Publisher, Rural Fiction Magazine; publisher, The Chamber Magazine; founder, the Farmington Writers Circle. I have written short stories and poetry for many years. In my careers as a Naval officer and in the federal government, I have written thousands of documents of many types. I am currently working on a second edition for my poetry collection and a few novels.
The next meeting of the Farmington Writers Circle will be on April 14, 2016, at 7:00 p.m. in the Hardback Café at the Hastings on 20th Street in Farmington, New Mexico. The topics for the night will be writers’ conferences and blogging on a regular basis. Participants are encouraged to bring information on writers conferences to share with the other participants in an open discussion. The meeting is open to the general public.
The Farmington Writers Circle is a nascent organization of authors and writers, who are interested in publishing and marketing their works.
Please contact Phil Slattery via this website with any questions or comments.
Written by: Matt Molgaard The horror genre can be an interesting and fickle animal. Do right by your fans and play faithful to terror and the obsessed viewer will walk with you through Hell, whethe…
Written by Cedric G! Bacon The grand conclusion to Joe’s next adventure, it doesn’t quite build on the tension as the first issue illustrated. In this case, the problem could be that th…
On February 29th Horroraddicts.net publishing released its newest book: Plague Master: Sanctuary Dome by H.E. Roulo. She has had stories in other Horroraddicts.net publications such as: The Wicke…
It was a little after half-past nine when the man fell overboard. The mail steamer was hurrying through the Red Sea in the hope of making up the time which the currents of the Indian Ocean had stolen.
The night was clear, though the moon was hidden behind clouds. The warm air was laden with
Winston Churchill in 1898 Age: 24
moisture. The still surface of the waters was only broken by the movement of the great ship, from whose quarter the long, slanting undulations struck out like the feathers from an arrow shaft, and in whose wake the froth and air bubbles churned up by the propeller trailed in a narrowing line to the darkness of the horizon.
There was a concert on board. All the passengers were glad to break the monotony of the voyage and gathered around the piano in the companion-house. The decks were deserted. The man had been listening to the music and joining in the songs, but the room was hot and he came out to smoke a cigarette and enjoy a breath of the wind which the speedy passage of the liner created. It was the only wind in the Red Sea that night.
The accommodation-ladder had not been unshipped since leaving Aden and the man walked out on to the platform, as on to a balcony. He leaned his back against the rail and blew a puff of smoke into the air reflectively. The piano struck up a lively tune and a voice began to sing the first verse of “The Rowdy Dowdy Boys.” The measured pulsations of the screw were a subdued but additional accompaniment.
The man knew the song, it had been the rage at all the music halls when he had started for India seven years before. It reminded him of the brilliant and busy streets he had not seen for so long, but was soon to see again. He was just going to join in the chorus when the railing, which had been insecurely fastened, gave way suddenly with a snap and he fell backwards into the warm water of the sea amid a great splash.
For a moment he was physically too much astonished to think. Then he realized he must shout. He began to do this even before he rose to the surface. He achieved a hoarse, inarticulate, half-choked scream. A startled brain suggested the word, “Help!” and he bawled this out lustily and with frantic effort six or seven times without stopping. Then he listened.
“Hi! hi! clear the way For the Rowdy Dowdy Boys.” The chorus floated back to him across the smooth water for the ship had already completely passed by. And as he heard the music, a long stab of terror drove through his heart. The possibility that he would not be picked up dawned for the first time on his consciousness. The chorus started again:
“Then–I–say–boys, Who’s for a jolly spree? Rum–tum–tiddley–um, Who’ll have a drink with me?” “Help! Help! Help!” shrieked the man, now in desperate fear.
“Fond of a glass now and then, Fond of a row or noise; Hi! hi! clear the way For the Rowdy Dowdy Boys!”
The last words drawled out fainter and fainter. The vessel was steaming fast. The beginning of the second verse was confused and broken by the ever-growing distance. The dark outline of the great hull was getting blurred. The stern light dwindled.
Then he set out to swim after it with furious energy, pausing every dozen strokes to shout long wild shouts. The disturbed waters of the sea began to settle again to their rest and widening undulations became ripples. The aerated confusion of the screw fizzed itself upwards and out. The noise of motion and the sounds of life and music died away.
The liner was but a single fading light on the blackness of the waters and a dark shadow against the paler sky.
At length full realization came to the man and he stopped swimming. He was alone — abandoned. With the understanding the brain reeled. He began again to swim, only now instead of shouting he prayed — mad, incoherent prayers, the words stumbling into one another.
Suddenly a distant light seemed to flicker and brighten.
A surge of joy and hope rushed through his mind. They were going to stop — to turn the ship and come back. And with the hope came gratitude. His prayer was answered. Broken words of thanksgiving rose to his lips. He stopped and stared after the light — his soul in his eyes. As he watched it, it grew gradually but steadily smaller. Then the man knew that his fate was certain. Despair succeeded hope; gratitude gave place to curses. Beating the water with his arms, he raved impotently. Foul oaths burst from him, as broken as his prayers — and as unheeded.
The fit of passion passed, hurried by increasing fatigue. He became silent — silent as was the sea, for even the ripples were subsiding into the glassy smoothness of the surface. He swam on mechanically along the track of the ship, sobbing quietly to himself in the misery of fear. And the stern light became a tiny speck, yellower but scarcely bigger than some of the stars, which here and there shone between the clouds.
Nearly twenty minutes passed and the man’s fatigue began to change to exhaustion. The overpowering sense of the inevitable pressed upon him. With the weariness came a strange comfort — he need not swim all the long way to Suez. There was another course. He would die. He would resign his existence since he was thus abandoned. He threw up his hands impulsively and sank.
Down, down he went through the warm water. The physical death took hold of him and he began to drown. The pain of that savage grip recalled his anger. He fought with it furiously. Striking out with arms and legs he sought to get back to the air. It was a hard struggle, but he escaped victorious and gasping to the surface. Despair awaited him. Feebly splashing with his hands, he moaned in bitter misery:
“I can’t — I must. O God! Let me die.”
The moon, then in her third quarter, pushed out from behind the concealing clouds and shed a pale, soft glitter upon the sea. Upright in the water, fifty yards away, was a black triangular object. It was a fin. It approached him slowly.
Working on a play in Hasting’s Hardback Café, late evening, October 16, 2015.
On March 31st, my short story “Ivan” was published in Infernal Ink. Many thanks to Hydra M. Star and her staff for publishing this story. This is the first time it has been published. “Ivan” is a work of psychological horror and suspense, a peep into the mind of a blossoming killer. Please watch for it on the web and wherever magazines are sold in your area. Infernal Ink appears in print and e-book with back issues on line.
Be advised that Infernal Ink is very much adult-oriented and contains strong, mature subject matter. Publisher Hydra M. Star notes: “Blurb: Adults Only! Infernal Ink Magazine is a different sort of a literary magazine, which focuses on publishing extremely dark and violent adult fiction and poetry…This magazine contains adult content and themes and is not meant for readers under eighteen years of age.”
To obtain a copy follow one of the following links:
By Martin Pallot Nothing moved; but something waited. The longest night would soon begin. The hollow tree was consumed by shadows as the last light of day bled into the western horizon. The black…
The next meeting of the Farmington Writers Circle will be on April 14, 2016, at 7:00 p.m. in the Hardback Café at the Hastings on 20th Street in Farmington, New Mexico. The topics for the night will be writers’ conferences and blogging on a regular basis. Participants are encouraged to bring information on writers conferences to share with the other participants in an open discussion. The meeting is open to the general public.
The Farmington Writers Circle is a nascent organization of authors and writers, who are interested in publishing and marketing their works.
Please contact Phil Slattery via this website with any questions or comments.
This is an Alice in Wonderland, clockwork, Horror anthology. We will be announcing the submission details soon, but this is to give you an idea of what we’ll be looking for.
Following the rabbit down the hole is the easy part. Battling time is what will kill you. Whether you’re trying to get back home or struggling to survive in Wonderland, your stories MUST be horrifying.
“You act as if time is on your side. He isn’t. He’s always on his own side.”
At the most basic, your story must have a clock involved. Clockpunk, clock engineering, and steampunk with clock elements is encouraged as well at the thought of time as an entity. Be creative, turn Wonderland on its ear. Twist it, tweak it, punk it.
Your story may star or co-star any of the characters in the original text by…
The Dead Smile by Francis Marion Crawford (1899) Tuesday’s Tale of Terror March 15, 2015 Let’s go to Ireland for the month of March as we near St. Patrick’s Day. Come to this Irish cas…
Sirens Call Publications is opening up the 26th Issue of The Sirens Call to anyone who would like to submit in light of the low number of qualifying submissions received to date. We’re also extending the deadline to April 15th to give anyone wishing to write for this issue, the time to do so.
We are looking for submissions of stories, flash fiction, and poetry that feature Dreamscapes of the Wicked. What does this mean? It means your story must adhere to the following:
The main protagonist must be an individual who through malicious or harmful intent engages in wrong-doings, or deliberately causes harm to come to others. This individual must be wicked to the core with no valiant change of heart at the end. We want characters committed to their evil ways, and will accept no ‘hapless victims’ for this call.
by Lynette Benton When three essays I submitted for publication over the past year were rejected, I sought to console myself with a new idea. Maybe David Sedaris or Zadie Smith had submitted work t…
By Sandy Wilson I am winter bringer of darkness and death Like Bonaparte I have laid waste to your lands Chilled you to your very souls You, Spring bringer of light and life Foolishly you thought I…