The Saturday Night Special: “Red is the Color of Blood” by Conrad Aiken (1918)

RED is the color of blood, and I will seek it:

I have sought it in the grass.

It is the color of steep sun seen through eyelids.

 

It is hidden under the suave flesh of women–

Flows there, quietly flows.

It mounts from the heart to the temples, the singing

mouth–

As cold sap climbs to the rose.

I am confused in webs and knots of scarlet

Spun from the darkness;

Or shuttled from the mouths of thirsty spiders.

 

Madness for red! I devour the leaves of autumn.

I tire of the green of the world.

I am myself a mouth for blood …

 

Here, in the golden haze of the late slant sun,

Let us walk, with the light in our eyes,

To a single bench from the outset predetermined.

Look: there are seagulls in these city skies,

Kindled against the blue.

But I do not think of the seagulls, I think of you.

 

Your eyes, with the late sun in them,

Are like blue pools dazzled with yellow petals.

This pale green suits them well.

 

Here is your finger, with an emerald on it:

The one I gave you. I say these things politely–

But what I think beneath them, who can tell?

 

For I think of you, crumpled against a whiteness;

Flayed and torn, with a dulled face.

I think of you, writing, a thing of scarlet,

And myself, rising red from that embrace.

 

November sun is sunlight poured through honey:

Old things, in such a light, grow subtle and fine.

Bare oaks are like still fire.

Talk to me: now we drink the evening’s wine.

Look, how our shadows creep along the grave!–

And this way, how the gravel begins to shine!

 

This is the time of day for recollections,

For sentimental regrets, oblique allusions,

Rose-leaves, shrivelled in a musty jar.

Scatter them to the wind! There are tempests coming.

It is dark, with a windy star.

 

If human mouths were really roses, my dear,–

(Why must we link things so?–)

I would tear yours petal by petal with slow murder.

I would pluck the stamens, the pistils,

The gold and the green,–

Spreading the subtle sweetness that was your breath

On a cold wave of death….

 

Now let us walk back, slowly, as we came.

We will light the room with candles; they may shine

Like rows of yellow eyes.

Your hair is like spun fire, by candle-flame.

You smile at me–say nothing. You are wise.

 

For I think of you, flung down brutal darkness;

Crushed and red, with pale face.

I think of you, with your hair disordered and dripping.

And myself, rising red from that embrace.

###

This poem is from Gothic Romantic Poetry, which adds this note about Conrad Aiken:

“Conrad Aiken came from a  wealthy, and well known family who were from New England but moved to Savannah, Georgia. His father was a respected physician and surgeon however for no apparent reason Conrad’s father

Conrad Aiken October 3, 2013 (photographer unknown)
Conrad Aiken
October 3, 2013
(photographer unknown)

suddenly  seemed to change his temperament and became difficult to get on with and violent. Then early in the morning of February 27, 1901, he murdered his wife and shot himself. Conrad (who was eleven years old) heard the gunshots and discovered the bodies. After this tragedy he was raised by his great-great-aunt in Massachusetts.

“To read more about the life of Conrad Aiken read his autobiographical novel Ushant (1952), one of his major works which is an excellent source of information. In this book he speaks candidly about his various affairs and marriages, his attempted suicide and fear of insanity.”

Announcing the Advent of “The Chamber” Magazine

imageBeginning in January 1, 2017, this will be the location of a new on-line quarterly magazine for short stories, poetry, and other short works of the horror genre.  You can find the guidelines for submissions on my current Submissions and Announcements page, which will remain the same, with the only exception being that the word limit for submissions for “The Chamber” will increase from 1,000 to 2,000 words.

I am creating this magazine primarily because it is not fair to my contributors to submit a work for publication, when that work will be at the top of my blog posts for only a day, and then that author and his readers will have to wade through a morass of unrelated blogs to find that one post.  To remedy this, I will create a separate page on my blog for my new magazine, “The Chamber”, where each quarter’s selections will appear on a separate page for eternity (or until WordPress folds, or until I give it all up and wander off to buy a bar in Key West or etc.)  Issue 1 will appear on January 1st.  Cut-off date for submissions will be November 30 (I don’t want to work over Christmas).  Selections will probably be made by December 15.   Send submissions per the Submissions and Announcements guidelines, but specify Submission for “The Chamber” in the subject line, if you want your work published in The Chamber, or Submission for The Blog, if you want to be published in the regular blog.  I will continue to publish submissions in my regular blog until December 31.

Why call it “The Chamber”?  The word chamber has numerous sinister and macabre connotations: a chamber of horrors, a torture chamber, one chambers a round into a rifle, etc.  A chamber can also be where a sorcerer, an alchemist, or a member of the Inquisition stores his library.  It is with this last connotation in mind that I am developing my Chamber for the storage of my selection of sinister and macabre works from the best up and coming authors that seek to contribute to my blog.

So, start editing your best, most powerful material and see where this new venture takes us!  I want powerful, hard-hitting material that leaves its readers gasping and awe-struck at the end.

The Saturday Night Special: “The Conquerer Worm” by Edgar Allan Poe (1843)

Edgar Allan Poe, circa 1849
Edgar Allan Poe, circa 1849

 

 

 

 

 

 

 

Lo! ’tis a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.
Mimes, in the form of God on high,
Mutter and mumble low,
And hither and thither fly-
Mere puppets they, who come and go
At bidding of vast formless things
That shift the scenery to and fro,
Flapping from out their Condor wings
Invisible Woe!

That motley drama- oh, be sure
It shall not be forgot!
With its Phantom chased for evermore,
By a crowd that seize it not,
Through a circle that ever returneth in
To the self-same spot,
And much of Madness, and more of Sin,
And Horror the soul of the plot.

But see, amid the mimic rout
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes!- it writhes!- with mortal pangs
The mimes become its food,
And seraphs sob at vermin fangs
In human gore imbued.

Out- out are the lights- out all!
And, over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
While the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, “Man,”
And its hero the Conqueror Worm.

Announcing the Advent of “The Chamber” Magazine

Phil Slattery Self-portrait, August, 2016
Phil Slattery
Self-portrait, August, 2016

Beginning in January 1, 2017, this will be the location of a new on-line quarterly magazine for short stories, poetry, and other short works of the horror genre.  You can find the guidelines for submissions on my current Submissions and Announcements page, which will remain the same, with the only exception being that the word limit for submissions for “The Chamber” will increase from 1,000 to 2,000 words.

I am creating this magazine primarily because it is not fair to my contributors to submit a work for publication, when that work will be at the top of my blog posts for only a day, and then that author and his readers will have to wade through a morass of unrelated blogs to find that one post.  To remedy this, I will create a separate page on my blog for my new magazine, “The Chamber”, where each quarter’s selections will appear on a separate page for eternity (or until WordPress folds, or until I give it all up and wander off to buy a bar in Key West or etc.)  Issue 1 will appear on January 1st.  Cut-off date for submissions will be November 30 (I don’t want to work over Christmas).  Selections will probably be made by December 15.   Send submissions per the Submissions and Announcements guidelines, but specify Submission for “The Chamber” in the subject line, if you want your work published in The Chamber, or Submission for The Blog, if you want to be published in the regular blog.  I will continue to publish submissions in my regular blog until December 31.

Why call it “The Chamber”?  The word chamber has numerous sinister and macabre connotations: a chamber of horrors, a torture chamber, one chambers a round into a rifle, etc.  A chamber can also be where a sorcerer, an alchemist, or a member of the Inquisition stores his library.  It is with this last connotation in mind that I am developing my Chamber for the storage of my selection of sinister and macabre works from the best up and coming authors that seek to contribute to my blog.

So, start editing your best, most powerful material and see where this new venture takes us!  I want powerful, hard-hitting material that leaves its readers gasping and awe-struck at the end.

Announcing the Advent of “The Chamber” Magazine

Phil Slattery Self-portrait, August, 2016
Phil Slattery
Self-portrait, August, 2016

Beginning in January 1, 2017, this will be the location of a new on-line quarterly magazine for short stories, poetry, and other short works of the horror genre.  Please feel free to start submitting as of September 9, 2016.  You can find the guidelines for submissions on my current Submissions and Announcements page, which will remain the same, with the only exception being that the word limit for submissions for “The Chamber” will increase from 1,000 to 2,000 words.

I am creating this magazine primarily because it is not fair to my contributors to submit a work for publication, when that work will be at the top of my blog posts for only a day, and then that author and his readers will have to wade through a morass of unrelated blogs to find that one post.  To remedy this, I will create a separate page on my blog for my new magazine, “The Chamber”, where each quarter’s selections will appear on a separate page for eternity (or until WordPress folds, or until I give it all up and wander off to buy a bar in Key West or etc.)  Issue 1 will appear on January 1st.  Cut-off date for submissions will be November 30 (I don’t want to work over Christmas).  Selections will probably be made by December 15.   Send submissions per the Submissions and Announcements guidelines, but specify Submission for “The Chamber” in the subject line, if you want your work published in The Chamber, or Submission for The Blog, if you want to be published in the regular blog.  I will continue to publish submissions in my regular blog until December 31.

Why call it “The Chamber”?  The word chamber has numerous sinister and macabre connotations: a chamber of horrors, a torture chamber, one chambers a round into a rifle, etc.  A chamber can also be where a sorcerer, an alchemist, or a member of the Inquisition stores his library.  It is with this last connotation in mind that I am developing my Chamber for the storage of my selection of sinister and macabre works from the best up and coming authors that seek to contribute to my blog.

So, start editing your best, most powerful material and see where this new venture takes us!  I want powerful, hard-hitting material that leaves its readers gasping and awe-struck at the end.

New Poetry by Marieta Maglas: “Evil Earths” (third of three poems)

Screaming voices shattering the inner mirror of love
Clattering to nothingness, searching freedom in space,
Bloody songs tightly warping their blue heaven above
In the thin and chill air disappearing without a trace,
O’er sad whispers wind whipping through the wounds
In the symphony of demons’ dreams as a hot disguise,
Bloody voices needing to build up stomping grounds,
Buried danger sprouting out to keep growing in size,
The salty tears of liquid souls forming watery waves,
Beauties in the road waiting to face with their fear of death,
Still screaming while drowning in the cold watery graves,
Tearing the silence with their groan and bleeding breath.
###
Marieta Maglas
Marieta Maglas

Ardus Publications, Sybaritic Press, Prolific Press, and some others published the poems of Marieta Maglas in anthologies like Tanka Journal, edited by Glenn Lyvers, The Aquillrelle Wall of Poetry, edited by Yossi Faybish, A Divine Madness: An Anthology of Modern Love Poetry, edited by John Patrick Boutilier, Near Kin:A Collection of Words and Art Inspired by Octavia Estelle Butler, edited by Marie Lecrivain, Three Line Poetry #25, edited by Glenn Lyvers, ENCHANTED – Love Poems and Abstract Art, edited by Gabrielle de la Fair, and Intercontinental Anthology of Poetry on Universal Peace and Love, edited by Madan Gandhi

New Poetry by Marieta Maglas: “Blind Reality” (second of three poems)

Hollow-eyed shades
of human beings,
human beings
cogitating on jazz music,
jazz penetrating the silence
of the bleeding angels,
angels in a fight for
the awakening of this blind reality,
monetization of
the objects & spaces, asylums,
sexual harassments
for anxious women, prostitution,
deadly ocean waves,
terrorist attacks and
Islamist militancy,
racism,
multiple vortex tornadoes
to damage gas stations,
ISIS’s strategies,
public executions, crucifixions,
vegetation fires,
emblazoned clothes
and precious stones,
children murdered
in egregious crackdowns,
meteorite impacts,
wars,
illegal immigration,
exposed naked bodies,
powerful quakes striking
near the plate boundaries,
changes
in refugee policies,
kidnappings, sales of
stolen artifacts, drugs,
protests blocking roads, landslides,
macroeconomic policies,
casino culture,
silent strategies of democracies,
food securities
for starving people,
food price increases,
Monsoon rains
and flash floods,
nuclear disasters,
smiling volcanoes,
human cells mixed up with
animal embryos,
sphinxes, thermal shocks
caused by global warming,
dengue fever, songs,
warming parties, temporary work,
seasonal unemployment,
low wages,
alcoholic cocktails,
ill people not displaying symptoms,
Zika and Chikungunya viruses,
birth defects, theatrical triumphs,
crime watchers,
new hairstyles,
glacier calving,
different drivers having
different styles to run their cars,
cars blinking their headlights
while their motors scream,
screaming trees and revolvers
that shoot up walls to write lyrics,
lyrics of jazz penetrating the silence
of the bleeding angels,
angels in a fight for
the awakening of this new reality.
###

Ardus Publications, Sybaritic Press, Prolific Press, and some others published the poems of Marieta Maglas in anthologies like Tanka Journal, edited by Glenn Lyvers, The Aquillrelle Wall of Poetry, edited by Yossi Faybish, A Divine Madness: An Anthology of Modern Love Poetry, edited by

Marieta Maglas
Marieta Maglas

John Patrick Boutilier, Near Kin:A Collection of Words and Art Inspired by Octavia Estelle Butler, edited by Marie Lecrivain, Three Line Poetry #25, edited by Glenn Lyvers, ENCHANTED – Love Poems and Abstract Art, edited by Gabrielle de la Fair, and Intercontinental Anthology of Poetry on Universal Peace and Love, edited by Madan Gandhi.

New Poetry by Marieta Maglas: “Screaming Mannequins” (first of three poems)

Eyes huddled in fear,
that paralyzing fear in front of
the bullets mercilessly sprayed,
deeply sprayed by some cruelty,
which is fed up
with a lot of victims,
those defenseless victims of hate,
a dreadful hate,
which is fed up with a little love
as well as
a little pleasure can be fed up
with a lot of pain,
that extreme pain,
which embellishes the madness,
one round and seemingly
nonexistent madness being like
a strange cold having
many moisturized rosy-red,
rosy-red ring-shaped patches
associated with
a giant Quincke swelling
and with a boisterous cooling
noisy breath,
that snorting breath
like a groaning song,
a love song for a dance of death,
that painful death for all the hot puppets,
beautiful puppets becoming
cold wax mannequins,
those mannequins screaming
in their red rain
of feelings,
those red feelings coloring
a few sad moments,
cool moments of many winter fires
those burning fires
in the lost caves of shadows.
###

Ardus Publications, Sybaritic Press, Prolific Press, and some others published the poems of Marieta Maglas in anthologies like Tanka Journal,

Marieta Maglas
Marieta Maglas

edited by Glenn Lyvers, The Aquillrelle Wall of Poetry, edited by Yossi Faybish, A Divine Madness: An Anthology of Modern Love Poetry, edited by John Patrick Boutilier, Near Kin:A Collection of Words and Art Inspired by Octavia Estelle Butler, edited by Marie Lecrivain, Three Line Poetry #25, edited by Glenn Lyvers, ENCHANTED – Love Poems and Abstract Art, edited by Gabrielle de la Fair, and Intercontinental Anthology of Poetry on Universal Peace and Love, edited by Madan Gandhi.

New Poetry by Zane Castillo: “Demon Appetite”

Demon Mask from the 1921 book "The No Plays of Japan"
Demon Mask from the 1921 book “The No Plays of Japan”

Horned beings

covered in flayed flesh

scamper towards him.

 

He watches in shock

unable to move

a recalcitrant limb.

 

Gurgling sounds

and squeaky giggles

come forth from

the demons’ mouths.

 

Drool falls to the floor

and runs towards him

as the demons’ anticipation

grows with their appetite.

Literary Hatchet Issue #13, containing “Faust”, is now on line.

150x150SelfI just learned that issue #13 of the Literary Hatchet, containing my poem “Faust”, is on line.  Please feel free to drop by at Literary Hatchet Issues and download a free copy.  “Faust” is located on page 248.

Once again, many thanks to poetry editor Michael Birnbaum and the staff of The Literary Hatchet for re-printing this dramatic poem.

Issue #13 of The Literary Hatchet will be late.

Faust--detail of an illustration by Friedrich Gustav Schlick
Faust–detail of an illustration by Friedrich Gustav Schlick

I found out yesterday that Issue #13 of The Literary Hatchet, containing my poem “Faust”, will be late by a few days because of the holidays.  That staff knows how to build suspense.  I will post an announcement when Issue #13 is up.  In the meantime, check out their Issues page.  They have consistently beautiful cover art.   I also like the way they came up with their publication’s name.  The Literary Hatchet is located in Fall River, Massachusetts, the hometown of Lizzie Borden.