Set in Darkness — Cristian Mihai

“Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night.” – Sarah Williams Fear. It comes in all shapes and sizes. At times it paralyzes you, making it impossible to act or even utter a single word. Other times, […]

via Set in Darkness — Cristian Mihai

Update: August 25, 2019, Gillett, Arkansas

April 15, 2017

Unfortunately, it has been some time since I last made a personal update. Since then, I have had little time for new posts. I have moved from Aztec, New Mexico, to near Gillett, Arkansas, for a new job, which is a promotion. I have been through Arkansas before, but this is the first time I have lived here.

Arkansas is the complete opposite of the Four Corners in terms of climate. I am also having to acclimatize myself again to chiggers, mosquitoes, and hot, humid weather, which I had left behind me many years ago. I am also living literally on the edge of a woods, where, each night, I can hear the buzzing of insects and the chirrup of frogs and toads. I grew up with these in Kentucky and I have missed them.  It is good to hear them again.  I also occasionally see opossums and armadillos in my yard. Sometimes, I see deer in the woods, but they haven’t approached my house yet.

The nearest towns of any size are Dumas, sixteen miles west, and Dewitt, nineteen miles east. Gillett is about five miles from here.

The Arkansas River is a short distance through the woods from my house. Alligators are common in the area, but few crop up in the immediate vicinity of my place. I have a reasonable respect for them, though I do not fear them.  I lived in south Texas for fourteen years, where they are common, I saw them frequently there and I used to photograph them often when I was trying to establish myself as a wildlife photographer.

Where I live is remote. I have one neighbor, a co-worker, who lives less than fifty yards from my house. At night, for the last week, he has been on vacation and I have been the only person for probably a couple of miles from the nearest neighbor. Past that, the nearest person is probably another mile off and from there to the next is a few miles more. I don’t watch TV. I watch mostly YouTube videos on horror and dark subjects and occasionally horror movies on Netflix. So, midnight here can be eerie.  Today, as I unpack (my household goods were delivered on the 23rd), I am listening to an excellent audio-book recording of Lovecraft’s “Shadow over Innsmouth” that was published on YouTube by Intellectual Exercise.

Though the trip was only two days in length, I did manage to get some “reading” done via audio-books. I purchased The Gunslinger, Volume I of Stephen Kings Dark Tower series before I left and listened to it for most of the trip. I was disappointed in it. The writing wasn’t up to King’s usual standards. I have reviewed it on Goodreads, if you are interested.

My last night on the road was spent at a La Quinta in downtown Little Rock. Before I left the next day, I checked out the River Market area. It’s a neat area. I found a nice little coffee shop/bookstore, where I purchased audio versions of four stories of Edith Wharton’s and seven of Kipling’s Just So Stories (read by Boris Karloff in the 50’s). Both are very good. I will have to read a lot more of Edith Wharton’s. They are just terrific stories with outstanding writing.

I am developing a list of audio books on YouTube for listening to later on. At the top of my list currently is Kate Chopin‘s The AwakeningI listened to a few minutes of it on audio book the other day, but then had to get on with my tasks. I decided to save it for a later time when I can lie down and focus on it.  Her writing is excellent. Then after I read the Wikipedia article on it, I decided that I really need to listen to it to expand my knowledge of important American writers.

I took a break from unpacking yesterday and listened to Frank Belknap Long’s “The Hounds of Tindalos”. It was entertaining, somewhat, but not outstanding writing. Too much is told vs. shown.

I have been writing, mostly writing up ideas for Shadows and Stars Lying Down in my notebook. If there is a benefit to living here, it is that I have few distractions to keep me from writing. I am encountering the same problem I had when I lived in Chaco Canyon. It is so quiet here of a night, that I need to play something from YouTube to provide some background noise, so that I do not feel that I have dropped off the face of the Earth. Unfortunately, if I play anything interesting, I get caught up in that, then the writing progresses slowly.  In Aztec, I could often go to a coffee shop in Farmington, where I had people nearby. That is not the case here. If nothing else, I could go to Denny’s at any time, but I don’t have that luxury now.

I grew up in the hills and woods of Kentucky, but not until I moved here did the myths of Cernunnos and the Green Man of Celtic and British mythology hit home. I can see how those myths developed now.

More to come…

The Saturday Night Special: “At the End of the Passage” by Rudyard Kipling


The sky is lead and our faces are red,
And the gates of Hell are opened and riven,
And the winds of Hell are loosened and driven,
And the dust flies up in the face of Heaven,
And the clouds come down in a fiery sheet,
Heavy to raise and hard to be borne.
And the soul of man is turned from his meat,
Turned from the trifles for which he has striven
Sick in his body, and heavy hearted,
And his soul flies up like the dust in the sheet
Breaks from his flesh and is gone and departed,
As the blasts they blow on the cholera-horn.

Himalayan

Four men, each entitled to ‘life, liberty, and the pursuit of happiness’, sat at a table playing whist. The thermometer marked—for them—one hundred and one degrees of heat. The room was darkened till it was only just possible to distinguish the pips of the cards and the very white faces of the players. A tattered, rotten punkah of whitewashed calico was puddling the hot air and whining dolefully at each stroke. Outside lay gloom of a November day in London. There was neither sky, sun, nor horizon—nothing but a brown purple haze of heat. It was as though the earth were dying of apoplexy.From time to time clouds of tawny dust rose from the ground without wind or warning, flung themselves tablecloth-wise among the tops of the parched trees, and came down again. Then a-whirling dust-devil would scutter across the plain for a couple of miles, break, and fall outward, though there was nothing to check its flight save a long low line of piled railway-sleepers white with the dust, a cluster of huts made of mud, condemned rails, and canvas, and the one squat four-roomed bungalow that belonged to the assistant engineer in charge of a section of the Gaudhari State line then under construction.

Rudyard Kipling, circa 1915
Rudyard Kipling, circa 1915

The four, stripped to the thinnest of sleeping-suits, played whist crossly, with wranglings as to leads and returns. It was not the best kind of whist, but they had taken some trouble to arrive at it. Mottram of the Indian Survey had ridden thirty and railed one hundred miles from his lonely post in the desert since the night before; Lowndes of the Civil Service, on special duty in the political department, had come as far to escape for an instant the miserable intrigues of an impoverished native State whose king alternately fawned and blustered for more money from the pitiful revenues contributed by hard-wrung peasants and despairing camel-breeders; Spurstow, the doctor of the line, had left a cholera-stricken camp of coolies to look after itself for forty-eight hours while he associated with white men once more. Hummil, the assistant engineer, was the host. He stood fast and received his friends thus every Sunday if they could come in. When one of them failed to appear, he would send a telegram to his last address, in order that he might know whether the defaulter were dead or alive. There are very many places in the East where it is not good or kind to let your acquaintances drop out of sight even for one short week.

The players were not conscious of any special regard for each other. They squabbled whenever they met; but they ardently desired to meet, as men without water desire to drink. They were lonely folk who understood the dread meaning of loneliness. They were all under thirty years of age—which is too soon for any man to possess that knowledge.

‘Pilsener?’ said Spurstow, after the second rubber, mopping his forehead.

‘Beer’s out, I’m sorry to say, and there’s hardly enough soda-water for tonight,’ said Hummil.

‘What filthy bad management!’ Spurstow snarled.

‘Can’t help it. I’ve written and wired; but the trains don’t come through regularly yet. Last week the ice ran out—as Lowndes knows.’

‘Glad I didn’t come. I could ha’ sent you some if I had known, though. Phew! it’s too hot to go on playing bumblepuppy.’ This with a savage scowl at Lowndes, who only laughed. He was a hardened offender.

Mottram rose from the table and looked out of a chink in the shutters.

‘What a sweet day!’ said he.

The company yawned all together and betook themselves to an aimless investigation of all Hummil’s possessions—guns, tattered novels, saddlery, spurs, and the like. They had fingered them a score of times before, but there was really nothing else to do.

‘Got anything fresh?’ said Lowndes.

‘Last week’s Gazette of India, and a cutting from a home paper. My father sent it out. It’s rather amusing.’

‘One of those vestrymen that call ’emselves M.P.s again, is it?’ said Spurstow, who read his newspapers when he could get them.

‘Yes. Listen to this. It’s to your address, Lowndes. The man was making a speech to his constituents, and he piled it on. Here’s a sample, “And I assert unhesitatingly that the Civil Service in India is the preserve—the pet preserve—of the aristocracy of England. What does the democracy—what do the masses—get from that country, which we have step by step fraudulently annexed? I answer, nothing whatever. It is farmed with a single eye to their own interests by the scions of the aristocracy. They take good care to maintain their lavish scale of incomes, to avoid or stifle any inquiries into the nature and conduct of their administration, while they themselves force the unhappy peasant to pay with the sweat of his brow for all the luxuries in which they are lapped.”’ Hummil waved the cutting above his head. ‘’Ear! ’ear!’ said his audience.

Then Lowndes, meditatively, ‘I’d give—I’d give three months’ pay to have that gentleman spend one month with me and see how the free and independent native prince works things. Old Timbersides’—this was his flippant title for an honoured and decorated feudatory prince—‘has been wearing my life out this week past for money. By Jove, his latest performance was to send me one of his women as a bribe!’

‘Good for you! Did you accept it?’ said Mottram.

‘No. I rather wish I had, now. She was a pretty little person, and she yarned away to me about the horrible destitution among the king’s women-folk. The darlings haven’t had any new clothes for nearly a month, and the old man wants to buy a new drag from Calcutta—solid silver railings and silver lamps, and trifles of that kind. I’ve tried to make him understand that he has played the deuce with the revenues for the last twenty years and must go slow. He can’t see it.’

‘But he has the ancestral treasure-vaults to draw on. There must be three millions at least in jewels and coin under his palace,’ said Hummil.

‘Catch a native king disturbing the family treasure! The priests forbid it except as the last resort. Old Timbersides has added something like a quarter of a million to the deposit in his reign.’

‘Where the mischief does it all come from?’ said Mottram.

‘The country. The state of the people is enough to make you sick. I’ve known the taxmen wait by a milch-camel till the foal was born and then hurry off the mother for arrears. And what can I do? I can’t get the court clerks to give me any accounts; I can’t raise anything more than a fat smile from the commander-in-chief when I find out the troops are three months in arrears; and old Timbersides begins to weep when I speak to him. He has taken to the King’s Peg heavily, liqueur brandy for whisky, and Heidsieck for soda-water.’

‘That’s what the Rao of Jubela took to. Even a native can’t last long at that,’ said Spurstow. ‘He’ll go out.’

‘And a good thing, too. Then I suppose we’ll have a council of regency, and a tutor for the young prince, and hand him back his kingdom with ten years’ accumulations.’

‘Whereupon that young prince, having been taught all the vices of the English, will play ducks and drakes with the money and undo ten years’ work in eighteen months. I’ve seen that business before,’ said Spurstow. ‘I should tackle the king with a light hand if I were you, Lowndes. They’ll hate you quite enough under any circumstances.

‘That’s all very well. The man who looks on can talk about the light hand; but you can’t clean a pig-sty with a pen dipped in rose-water. I know my risks; but nothing has happened yet. My servant’s an old Pathan, and he cooks for me. They are hardly likely to bribe him, and I don’t accept food from my true friends, as they call themselves. Oh, but it’s weary work! I’d sooner be with you, Spurstow. There’s shooting near your camp.’

‘Would you? I don’t think it. About fifteen deaths a day don’t incite a man to shoot anything but himself. And the worst of it is that the poor devils look at you as though you ought to save them. Lord knows, I’ve tried everything. My last attempt was empirical, but it pulled an old man through. He was brought to me apparently past hope, and I gave him gin and Worcester sauce with cayenne. It cured him; but I don’t recommend it.’

‘How do the cases run generally?’ said Hummil.

‘Very simply indeed. Chlorodyne, opium pill, chlorodyne, collapse, nitre, bricks to the feet, and then—the burning-ghaut. The last seems to be the only thing that stops the trouble. It’s black cholera, you know. Poor devils! But, I will say, little Bunsee Lal, my apothecary, works like a demon. I’ve recommended him for promotion if he comes through it all alive.’

‘And what are your chances, old man?’ said Mottram.

‘Don’t know; don’t care much; but I’ve sent the letter in. What are you doing with yourself generally?’

‘Sitting under a table in the tent and spitting on the sextant to keep it cool,’ said the man of the survey. ‘Washing my eyes to avoid ophthalmia, which I shall certainly get, and trying to make a sub-surveyor understand that an error of five degrees in an angle isn’t quite so small as it looks. I’m altogether alone, y’ know, and shall be till the end of the hot weather.’

‘Hummil’s the lucky man,’ said Lowndes, flinging himself into a long chair. ‘He has an actual roof-torn as to the ceiling-cloth, but still a roof-over his head. He sees one train daily. He can get beer and soda-water and ice ’em when God is good. He has books, pictures—they were torn from the Graphic—and the society of the excellent sub-contractor Jevins, besides the pleasure of receiving us weekly.’

Hummil smiled grimly. ‘Yes, I’m the lucky man, I suppose. Jevins is luckier.’

‘How? Not——’

‘Yes. Went out. Last Monday.’

‘By his own hand?’ said Spurstow quickly, hinting the suspicion that was in everybody’s mind. There was no cholera near Hummil’s section. Even fever gives a man at least a week’s grace, and sudden death generally implied self-slaughter.

‘I judge no man this weather,’ said Hummil. ‘He had a touch of the sun, I fancy; for last week, after you fellows had left, he came into the verandah and told me that he was going home to see his wife, in Market Street, Liverpool, that evening.

‘I got the apothecary in to look at him, and we tried to make him lie down. After an hour or two he rubbed his eyes and said he believed he had had a fit, hoped he hadn’t said anything rude. Jevins had a great idea of bettering himself socially. He was very like Chucks in his language.’

‘Well?’

‘Then he went to his own bungalow and began cleaning a rifle. He told the servant that he was going to shoot buck in the morning. Naturally he fumbled with the trigger, and shot himself through the head—accidentally. The apothecary sent in a report to my chief; and Jevins is buried somewhere out there. I’d have wired to you, Spurstow, if you could have done anything.’

‘You’re a queer chap,’ said Mottram. ‘If you’d killed the man yourself you couldn’t have been more quiet about the business.’

‘Good Lord! what does it matter?’ said Hummil calmly. ‘I’ve got to do a lot of his overseeing work in addition to my own. I’m the only person that suffers. Jevins is out of it, by pure accident, of course, but out of it. The apothecary was going to write a long screed on suicide. Trust a babu to drivel when he gets the chance.’

‘Why didn’t you let it go in as suicide?’ said Lowndes.

‘No direct proof. A man hasn’t many privileges in his country, but he might at least be allowed to mishandle his own rifle. Besides, some day I may need a man to smother up an accident to myself. Live and let live. Die and let die.’

‘You take a pill,’ said Spurstow, who had been watching Hummil’s white face narrowly. ‘Take a pill, and don’t be an ass. That sort of talk is skittles. Anyhow, suicide is shirking your work. If I were Job ten times over, I should be so interested in what was going to happen next that I’d stay on and watch.’

‘Ah! I’ve lost that curiosity,’ said Hummil.

‘Liver out of order?’ said Lowndes feelingly.

‘No. Can’t sleep. That’s worse.’

‘By Jove, it is!’ said Mottram. ‘I’m that way every now and then, and the fit has to wear itself out. What do you take for it?’

‘Nothing. What’s the use? I haven’t had ten minutes’ sleep since Friday morning.’

‘Poor chap! Spurstow, you ought to attend to this,’ said Mottram. ‘Now you mention it, your eyes are rather gummy and swollen.’

Spurstow, still watching Hummil, laughed lightly. ‘I’ll patch him up, later on. Is it too hot, do you think, to go for a ride?’

‘Where to?’ said Lowndes wearily. ‘We shall have to go away at eight, and there’ll be riding enough for us then. I hate a horse when I have to use him as a necessity. Oh, heavens! what is there to do?’

‘Begin whist again, at chick points [‘a chick’ is supposed to be eight shillings] and a gold mohur on the rub,’ said Spurstow promptly.

‘Poker. A month’s pay all round for the pool—no limit—and fifty-rupee raises. Somebody would be broken before we got up,’ said Lowndes.

‘Can’t say that it would give me any pleasure to break any man in this company,’ said Mottram. ‘There isn’t enough excitement in it, and it’s foolish.’ He crossed over to the worn and battered little camp-piano—wreckage of a married household that had once held the bungalow—and opened the case.

‘It’s used up long ago,’ said Hummil. ‘The servants have picked it to pieces.’

The piano was indeed hopelessly out of order, but Mottram managed to bring the rebellious notes into a sort of agreement, and there rose from the ragged keyboard something that might once have been the ghost of a popular music-hall song. The men in the long chairs turned with evident interest as Mottram banged the more lustily.

‘That’s good!’ said Lowndes. ‘By Jove! the last time I heard that song was in ’79, or thereabouts, just before I came out.’

‘Ah!’ said Spurstow with pride, ‘I was home in ‘80.’ And he mentioned a song of the streets popular at that date.

Mottram executed it roughly. Lowndes criticized and volunteered emendations. Mottram dashed into another ditty, not of the music-hall character, and made as if to rise.

‘Sit down,’ said Hummil. ‘I didn’t know that you had any music in your composition. Go on playing until you can’t think of anything more. I’ll have that piano tuned up before you come again. Play something festive.’

Very simple indeed were the tunes to which Mottram’s art and the limitations of the piano could give effect, but the men listened with pleasure, and in the pauses talked all together of what they had seen or heard when they were last at home. A dense dust-storm sprung up outside, and swept roaring over the house, enveloping it in the choking darkness of midnight, but Mottram continued unheeding, and the crazy tinkle reached the ears of the listeners above the flapping of the tattered ceiling-cloth.

In the silence after the storm he glided from the more directly personal songs of Scotland, half humming them as he played, into the Evening Hymn.

‘Sunday,’ said he, nodding his head.

‘Go on. Don’t apologize for it,’ said Spurstow.

Hummil laughed long and riotously. ‘Play it, by all means. You’re full of surprises today. I didn’t know you had such a gift of finished sarcasm. How does that thing go?’

Mottram took up the tune.

‘Too slow by half. You miss the note of gratitude,’ said Hummil. ‘It ought to go to the “Grasshopper’s Polka”—this way.’ And he chanted, prestissimo,

‘Glory to thee, my God, this night, For all the blessings of the light.

That shows we really feel our blessings. How does it go on?—

If in the night I sleepless lie, My soul with sacred thoughts supply; May no ill dreams disturb my rest,—

Quicker, Mottram!—

Or powers of darkness me molest!’

‘Bah! what an old hypocrite you are!’

‘Don’t be an ass,’ said Lowndes. ‘You are at full liberty to make fun of anything else you like, but leave that hymn alone. It’s associated in my mind with the most sacred recollections——’

‘Summer evenings in the country, stained-glass window, light going out, and you and she jamming your heads together over one hymnbook,’ said Mottram.

‘Yes, and a fat old cockchafer hitting you in the eye when you walked home. Smell of hay, and a moon as big as a bandbox sitting on the top of a haycock; bats, roses, milk and midges,’ said Lowndes.

‘Also mothers. I can just recollect my mother singing me to sleep with that when I was a little chap,’ said Spurstow.

The darkness had fallen on the room. They could hear Hummil squirming in his chair.

‘Consequently,’ said he testily, ‘you sing it when you are seven fathom deep in Hell! It’s an insult to the intelligence of the Deity to pretend we’re anything but tortured rebels.’

‘Take two pills,’ said Spurstow; ‘that’s tortured liver.’

‘The usually placid Hummil is in a vile bad temper. I’m sorry for his coolies tomorrow,’ said Lowndes, as the servants brought in the lights and prepared the table for dinner.

As they were settling into their places about the miserable goat-chops, and the smoked tapioca pudding, Spurstow took occasion to whisper to Mottram, ‘Well done, David!’

‘Look after Saul, then,’ was the reply.

‘What are you two whispering about?’ said Hummil suspiciously.

‘Only saying that you are a damned poor host. This fowl can’t be cut,’ returned Spurstow with a sweet smile. ‘Call this a dinner?’

‘I can’t help it. You don’t expect a banquet, do you?’

Throughout that meal Hummil contrived laboriously to insult directly and pointedly all his guests in succession, and at each insult Spurstow kicked the aggrieved persons under the table; but he dared not exchange a glance of intelligence with either of them. Hummil’s face was white and pinched, while his eyes were unnaturally large. No man dreamed for a moment of resenting his savage personalities, but as soon as the meal was over they made haste to get away.

‘Don’t go. You’re just getting amusing, you fellows. I hope I haven’t said anything that annoyed you. You’re such touchy devils.’ Then, changing the note into one of almost abject entreaty, Hummil added, ‘I say, you surely aren’t going?’

‘In the language of the blessed Jorrocks, where I dines I sleeps,’ said Spurstow. ‘I want to have a look at your coolies tomorrow, if you don’t mind. You can give me a place to lie down in, I suppose?’

The others pleaded the urgency of their several duties next day, and, saddling up, departed together, Hummil begging them to come next Sunday. As they jogged off, Lowndes unbosomed himself to Mottram—

‘. . . And I never felt so like kicking a man at his own table in my life. He said I cheated at whist, and reminded me I was in debt! ’Told you you were as good as a liar to your face! You aren’t half indignant enough over it.’

‘Not I,’ said Mottram. ‘Poor devil! Did you ever know old Hummy behave like that before or within a hundred miles of it?’

‘That’s no excuse. Spurstow was hacking my shin all the time, so I kept a hand on myself. Else I should have—’

‘No, you wouldn’t. You’d have done as Hummy did about Jevins; judge no man this weather. By Jove! the buckle of my bridle is hot in my hand! Trot out a bit, and ‘ware rat-holes.’ Ten minutes’ trotting jerked out of Lowndes one very sage remark when he pulled up, sweating from every pore—

“Good thing Spurstow’s with him tonight.’

‘Ye-es. Good man, Spurstow. Our roads turn here. See you again next Sunday, if the sun doesn’t bowl me over.’

‘S’pose so, unless old Timbersides’ finance minister manages to dress some of my food. Goodnight, and—God bless you!’

‘What’s wrong now?’

‘Oh, nothing.’ Lowndes gathered up his whip, and, as he flicked Mottram’s mare on the flank, added, ‘You’re not a bad little chap, that’s all.’ And the mare bolted half a mile across the sand, on the word.

In the assistant engineer’s bungalow Spurstow and Hummil smoked the pipe of silence together, each narrowly watching the other. The capacity of a bachelor’s establishment is as elastic as its arrangements are simple. A servant cleared away the dining-room table, brought in a couple of rude native bedsteads made of tape strung on a light wood frame, flung a square of cool Calcutta matting over each, set them side by side, pinned two towels to the punkah so that their fringes should just sweep clear of the sleeper’s nose and mouth, and announced that the couches were ready.

The men flung themselves down, ordering the punkah-coolies by all the powers of Hell to pull. Every door and window was shut, for the outside air was that of an oven. The atmosphere within was only 104 degrees, as the thermometer bore witness, and heavy with the foul smell of badly-trimmed kerosene lamps; and this stench, combined with that of native tobacco, baked brick, and dried earth, sends the heart of many a strong man down to his boots, for it is the smell of the Great Indian Empire when she turns herself for six months into a house of torment. Spurstow packed his pillows craftily so that he reclined rather than lay, his head at a safe elevation above his feet. It is not good to sleep on a low pillow in the hot weather if you happen to be of thick-necked build, for you may pass with lively snores and gugglings from natural sleep into the deep slumber of heat-apoplexy.

‘Pack your pillows,’ said the doctor sharply, as he saw Hummil preparing to lie down at full length.

The night-light was trimmed; the shadow of the punkah wavered across the room, and the ‘flick ‘ of the punkah-towel and the soft whine of the rope through the wall-hole followed it. Then the punkah flagged, almost ceased. The sweat poured from Spurstow’s brow. Should he go out and harangue the coolie? It started forward again with a savage jerk, and a pin came out of the towels. When this was replaced, a tomtom in the coolie-lines began to beat with the steady throb of a swollen artery inside some brain-fevered skull. Spurstow turned on his side and swore gently. There was no movement on Hummil’s part. The man had composed himself as rigidly as a corpse, his hands clinched at his sides. The respiration was too hurried for any suspicion of sleep. Spurstow looked at the set face. The jaws were clinched, and there was a pucker round the quivering eyelids.

‘He’s holding himself as tightly as ever he can,’ thought Spurstow. ‘What in the world is the matter with him?—Hummil!’

‘Yes,’ in a thick constrained voice.

‘Can’t you get to sleep?’

‘No.’

‘Head hot? Throat feeling bulgy? or how?’

‘Neither, thanks. I don’t sleep much, you know.’

‘’Feel pretty bad?’

‘Pretty bad, thanks. There is a tomtom outside, isn’t there? I thought it was my head at first…. Oh, Spurstow, for pity’s sake give me something that will put me asleep, sound asleep, if it’s only for six hours!’ He sprang up, trembling from head to foot. ‘I haven’t been able to sleep naturally for days, and I can’t stand it! I can’t stand it!’

‘Poor old chap!’

‘That’s no use. Give me something to make me sleep. I tell you I’m nearly mad. I don’t know what I say half my time. For three weeks I’ve had to think and spell out every word that has come through my lips before I dared say it. Isn’t that enough to drive a man mad? I can’t see things correctly now, and I’ve lost my sense of touch. My skin aches—my skin aches! Make me sleep. Oh, Spurstow, for the love of God make me sleep sound. It isn’t enough merely to let me dream. Let me sleep!’

‘All right, old man, all right. Go slow; you aren’t half as bad as you think.’

The flood-gates of reserve once broken, Hummil was clinging to him like a frightened child. ‘You’re pinching my arm to pieces.’

‘I’ll break your neck if you don’t do something for me. No, I didn’t mean that. Don’t be angry, old fellow.’ He wiped the sweat off himself as he fought to regain composure. ‘I’m a bit restless and off my oats, and perhaps you could recommend some sort of sleeping mixture—bromide of potassium.’

‘Bromide of skittles! Why didn’t you tell me this before? Let go of my arm, and I’ll see if there’s anything in my cigarette-case to suit your complaint.’ Spurstow hunted among his day-clothes, turned up the lamp, opened a little silver cigarette-case, and advanced on the expectant Hummil with the daintiest of fairy squirts.

‘The last appeal of civilization,’ said he, ’and a thing I hate to use. Hold out your arm. Well, your sleeplessness hasn’t ruined your muscle; and what a thick hide it is! Might as well inject a buffalo subcutaneously. Now in a few minutes the morphia will begin working. Lie down and wait.’

A smile of unalloyed and idiotic delight began to creep over Hummil’s face. ‘I think,’ he whispered,—‘I think I’m going off now. Gad! it’s positively heavenly! Spurstow, you must give me that case to keep; you——’ The voice ceased as the head fell back.

‘Not for a good deal,’ said Spurstow to the unconscious form. ‘And now, my friend, sleeplessness of your kind being very apt to relax the moral fibre in little matters of life and death, I’ll just take the liberty of spiking your guns.’

He paddled into Hummil’s saddle-room in his bare feet and uncased a twelve-bore rifle, an express, and a revolver. Of the first he unscrewed the nipples and hid them in the bottom of a saddlery-case; of the second he abstracted the lever, kicking it behind a big wardrobe. The third he merely opened, and knocked the doll-head bolt of the grip up with the heel of a riding-boot.

‘That’s settled,’ he said, as he shook the sweat off his hands. ‘These little precautions will at least give you time to turn. You have too much sympathy with gun-room accidents.’

And as he rose from his knees, the thick muffled voice of Hummil cried in the doorway, ‘You fool!’

Such tones they use who speak in the lucid intervals of delirium to their friends a little before they die.

Spurstow started, dropping the pistol. Hummil stood in the doorway, rocking with helpless laughter.

‘That was awf’ly good of you, I’m sure,’ he said, very slowly, feeling for his words. ‘I don’t intend to go out by my own hand at present. I say, Spurstow, that stuff won’t work. What shall I do? What shall I do?’ And panic terror stood in his eyes.

‘Lie down and give it a chance. Lie down at once.’

‘I daren’t. It will only take me half-way again, and I shan’t be able to get away this time. Do you know it was all I could do to come out just now? Generally I am as quick as lightning; but you had clogged my feet. I was nearly caught.’

‘Oh yes, I understand. Go and lie down.’

‘No, it isn’t delirium; but it was an awfully mean trick to play on me. Do you know I might have died?’

As a sponge rubs a slate clean, so some power unknown to Spurstow had wiped out of Hummil’s face all that stamped it for the face of a man, and he stood at the doorway in the expression of his lost innocence. He had slept back into terrified childhood.

‘Is he going to die on the spot?’ thought Spurstow. Then, aloud, ‘All right, my son. Come back to bed, and tell me all about it. You couldn’t sleep; but what was all the rest of the nonsense?’

‘A place, a place down there,’ said Hummil, with simple sincerity. The drug was acting on him by waves, and he was flung from the fear of a strong man to the fright of a child as his nerves gathered sense or were dulled.

‘Good God! I’ve been afraid of it for months past, Spurstow. It has made every night hell to me; and yet I’m not conscious of having done anything wrong.’

‘Be still, and I’ll give you another dose. We’ll stop your nightmares, you unutterable idiot!’

‘Yes, but you must give me so much that I can’t get away. You must make me quite sleepy, not just a little sleepy. It’s so hard to run then.’

‘I know it; I know it. I’ve felt it myself. The symptoms are exactly as you describe.’

‘Oh, don’t laugh at me, confound you! Before this awful sleeplessness came to me I’ve tried to rest on my elbow and put a spur in the bed to sting me when I fell back. Look!’

‘By Jove! the man has been rowelled like a horse! Ridden by the nightmare with a vengeance! And we all thought him sensible enough. Heaven send us understanding! You like to talk, don’t you?’

‘Yes, sometimes. Not when I’m frightened. Then I want to run. Don’t you?’

‘Always. Before I give you your second dose try to tell me exactly what your trouble is.’

Hummil spoke in broken whispers for nearly ten minutes, whilst Spurstow looked into the pupils of his eyes and passed his hand before them once or twice.

At the end of the narrative the silver cigarette-case was produced, and the last words that Hummil said as he fell back for the second time were, ‘Put me quite to sleep; for if I’m caught I die, I die!’

‘Yes, yes; we all do that sooner or later, thank Heaven who has set a term to our miseries,’ said Spurstow, settling the cushions under the head. ‘It occurs to me that unless I drink something I shall go out before my time. I’ve stopped sweating, and—I wear a seventeen-inch collar.’ He brewed himself scalding hot tea, which is an excellent remedy against heat-apoplexy if you take three or four cups of it in time. Then he watched the sleeper.

‘A blind face that cries and can’t wipe its eyes, a blind face that chases him down corridors! H’m! Decidedly, Hummil ought to go on leave as soon as possible; and, sane or otherwise, he undoubtedly did rowel himself most cruelly. Well, Heaven send us understanding!’

At mid-day Hummil rose, with an evil taste in his mouth, but an unclouded eye and a joyful heart.

‘I was pretty bad last night, wasn’t I?’ said he.

‘I have seen healthier men. You must have had a touch of the sun. Look here: if I write you a swinging medical certificate, will you apply for leave on the spot?’

‘No.’

‘Why not? You want it.’

‘Yes, but I can hold on till the weather’s a little cooler.’

‘Why should you, if you can get relieved on the spot?’

‘Burkett is the only man who could be sent; and he’s a born fool.’

‘Oh, never mind about the line. You aren’t so important as all that. Wire for leave, if necessary.’

Hummil looked very uncomfortable.

‘I can hold on till the Rains,’ he said evasively.

‘You can’t. Wire to headquarters for Burkett.’

‘I won’t. If you want to know why, particularly, Burkett is married, and his wife’s just had a kid, and she’s up at Simla, in the cool, and Burkett has a very nice billet that takes him into Simla from Saturday to Monday. That little woman isn’t at all well. If Burkett was transferred she’d try to follow him. If she left the baby behind she’d fret herself to death. If she came—and Burkett’s one of those selfish little beasts who are always talking about a wife’s place being with her husband—she’d die. It’s murder to bring a woman here just now. Burkett hasn’t the physique of a rat. If he came here he’d go out; and I know she hasn’t any money, and I’m pretty sure she’d go out too. I’m salted in a sort of way, and I’m not married. Wait till the Rains, and then Burkett can get thin down here. It’ll do him heaps of good.’

‘Do you mean to say that you intend to face—what you have faced, till the Rains break?’

‘Oh, it won’t be so bad, now you’ve shown me a way out of it. I can always wire to you. Besides, now I’ve once got into the way of sleeping, it’ll be all right. Anyhow, I shan’t put in for leave. That’s the long and the short of it.’

‘My great Scott! I thought all that sort of thing was dead and done with.’

‘Bosh! You’d do the same yourself. I feel a new man, thanks to that cigarette-case. You’re going over to camp now, aren’t you?’

‘Yes; but I’ll try to look you up every other day, if I can.’

‘I’m not bad enough for that. I don’t want you to bother. Give the coolies gin and ketchup.’

‘Then you feel all right?’

‘Fit to fight for my life, but not to stand out in the sun talking to you. Go along, old man, and bless you!’

Hummil turned on his heel to face the echoing desolation of his bungalow, and the first thing he saw standing in the verandah was the figure of himself. He had met a similar apparition once before, when he was suffering from overwork and the strain of the hot weather.

‘This is bad—already,’ he said, rubbing his eyes. ‘If the thing slides away from me all in one piece, like a ghost, I shall know it is only my eyes and stomach that are out of order. If it walks—my head is going.’

He approached the figure, which naturally kept at an unvarying distance from him, as is the use of all spectres that are born of overwork. It slid through the house and dissolved into swimming specks within the eyeball as soon as it reached the burning light of the garden. Hummil went about his business till even. When he came in to dinner he found himself sitting at the table. The vision rose and walked out hastily. Except that it cast no shadow it was in all respects real.

No living man knows what that week held for Hummil. An increase of the epidemic kept Spurstow in camp among the coolies, and all he could do was to telegraph to Mottram, bidding him go to the bungalow and sleep there. But Mottram was forty miles away from the nearest telegraph, and knew nothing of anything save the needs of the survey till he met, early on Sunday morning, Lowndes and Spurstow heading towards Hummil’s for the weekly gathering.

‘Hope the poor chap’s in a better temper,’ said the former, swinging himself off his horse at the door. ‘I suppose he isn’t up yet.’

‘I’ll just have a look at him,’ said the doctor. ‘If he’s asleep there’s no need to wake him.’

And an instant later, by the tone of Spurstow’s voice calling upon them to enter, the men knew what had happened. There was no need to wake him.

The punkah was still being pulled over the bed, but Hummil had departed this life at least three hours.

The body lay on its back, hands clinched by the side, as Spurstow had seen it lying seven nights previously. In the staring eyes was written terror beyond the expression of any pen.

Mottram, who had entered behind Lowndes, bent over the dead and touched the forehead lightly with his lips. ‘Oh, you lucky, lucky devil!’ he whispered.

But Lowndes had seen the eyes, and withdrew shuddering to the other side of the room.

‘Poor chap! poor old chap! And the last time I met him I was angry. Spurstow, we should have watched him. Has he——?’

Deftly Spurstow continued his investigations, ending by a search round the room.

‘No, he hasn’t,’ he snapped. ‘There’s no trace of anything. Call the servants.’

They came, eight or ten of them, whispering and peering over each other’s shoulders.

‘When did your Sahib go to bed?’ said Spurstow.

‘At eleven or ten, we think,’ said Hummil’s personal servant.

‘He was well then? But how should you know?’

‘He was not ill, as far as our comprehension extended. But he had slept very little for three nights. This I know, because I saw him walking much, and specially in the heart of the night.’

As Spurstow was arranging the sheet, a big straight-necked hunting-spur tumbled on the ground. The doctor groaned. The personal servant peeped at the body.

‘What do you think, Chuma?’ said Spurstow, catching the look on the dark face.

‘Heaven-born, in my poor opinion, this that was my master has descended into the Dark Places, and there has been caught because he was not able to escape with sufficient speed. We have the spur for evidence that he fought with Fear. Thus have I seen men of my race do with thorns when a spell was laid upon them to overtake them in their sleeping hours and they dared not sleep.’

‘Chuma, you’re a mud-head. Go out and prepare seals to be set on the Sahib’s property.’

‘God has made the Heaven-born. God has made me. Who are we, to enquire into the dispensations of God? I will bid the other servants hold aloof while you are reckoning the tale of the Sahib’s property. They are all thieves, and would steal.’

‘As far as I can make out, he died from—oh, anything; stoppage of the heart’s action, heat-apoplexy, or some other visitation,’ said Spurstow to his companions. ‘We must make an inventory of his effects, and so on.’

‘He was scared to death,’ insisted Lowndes. ‘Look at those eyes! For pity’s sake don’t let him be buried with them open!’

‘Whatever it was, he’s clear of all the trouble now,’ said Mottram softly.

Spurstow was peering into the open eyes.

‘Come here,’ said he. ‘Can you see anything there?’

‘I can’t face it!’ whimpered Lowndes. ‘Cover up the face! Is there any fear on earth that can turn a man into that likeness? It’s ghastly. Oh, Spurstow, cover it up!’

‘No fear—on earth,’ said Spurstow. Mottram leaned over his shoulder and looked intently.

‘I see nothing except some grey blurs in the pupil. There can be nothing there, you know.’

‘Even so. Well, let’s think. It’ll take half a day to knock up any sort of coffin; and he must have died at midnight. Lowndes, old man, go out and tell the coolies to break ground next to Jevins’s grave. Mottram, go round the house with Chuma and see that the seals are put on things. Send a couple of men to me here, and I’ll arrange.’

The strong-armed servants when they returned to their own kind told a strange story of the doctor Sahib vainly trying to call their master back to life by magic arts—to wit, the holding of a little green box that clicked to each of the dead man’s eyes, and of a bewildered muttering on the part of the doctor Sahib, who took the little green box away with him.

The resonant hammering of a coffin-lid is no pleasant thing to hear, but those who have experience maintain that much more terrible is the soft swish of the bed-linen, the reeving and unreeving of the bed-tapes, when he who has fallen by the roadside is apparelled for burial, sinking gradually as the tapes are tied over, till the swaddled shape touches the floor and there is no protest against the indignity of hasty disposal.

At the last moment Lowndes was seized with scruples of conscience. ‘Ought you to read the service, from beginning to end?’ said he to Spurstow.

‘I intend to. You’re my senior as a civilian. You can take it if you like.’

‘I didn’t mean that for a moment. I only thought if we could get a chaplain from somewhere, I’m willing to ride anywhere, and give poor Hummil a better chance. That’s all.’

‘Bosh!’ said Spurstow, as he framed his lips to the tremendous words that stand at the head of the burial service.

After breakfast they smoked a pipe in silence to the memory of the dead. Then Spurstow said absently—

‘Tisn’t medical science.’

‘What?’

‘Things in a dead man’s eye.’

‘For goodness’ sake leave that horror alone!’ said Lowndes. ‘I’ve seen a native die of pure fright when a tiger chivied him. I know what killed Hummil.’

‘The deuce you do! I’m going to try to see.’ And the doctor retreated into the bathroom with a Kodak camera. After a few minutes there was the sound of something being hammered to pieces, and he emerged, very white indeed.

‘Have you got a picture?’ said Mottram. ‘What does the thing look like?’

‘It was impossible, of course. You needn’t look, Mottram. I’ve torn up the films. There was nothing there. It was impossible.’

‘That,’ said Lowndes, very distinctly, watching the shaking hand striving to relight the pipe, ‘is a damned lie.’

Mottram laughed uneasily. ‘Spurstow’s right,’ he said. ‘We’re all in such a state now that we’d believe anything. For pity’s sake let’s try to be rational.’

There was no further speech for a long time. The hot wind whistled without, and the dry trees sobbed. Presently the daily train, winking brass, burnished steel, and spouting steam, pulled up panting in the intense glare. ‘We’d better go on that,’ said Spurstow. ‘Go back to work. I’ve written my certificate. We can’t do any more good here, and work’ll keep our wits together. Come on.’

No one moved. It is not pleasant to face railway journeys at mid-day in June. Spurstow gathered up his hat and whip, and, turning in the doorway, said—

‘There may be Heaven—there must be Hell.Meantime, there is our life here. We-ell?’

Neither Mottram nor Lowndes had any answer to the question.

The Saturday Night Special: “Araby” by James Joyce (1914)

James Joyce
by Alex Ehrenzweig, 1915

North Richmond Street, being blind, was a quiet street except at the hour when the Christian Brothers’ School set the boys free. An uninhabited house of two storeys stood at the blind end, detached from its neighbours in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces.

The former tenant of our house, a priest, had died in the back drawing-room. Air, musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless papers. Among these I found a few paper-covered books, the pages of which were curled and damp: The Abbot, by Walter Scott, The Devout Communicant, and The Memoirs of Vidocq. I liked the last best because its leaves were yellow. The wild garden behind the house contained a central apple-tree and a few straggling bushes, under one of which I found the late tenant’s rusty bicycle-pump. He had been a very charitable priest; in his will he had left all his money to institutions and the furniture of his house to his sister.

When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses, where we ran the gauntlet of the rough tribes from the cottages, to the back doors of the dark dripping gardens where odours arose from the ashpits, to the dark odorous stables where a coachman smoothed and combed the horse or shook music from the buckled harness. When we returned to the street, light from the kitchen windows had filled the areas. If my uncle was seen turning the corner, we hid in the shadow until we had seen him safely housed. Or if Mangan’s sister came out on the doorstep to call her brother in to his tea, we watched her from our shadow peer up and down the street. We waited to see whether she would remain or go in and, if she remained, we left our shadow and walked up to Mangan’s steps resignedly. She was waiting for us, her figure defined by the light from the half-opened door. Her brother always teased her before he obeyed, and I stood by the railings looking at her. Her dress swung as she moved her body, and the soft rope of her hair tossed from side to side.

Every morning I lay on the floor in the front parlour watching her door. The blind was pulled down to within an inch of the sash so that I could not be seen. When she came out on the doorstep my heart leaped. I ran to the hall, seized my books and followed her. I kept her brown figure always in my eye and, when we came near the point at which our ways diverged, I quickened my pace and passed her. This happened morning after morning. I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood.

Her image accompanied me even in places the most hostile to romance. On Saturday evenings when my aunt went marketing I had to go to carry some of the parcels. We walked through the flaring streets, jostled by drunken men and bargaining women, amid the curses of labourers, the shrill litanies of shop-boys who stood on guard by the barrels of pigs’ cheeks, the nasal chanting of street-singers, who sang a come-all-you about O’Donovan Rossa, or a ballad about the troubles in our native land. These noises converged in a single sensation of life for me: I imagined that I bore my chalice safely through a throng of foes. Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.

One evening I went into the back drawing-room in which the priest had died. It was a dark rainy evening and there was no sound in the house. Through one of the broken panes I heard the rain impinge upon the earth, the fine incessant needles of water playing in the sodden beds. Some distant lamp or lighted window gleamed below me. I was thankful that I could see so little. All my senses seemed to desire to veil themselves and, feeling that I was about to slip from them, I pressed the palms of my hands together until they trembled, murmuring: ‘O love! O love!’ many times.

At last she spoke to me. When she addressed the first words to me I was so confused that I did not know what to answer. She asked me was I going to Araby. I forgot whether I answered yes or no. It would be a splendid bazaar; she said she would love to go.

‘And why can’t you?’ I asked.

While she spoke she turned a silver bracelet round and round her wrist. She could not go, she said, because there would be a retreat that week in her convent. Her brother and two other boys were fighting for their caps, and I was alone at the railings. She held one of the spikes, bowing her head towards me. The light from the lamp opposite our door caught the white curve of her neck, lit up her hair that rested there and, falling, lit up the hand upon the railing. It fell over one side of her dress and caught the white border of a petticoat, just visible as she stood at ease.

‘It’s well for you,’ she said.

‘If I go,’ I said, ‘I will bring you something.’

What innumerable follies laid waste my waking and sleeping thoughts after that evening! I wished to annihilate the tedious intervening days. I chafed against the work of school. At night in my bedroom and by day in the classroom her image came between me and the page I strove to read. The syllables of the word Araby were called to me through the silence in which my soul luxuriated and cast an Eastern enchantment over me. I asked for leave to go to the bazaar on Saturday night. My aunt was surprised, and hoped it was not some Freemason affair. I answered few questions in class. I watched my master’s face pass from amiability to sternness; he hoped I was not beginning to idle. I could not call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child’s play, ugly monotonous child’s play.

On Saturday morning I reminded my uncle that I wished to go to the bazaar in the evening. He was fussing at the hallstand, looking for the hat-brush, and answered me curtly:

‘Yes, boy, I know.’

As he was in the hall I could not go into the front parlour and lie at the window. I left the house in bad humour and walked slowly towards the school. The air was pitilessly raw and already my heart misgave me.

When I came home to dinner my uncle had not yet been home. Still it was early. I sat staring at the clock for some time and, when its ticking began to irritate me, I left the room. I mounted the staircase and gained the upper part of the house. The high, cold, empty, gloomy rooms liberated me and I went from room to room singing. From the front window I saw my companions playing below in the street. Their cries reached me weakened and indistinct and, leaning my forehead against the cool glass, I looked over at the dark house where she lived. I may have stood there for an hour, seeing nothing but the brown-clad figure cast by my imagination, touched discreetly by the lamplight at the curved neck, at the hand upon the railings and at the border below the dress.

When I came downstairs again I found Mrs Mercer sitting at the fire. She was an old, garrulous woman, a pawnbroker’s widow, who collected used stamps for some pious purpose. I had to endure the gossip of the tea-table. The meal was prolonged beyond an hour and still my uncle did not come. Mrs Mercer stood up to go: she was sorry she couldn’t wait any longer, but it was after eight o’clock and she did not like to be out late, as the night air was bad for her. When she had gone I began to walk up and down the room, clenching my fists. My aunt said:

‘I’m afraid you may put off your bazaar for this night of Our Lord.’

At nine o’clock I heard my uncle’s latchkey in the hall door. I heard him talking to himself and heard the hallstand rocking when it had received the weight of his overcoat. I could interpret these signs. When he was midway through his dinner I asked him to give me the money to go to the bazaar. He had forgotten.

‘The people are in bed and after their first sleep now,’ he said.

I did not smile. My aunt said to him energetically:

‘Can’t you give him the money and let him go? You’ve kept him late enough as it is.’

My uncle said he was very sorry he had forgotten. He said he believed in the old saying: ‘All work and no play makes Jack a dull boy.’ He asked me where I was going and, when I told him a second time, he asked me did I know The Arab’s Farewell to His Steed. When I left the kitchen he was about to recite the opening lines of the piece to my aunt.

I held a florin tightly in my hand as I strode down Buckingham Street towards the station. The sight of the streets thronged with buyers and glaring with gas recalled to me the purpose of my journey. I took my seat in a third-class carriage of a deserted train. After an intolerable delay the train moved out of the station slowly. It crept onward among ruinous houses and over the twinkling river. At Westland Row Station a crowd of people pressed to the carriage doors; but the porters moved them back, saying that it was a special train for the bazaar. I remained alone in the bare carriage. In a few minutes the train drew up beside an improvised wooden platform. I passed out on to the road and saw by the lighted dial of a clock that it was ten minutes to ten. In front of me was a large building which displayed the magical name.

I could not find any sixpenny entrance and, fearing that the bazaar would be closed, I passed in quickly through a turnstile, handing a shilling to a weary-looking man. I found myself in a big hall girded at half its height by a gallery. Nearly all the stalls were closed and the greater part of the hall was in darkness. I recognized a silence like that which pervades a church after a service. I walked into the centre of the bazaar timidly. A few people were gathered about the stalls which were still open. Before a curtain, over which the words Caf Chantant were written in coloured lamps, two men were counting money on a salver. I listened to the fall of the coins.

Remembering with difficulty why I had come, I went over to one of the stalls and examined porcelain vases and flowered tea-sets. At the door of the stall a young lady was talking and laughing with two young gentlemen. I remarked their English accents and listened vaguely to their conversation.

‘O, I never said such a thing!’

‘O, but you did!’

‘O, but I didn’t!’

‘Didn’t she say that?’

‘Yes. I heard her.’

‘O, there’s a… fib!’

Observing me, the young lady came over and asked me did I wish to buy anything. The tone of her voice was not encouraging; she seemed to have spoken to me out of a sense of duty. I looked humbly at the great jars that stood like eastern guards at either side of the dark entrance to the stall and murmured:

‘No, thank you.’

The young lady changed the position of one of the vases and went back to the two young men. They began to talk of the same subject. Once or twice the young lady glanced at me over her shoulder.

I lingered before her stall, though I knew my stay was useless, to make my interest in her wares seem the more real. Then I turned away slowly and walked down the middle of the bazaar. I allowed the two pennies to fall against the sixpence in my pocket. I heard a voice call from one end of the gallery that the light was out. The upper part of the hall was now completely dark.

Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.

The Saturday Night Special: “The Terrible Old Man” by H.P. Lovecraft (1921)

          It was the design of Angelo Ricci and Joe Czanek and Manuel Silva to call on the Terrible Old Man. This old man dwells all alone in a very ancient house on Water Street near the sea, and is reputed to be both exceedingly rich and exceedingly feeble; which forms a situation very attractive to men of the profession of Messrs. Ricci, Czanek, and Silva, for that profession was nothing less dignified than robbery.
       The inhabitants of Kingsport say and think many things about the Terrible Old Man which generally keep him safe from the attention of gentlemen like Mr. Ricci and his colleagues, despite the almost certain fact that he hides a fortune of

H.P. Lovecraft, 1915
H.P. Lovecraft, 1915

indefinite magnitude somewhere about his musty and venerable abode. He is, in truth, a very strange person, believed to have been a captain of East India clipper ships in his day; so old that no one can remember when he was young, and so taciturn that few know his real name. Among the gnarled trees in the front yard of his aged and neglected place he maintains a strange collection of large stones, oddly grouped and painted so that they resemble the idols in some obscure Eastern temple. This collection frightens away most of the small boys who love to taunt the Terrible Old Man about his long white hair and beard, or to break the small-paned windows of his dwelling with wicked missiles; but there are other things which frighten the older and more curious folk who sometimes steal up to the house to peer in through the dusty panes. These folk say that on a table in a bare room on the ground floor are many peculiar bottles, in each a small piece of lead suspended pendulum-wise from a string. And they say that the Terrible Old Man talks to these bottles, addressing them by such names as Jack, Scar-Face, Long Tom, Spanish Joe, Peters, and Mate Ellis, and that whenever he speaks to a bottle the little lead pendulum within makes certain definite vibrations as if in answer. Those who have watched the tall, lean, Terrible Old Man in these peculiar conversations, do not watch him again. But Angelo Ricci and Joe Czanek and Manuel Silva were not of Kingsport blood; they were of that new and heterogeneous alien stock which lies outside the charmed circle of New England life and traditions, and they saw in the Terrible Old Man merely a tottering, almost helpless greybeard, who could not walk without the aid of his knotted cane, and whose thin, weak hands shook pitifully. They were really quite sorry in their way for the lonely, unpopular old fellow, whom everybody shunned, and at whom all the dogs barked singularly. But business is business, and to a robber whose soul is in his profession, there is a lure and a challenge about a very old and very feeble man who has no account at the bank, and who pays for his few necessities at the village store with Spanish gold and silver minted two centuries ago.
      Messrs. Ricci, Czanek, and Silva selected the night of April 11th for their call. Mr. Ricci and Mr. Silva were to interview the poor old gentleman, whilst Mr. Czanek waited for them and their presumable metallic burden with a covered motor-car in Ship Street, by the gate in the tall rear wall of their host’s grounds. Desire to avoid needless explanations in case of unexpected police intrusions prompted these plans for a quiet and unostentatious departure.
      As prearranged, the three adventurers started out separately in order to prevent any evil-minded suspicions afterward. Messrs. Ricci and Silva met in Water Street by the old man’s front gate, and although they did not like the way the moon shone down upon the painted stones through the budding branches of the gnarled trees, they had more important things to think about than mere idle superstition. They feared it might be unpleasant work making the Terrible Old Man loquacious concerning his hoarded gold and silver, for aged sea-captains are notably stubborn and perverse. Still, he was very old and very feeble, and there were two visitors. Messrs. Ricci and Silva were experienced in the art of making unwilling persons voluble, and the screams of a weak and exceptionally venerable man can be easily muffled. So they moved up to the one lighted window and heard the Terrible Old Man talking childishly to his bottles with pendulums. Then they donned masks and knocked politely at the weather-stained oaken door.
      Waiting seemed very long to Mr. Czanek as he fidgeted restlessly in the covered motor-car by the Terrible Old Man’s back gate in Ship Street. He was more than ordinarily tender-hearted, and he did not like the hideous screams he had heard in the ancient house just after the hour appointed for the deed. Had he not told his colleagues to be as gentle as possible with the pathetic old sea-captain? Very nervously he watched that narrow oaken gate in the high and ivy-clad stone wall. Frequently he consulted his watch, and wondered at the delay. Had the old man died before revealing where his treasure was hidden, and had a thorough search become necessary? Mr. Czanek did not like to wait so long in the dark in such a place. Then he sensed a soft tread or tapping on the walk inside the gate, heard a gentle fumbling at the rusty latch, and saw the narrow, heavy door swing inward. And in the pallid glow of the single dim street-lamp he strained his eyes to see what his colleagues had brought out of that sinister house which loomed so close behind. But when he looked, he did not see what he had expected; for his colleagues were not there at all, but only the Terrible Old Man leaning quietly on his knotted cane and smiling hideously. Mr. Czanek had never before noticed the colour of that man’s eyes; now he saw that they were yellow.
      Little things make considerable excitement in little towns, which is the reason that Kingsport people talked all that spring and summer about the three unidentifiable bodies, horribly slashed as with many cutlasses, and horribly mangled as by the tread of many cruel boot-heels, which the tide washed in. And some people even spoke of things as trivial as the deserted motor-car found in Ship Street, or certain especially inhuman cries, probably of a stray animal or migratory bird, heard in the night by wakeful citizens. But in this idle village gossip the Terrible Old Man took no interest at all. He was by nature reserved, and when one is aged and feeble one’s reserve is doubly strong. Besides, so ancient a sea-captain must have witnessed scores of things much more stirring in the far-off days of his unremembered youth.

###

A short, animated version of “The Terrible Old Man” can be found on Youtube at
https://www.youtube.com/watch?v=XHpuAAnHdEc.  Four minutes, eighteen seconds in length, it is an abbreviated version of Lovecraft’s 1,200 word story.  It cuts out a lot of the descriptive text and adds a couple of minor touches of its own, but, as far as horror and Lovecraft go, it is a relatively charming tale.   I find the story more enjoyable because of Lovecraft’s unique narrative style.

 

Reviews Needed

I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy.  You can find my works on my Amazon author’s page.  Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click).  The other two works are contained in A Tale of Hell and Other Works of Horror.

Reviews Needed

I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy.  You can find my works on my Amazon author’s page.  Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click).  The other two works are contained in A Tale of Hell and Other Works of Horror.

call for bouncers — The Poetry Department . . . aka The Boynton Blog

Have you submitted a poem to the Sue C. Boynton Poetry Contest only to be disappointed by rejection? Well, if so, here’s your chance to show your stuff. The contest committee is teaming up with poetrynight to present Boynton Bouncers. Boynton Bouncers will be held at the Bellingham Alternative Library on Monday, August 12, 2019, […]

via call for bouncers — The Poetry Department . . . aka The Boynton Blog

Reviews Needed

I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy.  You can find my works on my Amazon author’s page.  Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click).  The other two works are contained in A Tale of Hell and Other Works of Horror.

call for bouncers — The Poetry Department . . . aka The Boynton Blog

Have you submitted a poem to the Sue C. Boynton Poetry Contest only to be disappointed by rejection? Well, if so, here’s your chance to show your stuff. The contest committee is teaming up with poetrynight to present Boynton Bouncers. Boynton Bouncers will be held at the Bellingham Alternative Library on Monday, August 12, 2019, […]

via call for bouncers — The Poetry Department . . . aka The Boynton Blog

Reviews Needed

I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy.  You can find my works on my Amazon author’s page.  Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click).  The other two works are contained in A Tale of Hell and Other Works of Horror.

Update: August 9, 2019 Making Progress

July 29, 2019

I have been working almost every day since my last update on my sci-do novel. I am really delving deep into developing the characters of the two primary antagonists. The hardest part is deciding what to leave out. I am also racking my brain as to how to contrast the characters of the antagonist versus the protagonist and the alien civilization against ours .

This is probably my last day in Aztec, NM.  I am moving to take a job in Gillett, Arkansas. The movers have come and gone, I have waned out the place, and the car is being tuned up as I write this. Unless something unexpected happens with the car, I am departing tomorrow morning. I will miss New Mexico. It’s one awesome state. 😞

call for bouncers — The Poetry Department . . . aka The Boynton Blog

Have you submitted a poem to the Sue C. Boynton Poetry Contest only to be disappointed by rejection? Well, if so, here’s your chance to show your stuff. The contest committee is teaming up with poetrynight to present Boynton Bouncers. Boynton Bouncers will be held at the Bellingham Alternative Library on Monday, August 12, 2019, […]

via call for bouncers — The Poetry Department . . . aka The Boynton Blog

Reviews Needed

I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy.  You can find my works on my Amazon author’s page.  Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click).  The other two works are contained in A Tale of Hell and Other Works of Horror.

Reviews Needed

I am seeking people to review my works and who post their reviews to markets in the US, Australia, New Zealand, or Canada. I offer my Kindle e-books for free periodically according to Amazon policy.  You can find my works on my Amazon author’s page.  Let me know which you would like to review and I will let you know when it available for free or set up a date that you can have it for fee. I am most interested in having reviewed either my short horror (A Tale of Hell and Other Works of Horror), my collected poetry (Nocturne: Poems of Love, Distance, and the Night, a callous and disinterested lover), my short fiction on relationships (The Scent and Other Stories), or my action-adventure novelette (Click).  The other two works are contained in A Tale of Hell and Other Works of Horror.