Publication Announcement: “Sorcerer”

imageToday, my short horror story “Sorcerer” is slated to appear in Creepy Campfire Quarterly. Many thanks to the CCQ staff for publishing this story, its first time in print.

“Sorcerer” is about a modern-day wizard who comes out of retirement to take a unique vengeance on the boy he holds responsible for abandoning and killing his daughter when she was most vulnerable.

Watch for Creepy Campfire Quarterly at your local newsstand or bookstore.

The Art of Horror Facebook Page Is Changing

Phil Slattery hiking in the Bisti Wilderness near Farmington, NM, circa 2013
Phil Slattery hiking in the Bisti Wilderness near Farmington, NM, circa 2013

Drop by, check it out, and give me a “like” to get things rolling.

My Facebook Art of Horror address (https://www.facebook.com/slatterysartofhorror) remains the same, but the title is now “Phil Slattery, Author of Horror and Dark Fiction”.  I intend to give it a more personal focus rather than have it serve as a facebook-formatted version of this blog.   Please ask your friends and acquaintances to “like” and “friend” me as well.

Frankly Useless Crank “Knowledge,” Only For Fools

Warning: this articles is not for prudes or the linguistically squeamish. It is a frank, fascinating look into the origins of some of our most common obscenities.

sesquiotic's avatarStrong Language

Have you heard where fuck comes from? For Use of Carnal Knowledge. No, um, For Unlawful Carnal Knowledge. No, wait, Fornication Under Consent of King. No, it’s…

…It’s Frankly Usage Crank “Knowledge,” Only For Fools. Or FUCK OFF for short.

Sorry to shit on your party trick – don’t worry, it won’t Ship High In Transit, because FUCK OFF – but no swearwords ever in English (or probably any other language) have been created from acronyms. This is for two reasons:

  1. Acronyms are intrinsically euphemistic. They are used to camouflage rude, offensive, or otherwise unendurable things (often just unendurably long).
  2. Acronyms have only really been used to generate words since the mid-20th century.

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The Farmington Writers Circle Meets Tonight at 7:00 pm at Hastings

Farmington Hastings Hardback Cafe
Farmington Hastings Hardback Cafe

The next meeting of the Farmington Writers Circle will be at 7:00 p.m. on July 14, 2016, at Hastings Hardback Café on 20th Street.   The topic of the evening will be a continuation of the June meeting on creative ways of marketing your work.  The meeting is open to the general public.

The Farmington Writers Circle is a nascent organization of authors and writers, who are interested in publishing and marketing their works.

Please contact Phil Slattery via this website with any questions or comments.

Follow the Rules, She Whispered

Here’s some good advice for novices and old hands alike.

Dinty W. Moore's avatarThe Brevity Blog

priddy Jan Priddy

by Jan Priddy

Some years ago in a writing workshop, twelve people sat around a broad conference table arguing about the word “whispered.”

The text we were looking at had a dialogue tag of “he whispered.” That was a problem. Our instructor insisted we avoid words other than “said” to attribute dialogue. If you have attended a writing workshop at any time in the past thirty years or so, you know this rule. The variations on “said” my fourth grade teacher once suggested—averred, argued, contended—are today often viewed as authorial intrusions detracting from the message. The dialogue itself should indicate the emotion without attendant “shouted” or “demanded.”

In the case of this particular “whispered,” the writer said his character’s words were spoken softly even though the words themselves did not indicate volume. The group sought alternative wording to eliminate “whispered,” but “said softly” or “said quietly” were also…

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The Farmington Writers Circle Meets Again on Thursday, July 14

doctorsleeppromoThe Farmington Writers Circle will meet again on Thursday, July 14, at 7:00 pm at Hastings Hardback Café on 20th Street in Farmington.  The topic will be the continuation of “Creative Outlets for Marketing Your Book”.  The public is invited to attend and join in the discussion.

The Farmington Writers Circle is a nascent organization of writers whose goal is to market and publicize their works.  Everyone is invited to join.   Contact Phil Slattery through this website with any questions.

THE NEON DEMON Review

David J. Sharp's avatarHorror Underground

After having audience attendees leave during the screening and boo the film after it ended, to call the Cannes Film Festival run of Nicolas Winding Refn’s The Neon Demon tenuous would be an understatement, especially given the similar reaction to his previous film Only God Forgives. Almost as a point of contrarianism to the attention his film Drive was given, Refn seems to be climbing further and further into the deepest reaches of art house expressionism and The Neon Demon appears to be the culmination of that intended apex. Critics have been chastising his work for being pretentious, masculine, and dull, but this hasn’t faded his process, on the contrary, it has further motivated him to explore a neo-Kubrick cinematic style that is only enjoyable by the hardened cinematic enthusiast, a style which forces the viewer to defragment a puzzle instead of seeking entertainment. While I cannot…

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Chilling clip released from new VOD hit THE LAUGHING MASK!

David J. Sharp's avatarHorror Underground

A new clip has been released from this month’s hot horror release, The Laughing Mask now available On Demand.

Director Michael Aguiar‘s indie slasher stars John Hardy, Sheyenne Rivers, Gabriel Lee and Jeffrey Jenkins.

Jake (John Hardy) has lost his wife to the Laughing Mask killer. Recently, his daughter has been kidnapped by this same madman. Jake must work with the diligent detective, Kate O’Malley (Sheyenne Rivers), to track down this elusive man. But, where the Laughing Mask takes him, Jake is unprepared to go. Jake must deal with a strange assortment of monsters and creatures, within the Laughing Mask’s darkened lair.
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Shadow Thief

The Drabble's avatar

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By Alyson Faye

The shadow creeping across Lizzy’s bedroom bent over her. Giant shadow fingers, thick as tar, stroked her face, then her lips. Next morning Lizzy couldn’t speak.

“We need to weave a willow web,” her mum announced.

They went out harvesting the willow wood early at dawn. It was dewy and bendy.

“We must wrap strands of your hair around the willow.”

At one a.m. the shadow thief came insinuating at the windowpane, pushing against the willow. Its long, black, inky arms reached in, grabbing at air. In fury, it roared. Glass shards descended.

Lizzy found her voice, yelling in triumph.

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Guest Blog: Finger’s Breadth Book Excerpt

Horror Addicts Guest's avatarHorrorAddicts.net

guestblog2e

 Finger’s Breadth Book Excerpt

by M. Christian

Looking from the window of the coffee shop. Watching from the windshield of a parked car. Staring from the glass of a very rare unbroken bus kiosk. Glaring from the side of a passing bus.

A brief summer rain had painted the city that night in reflections. Fanning saw himself everywhere, and everywhere he saw himself his expression said the same thing—Why haven’t you caught him yet?

In his ear, a Bluetooth bud whispered the Officer Wertz inquiry’s soundtrack; in his pocket, the video was playing on his phone. He didn’t need to hear or see it. No one would, but if asked he could probably rattle off every verb, every noun, every linguistic bit from when Knorr started it to when he stopped it. Knorr was good at what he did, just like the lab mice who studied crime…

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Pontypool (2008) Review

Here’s a good review of a film that I found quite enjoyable and that had premise that (as a natural linguist) I found intriguing: could a language spread disease? In the movie the illness zombiefies people, but why couldn’t a language spread a psychological ailment, a madness of some sort as language is intricately linked to the minds of both the speaker and the listener?

acidburnshorrorshow's avatarAcid Horrors

Pontypoolposter

Once again I was browsing what to watch and I’d seen this one a few times but never pressed play. After a quick read of what it was about, I thought why not give it a go. The concept sounded unique and I love a film that’s mostly set in one place.

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