This weekend I was invited to speak at the Batesville (Arkansas) High School ComicCon March 4-5. I will be speaking on my writing and on The Chamber Magazine and my second publishing endeavor, Rural Fiction Magazine.
This weekend I was invited to speak at the Batesville (Arkansas) High School ComicCon March 4-5. I will be speaking on my writing and on The Chamber Magazine and my second publishing endeavor, Rural Fiction Magazine. I will provide more details as I learn them and as I develop my talks.
Being invited to the ComicCon was a pleasant surprise. This is the first time I have been invited anywhere to speak on my writing. I am flattered.
I am looking forward to this opportunity to speak about three of my favorite passions.
If you dabble in writing mainstream/literary stories and poems (or of any genre) that have a rural setting or concern rural themes, please consider submitting them to RFM. Currently, RFM is not accepting stories of over 5,000 words. There is no pay, but the author does retain all rights. Guidelines are on the website and closely resemble those of The Chamber.
Rural Fiction Magazine was established to explore the beauty and drama of rural America.
Rural Fiction Magazine seeks primarily mainstream/literary stories and poetry set in the rural US. Although it may take occasional forays into other genres (such as horror, fantasy, science fiction, etc.), all works it publishes will be related in some fashion to rural America. Therefore, the mainstream and literary genres seem most suitable for our mission.
I intend to start out by publishing a few stories either weekly or monthly, depending on the amount of submissions we receive. I am capping the word limit at 5,000. All submissions must be in standard manuscript format (you can find out the details of this on Google). Response time may range from a day to a month, but will most likely be within a week. Send all submissions and inquiries to email@example.com.
RFM will publish interviews with notable writers and poets. This may be sporadic initially. This will be by invitation only
I am trying to come up with ideas on how to conclude Lycanthrope. I think focusing more on developing the protagonist’s (Peter’s) character through interior monologue would help not only reveal more of his nature, particularly through showing his perspective on the world, but would help generate more ideas on how to wrap up the book…
I am trying to come up with ideas on how to conclude Lycanthrope. I think focusing more on developing the protagonist’s (Peter’s) character through interior monologue would help not only reveal more of his nature, particularly through showing his perspective on the world, but would help generate more ideas on how to wrap up the book.
As I surfing YouTube last night, I came upon a one-man, one-act play version of Dostoevsky’s Notes from Underground starring Larry Cedar as the collegiate assessor. Excellent production. This is the kind of interior monologue I am talking about.
I have started to read Notes from Underground several times, but never could finish it before being pulled off onto something else. I am enjoying this production. It seems to be holding true to the text as I recall it, though, of course, this production is a severely abridged version of the novel. Any audiobook version of Notes… lasts about five hours, whereas the stage production lasts about 90 minutes. I enjoy productions like this one, set in the appropriate period, because they help me visualize the events. I still need to sit down and read the novel through in one sitting though to appreciate it as it was intended to be appreciated.
However, I do find Cedar’s interpretation of the collegiate assessor fascinating. I like his active acting style. Though I am not an actor (though I have one or two WIP’s that are plays), his technique seems ideal for the stage and particularly for a one-man show, which demands that the protagonist keep the audience riveted. Some people may consider it somewhat melodramatic, but I would disagree. I think it is ideal for the play and for expressing what is going on in the characters’ minds. I recommend watching this production to anyone, particularly to those with an interest in 19th century Russian literature.
Going to his YouTube page, I see that Larry Cedars has several similar one-act plays to be viewed, including at least one based on one of Kafka’s work. I will make it a point to watch as many of these as I can.