  She woke him up, infuriating Stevenson, who yelled, ‘I was dreaming a fine bogey tale!’  The nightmare from which he had been unwillingly extracted was the premise for the story of Dr. Jekyll and Mr. Hyde.”

“Amiably discussing the validity of ghosts, Lord Byron and Percy Bysshe Shelley decided to try their poetic skills at writing the perfect horror story.  While nothing came of their efforts, Shelley’s young wife, Mary Wollstonecroft, overheard the challenge and went about telling her own.  It began ‘It was on a dreary night of November that I beheld the Accomplishment of my toils.’  Her work was published in 1818, when she was twenty-one, and was titled Frankenstein.”

“Edgar Allan Poe was expelled from West Point in 1831 for ‘gross neglect of duty’.  The explanation for his dismissal had to do with his following, to the letter, with an order to appear on the parade grounds in parade dress, which, according to the West Point rule book, consisted of ‘white belt and gloves.’  Poe reportedly arrived with his rifle, dressed in his belt and gloves–and nothing else.”

Sir Edward Bulwer-Lytton, First Baron Lytton Portrait by Henry William Pickersgill
Sir Edward Bulwer-Lytton, First Baron Lytton
Portrait by Henry William Pickersgill

“Traveling along the Italian Riviera, Lord Bulwer-Lytton, done up in an embarrassingly elaborate outfit, acknowledged the stares of passersby.  Lady Lytton, amused at his vanity, suggested that it was not admiration, but ‘that ridiculous dress’ that caught people’s eyes.  Lytton responded, ‘You think that people stare at my dress and not at me?  I will give you the most absolute and convincing proof that your theory has no foundation.’  Keeping on only his hat and boots, Lytton removed every other article of clothing and rode in his open carriage for ten miles to prove his point.”

If you have anecdotes about your favorite authors that you would like to share, please do.

Questions?  Comments?

Five Reasons Everyone Should Know Sir Edward Bulwer-Lytton | Interesting Literature

Sir Edward Bulwer-Lytton, First Baron Lytton Portrait by Henry William Pickersgill
Sir Edward Bulwer-Lytton, First Baron Lytton
Portrait by Henry William Pickersgill

Five Reasons Everyone Should Know Sir Edward Bulwer-Lytton | Interesting Literature.

I found this article at http://www.interestingliterature.wordpress.com just a few minutes ago.  Though the article does not deal with horror per se, the article will be of interest to horror aficionados (especially horror-historians) because for a short time Sir Edward Bulwer-Lytton was one of the more famous writers of horror during the nineteenth century.   His work of horror, “The House and the Brain”, is mentioned in Lovecraft’s famous essay “Supernatural Horror in Literature”.  Lovecraft said of Bulwer-Lytton:

“At this time a wave of interest in spiritualistic charlatanry, mediumism, Hindoo theosophy, and such matters, much like that of the present day, was flourishing; so that the number of weird tales with a ‘psychic” or pseudoscientific basis became very considerable.  For a number of these the prolific and popular Edward Bulwer-Lytton was responsible;  and despite the large doses of turgid rhetoric and empty romanticism in his products, his success in the weaving of a certain kind of bizarre charm cannot be denied.”

Lovecraft goes on to discuss with some degree of praise three of Bulwer-Lytton’s works:  the short story “The House and the Brain” and the novels Zanoni and A Strange Story.  I read “The House and the Brain” some time back and found it an interesting story (though a little long) and even riveting in some parts.  It is about a man who decides to spend the night in a haunted house where no one has been able to stay for very long because it is inhabited by terrifying apparitions.  True to the style of many nineteenth-century stories, the intrepid protagonist finds something of a scientific explanation behind the haunting.  It is definitely worth reading.

I have mentioned Bulwer-Lytton and some of the things for which he is famous in my previous post “The Best Literary Facts from the Twitterverse”, which was also reposted from http://www.interestingliterature.wordpress.com.   You might want to check it out for a few additional facts.

Thoughts?  Comments?

The Best Literary Facts from the Twitterverse

http://interestingliterature.wordpress.com/2013/09/06/the-best-literary-facts-from-the-twitterverse/

Follow the link above for some fascinating literary tidbits.   If you don’t have the time to wade through all for the horror triva, here they are:

Bram Stoker’s wife, Florence Balcombe, was previously suitored by Oscar Wilde. (@l0lhey)

In 1862, Sir Edward Bulwer-Lytton was offered the chance to be King of Greece. (@LeighaMcR)

Dickens & Poe were friends. 3 letters between them survive (alas, letters don’t mention of the death of Dickens’ pet raven). (@LauraShovan)

 Sir Edward Bulwer-Lytton, for those of you not into horror esoterica, was a well-known writer of the nineteenth century who dabbled in a variety of genres.  H.P. Lovecraft thought highly of his story “The House and the Brain”, which is included in the collection The World’s Greatest Horror Stories (2004, edited by Stephen Jones and Dave Carson).   According to Wikipedia, Bulwer-Lytton was the originator of some very famous and very frequently coined phrases that are still around:   “the pen is mightier than the sword”, “the great unwashed”, and “the almighty dollar”.  Bulwer-Lytton also invented that well-known line with which Snoopy invariably starts his novel in “Peanuts”:  “it was a dark and stormy night…”

Thoughts?  Comments?