Writing at Starbuck’s in Farmington, circa October 12, 2015.
Here’s a link to an neat, entertaining article on Timothy McSweeney’s Internet Tendency about some good, sound,basic advice on how to write anything better. I recommend printing these out and sticking them on your refrigerator, stapling them to your forehead, or tattooing them to your forearm.
Writing at Hasting’s Hardback Café in Farmington, NM, late evening of October 16, 2015 (self-portrait)
I would like to establish a writers’ circle for the Farmington, New Mexico area, including San Juan County, and anyone from the Four Corners area. I will he hosting a meeting on November 19 at 7:00 p.m. at the Farmington Hastings’ Hardback Cafe to establish how many people are interested. Everyone is welcome to attend. The mission of the Writers Circle will be to promote Farmington area writers of any genre and skill level, to advise each other on being published, and to establish useful contacts within the regional and national literary communities. If anyone in the Farmington/Four Corners has an interest, please contact me via this website by commenting below.
Follow the link to Horroraddicts.net for an interesting perspective on the dark side of fairytales and how they continue to exist in today’s dark literature, using Japan’s Hell Girl as a prime example.
I find this a fascinating article with a lot of excellent points, however there is one point that seems a bit superficial:
“Stories like this have taught us how to treat each other for centuries, but they have also taught us some very dangerous ideas:
The evil always get their comeuppance.
Wait long enough (or suffer bad enough) and your prince will come.
There are secret pots of gold or riches granted you when you out-smart evil beings.
Well…as we know living in the real world is not so easy…”
While these are the obvious lessons that fairy tales instill in children, and we, as adults, know the world is not so easy, it is important to look at their origins in history. Fairy tales arose a few centuries ago when survival was much more difficult than today. Medicine was primitive. Laws were essentially the will of the emperor/king/local despot or the accepted religion (e.g. the Inquisition) enforced by his soldiers or officials. No professional organizations or entities existed to investigate even the most mundane crimes, or if they did, the investigators were rank amateurs or hobbyists by today’s standards. No organizations existed to ensure the quality of food or of water or the safe disposal of wastes. Duels and violent, personal retribution for offenses were not uncommon. Life was often, as someone once said, “brutal, nasty, and short”.
In this type of environment, fairy tales gave hope to children and adults alike that they could survive the trials, tribulations, and horrors that existed beyond their doorstep and that some form of justice was woven into the ethereal fabric of the universe, that would right the wrongs they experienced or saw being done to others.
Today, the need to believe in fairy tales no longer exists, though it, no doubt, does among the very young and, by our modern standards, the very desperate. The ancient fairy tales have not changed, though the times and environment have. New ones have arisen reflecting the mentality, for better or worse, of our modern world.
In this fun, engaging article from Horror Novel Reviews, Ramsey Campbell lists thirteen thrilling novels from the last fifty years that should be on any horror enthusiast’s list of novels to read.
In this article from mentalfloss.com Stacy Conradt tells us about ten renown figures from literature and history who had brief, quirky flings with the horror genre. Some of these you would probably never suspect of even hearing about the horror genre. One aspect that may be of interest to writers of horror is the minimal experience each author had with horror before dreaming up the concept for his/her foray into the genre.
I am looking for holiday-themed flash horror for the holiday season. If you have a work of horror or a horror-related article suitable for publication on a specific holiday (whether it be Veterans’ Day, Thanksgiving, Christmas, New Year’s Day, Valentine’s Day, Kwanzaa, Hanukkah, President’s Day, Boxing Day, Australia Day, or any other officially recognized holiday) please feel free to submit it. Please be sure to adhere to my Submissions Guidelines.
Check out these six books on events forming the basis for some well-known fictional horror. Good recommendations for reading over the holidays, particularly Halloween.
Check out this spooky, foreboding horror vignette from horroraddicts.net. It may give you the shivers the next time you drive past the beach. It is a good, clear narrative that draws you into the moment as if you were standing on the side watching the events unfold. Here are the author’s impressive credentials (quoted from the blog):
Chris Ringler was raised in Linden, Michigan, a where he lived and attended school. He fell in love with writing as a teenager when he started writing short stories and began working on fanzines with friends. In 1999 BACK FROM NOTHING, a short story collection was published by University Editions. Since that time Chris has been published in BARE BONE and CTHULHU SEX MAGAZINE, received Honorable Mention in THE YEAR’S BEST FANTASY AND HORROR twice, was voted Best in Blood on HORRORADDICTS.COM, and has been working on his writing and art.
Chris has written and published nine books which range from horror and dark fiction to fairy tales.
Chris is a writer, artist, weirdo, and was the creator of many events in the Flint area such as the Flint Horror Convention.
Forgive me for loving you, I didn’t mean to. It was your smile that made my heart skip a beat, and your eyes that made my back shiver. I held you in my arms, and you warmed my soul. I talked to you, and my mindset broadened. You entered my dreams, and freed me from the nightmares. Your touch made me smile, and your kiss froze time. You gave me hope, and I could give you nothing. I am sorry.Those were the words on the yellow note.
I observed the attached box curiously, it was small and plain. Suddenly, it trembled, once. I dropped it, I ran away. Blood dripped off of it. Now, it was constantly moving; beating. I approached it again, cowardly. I hadn’t heard from him in days; last time I saw him, I told him I couldn’t be with him. I still loved him, but I needed time to figure out myself. The box stood still. I took a few hesitant steps towards it. I had abandoned everything for him; then I abandoned him. The box trembled again, but only once. I opened it. I burst out in muffled tears. I was looking at his broken heart, and it was all my doing.
George Gad Economou, born in 1990 in Athens, Greece, is currently a Master’s student at Aarhus University, working on his thesis on social epistemology. His first novel, “The Elixir of Youth” was published in 2010 by Lefki Selida Publications, whilst his English short fiction has appeared in various horror magazines, such as Black Petals and Blood Moon Rising Magazine.
Go to 15 Creepy Two-Sentence Horror Stories for a few quick thrills. Some of these have been floating around the Internet in different forms for a while, but some are original. All demonstrate how to pack a lot of meaning in a very small amount of space. See my article on “Baby Shoes” for a lengthier discussion on the art of compressing meaning into as few words as possible. While you’re visiting “15 Creepy…Stories” compliment the editor for selecting some truly creepy photos to accompany the article.
I am pleased to announce that I have accepted the first work of fiction submitted to Slattery’s Art of Horror Magazine. Although some might not consider it “horror” per se, because it is not supernatural in nature and does not contain horrific gore, it does meet the stipulations I have set out for this magazine, in that it contains a horrific element and it pushes a nebulous boundary between horror and another genre, which in this case is mainstream literature. I like the story and its understated element of suspense, its thoughtful wording, and its ability to draw the reader into it for a vicarious experience. I hope you enjoy it as much as I did.
NOTED
by Steffany Willey
Asha was my spur-of-the-moment walking buddy. She lived five houses away, and if one of us suddenly needed a break from our mom lives we’d give the other a call. Winter and summer we’d plod the two-mile loop, often grumbling about what our kids did or didn’t do, sometimes bragging about the grandkids. We’d pick apart the neighbors’ landscaping, which often amounted to little more than plugging in a feeble row of Home Depot arborvitae, and made suggestions (to each other) like clipboard horticulturalists.
Our route passed a house I’d visited many times. It was a trim two-story colonial with a wing on one side that had once been a garage. The lawn was thick then, lush, the sidewalk edged, the shrubs mulched. Inside, the rooms lulled sweetly in this tidy castle.
Over the years it had changed hands a number of times but to progressively disinterested owners. Now it had deteriorated into such a mess it brought us to a halt. We scowled at a tree skeleton and overgrown shrubs that shrouded the windows. That same grass was choked with weeds that were well beyond a lawnmower and a gallon of Weed B Gon. Even the sidewalk fought to hold its own. It was a shame. It brought down the neighborhood.
photo by D Sharon Pruitt
It was during that scathing appraisal that we saw the girl. She was at a front window and seemed to be struggling to open it. She looked like a young teen. When she saw us she waved. We waved back. She kept on waving.
Suddenly a man emerged from the front door. He was fortyish and lean, a swimmer or runner possibly. In jeans and a pressed shirt and a stylish day-old beard, he couldn’t have been more at odds with this sorry house. Or that was our impression until he marched our way.
“Everything OK?” he demanded in a no-nonsense tone. His laser eyes pinned us down as if we’d been trespassing. The message was clear: Move on ladies. Were neighbors giving him heat about his property?
“Yeah,” I think I mumbled, and turned away to walk on. When I glanced back the girl was gone and a shade pulled. The man stood firm, watching.
It bothered me. Asha too. Had the girl been waving or beckoning, asking for help? We hemmed and hawed. Should we do something about this? Or was she just a kid sent to her room and trying to sneak out?
We made a point to check out the house the next day. This time I jotted down the address and name on the mailbox, but weeks passed before I contacted the community association and was told to share my concerns with the police; in turn, they took note, made a written report.
So it was. We did our bit, said what we saw.
Fall brought birthdays and holidays and deaths in the neighborhood. We squeezed in our walk when we could, offering up our critiques. A couple houses went on the market, polished it seemed overnight. Asha’s neighbor built a lopsided shed on a twenty-degree slope in his backyard that was supported on one edge by stilts; it and his new John Deere riding mower crashed to the bottom of their lot two months later. We might have told him so.
And sometimes I would drive by the house with the girl and see a light on, but usually it was dark, to itself.
The winter was harsh, the land hidden under a glaze of snow that leaked all day then morphed into black ice at night. Our walks were few, and we didn’t get back into the swing until March. By then neighbors were emerging like hibernated bears, poking into gardens and washing cars. One afternoon we slowed to admire a ’57 T-Bird, its owner in the driveway stroking it like a cat. I’d seen him before, similarly entranced, touching up flaws only he could see. His house, as it happened, was across the street from the house with the girl.
“Do you ever drive it?” I asked pleasantly as we came even with his driveway.
Snatched from his reverie, he offered, “Fourth of July parades. That’s about it.”
“I’ll have to look for you. I never miss the Catonsville parade.”
“‘I’ll be there.”
I glanced behind me. “I was wondering about that house. It looks abandoned.”
He wrung out a chamois that looked dry.
”Yeah. He … ah … isn’t there.”
“He moved?”
“I guess you could say that.” He honed in on the passenger-side door, buffing an area under the handle. Asha and I traded looks.
“Were there children living there?”
“No. Why?”
“We saw a girl at a front window a while back. Something seemed … off … not right …”
He sighed and turned to us. “I figured they were relatives.” Then: “He was arrested a few days ago on child pornography charges. He’s … he was …. a teacher.” He didn’t meet our eyes.
“Oh no!” I said.
Asha touched my arm. “Sweet Lord,” she croaked.
We stood looking at each other, the three of us. There was more but he wasn’t saying. Guilt was written on his face as if in Magic Marker.
“I’ll look for the car at the parade,” I finally said, backing off and pulling Asha with me.
“I’m sorry,” he said as if he was to blame.
Later it made the news, and in a month a For Sale sign was stuck in the mud by the driveway. No one had bothered to tame the property, so someone was going to get a good fixer-upper deal. Families clamored for homes in this school district so it would sell easily.
Though we still walk, we never speak of the girl or remark on the house as we pass. In fact, it’s as if it isn’t even there
Good story from The Drabble. If you are not familiar with them, they are dedicated to publishing fiction and non-fiction of 100 words or less. They occasionally post a story that breaks into horror, such as this one (reminiscent of the French conte cruel), but the site is definitely worth visiting just to see how writers handle the challenge of extreme brevity. The Drabble generally publishes one story per day, and you can be included in their feed to have it sent to you. You can find them at https://thedrabble.wordpress.com.
Writing at Hasting’s Hardback Café in Farmington, NM, late evening of October 16, 2015 (self-portrait)
After some consideration, I have decided to change the format of this blog from publishing only my own thoughts on the horror genre to that of a magazine printing submitted articles and works of fiction. I would like to explore the breadth and depth of horror as an art form, but that will never happen so long as I am showcasing only my own works, viewpoints, discoveries, and analyses, for which my other commitments allow little time. I am doing this for my own education and enlightenment as well as for that of my readership. Please visit my Submissions page to read the guidelines for what I would like to publish.