Robert Louis Stevenson Portrait by Girolamo Nerli (1860-1926)
If you are having problems meeting a deadline or dealing with the demon of writer’s block the following article may help you feel not so alone. Some, if not all, of the world’s most famous had to deal with one or both and often did so in novel ways: NaNoWriMo: Classic Novels Written in a Month | Interesting Literature.
Note, horror fans, that of the authors mentioned here only one was an author of horror. Of course, I mean the gentleman to the left, the author of Dr. Jekyll and Mr. Hyde, which he apparently drafted at the Nineteenth century equivalent of warp speed.
The other day I happened to find my copy of The Writer’s Home Companion (by James Charlton and Lisbeth Mark, 1987), which I had lost/forgotten some time back. I have been perusing it since and have found several anecdotes on various authors of horror, which had not captured my attention when I purchased the book, because I was not interested in writing horror at the time. I am quoting them below for your entertainment and consideration. They provide a few insights and lessons into the art and business of writing as well as into the lives of writers, if not in the art of horror specifically. If you would like to read more of the book, you can probably find a copy at your local library or half-price bookstore.
“Edgar Allan Poe opted to self-publish Tamerlane and Other Poems. He was able to sell only forty copies and made less than a dollar after expenses. Ironically, over a century later, one of his self-published copies sold at auction for over $11,000.”
Stephen King at Comicon, 2007 Photo by Penguino
“Stephen King sent his first novel to the editor of the suspense novel The Parallax View. William G. Thompson rejected that submission and several subsequent manuscripts until King sent along Carrie. Years later some of those earlier projects were published under King’s pseudonym Richard Bachmann, and one was affectionately dedicated to ‘W.G.T.'”
“Edgar Allan Poe perpetrated a successful hoax in the New York Sun with an article he wrote in the April 13, 1844 edition of the paper. He described the arrival, near Charleston, South Carolina, of a group of English ‘aeronauts’ who, as he told the story, had crossed the Atlantic in a dirigible in just seventy-five hours. Poe had cribbed most of his narrative from an account by Monck Mason of an actual balloon trip he and his companions had made from London to Germany in November 1836. Poe’s realistically detailed fabrication fooled everyone.”
Robert Louis Stevenson Portrait by Girolamo Nerli (1860-1926)
“Robert Louis Stevenson was thrashing about in his bed one night, greatly alarming his wife. She woke him up, infuriating Stevenson, who yelled, ‘I was dreaming a fine bogey tale!’ The nightmare from which he had been unwillingly extracted was the premise for the story of Dr. Jekyll and Mr. Hyde.”
“Amiably discussing the validity of ghosts, Lord Byron and Percy Bysshe Shelley decided to try their poetic skills at writing the perfect horror story. While nothing came of their efforts, Shelley’s young wife, Mary Wollstonecroft, overheard the challenge and went about telling her own. It began ‘It was on a dreary night of November that I beheld the Accomplishment of my toils.’ Her work was published in 1818, when she was twenty-one, and was titled Frankenstein.”
“Edgar Allan Poe was expelled from West Point in 1831 for ‘gross neglect of duty’. The explanation for his dismissal had to do with his following, to the letter, with an order to appear on the parade grounds in parade dress, which, according to the West Point rule book, consisted of ‘white belt and gloves.’ Poe reportedly arrived with his rifle, dressed in his belt and gloves–and nothing else.”
Sir Edward Bulwer-Lytton, First Baron Lytton Portrait by Henry William Pickersgill
“Traveling along the Italian Riviera, Lord Bulwer-Lytton, done up in an embarrassingly elaborate outfit, acknowledged the stares of passersby. Lady Lytton, amused at his vanity, suggested that it was not admiration, but ‘that ridiculous dress’ that caught people’s eyes. Lytton responded, ‘You think that people stare at my dress and not at me? I will give you the most absolute and convincing proof that your theory has no foundation.’ Keeping on only his hat and boots, Lytton removed every other article of clothing and rode in his open carriage for ten miles to prove his point.”
If you have anecdotes about your favorite authors that you would like to share, please do.
Last night I finished The World’s Greatest Horror Stories, published in 2004 by Magpie Books and edited by Stephen Jones and Dave Carson. This is a collection of stories mentioned in Lovecraft’s essay “Supernatural Horror in Literature”, which is included in the collection. Reading this book gives one a good foundation in the history of the horror genre up to Lovecraft’s time. It includes such masterworks as Poe’s “The Fall of the House of Usher”, Machen’s “The Great God Pan”, M.R. James’s “Count Magnus”, Charles Dickens’s “The Signalman”, Guy de Maupassant’s “The Horla”, Rudyard Kipling’s “The Mark of the Beast”, and Robert Louis Stevenson’s “The Bodysnatcher” along with many others.
Though a couple may be a little long-winded by today’s standards, overall these are wonderful stories, classic supernatural tales demonstrating what horror should be that were lauded by none other than the father of modern supernatural horror himself! I highly recommend this to anyone with an interest in literature in general though particularly of course to those with an interest in the horror genre. The beauty of these tales is their ability to keep the reader in edge-of-your-seat suspense,terrified and spellbound, without resorting to the more-often-than-not overdone and too often appalling gimmicks of gore and shock. These tales show that grisly details are not needed to enthrall an audience, but that imagination and craftsmanship are.